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Author: John Edgar Wideman
Publisher: Houghton Mifflin Harcourt
ISBN: 9780618257751
Category : Biography & Autobiography
Languages : en
Pages : 262
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Book Description
A multilayered memoir of basketball, family, home, love, and race, this book tells of the author's love for a game he can no longer play.
Author: John Edgar Wideman
Publisher: Houghton Mifflin Harcourt
ISBN: 9780618257751
Category : Biography & Autobiography
Languages : en
Pages : 262
Get Book Here
Book Description
A multilayered memoir of basketball, family, home, love, and race, this book tells of the author's love for a game he can no longer play.
Author: Bonnie TuSmith
Publisher: Univ. of Tennessee Press
ISBN: 9781572334694
Category : Literary Criticism
Languages : en
Pages : 304
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Book Description
"This volume is an indispensable study of Wideman's oeuvre, covering the full range of his career by addressing the key features of his fiction and nonfiction from 1967 to the present.The essays in this book reflect the most advanced thinking on Wideman's prolific, extraordinary art. The collection features at least one article on each major work and includes the voices of both well-established and emerging scholars. Though their critical perspectives are diverse, the contributors place Wideman squarely at the center of contemporary African American literature as an exemplar of postmodern approaches to literary art. Several position Wideman within the context of his predecessors-Wright, Baldwin, Ellison-and within a larger cultural context of music and collective history. The essays examine Wideman's complex style and his blending of African and Western cosmologies and aesthetics, the use of personal narrative, and his imaginative revisioning of forgotten historical events. These insightful analyses cover virtually every stage of Wideman's career and every genre in which he has written. A detailed bibliography of Wideman's work is also included"--From Amazon.co.
Author: Noah Cohan
Publisher: U of Nebraska Press
ISBN: 1496216199
Category : Sports & Recreation
Languages : en
Pages : 276
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Book Description
Sports fandom—often more than religious, political, or regional affiliation—determines how millions of Americans define themselves. In We Average Unbeautiful Watchers, Noah Cohan examines contemporary sports culture to show how mass-mediated athletics are in fact richly textured narrative entertainments rather than merely competitive displays. While it may seem that sports narratives are “written” by athletes and journalists, Cohan demonstrates that fans are not passive consumers but rather function as readers and writers who appropriate those narratives and generate their own stories in building their sense of identity. Critically reading stories of sports fans’ self-definition across genres, from the novel and the memoir to the film and the blog post, We Average Unbeautiful Watchers recovers sports games as sites where fan-authors theorize interpretation, historicity, and narrative itself. Fan stories demonstrate how unscripted sporting entertainments function as identity-building narratives—which, in turn, enhances our understanding of the way we incorporate a broad range of texts into our own life stories. Building on the work of sports historians, theorists of fan behavior, and critics of American literature, Cohan shows that humanistic methods are urgently needed for developing nuanced critical conversations about athletics. Sports take shape as stories, and it is scholars in the humanities who can best identify how they do so—and why that matters for American culture more broadly.
Author: Tracie Church Guzzio
Publisher: Univ. Press of Mississippi
ISBN: 1617030058
Category : Literary Criticism
Languages : en
Pages : 331
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Book Description
In All Stories Are True, Tracie Church Guzzio provides the first full-length study of John Edgar Wideman's entire oeuvre to date. Specifically, Guzzio examines the ways in which Wideman (b. 1941) engages with three crucial themes—history, myth, and trauma—throughout his career, showing how they intertwine. Guzzio argues that, for four decades, the influential African American writer has endeavored to create a version of the African American experience that runs counter to mainstream interpretations, using history and myth to confront and then heal the trauma caused by slavery and racism. Wideman's work intentionally blurs boundaries between fiction and autobiography, myth and history, particularly as that history relates to African American experience in his hometown of Pittsburgh, Pennsylvania. The fusion of fiction, national history, and Wideman's personal life is characteristic of his style, which—due to its complexity and smudging of genre distinctions—has presented analytic difficulties for literary scholars. Despite winning the PEN/Faulkner award twice, for Sent for You Yesterday (1984) and Philadelphia Fire (1990), Wideman remains under-studied. Of particular value is Guzzio's analysis of the many ways in which Wideman alludes to his previous works. This intertextuality allows Wideman to engage his books in direct, intentional dialogue with each other through repeated characters, images, folktales, and songs. In Wideman's challenging of a monolithic view of history and presenting alternative perspectives to it, and his allowing past, present, and future time to remain fluid in the narratives, Guzzio finds an author firm in his notion that all stories and all perspectives have merit.
Author: D. Quentin Miller
Publisher: Univ of South Carolina Press
ISBN: 1611178258
Category : Literary Criticism
Languages : en
Pages : 158
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Book Description
A complete overview of an innovative and analytical author who rose from poverty Among the many gifted African American authors who emerged in the 1970s and 80s, John Edgar Wideman is one of the most challenging and innovative. His analytical mind can turn almost any topic into an intellectual adventure, whether it is playground basketball, the blues, the prison experience, father-son relationships, or the stories he lived or heard growing up in the impoverished section of Pittsburgh known as Homewood. In Understanding John Edgar Wideman, D. Quentin Miller offers a comprehensive overview of Wideman's writings, which range from the critically acclaimed books of the Homewood Trilogy to lesser known writings such as the early novels A Glance Away and The Lynchers. Notably Miller includes the first scholarly analysis of Writing to Save a Life, Wideman's recently published meditation on the military trial and execution of the father of civil rights martyr Emmett Till. In his fiction, nonfiction, and works that artfully combine both forms, Wideman has employed a multilayered and often difficult writing style in order to explore a wide range of topics. Miller tackles such topics as African American folk history, the intersection of personal and public history, the confluence of oral and written traditions, and the quest for meaning in nihilistic urban settings where black families struggle against crime, poverty, and despair. Miller also shows how Wideman's singular personal history is interwoven into his writings. His impressive accomplishments, including an Ivy League education and numerous literary honors, have come alongside family tragedies. By the time his sixth novel was published, both his brother and son were serving life sentences for murder, a source of anguish that he wrestled with in Brothers and Keepers and Fatheralong. Wideman writes with such authority on so many subjects that readers frequently have no idea what to expect with a new publication. Understanding John Edgar Wideman is thus a necessary guide to a prolific, varied, and essential oeuvre.
Author: Keith E. Byerman
Publisher: Bloomsbury Publishing USA
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 243
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Book Description
Challenging. Successful. Controversial. All terms used to accurately describe African American novelist and autobiographer John Edgar Wideman. This book examines his life and work—and the connections between them. The Life and Work of John Edgar Wideman is ideal for readers who might not be familiar with Wideman's work or those who may have been intimidated by descriptions of his writings. Through its coverage of Wideman's life from several generations back to the present and explanations of how Wideman makes use of life experiences, this book breaks down barriers for new readers and enables them to better relate and connect to his writing. Author Keith E. Byerman discusses Wideman's book-length works of fiction and nonfiction, as well as some of his shorter, journalistic pieces. The book emphasizes how Wideman integrates family and personal experience into what is typically labeled postmodern writing, and explains how he has evolved as a public intellectual who supplies shrewd commentary on subjects such as the prison system, terrorism, and the role of sports in American society.
Author: Amy Bass
Publisher: Macmillan
ISBN: 9781403965707
Category : History
Languages : en
Pages : 286
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Book Description
Talking about race and sports almost always leads to trouble. Rush Limbaugh's stint as an NFL commentator came to an abrupt end when he made off-handed comments about black quarterback Donovan McNabb. Cincinnati Reds' owner Marge Schott and CBS commentator Jimmy "The Greek" Snyder also landed in hot water for public remarks that most people construed as racist. Ask a simple question along these lines--"Why do African Americans dominate the NBA?"--and watch the sparks fly. It is precisely this flashpoint that Amy Bass seeks to explore. Sports wield a tremendous amount of cultural power in the United States and around the world, and often influence our ideas about race. In the Game is a collection of essays by top thinkers on race that survey this treacherous terrain. They engage topics like boxer Joe Louis's iconic status during the Jim Crow era, how blacks shaped the NFL in the 1970s, American Indian sports team mascots, and soccer in Argentina.
Author: Shawn Fury
Publisher: Macmillan
ISBN: 1250062160
Category : Sports & Recreation
Languages : en
Pages : 350
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Book Description
"It's hard to believe that there was a time when the jump shot didn't exist in basketball. When the sport was invented in 1891, players would take set shots with both feet firmly planted on the ground ... It took almost forty years before players began shooting jump shots of any kind and sixty-five years before it became a common sight. When the first jump shooting pioneers left the ground, they rose not only above their defenders, but also above the sport's conventions. The jump shot created a soaring offense, infectious excitement, loyal fans, and legends ... [This book] celebrates this crucial shot while tracing the history of how it revolutionized the game, shedding light on all corners of the basketball world"--
Author: Heather Russell
Publisher: University of Georgia Press
ISBN: 0820336106
Category : Literary Criticism
Languages : en
Pages : 218
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Book Description
In Haiti, Papa Legba is the spirit whose permission must be sought to communicate with the spirit world. He stands at and for the crossroads of language, interpretation, and form and is considered to be like the voice of a god. InLegba’s Crossing, Heather Russell examines how writers from the United States and the anglophone Caribbean challenge conventional Western narratives through innovative use, disruption, and reconfiguration of form. Russell’s in-depth analysis of the work of James Weldon Johnson, Audre Lorde, Michelle Cliff, Earl Lovelace, and John Edgar Wideman is framed in light of the West African aesthetic principle ofàshe, a quality ascribed to art that transcends the prescribed boundaries of form.Àsheis linked to the characteristics of improvisation and flexibility that are central to jazz and other art forms. Russell argues that African Atlantic writers self-consciously and self-reflexively manipulate dominant forms that prescribe a certain trajectory of, for example, enlightenment, civilization, or progress. She connects this seemingly postmodern meta-analysis to much older West African philosophy and its African Atlantic iterations, which she calls “the Legba Principle.”
Author: James W. Coleman
Publisher: LSU Press
ISBN: 0807138150
Category : Literary Criticism
Languages : en
Pages : 206
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Book Description
One of the most critically acclaimed yet least recognized contemporary writers, African American author John Edgar Wideman creates work often described as difficult, even unfathomable. In Writing Blackness, James Coleman examines Wideman's prolific body of work with the goal of making his often elusive imagery and dense style more accessible and thus broadening his readership. More so than for most writers, Coleman shows, Wideman's life has affected his writing. Born in 1941, Wideman grew up in a Pittsburgh suburb where he attended an integrated high school, starred on the basketball team, and was senior class president and valedictorian. At the University of Pennsylvania he studied creative writing and became an all--Ivy League basketball player. Winning a Rhodes scholarship, he studied at Oxford, after which he returned to Penn and became its first black tenured professor. Wideman published his first novel, A Glance Away, at age twenty-six and by 1973 had published two more works of fiction. But for all this success, something began to wear on him. In 1973, his grandmother died, and after listening to family stories when he traveled home for the funeral, Wideman began to change his world view. Between 1973 and 1981 Wideman published nothing and immersed himself in African American culture, reading widely and -- even more important -- moving much closer to his family. Since 1981, Wideman has refocused his life and writing on blackness and published twelve experimental works, all very different from his earlier books. Coleman examines nearly all of Wideman's work, from A Glance Away (1967) to Fanon (2008). He shows how Wideman has developed a unique style that combines elements of fiction, biography, memoir, history, legend, folklore, waking life, and dream in innovative ways in an effort to grasp the meaning of blackness -- an effort that makes his writing challenging but that holds more than ample rewards for the perceptive reader. In Writing Blackness, Coleman demonstrates why Wideman ranks among the best of contemporary American writers.
