Hong Kong Visual Arts Organizations Documentary Exhibition

Hong Kong Visual Arts Organizations Documentary Exhibition PDF Author: Hong Kong. Urban Council
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 115

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Hong Kong Visual Arts Organizations Documentary Exhibition

Hong Kong Visual Arts Organizations Documentary Exhibition PDF Author: Hong Kong. Urban Council
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 115

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Hong Kong Art

Hong Kong Art PDF Author: David James Clarke
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 750

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HONG KONG VISUAL ARTS OVERVIEW 香港視藝概述 2020

HONG KONG VISUAL ARTS OVERVIEW 香港視藝概述 2020 PDF Author: Lee Hoi-yin Joanna 李海燕
Publisher: Department of Fine Arts, the Chinese University of Hong Kong
ISBN: 9627055360
Category : Art
Languages : en
Pages : 149

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Hong Kong Visual Arts Overview (the Overview) discusses topics concerning the visual arts which took place in, or are related to, Hong Kong between 1 January and 31 December 2020. The Overview is published as an electronic book. 《香港視藝概述》討論2020年1月1日至12月31日於香港發生或與之相關的視覺藝術事件。《概述》以電子書形式出版。

香港視覺藝術年鑑

香港視覺藝術年鑑 PDF Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 348

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Hong Kong Now!

Hong Kong Now! PDF Author: Robert Carleton Hobbs
Publisher: University of Washington Press
ISBN:
Category : Art
Languages : en
Pages : 72

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Neither entirely Eastern nor definitively Western in its outlook, the work of Hong Kong artists oscillates between these two traditional polarities and shows how postcolonial artistic production is an ongong negotiation of differences, a tentative resolution of contradictions, and an ironic doubling of mainstream strategies that mimic and undermine the established modes.Hong Kong Now! presents the works of nine contemporary Hong Kong artists: Lucia N. Y. Cheung, Simon Go, Oscar Ho, Ho Siu-kee, Leung Chi Wo, Ellen Pau, Grechen So, Wong Shun-kit, and Yu Tsz Man. Working with the freedoms and constraints created by the opposing forces of possible totalitarian rule, now that the 153-year-old British crown colony of Hong Kong has been transferred to the People's Republic of China, with the seemingly unlimited freemarket economies already in place, these artists have developed a spectrum of possible identities that exhibit the complex and even contradictory values that are endemic to Hong Kong.

香港視覺藝術協會第30屆大展

香港視覺藝術協會第30屆大展 PDF Author: 香港視覺藝術協會
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 100

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Introduction to Hong Kong

Introduction to Hong Kong PDF Author: Gilad James, PhD
Publisher: Gilad James Mystery School
ISBN: 1104136309
Category : Travel
Languages : en
Pages : 87

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Book Description
Hong Kong is a special administrative region of the People's Republic of China. It is situated on the southeastern coast of China and has a population of over 7 million people. Hong Kong is made up of a main island and a series of smaller islands, and is known for its impressive skyline and bustling port. The official languages of Hong Kong are Chinese and English, and the region is known for its vibrant culture and cuisine. Hong Kong has a rich history that encompasses both Chinese and British influences. In 1842, the region was handed over to Great Britain by China in the Treaty of Nanking. Hong Kong remained under British rule until 1997 when it was returned to China under the principle of "one country, two systems." Today, Hong Kong has a highly developed economy that is centered on international trade and finance. The region also boasts a highly efficient public transportation system that includes buses, trains, trams, and ferries. With a unique blend of Eastern and Western cultures and a strong economic landscape, Hong Kong is truly a global city.

The Global Contemporary Art World

The Global Contemporary Art World PDF Author: Jonathan Harris
Publisher: John Wiley & Sons
ISBN: 1118288912
Category : Art
Languages : en
Pages : 240

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Book Description
The final installment in the critically-acclaimed trilogy on globalization and art explores the growing dominance of Asian centers of art This book takes readers on a fascinating journey around five Asian centers of contemporary art and its myriad institutions, agents, forms, materials, and languages, while posing vital questions about the political economy of culture and the power of visual art in a multi-polar world. He analyzes the financial powerhouse of Art Basel Hong Kong, new media art in South Korea, the place of the Kochi Biennale within contemporary art in India, transnational art and art education in China, and the geo-politics of art patronage in Palestine, and he develops a highly original synthesis of theoretical perspectives and empirical research. Drawing on detailed case studies and personal insights gained from his extensive experience of the contemporary art scene in Asia, Professor Harris examines the evolving relationship between the western centers of art practice, collection, and validation and the emerging “peripheries” of Asian Tiger societies with burgeoning art centers. And he arrives at the somewhat controversial conclusion that dominance of the art world is rapidly slipping away from Europe and North America. The Global Contemporary Art World is essential reading for undergraduates and postgraduate students in modern and contemporary art, art history, art theory and criticism, cultural studies, the sociology of culture, and globalization studies. It is also a vital resource for research students, academics, and professionals in the art world.

The Other Hong Kong Report 1992

The Other Hong Kong Report 1992 PDF Author: Joseph Y. S. Cheng
Publisher: Chinese University Press
ISBN: 9789622015630
Category : History
Languages : en
Pages : 502

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Inside/out

Inside/out PDF Author: Asia Society. Galleries
Publisher: Univ of California Press
ISBN: 9780520217478
Category : Art
Languages : en
Pages : 224

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Book Description
The late twentieth century has been marked by momentous political, economic, and social change throughout the Chinese world. Deeply rooted cultural assumptions and ancient visual traditions have been challenged by rapid modernization and conflicting global, ethnic, and local identities. Inside/Out: New Chinese Art was the first major international exhibition to explore the impact of these challenges on artists in the People's Republic of China, Hong Kong, Taiwan, and those of the 1980s Diaspora. The multifaceted exhibition and accompanying catalog encompass an extensive range of artistic forms, including installation, video, and performance art as well as more traditional media such as oils and ink. The art is grouped according to themes, some specific to regions and others that reflect widespread and overlapping trends. With the inclusion of ambiguous territories like Hong Kong and Taiwan, the exhibition opens up a perspective of modern Chinese art from the "outside" as well as a looking-out from the "inside." The catalog features essays by eminent Chinese art scholars and curators along with leading curators and historians of Western art. Together they promote Chinese art's rightful place in the contemporary global cultural arena and at the same time acknowledge the influence of its rich heritage. The diversity and freshness of the exhibition reflects the explosion of creativity among Chinese artists during the past decade. The ironic social commentary of Li Shan's The Rouge Series, no. 24, the "apartment art" of artists reacting against the traditional patronage of large museums and corporations, and Wang Jin's sly humor in portraying consumer fetishes in today's China are a few examples of the spirited artistry awaiting the viewers of Inside/Out.