Iconographic Encyclopædia of Science, Literature, and Art

Iconographic Encyclopædia of Science, Literature, and Art PDF Author: Johann Georg Heck
Publisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 810

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Book Description

Iconographic Encyclopædia of Science, Literature, and Art

Iconographic Encyclopædia of Science, Literature, and Art PDF Author: Johann Georg Heck
Publisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 810

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Book Description


The Complete Encyclopedia of Illustration

The Complete Encyclopedia of Illustration PDF Author: J. G. Heck
Publisher: Gramercy
ISBN: 9780517183403
Category : Art
Languages : en
Pages : 573

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Book Description
Presents more than eleven thousand illustrations--all copyright free and reproducable--in a visual sourcebook that is arranged by subject matter, from architecture to science and technology, with each illustration fully captioned and indexed.

Encyclopedia of Comparative Iconography

Encyclopedia of Comparative Iconography PDF Author: Helene E. Roberts
Publisher: Routledge
ISBN: 1136787933
Category : Art
Languages : en
Pages : 1072

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Book Description
First published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.

Heck's Pictorial Archive of Nature and Science

Heck's Pictorial Archive of Nature and Science PDF Author: J. G. Heck
Publisher: Courier Corporation
ISBN: 0486155633
Category : Art
Languages : en
Pages : 196

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Book Description
5,500 illustrations from the 19th century include star maps, animals, plants, minerals, fossils, geological formations, human anatomy, and much more.

A Companion to Ancient Egyptian Art

A Companion to Ancient Egyptian Art PDF Author: Melinda K. Hartwig
Publisher: John Wiley & Sons
ISBN: 1118325095
Category : Literary Criticism
Languages : en
Pages : 624

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Book Description
A Companion to Ancient Egyptian Art presents a comprehensive collection of original essays exploring key concepts, critical discourses, and theories that shape the discipline of ancient Egyptian art. • Winner of the 2016 PROSE Award for Single Volume Reference in the Humanities & Social Sciences • Features contributions from top scholars in their respective fields of expertise relating to ancient Egyptian art • Provides overviews of past and present scholarship and suggests new avenues to stimulate debate and allow for critical readings of individual art works • Explores themes and topics such as methodological approaches, transmission of Egyptian art and its connections with other cultures, ancient reception, technology and interpretation, • Provides a comprehensive synthesis on a discipline that has diversified to the extent that it now incorporates subjects ranging from gender theory to ‘X-ray fluorescence’ and ‘image-based interpretations systems’

Invention of Hysteria

Invention of Hysteria PDF Author: Georges Didi-Huberman
Publisher: MIT Press
ISBN: 0262541807
Category : Psychology
Languages : en
Pages : 387

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Book Description
The first English-language publication of a classic French book on the relationship between the development of photography and of the medical category of hysteria. In this classic of French cultural studies, Georges Didi-Huberman traces the intimate and reciprocal relationship between the disciplines of psychiatry and photography in the late nineteenth century. Focusing on the immense photographic output of the Salpetriere hospital, the notorious Parisian asylum for insane and incurable women, Didi-Huberman shows the crucial role played by photography in the invention of the category of hysteria. Under the direction of the medical teacher and clinician Jean-Martin Charcot, the inmates of Salpetriere identified as hysterics were methodically photographed, providing skeptical colleagues with visual proof of hysteria's specific form. These images, many of which appear in this book, provided the materials for the multivolume album Iconographie photographique de la Salpetriere. As Didi-Huberman shows, these photographs were far from simply objective documentation. The subjects were required to portray their hysterical "type"—they performed their own hysteria. Bribed by the special status they enjoyed in the purgatory of experimentation and threatened with transfer back to the inferno of the incurables, the women patiently posed for the photographs and submitted to presentations of hysterical attacks before the crowds that gathered for Charcot's "Tuesday Lectures." Charcot did not stop at voyeuristic observation. Through techniques such as hypnosis, electroshock therapy, and genital manipulation, he instigated the hysterical symptoms in his patients, eventually giving rise to hatred and resistance on their part. Didi-Huberman follows this path from complicity to antipathy in one of Charcot's favorite "cases," that of Augustine, whose image crops up again and again in the Iconographie. Augustine's virtuosic performance of hysteria ultimately became one of self-sacrifice, seen in pictures of ecstasy, crucifixion, and silent cries.

The Oxford Handbook of Roman Imagery and Iconography

The Oxford Handbook of Roman Imagery and Iconography PDF Author: Lea K. Cline
Publisher: Oxford University Press
ISBN: 0190850329
Category : Architecture
Languages : en
Pages : 593

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Book Description
"Roman imagery and iconography are typically studied under the more general umbrella of Roman art and in broader, medium-specific studies. This handbook focuses primarily on visual imagery in the Roman world, examined by context and period, and the evolving scholarly traditions of iconographic analysis and visual semiotics that have framed the modern study of these images. As such topics-or, more directly, the isolation of these topics from medium-specific or strictly temporal evaluations of Roman art-are uncommon in monograph-length studies, our goal is that this handbook will be an important reference for both the communicative value of images in the Roman world and the tradition of iconographical analysis. The chapters herein represent contributions from a number of leading and emerging authorities on Roman imagery and iconography from across the world, representing a variety of academic traditions and methods of image analysis"--

A Saving Science

A Saving Science PDF Author: Eric M. Ramírez-Weaver
Publisher: Penn State Press
ISBN: 0271078251
Category : Art
Languages : en
Pages : 797

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Book Description
In A Saving Science, Eric Ramírez-Weaver explores the significance of early medieval astronomy in the Frankish empire, using as his lens an astronomical masterpiece, the deluxe manuscript of the Handbook of 809, painted in roughly 830 for Bishop Drogo of Metz, one of Charlemagne’s sons. Created in an age in which careful study of the heavens served a liturgical purpose—to reckon Christian feast days and seasons accurately and thus reflect a “heavenly” order—the diagrams of celestial bodies in the Handbook of 809 are extraordinary signifiers of the intersection of Christian art and classical astronomy. Ramírez-Weaver shows how, by studying this lavishly painted and carefully executed manuscript, we gain a unique understanding of early medieval astronomy and its cultural significance. In a time when the Frankish church sought to renew society through education, the Handbook of 809 presented a model in which study aided the spiritual reform of the cleric’s soul, and, by extension, enabled the spiritual care of his community. An exciting new interpretation of Frankish painting, A Saving Science shows that constellations in books such as Drogo’s were not simple copies for posterity’s sake, but functional tools in the service of the rejuvenation of a creative Carolingian culture.

Bilder Atlas

Bilder Atlas PDF Author: Johann Georg Heck
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 610

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Book Description


Beyond Vision

Beyond Vision PDF Author: Pavel Florensky
Publisher: Reaktion Books
ISBN: 1861896395
Category : Art
Languages : en
Pages : 396

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Book Description
Beyond Vision is the first English-language collection of essays on art by Pavel Florensky (1882–1937), Russian philosopher, priest, linguist, scientist, mathematician – and art historian. In addition to seven essays by Florensky, the book includes a biographical introduction and an examination of Florensky’s contribution as an art historian by Nicoletta Misler. Beyond Vision reveals Florensky’s fundamental attitudes to the vital questions of construction, composition, chronology, function and destination in the fields of painting, sculpture and design. His reputation as a theologian and philosopher is already established in the English-speaking world, but this first collection in English of his art essays (translated by Wendy Salmond) will be a revelation to those in the field. Pavel Florensky was a true polymath: trained in mathematics and philosophy at Moscow University, he rejected a scholarship in advanced mathematics in order to study theology at the Moscow Theological Academy. He was also an expert linguist, scientist and art historian. A victim of the Soviet government’s animosity towards religion, he was condemned to a Siberian labor camp in 1933 where he continued his work under increasingly difficult circumstances. He was executed in 1937.