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Author: Vernon J. Knight
Publisher: Cambridge University Press
ISBN: 1107022630
Category : Art
Languages : en
Pages : 221
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Book Description
This book offers an overview of iconographic methods and their application to archaeological analysis. It offers a truly interdisciplinary approach that draws equally from art history and anthropology. Vernon James Knight, Jr., begins with a historigraphical overview, addressing the methodologies and theories that underpin both archaeology and art history. He then demonstrates how iconographic methods can be integrated with the scientific methods that are at the core of much archaeological inquiry. Focusing on artifacts from the pre-Columbian civilizations of North and Meso-American sites, Knight shows how the use of iconographic analysis yields new insights into these objects and civilizations.
Author: Vernon J. Knight
Publisher: Cambridge University Press
ISBN: 1107022630
Category : Art
Languages : en
Pages : 221
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Book Description
This book offers an overview of iconographic methods and their application to archaeological analysis. It offers a truly interdisciplinary approach that draws equally from art history and anthropology. Vernon James Knight, Jr., begins with a historigraphical overview, addressing the methodologies and theories that underpin both archaeology and art history. He then demonstrates how iconographic methods can be integrated with the scientific methods that are at the core of much archaeological inquiry. Focusing on artifacts from the pre-Columbian civilizations of North and Meso-American sites, Knight shows how the use of iconographic analysis yields new insights into these objects and civilizations.
Author: Bretton T. Giles
Publisher: University Press of Florida
ISBN: 1683402464
Category : Social Science
Languages : en
Pages : 283
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Book Description
In this volume, contributors show how stylistic and iconographic analyses of Mississippian imagery provide new perspectives on the beliefs, narratives, public ceremonies, ritual regimes, and expressions of power in the communities that created the artwork. Exploring various methodological and theoretical approaches to pre-Columbian visual culture, these essays reconstruct dynamic accounts of Native American history across the U.S. Southeast. These case studies offer innovative examples of how to use style to identify and compare artifacts, how symbols can be interpreted in the absence of writing, and how to situate and historicize Mississippian imagery. They examine designs carved into shell, copper, stone, and wood or incised into ceramic vessels, from spider iconography to owl effigies and depictions of the cosmos. They discuss how these symbols intersect with memory, myths, social hierarchies, religious traditions, and other spheres of Native American life in the past and present. The tools modeled in this volume will open new horizons for learning about the culture and worldviews of past peoples. A volume in the Florida Museum of Natural History: Ripley P. Bullen Series Contributors: David Dye | Shawn P. Lambert | Bretton T. Giles | Vernon J. Knight, Jr. | Anna Semon | J. Grant Stauffer | Jesse Nowak | George E Lankford
Author: Carol Diaz-Granados
Publisher: Oxbow Books
ISBN:
Category : History
Languages : en
Pages : 242
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Book Description
Case studies combine archaeological data and oral tradition to illustrate how the archaeological expression of beliefs and meanings passed down in the oral tradition may be interpreted. Explanations in Iconography: Ancient American Indian Art, Symbol, and Meaning is a significant contribution to the field of archaeology – a contribution in iconography studies that has gradually been coming into its own. Iconography is a rich and fascinating field, as applied to the complex, and heretofore enigmatic, imagery on many ancient Pre-Columbian artifacts. When viewed through the lens of early ethnographic records and American Indian oral traditions, as well as information from knowledgeable American Indian elders, it opens a world of understanding and clarity until recently unknown in the field of anthropological archaeology. It brings us closer to the people who created the artifacts and offers a glimpse into the symbols and beliefs that were important to them. Chapters cover a wide variety of artifacts and imagery from several ancient American Indian cultures. These artifacts include petroglyphs and pictographs (rock art), mounds, engraved shell cups and gorgets, burial architecture and grave furniture, pottery, copper repoussé, and other media. Ancient graphics, engravings, mounds, and all were created to deliver a message to the viewer – and many of those messages are finally coming to light. The artifacts included are from a variety of regions, mainly in the Midwest and Eastern United States. We hope that this volume will encourage others to look more deeply into the meaning behind the ancient imagery and arts and give the past a chance to be known.
Author: Ryan Wheeler
Publisher: University Press of Florida
ISBN: 1683400887
Category : Social Science
Languages : en
Pages : 245
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Book Description
Beginning with Frank Hamilton Cushing’s famous excavations at Key Marco in 1896, a large and diverse collection of animal carvings, dugout canoes, and other wooden objects has been uncovered from Florida’s watery landscapes. Iconography and Wetsite Archaeology of Florida’s Watery Realms explores new discoveries and reexamines existing artifacts to reveal the influential role of water in the daily lives of Florida’s early inhabitants. Contributors compare anthropomorphic wooden carvings such as the Key Marco cat statuette to figures found elsewhere in the Southeast, connecting Floridians with the Mississippian world. They use ethnographic data to argue that Newnans Lake was once an intersection between major watersheds and that the more than 100 canoes unearthed there likely facilitated travel throughout the peninsula. A second look at artifacts from the Fort Center pond reveals mortuary figurines were deposited intentionally and over the course of several centuries. Other sites discussed include Chassahowitzka Springs, Weedon Island Preserve, Pineland, and Hontoon Island. Essays address the challenges of excavating and preserving perishable artifacts from waterlogged sites, especially those in saltwater environments, highlight the value of revisiting museum collections to ask new questions and employ new analytical techniques, and emphasize the important role of the public in the discovery of wetland sites. This volume demonstrates that, despite the difficulties faced by archaeologists working with saturated deposits, these sites are vital for understanding Florida’s prehistory. Contributors: Ryan J. Wheeler | Joanna Ostapkowicz | Michael A. Arbuthnot | Merald R. Clark | Julia B. Duggins | Michael Faught | Vernon James Knight | Phyllis Kolianos | William H. Marquardt | Lee A. Newsom | Daniel M. Seinfeld | S. Margaret Spivey-Faulkner | Karen Walker A volume in the Florida Museum of Natural History: Ripley P. Bullen Series
Author: Timothy Insoll
Publisher: Oxford University Press
ISBN: 0191663093
Category : Social Science
Languages : en
Pages : 961
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Book Description
Figurines dating from prehistory have been found across the world but have never before been considered globally. The Oxford Handbook of Prehistoric Figurines is the first book to offer a comparative survey of this kind, bringing together approaches from across the landscape of contemporary research into a definitive resource in the field. The volume is comprehensive, authoritative, and accessible, with dedicated and fully illustrated chapters covering figurines from the Americas, Europe, Africa, Asia, and Australasia and the Pacific laid out by geographical location and written by the foremost scholars in figurine studies; wherever prehistoric figurines are found they have been expertly described and examined in relation to their subject matter, form, function, context, chronology, meaning, and interpretation. Specific themes that are discussed by contributors include, for example, theories of figurine interpretation, meaning in processes and contexts of figurine production, use, destruction and disposal, and the cognitive and social implications of representation. Chronologically, the coverage ranges from the Middle Palaeolithic through to areas and periods where an absence of historical sources renders figurines 'prehistoric' even though they might have been produced in the mid-2nd millennium AD, as in parts of sub-Saharan Africa. The result is a synthesis of invaluable insights into past thinking on the human body, gender, identity, and how the figurines might have been used, either practically, ritually, or even playfully.
Author: Rubén G. Mendoza
Publisher: Springer Nature
ISBN: 303136600X
Category :
Languages : en
Pages : 530
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Book Description
Author: Yumi Park Huntington
Publisher: University Press of Florida
ISBN: 0813052416
Category : Social Science
Languages : en
Pages : 385
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Book Description
This is the first volume to bring together archaeology, anthropology, and art history in the analysis of pre-Columbian pottery. While previous research on ceramic artifacts has been divided by these three disciplines, this volume shows how integrating these approaches provides new understandings of many different aspects of Ancient American societies. Contributors from a variety of backgrounds in these fields explore what ceramics can reveal about ancient social dynamics, trade, ritual, politics, innovation, iconography, and regional styles. Essays identify supernatural and humanistic beliefs through formal analysis of Lower Mississippi Valley "Great Serpent" effigy vessels and Ecuadorian depictions of the human figure. They discuss the cultural identity conveyed by imagery such as Andean head motifs, and they analyze symmetry in designs from locations including the American Southwest. Chapters also take diachronic approaches—methods that track change over time—to ceramics from Mexico’s Tarascan State and the Valley of Oaxaca, as well as from Maya and Toltec societies. This volume provides a much-needed multidisciplinary synthesis of current scholarship on Ancient American ceramics. It is a model of how different research perspectives can together illuminate the relationship between these material artifacts and their broader human culture. Contributors: | Dean Arnold | George J. Bey III | Michael Carrasco | David Dye | James Farmer | Gary Feinman | Amy Hirshman | Yumi Park Huntington | Johanna Minich | Shelia Pozorski and Thomas Pozorski | Jeff Price | Sarahh Scher | Dorothy Washburn | Robert F. Wald
Author: Robbie Ethridge
Publisher: University Press of Florida
ISBN: 1683401905
Category : Social Science
Languages : en
Pages : 259
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Book Description
This volume uses case studies to capture the recent emphasis on history in archaeological reconstructions of America’s deep past. Previously, archaeologists studying “prehistoric” America focused on long-term evolutionary change, imagining ancient societies like living organisms slowly adapting to environmental challenges. Contributors to this volume demonstrate how today’s researchers are incorporating a new awareness that the precolonial era was also shaped by people responding to historical trends and forces. Essays in this volume delve into sites across what is now the United States Southeast—the St. Johns River Valley, the Gulf Coast, Greater Cahokia, Fort Ancient, the southern Appalachians, and the Savannah River Valley. Prominent scholars of the region highlight the complex interplay of events, human decision-making, movements, and structural elements that combined to shape native societies. The research in this volume represents a profound shift in thinking about precolonial and colonial history and begins to erase the false divide between ancient and contemporary America. Contributors: Susan M. Alt | Robin Beck | Eric E. Bowne | Robert A. Cook | Robbie Ethridge | Jon Bernard Marcoux | Timothy R. Pauketat | Thomas J. Pluckhahn | Asa R. Randall | Christopher B. Rodning | Kenneth E. Sassaman | Lynne P. Sullivan | Victor D. Thompson | Neill J. Wallis | John E. Worth A volume in the Florida Museum of Natural History: Ripley P. Bullen Series
Author: J. Grant Stauffer
Publisher: Oxbow Books
ISBN: 1789258464
Category : Social Science
Languages : en
Pages : 288
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Book Description
This volume examines how pre-Columbian societies in the Americas envisioned their cosmos and iteratively modeled it through the creation of particular objects and places. It emphasizes that American societies did this to materialize overarching models and templates for the shape and scope of the cosmos, the working definition of cosmoscape. Noting a tendency to gloss over the ways in which ancestral Americans envisioned the cosmos as intertwined and animated, the authors examine how cosmoscapes are manifested archaeologically, in the forms of objects and physically altered landscapes. This book’s chapters, therefore, offer case studies of cosmoscapes that present themselves as forms of architecture, portable artifacts, and transformed aspects of the natural world. In doing so, it emphasizes that the creation of cosmoscapes offered a means of reconciling peoples experiences of the world with their understandings of them.
Author: David Saunders
Publisher: Getty Publications
ISBN: 1606069055
Category : Art
Languages : en
Pages : 212
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Book Description
This abundantly illustrated volume is the first to explore the painted pottery of the ancient Greek, Moche, and Maya cultures side by side. Satyrs and sphinxes, violent legumes, and a dancing maize deity figure in the stories painted on the pottery produced by the ancient Greek, Moche, and Maya cultures, respectively. Picture Worlds is the first book to examine the elaborately decorated terracotta vessels of these three distinct civilizations. Although the cultures were separated by space and time, they all employed pottery as a way to tell stories, explain the world, and illustrate core myths and beliefs. Each of these painted pots is a picture world. But why did these communities reach for pottery as a primary method of visual communication? How were the vessels produced and used? In this book, experts offer introductions to the civilizations, exploring these foundational questions and examining the painted imagery. Readers will be rewarded with a better understanding of each of these ancient societies, fascinating insights into their cultural commonalities and differences, and fresh perspectives on image making and storytelling, practices that remain vibrant to this day.
