I Am a Damn Savage; What Have You Done to My Country? / Eukuan nin matshi-manitu innushkueu; Tanite nene etutamin nitassi? PDF Download
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Author: An Antane Kapesh
Publisher: Wilfrid Laurier Univ. Press
ISBN: 1771124091
Category : Fiction
Languages : en
Pages : 285
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Book Description
Quebec author An Antane Kapesh's two books, Je suis une maudite sauvagesse (1976) and Qu'as-tu fait de mon pays? (1979), are among the foregrounding works by Indigenous women in Canada. This English translation of these works, each page presented facing the revised Innu text, makes them available for the first time to a broader readership. In I Am a Damn Savage, Antane Kapesh wrote to preserve and share her culture, experience, and knowledge, all of which, she felt, were disappearing at an alarming rate because many Elders – like herself – were aged or dying. She wanted to publicly denounce the conditions in which she and the Innu were made to live, and to address the changes she was witnessing due to land dispossession and loss of hunting territory, police brutality, and the effects of the residential school system. What Have You Done to My Country? is a fictional account by a young boy of the arrival of les Polichinelles (referring to White settlers) and their subsequent assault on the land and on native language and culture. Through these stories Antane Kapesh asserts that settler society will eventually have to take responsibility and recognize its faults, and accept that the Innu – as well as all the other nations – are not going anywhere, that they are not a problem settlers can make disappear.
Author: An Antane Kapesh
Publisher: Wilfrid Laurier Univ. Press
ISBN: 1771124091
Category : Fiction
Languages : en
Pages : 285
Get Book Here
Book Description
Quebec author An Antane Kapesh's two books, Je suis une maudite sauvagesse (1976) and Qu'as-tu fait de mon pays? (1979), are among the foregrounding works by Indigenous women in Canada. This English translation of these works, each page presented facing the revised Innu text, makes them available for the first time to a broader readership. In I Am a Damn Savage, Antane Kapesh wrote to preserve and share her culture, experience, and knowledge, all of which, she felt, were disappearing at an alarming rate because many Elders – like herself – were aged or dying. She wanted to publicly denounce the conditions in which she and the Innu were made to live, and to address the changes she was witnessing due to land dispossession and loss of hunting territory, police brutality, and the effects of the residential school system. What Have You Done to My Country? is a fictional account by a young boy of the arrival of les Polichinelles (referring to White settlers) and their subsequent assault on the land and on native language and culture. Through these stories Antane Kapesh asserts that settler society will eventually have to take responsibility and recognize its faults, and accept that the Innu – as well as all the other nations – are not going anywhere, that they are not a problem settlers can make disappear.
Author: Kathryn Lawson
Publisher: Bloomsbury Publishing
ISBN: 1350344478
Category : Philosophy
Languages : en
Pages : 249
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Book Description
Hannah Arendt and Simone Weil were two of the most compelling political thinkers of the 20th century who, despite having similar life-experiences, developed radically distinct political philosophies. This unique dialogue between the writings of Arendt and Weil highlights Arendt's secular humanism, her emphasis on heroic action, and her rejection of the moral approach to politics, contrasted starkly with Weil's religious approach, her faith in the power of divine Goodness, and her other-centric ethic of suffering and affliction. The writings here respect the profound differences between Arendt and Weil whilst pulling out the shared preoccupations of power, violence, freedom, resistance, responsibility, attention, aesthetics, and vulnerability. Without shying away from exploring the more difficult concepts in these philosophers' works, Hannah Arendt and Simone Weil also aims to pull out the relevance of their writings for contemporary issues.
Author: Elizabeth Yeoman
Publisher: Univ. of Manitoba Press
ISBN: 0887552765
Category : Language Arts & Disciplines
Languages : en
Pages : 356
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Book Description
“You don’t have to use the exact same words.... But it has to mean exactly what I said.” Thus began the ten-year collaboration between Innu elder and activist Tshaukuesh Elizabeth Penashue and Memorial University professor Elizabeth Yeoman that produced the celebrated Nitinikiau Innusi: I Keep the Land Alive, an English-language edition of Penashue’s journals, originally written in Innu-aimun during her decades of struggle for Innu sovereignty. Exactly What I Said: Translating Words and Worlds reflects on that collaboration and what Yeoman learned from it. It is about naming, mapping, and storytelling; about photographs, collaborative authorship, and voice; about walking together on the land and what can be learned along the way. Combining theory with personal narrative, Yeoman weaves together ideas, memories, and experiences––of home and place, of stories and songs, of looking and listening––to interrogate the challenges and ethics of translation. Examining what it means to relate whole worlds across the boundaries of language, culture, and history, Exactly What I Said offers an accessible, engaging reflection on respectful and responsible translation and collaboration.
Author: Dalie Giroux
Publisher: McGill-Queen's Press - MQUP
ISBN: 0228016398
Category : Philosophy
Languages : en
Pages : 164
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Book Description
In the Québécois political vision of the twentieth century, sovereignty became synonymous with mastery. French Canadians sometimes claimed solidarity with racialized and Indigenous peoples, yet they saw their liberation as a matter of taking their rightful place in the seat of the oppressors. The idea of mastery has prevented the Québécois from seeing that their liberation is bound up with that of other groups oppressed by colonial powers. The Eye of the Master confronts the missed opportunities for a decolonial version of indépendance in Quebec by examining the quest for mastery that has been at the root of every version of independence offered to the people of Quebec since the mid-twentieth century. Exploring political discourse, popular culture, and the family photo album, Dalie Giroux revisits the mythology of being “masters in our own house” and identifies the obstacles blocking a more comprehensive version of liberation based on solidarity. Drawing from the living forces of Indigenous thought and anti-racist, ecological, and feminist movements, Giroux envisions life without conquest, domination, exploitation, and surveillance. Making the case for a different future, beginning in the here and now, The Eye of the Master offers a major new intervention in contemporary political thought to Canadian readers and all those who imagine a different North America.
Author: Sonja Boon
Publisher: Taylor & Francis
ISBN: 1000800946
Category : Biography & Autobiography
Languages : en
Pages : 228
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Book Description
The Routledge Introduction to Auto/biography in Canada explores the exciting world of nonfiction writing about the self, designed to give teachers and students the tools they need to study both canonical and lesser-known works. The volume introduces important texts and contexts for interpreting life narratives, demonstrates the conceptual tools necessary to understand what life narratives are and how they work, and offers an historical overview of key moments in Canadian auto/biography. Not sure what life writing in Canada is, or how to study it? This critical introduction covers the tools and approaches you require in order to undertake your own interpretation of life writing texts. You will encounter nonfictional writing about individual lives and experiences—including biography, autobiography, letters, diaries, comics, poetry, plays, and memoirs. The volume includes case studies to provide examples of how to study and research life narratives and toolkits to help you apply what you learn. The Routledge Introduction to Auto/biography in Canada provides instructors and students with the contexts and the critical tools to discover the power of life writing, and the skills to study any kind of nonfiction, from Canada and around the world.
Author: Sheung-King
Publisher: Book*hug Press
ISBN: 9781771666411
Category : Fiction
Languages : en
Pages : 202
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Book Description
Fiction. Asian & Asian American Studies. Short Stories. A young translator living in Toronto frequently travels abroad-to Hong Kong, Macau, Prague, Tokyo-often with his unnamed lover. In restaurants and hotel rooms, the couple begin telling folk tales to each other, perhaps as a way to fill the undefined space between them. Theirs is a comic and enigmatic relationship in which emotions are often muted and sometimes masked by verbal play and philosophical questions, and further complicated by the woman's frequent unexplained disappearances. YOU ARE EATING AN ORANGE. YOU ARE NAKED. is an intimate novel of memory and longing that challenges Western tropes and Orientalism. Embracing the playful surrealism of Haruki Murakami and the atmospheric narratives of filmmaker Wong Kar-wai, Sheung-King's debut is at once lyrical and punctuated, and wholly unique, and marks the arrival of a bold new voice in Asian-Canadian literature. Sheung-King has written a wonderfully unexpected and maverick love story but also a novel of ideas that hopscotches between Toronto, Macau, Hong Kong, Tokyo, and Prague. It is enchanting, funny, and a joy to read.-Kyo Maclear
Author: Dawn Dumont
Publisher:
ISBN: 9781927068816
Category : Fiction
Languages : en
Pages : 0
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Book Description
Rose Okanese, a single mother with two kids, has been pushed into a corner by Rez citizens to claim some self-respect, and decides that the fastest way to do that would be for her to run the reserve's annual marathon. Though Rose hasn't run in twenty years, smokes and initially has little motivation, she announces her intention to run the race. One quality Rose doesn't lack is spontaneity which sometimes clashes with her iron will and though she has initial regrets about opening her mouth, her life begins to dictate that she must follow through. But as fate will dictate, one rather huge unforeseen outcome of her decision is that she will have to do battle with an old inadvertently conjured demon that feeds off the strength of women. She is a truly mean old spirit who can invade other women and have them do her bidding and in no time has the Rez in an uproar. As Rose discovers, the old demon has been unintentionally called forth by Rose's teen daughter, Sarah, which complicates Rose's life just a little more. The spirit woman creates a reign of fear and havoc by appearing to people on the reserve and freaking them out, all of which leads to incidents of extreme humour and plot-twisting bemusement, liberally sprinkled with some jittery acts of valour. With a cast of unusual and unfamiliar characters, Dumont interweaves a tale of motherly love, friendship, lustful longing, wîhtikow lore, and Rez humour and keeps the hoopla going until the race is done. At the story's vortex is Rose, a woman destined to face her fears and provide some rich laughter while doing so. Will she send the demon back to where it came from before the spirit claims her teen daughter? Will she get back together with her philandering, rock musician husband before her girls grow up? Will she sort out her best friend's winter pregnancy? But more importantly, will she get this all done before her big, face-saving race with Dahlia Ingram, a woman whom God has designed for one purpose: to run long distances at high speeds with effortless grace.
Author: Grégoire Courtois
Publisher: Coach House Books
ISBN: 1770566880
Category : Fiction
Languages : en
Pages : 177
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Book Description
Nineteen Eighty-Four meets Tron, via The Office, in this boldly dystopian novel The agents don’t know what they’re agents of, but they’re very busy agenting, which means watching endless data feeds in their cubicles, cubicles that are piled one on top of another in a massive tower in which the agents both live and work. Empty floors serve as battlefields where different guilds of agents fight for territory. It seems that defenestration is the only way out, the ‘ballet of suicides.’ It is here we meet Théodore, who has amputated his own toes and must maintain a 30-degree angle to keep his balance. And Solveig, who is pregnant, though agents don’t usually have sex, as well as the artist Lazslo and self-mutilating Clara. And then there’s Hick, the new agent, who seems strangely happy and occupies a cubicle that is strategically very important. The battle for key territory is heating up, and the agents aren’t sure which of them will make it out alive. If, indeed, that’s what any of them want… The author of the acclaimed The Laws of the Skies turns his hand from literary horror to futuristic dystopianism in this unforgettable marriage between The Office, Nineteen Eighty-Four, and Tron. “Unflinching in its savagery, the nightmarish poetry of this modern Lord of the Flies is undeniable.” —Publishers Weekly starred review on The Laws of the Skies “A haunting book, if you can keep reading.” —LitHub on The Laws of the Skies “The Law of the Skies is not an easy book to digest . . . but I found it exhilarating to read a novel that’s this unflinching, this nihilistic, and also this deeply profound.” —Locus Magazine
Author: Aubrey Jean Hanson
Publisher: Wilfrid Laurier Univ. Press
ISBN: 1771124512
Category : Social Science
Languages : en
Pages : 282
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Book Description
Literatures, Communities, and Learning: Conversations with Indigenous Writers gathers nine conversations with Indigenous writers about the relationship between Indigenous literatures and learning, and how their writing relates to communities. Relevant, reflexive, and critical, these conversations explore the pressing topic of Indigenous writings and its importance to the well-being of Indigenous Peoples and to Canadian education. It offers readers a chance to listen to authors’ perspectives in their own words. This book presents conversations shared with nine Indigenous writers in what is now Canada: Tenille Campbell, Warren Cariou, Marilyn Dumont, Daniel Heath Justice, Lee Maracle, Sharron Proulx-Turner, David Alexander Robertson, Richard Van Camp, and Katherena Vermette. Influenced by generations of colonization, surrounded by discourses of Indigenization, reconciliation, appropriation, and representation, and swept up in the rapid growth of Indigenous publishing and Indigenous literary studies, these writers have thought a great deal about their work. Each conversation is a nuanced examination of one writer’s concerns, critiques, and craft. In their own ways, these writers are navigating the beautiful challenge of storying their communities within politically charged terrain. This book considers the pedagogical dimensions of stories, serving as an Indigenous literary and education project.
Author: Anthony Parel
Publisher: Wilfrid Laurier Univ. Press
ISBN: 0889206538
Category : Philosophy
Languages : en
Pages : 404
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Book Description
The essays in this book began as a contributions to a Summer Workshop arranged by the Calgary Institute for the Humanities, and haled at the University of Calgary from July 7 to 14, 1978. The Institute, which was founded by the University in 1976 for the encouragement of humanistic studies, has held such conferences each summer as a part of its programme of research.
