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Author: Wendy Bellion
Publisher: Penn State University Press
ISBN: 9780271083643
Category : Art
Languages : en
Pages : 0
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Book Description
Explores iconoclasm in American art history, focusing on the destruction of the statue of King George III in New York City in 1776. Argues that the destruction of art and objects has propelled the formation of an American creation story.
Author: Wendy Bellion
Publisher: Penn State University Press
ISBN: 9780271083643
Category : Art
Languages : en
Pages : 0
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Book Description
Explores iconoclasm in American art history, focusing on the destruction of the statue of King George III in New York City in 1776. Argues that the destruction of art and objects has propelled the formation of an American creation story.
Author: Jeffrey Sissons
Publisher: Berghahn Books
ISBN: 1782384146
Category : Religion
Languages : en
Pages : 170
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Book Description
Within little more than ten years in the early nineteenth century, inhabitants of Tahiti, Hawaii and fifteen other closely related societies destroyed or desecrated all of their temples and most of their god-images. In the aftermath of the explosive event, which Sissons terms the Polynesian Iconoclasm, hundreds of architecturally innovative churches — one the size of two football fields — were constructed. At the same time, Christian leaders introduced oppressive laws and courts, which the youth resisted through seasonal displays of revelry and tattooing. Seeking an answer to why this event occurred in the way that it did, this book introduces and demonstrates an alternative “practice history” that draws on the work of Marshall Sahlins and employs Bourdieu’s concepts of habitus, improvisation and practical logic.
Author: Alexander Adams
Publisher: Andrews UK Limited
ISBN: 1788360494
Category : Art
Languages : en
Pages : 174
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Book Description
Iconoclasm, Identity Politics and the Erasure of History surveys the origins, uses and manifestations of iconoclasm in history, art and public culture. It examines the various causes and uses of image/property defacement as a tool of political, national, religious and artistic process. This is one of the first books to examine the outbreak of iconoclasm in Europe and North America in the summer of 2020 in the context of previous outbreaks, and it examines the implications of iconoclasm as a form of control, censorship and expression.
Author: Gregory Berns
Publisher: Harvard Business Press
ISBN: 1422133303
Category : Business & Economics
Languages : en
Pages : 263
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Book Description
Through vivid accounts of successful innovators ranging from glass artist Dale Chihuly to physicist Richard Feynman to the country/rock trio the Dixie Chicks, Berns reveals the inner workings of the iconoclast’s mind with remarkable clarity. Each engaging chapter goes on to describe practical actions we can each take to understand and unleash our own potential to think differently—such as seeking out new environments, novel experiences, and first-time acquaintances.
Author: Dario Gamboni
Publisher: Reaktion Books
ISBN: 1780231547
Category : Art
Languages : en
Pages : 418
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Book Description
Last winter, a man tried to break Marcel Duchamp’s Fountain sculpture. The sculpted foot of Michelangelo’s David was damaged in 1991 by a purportedly mentally ill artist. With each incident, intellectuals must confront the unsettling dynamic between destruction and art. Renowned art historian Dario Gamboni is the first to tackle this weighty issue in depth, exploring specters of censorship, iconoclasm, and vandalism that surround such acts. Gamboni uncovers here a disquieting phenomenon that still thrives today worldwide. As he demonstrates through analyses of incidents occurring in nineteenth- and twentieth-century America and Europe, a complex relationship exists among the evolution of modern art, destruction of artworks, and the long history of iconoclasm. From the controversial removal of Richard Serra’s Tilted Arc from New York City’s Federal Plaza to suffragette protests at London’s National Gallery, Gamboni probes the concept of artist’s rights, the power of political protest and how iconoclasm sheds light on society’s relationship to art and material culture. Compelling and thought-provoking, The Destruction of Art forces us to rethink the ways that we interact with art and react to its power to shock or subdue.
Author: Edward James Martin
Publisher: Mimesis
ISBN: 9788857523989
Category : History
Languages : en
Pages : 282
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Book Description
This book reports the most famous dispute between the Church and the State over the presence of paintings, mosaics, and statues in churches, in the period from 717 to 843. In no other book was the Iconoclastic Controversy described in a more detailed way. An essential volume not only for those who are interested in the religious discourse, but also for those who want to approach a very peculiar historical and artistic period. This is a new edition of the Society of the Promotion of the Christian Knowledge 1930 publication.
Author: David Freedberg
Publisher: University of Chicago Press
ISBN: 022644550X
Category : Art
Languages : en
Pages : 361
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Book Description
With new surges of activity from religious, political, and military extremists, the destruction of images has become increasingly relevant on a global scale. A founder of the study of early modern and contemporary iconoclasm, David Freedberg has addressed this topic for five decades. His work has brought this subject to a central place in art history, critical to the understanding not only of art but of all images in society. This volume collects the most significant of Freedberg’s texts on iconoclasm and censorship, bringing five key works back into print alongside new assessments of contemporary iconoclasm in places ranging from the Near and Middle East to the United States, as well as a fresh survey of the entire subject. The writings in this compact volume explore the dynamics and history of iconoclasm, from the furious battles over images in the Reformation to government repression in modern South Africa, the American culture wars of the early 1990s, and today’s cancel culture. Freedberg combines fresh thinking with deep expertise to address the renewed significance of iconoclasm, its ideologies, and its impact. This volume also provides a supplement to Freedberg’s essay on idolatry and iconoclasm from his pathbreaking book, The Power of Images. Freedberg’s writings are of foundational importance to this discussion, and this volume will be a welcome resource for historians, museum professionals, international law specialists, preservationists, and students.
Author: Natalie Naomi May
Publisher: Oriental Inst Publications Sales
ISBN: 9781885923905
Category : History
Languages : en
Pages : 528
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Book Description
The eighth in the Oriental Institute Seminar Series, this volume contains papers that emerged from the seminar Iconoclasm and Text Destruction in the Ancient Near East and Beyond, held at the Oriental Institute April 8-9, 2011. The purpose of the conference was to analyze the cases of and reasons for mutilation of texts and images in Near Eastern antiquity. Destruction of images and texts has a universal character; it is inherent in various societies and periods of human history. Together with the mutilation of human beings, it was a widespread and highly significant phenomenon in the ancient Near East. However, the goals meant to be realized by this process differed from those aimed at in other cultures. For example, iconoclasm of the French and Russian revolutions, as well as the Post-Soviet iconoclasm, did not have any religious purposes. Moreover, modern comprehension of iconoclasm is strongly influenced by its conception during the Reformation. This volume explores iconoclasm and text destruction in ancient Near Eastern antiquity through examination of the anthropological, cultural, historical, and political aspects of these practices. Broad interdisciplinary comparison with similar phenomena in the other cultures and periods contribute to better understanding them.
Author: Elena N. Boeck
Publisher: Cambridge University Press
ISBN: 1107085810
Category : Art
Languages : en
Pages : 337
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Book Description
The first comparative, cross-cultural study of medieval illustrated histories that engages in a direct, confrontational dialogue with Byzantine historical memory.
Author: Jeremy Dimmick
Publisher: OUP Oxford
ISBN: 0191541966
Category : Literary Criticism
Languages : en
Pages : 264
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Book Description
This book capitalizes on brilliant recent work on sixteenth-century iconoclasm to extend the study of images, both their making and their breaking, into an earlier period and wider discursive territories. Pressures towards iconoclasm are powerfully registered in fourteenth and fifteenth-century writings, both heterodox and orthodox, just as the use of images is central to the practice of both politics and religion. The governance of images turns out, indeed, to be central to governance itself. It is also of critical concern in any moment of historical change, when new cultural forms must incorporate or destroy the images of the old order. The iconoclast redescribes images as pure matter, objects of idolatry worthy only of the hammer. Issues of historical memory, no less than of social ethics, are, then, inherent to the making, love, and destruction of images. These issues are the consistent concern of the essays of this volume, essays commissioned from a range of outstanding late medievalists in a variety of disciplines: literature, art history, Biblical studies, and intellectual history.
