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Author:
Publisher: Abhinav Publications
ISBN: 9788170170372
Category :
Languages : en
Pages : 140
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Book Description
The Book Deals With The Iconography Of Sadasiva, An Important Form Of Lord Siva. It Has Four Chapters: Sadasiva, Mahasadasiva, The Consort Of Sadasiva, And Resume. The Sadasiva Aspect Of Siva, Having Five Heads And Ten Arms, Did Not Receive Much Attention From The Scholars So Far. The Present Book Envisages To Bring Together All The Material Bearing On The Subject. A Number Of Photographs, Mostly Of Unpublished Sculptures, Bronzes And Miniature Paintings Representing Different Phases Of Indian Art, Illustrate The Text And Make The Book Useful For The Students Of Art, Iconography, Religion And Philosophy. The Seven Appendices, Appended At The End, Provide Information As Gleaned From Religious And Secular Literature Related To The Subject.
Author:
Publisher: Abhinav Publications
ISBN: 9788170170372
Category :
Languages : en
Pages : 140
Get Book Here
Book Description
The Book Deals With The Iconography Of Sadasiva, An Important Form Of Lord Siva. It Has Four Chapters: Sadasiva, Mahasadasiva, The Consort Of Sadasiva, And Resume. The Sadasiva Aspect Of Siva, Having Five Heads And Ten Arms, Did Not Receive Much Attention From The Scholars So Far. The Present Book Envisages To Bring Together All The Material Bearing On The Subject. A Number Of Photographs, Mostly Of Unpublished Sculptures, Bronzes And Miniature Paintings Representing Different Phases Of Indian Art, Illustrate The Text And Make The Book Useful For The Students Of Art, Iconography, Religion And Philosophy. The Seven Appendices, Appended At The End, Provide Information As Gleaned From Religious And Secular Literature Related To The Subject.
Author: C. Sivaramamurti
Publisher: Abhinav Publications
ISBN: 9788170170389
Category :
Languages : en
Pages : 220
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Book Description
The present book on ‘Satarudriya: Vibhuti of Siva’s Iconography’ is not only the text from the Krishnayajurveda Taittiriya Samhita with its translation but is a discussion of the epithets and their significance in the context of the iconographic concepts associated with Siva and the importance of this Vedic text in understanding the immanence of the Almighty conceived as Rudra. These discussions are illustrated by a bunch of chosen examples of art that form the plates accompanying the text. After a brilliant academic career C. Sivaramamurti entered the Museum profession as Curator for Archaeology in the Madras Museum. He then joined the Archaeological Survey of India as Superintendent, Archaeological Section, Indian Museum, Calcutta, whence he came over to the National Museum as Keeper and rose as Assistant Director and finally became the Director. Closely associated with the International Council of Museums he was in its executive committee and was Chairman of the Indian National Committee of ICOM.
Author: Charles D. Collins
Publisher: State University of New York Press
ISBN: 0791499537
Category : Religion
Languages : en
Pages : 360
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Book Description
The beautiful rock-cut Siva temple on Elephanta Island in Bombay Harbor is one of the finest monuments of Indian religion and art. Until now, interpretation of its magnificent sculptured scenes has been neglected. In this book, Collins systematically surveys the pertinent Vedic, Epic, and early Puranic literature as well as the contributions of India's foremost poet and dramatist, Kalidasa, to reveal sources for and interpretations of the subjects of the relief sculptures. This survey shows strong associations with areas formerly controlled by the classical Gupta dynasty in northern India. This book provides the first detailing of this link, intimated by others before, which helps to explain the grandeur of style found in the colossal reliefs. By applying certain aspects of ritual texts of the Lakulisa-Pasupata, the sect that probably used Elephanta originally, exceptional clarity is revealed for the worship of the sculptures in a counterclockwise sequence, quite unusual in India, but appropriate to this particular sect. Lakulisa-Pasupata texts are invoked in Collins' theory of how the cave-temple at Elephanta was used. This area of investigation has been virtually untouched by other scholars for any early Hindu shrine in India.
Author: Gudrun Bühnemann
Publisher: BRILL
ISBN: 9004531238
Category : History
Languages : en
Pages : 433
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Book Description
While Volume I of this two-volume monograph focuses on the deity pantheon of the sixteenth-century Mantramahodadhi, this volume compares for the first time deity descriptions extracted from two earlier and closely related texts, the anonymous Prapañcasāra (ca. tenth century) and Lakṣmaṇadeśika’s Sāradātilaka (tenth/eleventh centuries). The latter work, though based on the Prapañcasāra, treats the topics independently and incorporates new deity descriptions while omitting others. Both texts are still influential and are frequently cited. The Sanskrit text of the 78 deity descriptions extracted from the Prapañcasāra and the 101 descriptions from the Sāradātilaka is based on a comparison of different printed editions of these texts, as well as citations found in other works. The Sanskrit text is presented with a literal translation and remarks on the iconography. The introductory section addresses basic questions related to these two works. In addition, a new edition and translation of the important chapters I (on cosmogony) and 25 (on yoga) of the Sāradātilaka are presented in two appendices. A large number of illustrations of deities complement the volume. The print edition is available as a set of two volumes (9789069801193).
Author: Stella Kramrisch
Publisher: Motilal Banarsidass Publ.
ISBN: 9788120804913
Category : Religion
Languages : en
Pages : 602
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Book Description
One of the three great gods of Hinduism, Siva is a living god. The most sacred and most ancient book of India, "The Rg Veda," evokes his presence in its hymns; Vedic myths, rituals, and even astronomy testify to his existence from the dawn of time. In a lively meditation on Siva--based on original Sanskrit texts, many translated here for the first time--Stella Kramrisch ponders the metaphysics, ontology, and myths of Siva from the Vedas and the Puranas. Who is Siva? Who is this god whose being comprises and transcends everything? From the dawn of creation, the Wild God, the Great Yogi, the sum of all opposites, has been guardian of the absolute. By retelling and interweaving the many myths that keep Siva alive in India today, Kramrisch reveals the paradoxes in Siva's nature and thus in the nature of consciousness itself.
Author: A. Kamala Vasini
Publisher:
ISBN:
Category : Religion
Languages : en
Pages : 350
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Book Description
Author: Ellen Raven
Publisher: BRILL
ISBN: 9004473009
Category : Reference
Languages : en
Pages : 669
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Book Description
An extensive, illustrated bibliography for the Hindu god Śiva in the arts of South and Southeast Asia, offering detailed indices and easy access to resource repositories.
Author: Ellen Goldberg
Publisher: State University of New York Press
ISBN: 0791488853
Category : Religion
Languages : en
Pages : 211
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Book Description
The designation "Lord Who Is Half Woman" refers to the androgynous Hindu god Ardhanarisvara (also known as Siva-Sakti). While iconographical aspects of this significant image have been addressed, the complex theological, philosophical, and social implications inherent in a dual gendered deity have not. This book provides the first extensive study of the influence of Ardhanarisvara, exploring four distinct areas of Indian culture, namely iconography, hatha yoga, devotional poetry (bhakti), and mythology. Ellen Goldberg also offers a feminist analysis of the ways in which "male" and "female" have been constructed in this image and the various representations pertaining to the broader gender implications of an androgynous deity.
Author: James C. Harle
Publisher: Yale University Press
ISBN: 9780300062175
Category : Art
Languages : en
Pages : 616
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Book Description
Thirty years' research and first-hand knowledge of the area have enabled the author to trace the cultural contacts which have contributed to the rich mosaic of sculpture, temples, mosques, and painting that have gone towards the creation of one of the great civilizations of the world.
Author: Hans T. Bakker
Publisher: BRILL
ISBN: 9004644903
Category : History
Languages : en
Pages : 283
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Book Description
For now more than half a century, scholars of the history of Western art have become familiar with the idea that art is embedded in a social and cultural context which imbues it with meaning and as such may be viewed as a source which generates knowledge concerning this context; this again may result in a better understanding of the artefact itself. This synthetic method of investigation, known under the name of ‘iconology,’ has proved to be of great value in the research of the history of culture. The present book is an essay in which the ‘classical age’ of India is studied by exploring textual as well as archaeological sources that relate to the kingdom of the Vākāṭakas, the southern neighbours of the Guptas in the fourth and fifth centuries AD. A great number of inscriptions and Hindu sculptures have been discovered and published during the last two decades. Among these inscriptions the one found in the Kevala-Narasiṃha Temple on Ramtek Hill (Rāmagiri) deserves special mention as it throws a flood of light on the political history of the Vākāṭakas and their relationship with the Guptas. This book draws on the new sculptural and epigraphical evidence in presenting a history of the Vākāṭaka kingdom. The (Hindu) sculptures found in the eastern Vākāṭaka realm are brought together for the first time in an illustrated catalogue, their findspots are surveyed, their iconography is studied and their link with Ajanta is pointed out.
