I libretti italiani a stampa dalle origini al 1800. Catalogo analitico con 16 indici PDF Download
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Author: Claudio Sartori
Publisher: Hollitzer Wissenschaftsverlag
ISBN: 3990942204
Category : Music
Languages : it
Pages : 531
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Book Description
Con il catalogo I libretti italiani a stampa dalle origini al 1800, pubblicata dal 1990 al 1994 da Bertola & Locatelli a Cuneo, Claudio Sartori ha donato alla ricerca sulla storia dell'opera e dell'oratorio una base completamente nuova. Rispondendo alle richieste degli studiosi di rendere nuovamente disponibile questo opus magnum, Don Juan Archiv Wien e Hollitzer Verlag pubblicano una ristampa e un'edizione e-book, con un ritratto dell'autore e della sua opera realizzato da Federica Riva. With his catalogue I libretti italiani a stampa dalle origini al 1800, published by Bertola & Locatelli in Cuneo between 1990 and 1994, Claudio Sartori laid a completely new foundation for the research of the history of operas and oratorios. Responding to the requests of scholars to make this opus magnum available again Don Juan Archiv Wien and Hollitzer Verlag publish a reprint and an e-book edition, including a portrait of the author and his work by Federica Riva.
Author: Claudio Sartori
Publisher: Hollitzer Wissenschaftsverlag
ISBN: 3990942204
Category : Music
Languages : it
Pages : 531
Get Book Here
Book Description
Con il catalogo I libretti italiani a stampa dalle origini al 1800, pubblicata dal 1990 al 1994 da Bertola & Locatelli a Cuneo, Claudio Sartori ha donato alla ricerca sulla storia dell'opera e dell'oratorio una base completamente nuova. Rispondendo alle richieste degli studiosi di rendere nuovamente disponibile questo opus magnum, Don Juan Archiv Wien e Hollitzer Verlag pubblicano una ristampa e un'edizione e-book, con un ritratto dell'autore e della sua opera realizzato da Federica Riva. With his catalogue I libretti italiani a stampa dalle origini al 1800, published by Bertola & Locatelli in Cuneo between 1990 and 1994, Claudio Sartori laid a completely new foundation for the research of the history of operas and oratorios. Responding to the requests of scholars to make this opus magnum available again Don Juan Archiv Wien and Hollitzer Verlag publish a reprint and an e-book edition, including a portrait of the author and his work by Federica Riva.
Author: Claudio Sartori
Publisher:
ISBN:
Category : Librettos
Languages : it
Pages : 494
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Book Description
Author: Gesine Manuwald
Publisher: Walter de Gruyter
ISBN: 3110317516
Category : Music
Languages : en
Pages : 420
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Book Description
This book considers the story of Nero and Octavia, as told in the pseudo-Senecan Octavia and the works of ancient historiographers, and its reception in (early) modern opera and some related examples of other performative genres. In total the study assembles more than 30 performative texts (including 22 librettos), ranging chronologically from L'incoronazione di Poppea in 1642/43 until the early 20th century, and provides detailed information on all of them. In a close examination of the libretto (and dramatic) texts, the study shows the impact and development of this fascinating story from the beginnings of historical opera onwards. The volume demonstrates the various transformations of the characters of Nero and his wives and of the depiction of their relationship over the centuries, and it looks at the tension between “historical” elements and genre conventions. The book is therefore of relevance to literary scholars as well as to readers interested in the evolution of Nero’s image in present-day media.
Author: Kathryn Lowerre
Publisher: Routledge
ISBN: 1351886517
Category : Performing Arts
Languages : en
Pages : 306
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Book Description
Unlike collections of essays which focus on a single century or whose authors are drawn from a single discipline, this collection reflects the myriad performance options available to London audiences, offering readers a composite portrait of the music, drama, and dance productions that characterized this rich period. Just as the performing arts were deeply interrelated, the essays presented here, by scholars from a range of fields, engage in dialogue with others in the volume. The opening section examines a famous series of 1701 performances based on the competition between composers to set William Congreve's masque The Judgment of Paris to music. The essays in the central section (the 'mainpiece') showcase performers and productions on the London stage from a variety of perspectives, including English 'tastes' in art and music, the use of dance, the depiction of madness and masculinity in both spoken and musical performances, and genres and modes in the context of contemporary criticism and theatrical practice. A brief afterpiece looks at comic pieces in relation to satire, parody and homage. By bringing together work by scholars of music, dance, and drama, this cross-disciplinary collection illuminates the interconnecting strands that shaped a vibrant theatrical world.
Author: Cormac Newark
Publisher: Oxford University Press
ISBN: 0197510558
Category : Music
Languages : en
Pages : 639
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Book Description
Opera has always been a vital and complex mixture of commercial and aesthetic concerns, of bourgeois politics and elite privilege. In its long heyday in the eighteenth and nineteenth centuries, it came to occupy a special place not only among the arts but in urban planning, too — this is, perhaps surprisingly, often still the case. The Oxford Handbook of the Operatic Canon examines how opera has become the concrete edifice it was never meant to be, by tracing its evolution from a market entirely driven by novelty to one of the most canonic art forms still in existence. Throughout the book, a lively assembly of musicologists, historians, and industry professionals tackle key questions of opera's past, present, and future. Why did its canon evolve so differently from that of concert music? Why do its top ten titles, all more than a century old, now account for nearly a quarter of all performances worldwide? Why is this system of production becoming still more top-heavy, even while the repertory seemingly expands, notably to include early music? Topics range from the seventeenth century to the present day, from Russia to England and continental Europe to the Americas. To reflect the contested nature of many of them, each is addressed in paired chapters. These complement each other in different ways: by treating the same geographical location in different periods, by providing different national or regional perspectives on the same period, or by thinking through similar conceptual issues in contrasting or changing contexts. Posing its questions in fresh, provocative terms, The Oxford Handbook of the Operatic Canon challenges scholarly assumptions in music and cultural history, and reinvigorates the dialogue with an industry that is, despite everything, still growing.
Author: Mary Kathleen Hunter
Publisher: Cambridge University Press
ISBN: 1107015146
Category : Literary Criticism
Languages : en
Pages : 363
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Book Description
Haydn is enjoying renewed appreciation: this book explores fresh approaches to his music and the cultural forces affecting it.
Author: Victoria Johnson
Publisher: Cambridge University Press
ISBN: 1139464051
Category : Music
Languages : en
Pages : 32
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Book Description
This edited volume brings together academic specialists writing on the multi-media operatic form from a range of disciplines: comparative literature, history, sociology, and philosophy. The presence in the volume's title of Pierre Bourdieu, the leading cultural sociologist of the late twentieth century, signals the editors' intention to synthesise advances in social science with advances in musicological and other scholarship on opera. Through a focus on opera in Italy and France, the contributors to the volume draw on their respective disciplines both to expand our knowledge of opera's history and to demonstrate the kinds of contributions that stand to be made by different disciplines to the study of opera. The volume is divided into three sections, each of which is preceded by a concise and informative introduction explaining how the chapters in that section contribute to our understanding of opera.
Author: Ellen Rosand
Publisher: Univ of California Press
ISBN: 9780520933279
Category : Music
Languages : en
Pages : 508
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Book Description
Claudio Monteverdi (1567-1643) was the first important composer of opera. This innovative study by one of the foremost experts on Monteverdi and seventeenth-century opera examines the composer's celebrated final works—Il ritorno d'Ulisse (1640) and L'incoronazione di Poppea (1642)—from a new perspective. Ellen Rosand considers these works as not merely a pair but constituents of a trio, a Venetian trilogy that, Rosand argues, properly includes a third opera, Le nozze d'Enea (1641). Although its music has not survived, its chronological placement between the other two operas opens new prospects for better understanding all three, both in their specifically Venetian context and as the creations of an old master. A thorough review of manuscript and printed sources of Ritorno and Poppea, in conjunction with those of their erstwhile silent companion, offers new possibilities for resolving the questions of authenticity that have swirled around Monteverdi's last operas since their discovery in the late nineteenth century. Le nozze d'Enea also helps to explain the striking differences between the other two, casting new light on their contrasting moral ethos: the conflict between a world of emotional propriety and restraint and one of hedonistic abandon.
Author: Berthold Over
Publisher: transcript Verlag
ISBN: 3839448859
Category : Art
Languages : en
Pages : 799
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Book Description
In Early Modern times, techniques of assembling, compiling and arranging pre-existing material were part of the established working methods in many arts. In the world of 18th-century opera, such practices ensured that operas could become a commercial success because the substitution or compilation of arias fitting the singer's abilities proved the best recipe for fulfilling the expectations of audiences. Known as »pasticcios« since the 18th-century, these operas have long been considered inferior patchwork. The volume collects essays that reconsider the pasticcio, contextualize it, define its preconditions, look at its material aspects and uncover its aesthetical principles.
Author: Michael Hüttler
Publisher: Hollitzer Wissenschaftsverlag
ISBN: 3990120670
Category : Music
Languages : en
Pages : 1093
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Book Description
The first volume of the book series Ottoman Empire and European Theatre focuses on the period between 1756 and 1808, the era of W. A. Mozart (1756-1791) and Sultan Selim III (1761-1808). These historical personalities, whose life-spans overlap, were towering figures of their time: Mozart as an extraordinary composer and Selim III as both a politician and a composer. Inspired by the structure of opera, the forty-four contributions of Volume I are arranged in eight sections, entitled Ouverture, Prologue, Acts I-V and Epilogue. The Ouverture includes the opening speeches of diplomats, politicians, and scholars as well as a memorial text for the "Genius of Opera", Turkish prima donna Leyla Gencer (1928-2008). The Prologue, "The Stage of Politics", features texts by distinguished historians who give an historical overview of the Ottoman Empire and Europe in the late eighteenth century, from both Turkish and Austrian points of view. Act I features texts concerning "Diplomacy and Theatre", and Act II takes the reader to "Europe South, West and North". Act III has contributions concerning theatre in "Central Europe", while Act IV deals with "Mozart" and the world of the seraglio. Act V turns our attention to the Ottoman "Sultan Selim III", and the Epilogue considers literary and theatrical adventures of "The Hero in the Sultan's Harem". Contributions by Metin And, Emre Araci, Tülay Artan, Esin Akalin, Thomas Betzwieser, Annemarie Bönsch, Emil Brix, Christian Brunmayr, Bertrand Michael Buchmann, Aysin Candan, Helga Dostal, Erich Duda, Wolfgang Greisenegger, Heidemaria Gürer, Matthew Head, Caroline Herfert, Bent Holm, Frank Huss, Michael Hüttler, Nadja Kayali, Hans-Peter Kellner, Alexandre Lhâa, Isabelle Moindrot, Ilber Ortayli, Zeynep Oral, Cemal Öztas, William F. Parmentier, Matthias J. Pernerstorfer, Gabriele C. Pfeiffer, Walter Puchner, Günsel Renda, Mustafa Fatih Salgar, Ulrike Schneider, Selin Ipek, Käthe Springer-Dissmann, Suna Suner, Marianne Travén, B. Babür Turna, Derek Weber, Mehmet Alaaddin Yalçinkaya, Selim Yenel.
