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Author: Robert Venturi
Publisher: MIT Press
ISBN: 9780262220514
Category : Architecture
Languages : en
Pages : 402
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Book Description
Venturi, who along with his partner, Denise Scott Brown, has made the vulgar acceptable and found virtue in the commercial, the kitsch, and the ordinary, is repected equally as a theorist and an architect who communicates his architectural ideas, formal and verbal, with grace and wit. These essays, letters, reports, lectures, manifestos, and polemic texts offer a candid, uncensored view from the drafting room. 117 illustrations.
Author: Robert Venturi
Publisher: MIT Press
ISBN: 9780262220514
Category : Architecture
Languages : en
Pages : 402
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Book Description
Venturi, who along with his partner, Denise Scott Brown, has made the vulgar acceptable and found virtue in the commercial, the kitsch, and the ordinary, is repected equally as a theorist and an architect who communicates his architectural ideas, formal and verbal, with grace and wit. These essays, letters, reports, lectures, manifestos, and polemic texts offer a candid, uncensored view from the drafting room. 117 illustrations.
Author: Robert Venturi
Publisher:
ISBN:
Category : Architecture, Modern
Languages : en
Pages : 374
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Book Description
"Robert Venturi's 'Complexity and Contradiction in Architecture' and 'Learning from Las Vegas' (the latter coauthored with Denise Scott Brown and Steven Izenour) are among the most influential books by any architect of our era - the one celebrating complexity in architecture, the other the uses of symbolism in commercial and vernacular architecture and signage. This new collection of writings in a variety of genres argues for a generic architecture defined by iconography and electronics, an architecture whose elemental qualities become shelter and symbol. Venturi, who along with his partner, Denise Scott Brown, made the vulgar acceptable and found virtue in the commercial, the kitsch, and the ordinary, is respected equally as a theorist and an architect who communicates his architectural ideas, formal and verbal, with grace and wit. These essays, letters, reports, lectures, manifestos, and polemical texts offer a candid, uncensored view from the drafting room, commonsense responses, urgent and diverse, of a busy architect, in part a reaction against the conceptualizing of architecture today invaded by other disciplines and made obscure. Seven of the essays were coauthored with Denise Scott Brown. The voice is personal, eloquent in expounding on the unglamorous side of practice; sometimes vituperative and corrective in addressing clients, theoreticians, and critics; often amusing and humorous in looking back on past projects and opportunities; instructive in describing early influences and tasts; and reflective in assessing his own impact on the profession. The lead essays can be described as an argument embracing reference and representation in our information age, whose technical basis is truly of our time and whose iconographic basis derives from a long tradition in architecture including hieroglyphic Egyptian pylons, early Christian basilicas, scenographic Baroque interiors, and even eclectic Romantic architecture and twentieth-century electronic signs and displays. The essays include Venturi's 1950 M.F.A. thesis, published here for the first time - a work that foreshadows many of the themes that were later to make him a controversial and ground-breaking architect and writer - and a series of vintage Venturi aphorisms"--Back cover.
Author: Robert Venturi
Publisher: The Museum of Modern Art
ISBN: 9780870702822
Category : Architecture
Languages : en
Pages : 142
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Book Description
Foreword by Arthur Drexler. Introduction by Vincent Scully.
Author: Robert Venturi
Publisher: Belknap Press
ISBN:
Category : Architecture
Languages : en
Pages : 272
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Book Description
The observer-designer-theorists who analyzed the Las Vegas strip as an archetype in "Learning from Las Vegas" now turn their iconoclastic vision onto their own remarkable partnership and the rule-breaking architecture it has spawned for this fascinating retrospective of their life work.
Author: Robert Venturi
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: Robert Venturi
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Aron Vinegar
Publisher: MIT Press
ISBN: 0262220822
Category : Architectural writing
Languages : en
Pages : 249
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Book Description
"Learning from Las Vegas, originally published by the MIT Press in 1972, was one of the most influential and controversial architectural books of its era. Thirty-five years later, it remains a perennial bestseller and a definitive theoretical text. Its authorsاarchitects Robert Venturi, Denise Scott Brown, and Steven Izenourاfamously used the Las Vegas Strip to argue the virtues of the "ordinary and ugly" above the "heroic and original" qualities of architectural modernism. Learning from Las Vegas not only moved architecture to the center of cultural debates, it changed our ideas about what architecture was and could be. In this provocative rereading of an iconic text, Aron Vinegar argues that Learning from Las Vegas is not only of historical interest but of absolute relevance to current critical debates in architectural and visual culture. Vinegar argues that to read Learning from Las Vegas only as an exemplary postmodernist textاto understand it, for example, as a call for pastiche or as ironic provocationاis to underestimate its deeper critical and ethical meaning, and to miss the underlying dialectic between skepticism and the ordinary, expression and the deadpan, that runs through the text. Vinegar's close attention to the graphic design of Learning from Las Vegas, and his fresh interpretations of now canonical images from the book such as the Duck, the Decorated Shed, and the "recommendation for a monument," make his book unique. Perhaps most revealing is his close analysis of the differences between the first 1972 edition, designed for the MIT Press by Muriel Cooper, and the "revised" edition of 1977, which was radically stripped down and largely redesigned by Denise Scott Brown. The dialogue between the two editions continues with this book, where for the first time the two versions of Learning from Las Vegas are read comparatively."--Publisher's website.
Author: Slobodan Ćurčić
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 380
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Book Description
"Byzantine art abandoned classical ideals in favor of formulas that conveyed spiritual concepts through stylized physical forms. Previous scholarship dealing with Byzantine icons has been largely focused on depictions of holy figures, dismissing representations of architecture as irrelevant space-filling background. Architecture as Icon demonstrates that background representations of architecture are meaningful, active components of compositions, often as significant as the holy figures. The book provides a critical view for understanding the Byzantine conception of architectural forms and space and the corresponding intellectual underpinnings of their representation." "Architecture as Icon features four thought-provoking essays. The catalogue groups the material into four categories: generic, specific, and symbolic representations, culminating in a final grouping entitled "Jerusalem." Handsomely designed and illustrated, this volume addresses various approaches to depicting architecture in Byzantine art that contrast sharply with those of the Renaissance and Western artistic tradition." --Book Jacket.
Author: Peter Eisenman
Publisher: Yale University Press
ISBN: 9780300090086
Category : Architecture
Languages : en
Pages : 270
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Book Description
Essais sur l'architecture par l'architecte Eisenman.
Author: Aron Vinegar
Publisher: U of Minnesota Press
ISBN: 0816650608
Category : Architecture
Languages : en
Pages : 231
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Book Description
Evaluates for the first time one of the foundational works in architecture criticism. Immediately on its publication in 1972, Learning from Las Vegas, by Robert Venturi, Denise Scott Brown, and Steven Izenour, was hailed as a transformative work in the history and theory of architecture, liberating those in architecture who were trying to find a way out of the straitjacket of architectural orthodoxies. Resonating far beyond the professional and institutional boundaries of the field, the book contributed to a thorough rethinking of modernism and was subsequently taken up as an early manifestation and progenitor of postmodernism.
