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Author: Jim Volz
Publisher: A&C Black
ISBN: 1408155060
Category : Performing Arts
Languages : en
Pages : 248
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Book Description
"All of us in the arts field are hungry to improve our skills in arts management. The grim tenor of the times makes this witty and fun guide even more valuable to us all!" Ben Cameron, Former Executive Director, Theater Communications Group "Dr. Jim Volz knows how to organize, how to manage, how to motivate, how to assign priorities. In short, he knows how to get the job done." Abe J. Bassett, Former Dean, Indiana University/Purdue University Jim Volz is one of America's leading theatre consultants with over three decades of work with theatre, dance, music, museum and arts center management. Now, Jim Volz brings his expertise to anyone who works in arts management, from novices to middle managers to executive directors. How to Run a Theater is a unique, dynamic, and savvy guide to building an arts institution that works. Drawing on more than 30 years of experience, here is practical advice on a variety of management skills: Financial Management; Personnel Management; Fundraising Development; Board of Trustees Communications; and Marketing & Audience Development. This new edition is thoroughly updated and revised and now includes a Board of Trustee Contract, new budget exercise with ticket income formulae and the use of social networking for marketing and fundraising.
Author: Jim Volz
Publisher: A&C Black
ISBN: 1408155060
Category : Performing Arts
Languages : en
Pages : 248
Get Book Here
Book Description
"All of us in the arts field are hungry to improve our skills in arts management. The grim tenor of the times makes this witty and fun guide even more valuable to us all!" Ben Cameron, Former Executive Director, Theater Communications Group "Dr. Jim Volz knows how to organize, how to manage, how to motivate, how to assign priorities. In short, he knows how to get the job done." Abe J. Bassett, Former Dean, Indiana University/Purdue University Jim Volz is one of America's leading theatre consultants with over three decades of work with theatre, dance, music, museum and arts center management. Now, Jim Volz brings his expertise to anyone who works in arts management, from novices to middle managers to executive directors. How to Run a Theater is a unique, dynamic, and savvy guide to building an arts institution that works. Drawing on more than 30 years of experience, here is practical advice on a variety of management skills: Financial Management; Personnel Management; Fundraising Development; Board of Trustees Communications; and Marketing & Audience Development. This new edition is thoroughly updated and revised and now includes a Board of Trustee Contract, new budget exercise with ticket income formulae and the use of social networking for marketing and fundraising.
Author: David Dean Bottrell
Publisher: Ten Speed Press
ISBN: 039958191X
Category : Performing Arts
Languages : en
Pages : 240
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Book Description
Veteran character actor David Dean Bottrell draws on his 35+ tumultuous years of work in the entertainment industry to offer a guide to breaking in, making a living, and making a life in the fabulous trenches of show business. Covers every facet of the business, including: - Capturing the perfect headshot - Starting (and maintaining) your network - Picking an agent - Audition do’s and don’ts - Joining the union(s): SAG-AFTRA and Actors Equity Association (AEA) - On stage vs on screen - Paying the bills - Self-promotion - Late bloomers - When to get out David Dean Bottrell has worn many different hats during his decades in showbiz: television actor with appearances on Boston Legal, Modern Family, The Blacklist, Mad Men, True Blood, NCIS, and Days of Our Lives; screenwriter for Paramount and Disney; respected acting teacher at UCLA and AADA; and regular expert columnist for esteemed acting site Backstage. In Working Actor, Bottrell offers a how-to manual jammed with practical information and insider advice, essential reading for any artist (aspiring or established) in need of insight or inspiration. Mixing prescriptive advice ("Getting Started," "Learning Your Craft," "Finding an Agent") with wisdom drawn from Bottrell's own professional highs and lows and those of his acting compatriots, this book's humorous, tell-it-like-it-is tone is a must-have guide for anyone hoping to successfully navigate show business.
Author: James W. Rodgers
Publisher: John Wiley & Sons
ISBN: 9780876285657
Category : Education
Languages : en
Pages : 310
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Book Description
This expansive guide covers the where, when, and how for every step of school play production, including play selection and adaptation, auditions, casting and dealing with disappointed students, budgeting, coaching actors, setting up a production team, rehearsals, publicity, and promotion.
Author: Glyn Trefor-Jones
Publisher:
ISBN: 9781848422858
Category : Drama
Languages : en
Pages : 0
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Book Description
Packed full of drama games, ideas and suggestions, Drama Menu is a unique new resource for drama teachers.
Author: Marilyn Reid
Publisher: Lulu.com
ISBN: 1847533868
Category : Performing Arts
Languages : en
Pages : 110
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Book Description
Marilyn Reid helps readers run theatre and dance workshops in the nursery, school, community theatre, or anywhere else, and points them in the correct direction to find funding.
Author: Stewart F. Lane
Publisher: Hal Leonard Corporation
ISBN: 9781557837592
Category : Performing Arts
Languages : en
Pages : 180
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Book Description
For novice and first-time theatre producers at all levels, but especially in community and regional theatre. Offers how-tos on the fundamentals of every aspect of production.
Author: Bloomsbury Publishing
Publisher: Bloomsbury Publishing
ISBN: 1472968158
Category : Reference
Languages : en
Pages : 1565
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Book Description
The latest edition of the bestselling guide to all you need to know about how to get published, is packed full of advice, inspiration and practical information. The Writers' & Artists' Yearbook has been guiding writers and illustrators on the best way to present their work, how to navigate the world of publishing and ways to improve their chances of success, for over 110 years. It is equally relevant for writers of novels and non-fiction, poems and scripts and for those writing for children, YA and adults and covers works in print, digital and audio formats. If you want to find a literary or illustration agent or publisher, would like to self-publish or crowdfund your creative idea then this Yearbook will help you. As well as sections on publishers and agents, newspapers and magazines, illustration and photography, theatre and screen, there is a wealth of detail on the legal and financial aspects of being a writer or illustrator.
Author: Carol Fisher Saller
Publisher: University of Chicago Press
ISBN: 0226734102
Category : Reference
Languages : en
Pages : 151
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Book Description
Each year writers and editors submit over three thousand grammar and style questions to the Q&A page at The Chicago Manual of Style Online. Some are arcane, some simply hilarious—and one editor, Carol Fisher Saller, reads every single one of them. All too often she notes a classic author-editor standoff, wherein both parties refuse to compromise on the "rights" and "wrongs" of prose styling: "This author is giving me a fit." "I wish that I could just DEMAND the use of the serial comma at all times." "My author wants his preface to come at the end of the book. This just seems ridiculous to me. I mean, it’s not a post-face." In The Subversive Copy Editor, Saller casts aside this adversarial view and suggests new strategies for keeping the peace. Emphasizing habits of carefulness, transparency, and flexibility, she shows copy editors how to build an environment of trust and cooperation. One chapter takes on the difficult author; another speaks to writers themselves. Throughout, the focus is on serving the reader, even if it means breaking "rules" along the way. Saller’s own foibles and misadventures provide ample material: "I mess up all the time," she confesses. "It’s how I know things." Writers, Saller acknowledges, are only half the challenge, as copy editors can also make trouble for themselves. (Does any other book have an index entry that says "terrorists. See copy editors"?) The book includes helpful sections on e-mail etiquette, work-flow management, prioritizing, and organizing computer files. One chapter even addresses the special concerns of freelance editors. Saller’s emphasis on negotiation and flexibility will surprise many copy editors who have absorbed, along with the dos and don’ts of their stylebooks, an attitude that their way is the right way. In encouraging copy editors to banish their ignorance and disorganization, insecurities and compulsions, the Chicago Q&A presents itself as a kind of alter ego to the comparatively staid Manual of Style. In The Subversive Copy Editor, Saller continues her mission with audacity and good humor.
Author: Kirsten Beck
Publisher:
ISBN:
Category : Reservation systems
Languages : en
Pages : 100
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Book Description
This is the first in an OOBA monograph series providing practical assistance for Off Off Broadway (008) theatres. This booklet gives basic procedures for operating an Off Off Broadway box office serving a general admission theatre with 100 seats or less. Small music, dance, multi-media performance groups and community arts organizations will also find the information given here helpful. Topics covered include: tickets, physical set-up, reservations, sales and box office closing. While the main purpose of any box office is to distribute tickets, it must also serve as a control-to make possible an accurate accounting system for tickets purchased and money received. In addition, the box office is a potent public relations tool for any theatre; it is often the only place where the audience meets a personal representative of the theatre. If your box office is well run, you can quickly answer these questions: 1. Why is there so little cash to deposit when the reservation book indicated the house was nearly sold out last night? 2. How much money did we take in last night? Last week? During the last production? Last season? 3. What percentage of this season's ticket sales was full price? How does that compare to last season's figures? 4. What percentage of the audience buys tickets with Theatre Development Fund (TDF) Vouchers (see footnote p. 38)? Does that have mailing list implications? 5. Are we fulfilling City and State regulations? 6. Do we have accurate records, for an auditor, funding source, or legal authority that demonstrate the existence of adequate procedures and controls?
Author: Herbert Blau
Publisher: New York : Macmillan
ISBN:
Category : Drama
Languages : en
Pages : 336
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Book Description
The author critiques contemporary American theater.
