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Author: Karin Barber
Publisher: Edinburgh University Press
ISBN: 074869918X
Category : Social Science
Languages : en
Pages : 371
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Book Description
A study of oriki, or oral praise poetry, which is a major part of both traditional performance and daily Yoruba life.
Author: Karin Barber
Publisher: Edinburgh University Press
ISBN: 074869918X
Category : Social Science
Languages : en
Pages : 371
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Book Description
A study of oriki, or oral praise poetry, which is a major part of both traditional performance and daily Yoruba life.
Author: Karin Barber
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 380
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Book Description
A study of oriki, or oral praise poetry, which is a major part of both traditional performance and daily Yoruba life.
Author: Helen Verran
Publisher: University of Chicago Press
ISBN: 9780226853895
Category : Philosophy
Languages : en
Pages : 298
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Book Description
Does two and two equal four? Ask someone and they should answer yes. An equation such as this seems the very definition of certainty, but is it? In this book, Helen Verran addresses precisely that question.
Author: Oyèrónkẹ́ Oyěwùmí
Publisher: Springer
ISBN: 1137521252
Category : Social Science
Languages : en
Pages : 270
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Book Description
In this book, Oyěwùmí extends her path-breaking thesis that in Yorùbá society, construction of gender is a colonial development since the culture exhibited no gender divisions in its original form. Taking seriously indigenous modes and categories of knowledge, she applies her finding of a non-gendered ontology to the social institutions of Ifá, motherhood, marriage, family and naming practices. Oyěwùmí insists that contemporary assertions of male dominance must be understood, in part, as the work of local intellectuals who took marching orders from Euro/American mentors and colleagues. In exposing the depth of the coloniality of power, Oyěwùmí challenges us to look at the worlds we inhabit, anew.
Author: John Thabiti Willis
Publisher: Indiana University Press
ISBN: 0253031451
Category : Social Science
Languages : en
Pages : 217
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Book Description
“Willis should be commended for penetrating a complex and socially guarded ritual resource to glean the hidden histories manifested therein.” —African Studies Review In West Africa, especially among Yoruba people, masquerades have the power to kill enemies, appoint kings, and grant fertility. John Thabiti Willis takes a close look at masquerade traditions in the Yoruba town of Otta, exploring transformations in performers, performances, and the institutional structures in which masquerade was used to reveal ongoing changes in notions of gender, kinship, and ethnic identity. As Willis focuses on performers and spectators, he reveals a history of masquerade that is rich and complex. His research offers a more nuanced understanding of performance practices in Africa and their role in forging alliances, consolidating state power, incorporating immigrants, executing criminals, and projecting individual and group power on both sides of the Afro-Atlantic world. “Willis cites oral traditions, archival sources, and publications to draw attention to the link between economic development and spectacular and historically influential masquerade performances.” —Babatunde Lawal, author of The Gelede Spectacle “Important in its emphasis on the history of an art form and its specific cultural context; of interest to academic audiences as well as general readers.” —Henry Drewal, editor of Sacred Waters “Willis’s work should be a must-read for students and established scholars alike.” —Africa
Author: Kimberley Christine Patton
Publisher: Princeton University Press
ISBN: 0691190224
Category : Religion
Languages : en
Pages : 332
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Book Description
What religion does not serve as a theater of tears? Holy Tears addresses this all but universal phenomenon with passion and precision, ranging from Mycenaean Greece up through the tragedy of 9/11. Sixteen authors, including many leading voices in the study of religion, offer essays on specific topics in religious weeping while also considering broader issues such as gender, memory, physiology, and spontaneity. A comprehensive, elegantly written introduction offers a key to these topics. Given the pervasiveness of its theme, it is remarkable that this book is the first of its kind--and it is long overdue. The essays ask such questions as: Is religious weeping primal or culturally constructed? Is it universal? Is it spontaneous? Does God ever cry? Is religious weeping altered by sexual or social roles? Is it, perhaps, at once scripted and spontaneous, private and communal? Is it, indeed, divine? The grief occasioned by 9/11 and violence in Afghanistan, Iraq, Israel, and elsewhere offers a poignant context for this fascinating and richly detailed book. Holy Tears concludes with a compelling meditation on the theology of weeping that emerged from pastoral responses to 9/11, as described in the editors' interview with Reverend Betsee Parker, who became head chaplain for the Office of the Chief Medical Examiner of New York City and leader of the multifaith chaplaincy team at Ground Zero. The contributors are Diane Apostolos-Cappadona, Amy Bard, Herbert Basser, Santha Bhattacharji, William Chittick, Gary Ebersole, M. David Eckel, John Hawley, Gay Lynch, Jacob Olúpqnà (with Solá Ajíbádé), Betsee Parker, Kimberley Patton, Nehemia Polen, Kay Read, and Kallistos Ware.
Author: Author Ernest N Emenyonu
Publisher: Boydell & Brewer
ISBN: 1847013910
Category : History
Languages : en
Pages : 243
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Book Description
Examines the state of African poetry today, the continuing influence of Africa's pioneer poets, today's new generation of poets, and their work in written poetry and in the spoken word, continuing oral indigenous traditions. Almost half a century after ALT 6 and thirty-three years after ALT 16, what is the state of poetry and poetics in Africa? This volume of ALT highlights major developments and continuities in the practice of the art of poetry in the continent. Contributions analyse new frontiers in the traditional African epic and the Yoruba oríkì genre and innovations in form and theme, such as 'spoken word poetry' shared on digital media and pandemic poetry in the wake of COVID-19. They compare and contrast the work of Romeo Oriogun, Christopher Okigbo, and Gabriel Okara and of T.S. Eliot and Kofi Anyidoho. Other essays examine the complexities of translation from Ewe into English and the development of oral African poetry, underscoring its dynamism and the centrality of performance. The volume also includes interviews with poets Kofi Anyidoho, Kwame Dawes, and Kehinde Akano and tributes to Ama Ata Aidoo. Altogether, it highlights the richness and vibrancy of contemporary praxis and points to future directions in the field.
Author: Cristina Boscolo
Publisher: BRILL
ISBN: 9042026812
Category : Literary Criticism
Languages : en
Pages : 367
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Book Description
A poetic ‘voice’ scans the rhythm of academic research, telling of the encounter with odún; then the voice falls silent. What is then raised is the dust of a forgotten academic debate on the nature of theatre and drama, and the following divergent standpoints of critical discourses bent on empowering their own vision, and defining themselves, rather, as counterdiscourses. This, the first part of the book: a metacritical discourse, on the geopolitics (the inherent power imbalances) of academic writing and its effects on odún, the performances dedicated to the gods, ancestors, and heroes of Yorùbá history. But odún: where is it? and what is it? And the ‘voice’? The many critical discourses have not really answered these questions. In effect, odún is many things. To enable the reader to see these, the study proceeds with an ‘intermezzo’: a frame of reference that sets odún, the festival, in its own historico-cultural ecoenvironment, identifying the strategies that inform the performance and constitute its aesthetic. It is a ‘classical’ yet, for odún, an innovative procedure. This interdisciplinary background equips the reader with the knowledge necessary to watch the performance, to witness its beauty, and to understand the ‘half words’ odún utters. And now the performance can begin. The ‘voice’ emerges one last time, to introduce the second section, which presents two case studies. The reader is led, day by day, through the celebrations –odún edì, Morèmi’s story, and its realization in performance; then confrontation by the masks of the ancestors duing odún egúngún (particularly as held in Ibadan). The meaning of odún becomes clearer and clearer. Odún is poetry, dances, masks, food, prayer. It is play (eré) and belief (ìgbàgbó). It is interaction between the players (both performers and spectators). It is also politics and power. It contains secrets and sacrifices. It is a reality with its own dimension and, above all, as the quintessential site of knowledge, it possesses the power to transform. In short, it is a challenge – a challenge that the present book and its voices take up.
Author: Kate Sturge
Publisher: Routledge
ISBN: 1317642120
Category : Language Arts & Disciplines
Languages : en
Pages : 223
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Book Description
Cultural anthropology has always been dependent on translation as a textual practice, and it has often used 'translation' as a metaphor to describe ethnography's processes of interpretation and cross-cultural comparison. Questions of intelligibility and representation are central to both translation studies and ethnographic writing - as are the dilemmas of cultural distance or proximity, exoticism or appropriation. Similarly, recent work in museum studies discusses problems of representation that are raised by ethnographic museums as multimedia 'translations'. However, as yet there has been remarkably little interdisciplinary exchange: neither has translation studies kept up with the sophistication of anthropology's investigations of meaning, representation and 'culture' itself, nor have anthropology and museum studies often looked to translation studies for analyses of language difference or concrete methods of tracing translation practices. This book opens up an exciting field of study to translation scholars and suggests possible avenues of cross-disciplinary collaboration.
Author: Moses E. Ochonu
Publisher: Indiana University Press
ISBN: 0253032628
Category : Business & Economics
Languages : en
Pages : 359
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Book Description
A tapestry of innovation, ideas, and commerce, Africa and its entrepreneurial hubs are deeply connected to those of the past. Moses E. Ochonu and an international group of contributors explores the lived experiences of African innovators who have created value for themselves and their communities. Profiles of vendors, farmers, craftspeople, healers, spiritual consultants, warriors, musicians, technological innovators, political mobilizers, and laborers featured in this volume show African models of entrepreneurship in action. As a whole, the essays consider the history of entrepreneurship in Africa, illustrating its multiple origins and showing how it differs from the Western capitalist experience. As they establish historical patterns of business creativity, these explorations open new avenues for understanding indigenous enterprise and homegrown commerce and their relationship to social, economic, and political debates in Africa today.
