Homosexuality in "Pepi, Luci, Bom y otras chicas del montón", "Laberinto de Pasiones" and "Entre Tinieblas" of the post-modern director Pedro Almodovar

Homosexuality in Author: Sandra Beyer
Publisher: GRIN Verlag
ISBN: 3638278719
Category : Foreign Language Study
Languages : en
Pages : 21

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Book Description
Seminar paper from the year 2004 in the subject Romance Studies - Spanish Studies, grade: 1,3 (A), Kingston University London (Spanish Institute), course: Spanish Cinema, language: English, abstract: Introduction Almodovar’s first three films Pepi, Luci, Bom y otras chicas del montón (1980), Laberinto de Pasiones (1982) and Entre Tinieblas (1983) can be seen as a breaking of all the taboos that were forbidden under Franco’s regime: there is drug use, "abnormal" sexuality, crude language, adultery, religious blasphemy. The films clearly mirror the new freedoms enjoyed by a generation of film-makers belonging to Spain’s “la movida” movement of the late 1970’s and early 1980’s. Born in 1951, Almodovar mainly grew up in the rural Extremadura, but left for Madrid at the age of sixteen. He originally wanted to attend the national film school, but due to the closure of the school by the Dictator Franco′s repressive government he was unable to go. He instead took a job at a telephone company to make the money to buy himself a Super-8 camera. Almodovar began filming short films in the early 1970s, and quickly became associated with ‘la movida’. This essay will be evaluating Almodovar’s role as a post-modern director, including a brief demonstration of the development of the post-modern culture after Franco’s death. The essay is especially interested in the juxtaposition of homo- and heterosexuality in Almodovar’s films and will evaluate the different ways in which Almodovar presents homosexuality. It will also have a close look at the mediums Almodovar uses to make his audience take his absurd film worlds for granted, and accept the happenings and characters as ‘normal’.

Homosexuality in "Pepi, Luci, Bom y otras chicas del montón", "Laberinto de Pasiones" and "Entre Tinieblas" of the post-modern director Pedro Almodovar

Homosexuality in Author: Sandra Beyer
Publisher: GRIN Verlag
ISBN: 3638278719
Category : Foreign Language Study
Languages : en
Pages : 21

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Book Description
Seminar paper from the year 2004 in the subject Romance Studies - Spanish Studies, grade: 1,3 (A), Kingston University London (Spanish Institute), course: Spanish Cinema, language: English, abstract: Introduction Almodovar’s first three films Pepi, Luci, Bom y otras chicas del montón (1980), Laberinto de Pasiones (1982) and Entre Tinieblas (1983) can be seen as a breaking of all the taboos that were forbidden under Franco’s regime: there is drug use, "abnormal" sexuality, crude language, adultery, religious blasphemy. The films clearly mirror the new freedoms enjoyed by a generation of film-makers belonging to Spain’s “la movida” movement of the late 1970’s and early 1980’s. Born in 1951, Almodovar mainly grew up in the rural Extremadura, but left for Madrid at the age of sixteen. He originally wanted to attend the national film school, but due to the closure of the school by the Dictator Franco′s repressive government he was unable to go. He instead took a job at a telephone company to make the money to buy himself a Super-8 camera. Almodovar began filming short films in the early 1970s, and quickly became associated with ‘la movida’. This essay will be evaluating Almodovar’s role as a post-modern director, including a brief demonstration of the development of the post-modern culture after Franco’s death. The essay is especially interested in the juxtaposition of homo- and heterosexuality in Almodovar’s films and will evaluate the different ways in which Almodovar presents homosexuality. It will also have a close look at the mediums Almodovar uses to make his audience take his absurd film worlds for granted, and accept the happenings and characters as ‘normal’.

Pedro Almodovar as a Post-modern Director and the Presentation of Homosexuality in His First Three Films "Pepi, Luci, Bom Y Otras Chicas Del Monton", "Laberinto De Pasiones" and "Entre Tinieblas"

Pedro Almodovar as a Post-modern Director and the Presentation of Homosexuality in His First Three Films Author: Sandra Beyer
Publisher: GRIN Verlag
ISBN: 3638760065
Category : Foreign Language Study
Languages : en
Pages : 42

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Book Description
Seminar paper from the year 2004 in the subject Romance Languages - Spanish Studies, grade: 1,3 (A), Kingston University London (Spanish Institute), course: Spanish Cinema, language: English, abstract: Introduction Almodovar's first three films Pepi, Luci, Bom y otras chicas del montón (1980), Laberinto de Pasiones (1982) and Entre Tinieblas (1983) can be seen as a breaking of all the taboos that were forbidden under Franco's regime: there is drug use, "abnormal" sexuality, crude language, adultery, religious blasphemy. The films clearly mirror the new freedoms enjoyed by a generation of film-makers belonging to Spain's "la movida" movement of the late 1970's and early 1980's. Born in 1951, Almodovar mainly grew up in the rural Extremadura, but left for Madrid at the age of sixteen. He originally wanted to attend the national film school, but due to the closure of the school by the Dictator Franco′s repressive government he was unable to go. He instead took a job at a telephone company to make the money to buy himself a Super-8 camera. Almodovar began filming short films in the early 1970s, and quickly became associated with 'la movida'. This essay will be evaluating Almodovar's role as a post-modern director, including a brief demonstration of the development of the post-modern culture after Franco's death. The essay is especially interested in the juxtaposition of homo- and heterosexuality in Almodovar's films and will evaluate the different ways in which Almodovar presents homosexuality. It will also have a close look at the mediums Almodovar uses to make his audience take his absurd film worlds for granted, and accept the happenings and characters as 'normal'.

Screening songs in Hispanic and Lusophone cinema

Screening songs in Hispanic and Lusophone cinema PDF Author: Lisa Shaw
Publisher: Manchester University Press
ISBN: 1526141779
Category : Art
Languages : en
Pages : 337

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Book Description
In this volume, eighteen experts from a variety of academic backgrounds explore the use of songs in films from the Spanish- and Portuguese-speaking worlds. This volume illustrates how – rather than simply helping to tell the story of – songs in Hispanic and Lusophone cinema commonly upset the hierarchy of the visual over the aural, thereby rendering their hearing a complex and rich subject for analysis. Screening songs... constitutes a ground-breaking, interdisciplinary collection. Of particular interest to scholars and academics in the areas of Film Studies, Hispanic Studies, Lusophone Studies and Musicology, this volume opens up the study of Hispanic and Lusophone cinema to vital, new, critical approaches. The soundtracks of films as varied as City of God, All About My Mother, Bad Education and Buena Vista Social Club are analysed alongside those of lesser-known works that range from the melodramas of Mexican cinema’s golden age to Brazilian and Portuguese musical comedies from the 1940s and 1950s. Fiction films are studied alongside documentaries, the work of established directors like Pedro Almodóvar, Carlos Saura and Nelson Pereira dos Santos alongside that of emerging filmmakers, and performances by iconic stars like Caetano Veloso and Chavela Vargas alongside the songs of Spanish Gypsy groups, Mexican folk songs and contemporary Brazilian rap.

The Palgrave Encyclopedia of Urban Literary Studies

The Palgrave Encyclopedia of Urban Literary Studies PDF Author: Jeremy Tambling
Publisher: Springer Nature
ISBN: 3319624199
Category : Literary Criticism
Languages : en
Pages : 1977

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Book Description
This encyclopaedia will be an indispensable resource and recourse for all who are thinking about cities and the urban, and the relation of cities to literature, and to ways of writing about cities. Covering a vast terrain, this work will include entries on theorists, individual writers, individual cities, countries, cities in relation to the arts, film and music, urban space, pre/early and modern cities, concepts and movements and definitions amongst others. Written by an international team of contributors, this will be the first resource of its kind to pull together such a comprehensive overview of the field.

Pedro Almodovar

Pedro Almodovar PDF Author: Sanchez-Acre
Publisher:
ISBN: 9780719074424
Category : Biography & Autobiography
Languages : en
Pages : 304

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Book Description


All about Almodóvar

All about Almodóvar PDF Author: Bradley S. Epps
Publisher: U of Minnesota Press
ISBN: 081664960X
Category : Performing Arts
Languages : en
Pages : 506

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Book Description
Printbegrænsninger: Der kan printes 10 sider ad gangen og max. 40 sider pr. session

Oxford Bibliographies

Oxford Bibliographies PDF Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :

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Book Description


Contemporary Spanish cinema

Contemporary Spanish cinema PDF Author: Barry Jordan
Publisher: Manchester University Press
ISBN: 1526141302
Category : Performing Arts
Languages : en
Pages : 225

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Book Description
Contemporary focus, right up to date with material from 1980s and 90s. Wide-ranging analyses of major directors, themes, genres and issues, including historical film, genre cinema, women in film and autonomies.

International Film Guide, 1990

International Film Guide, 1990 PDF Author: Peter Cowie
Publisher: Samuel French Trade
ISBN: 9780233985039
Category : Performing Arts
Languages : en
Pages : 532

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Book Description
This annual guide on global film-making offers a unique survey of trends, achievements and personalities during the past year. As usual the guide selects five Directors of the Year for appraisal: Danny Boyle, Takeshi Kitano, Soren Kragh-Jacobsen, David Mamet and Spike Lees. This edition has updated sections on film festivals, music and archives.

The cinema of Álex de la Iglesia

The cinema of Álex de la Iglesia PDF Author: Andy Willis
Publisher: Manchester University Press
ISBN: 184779629X
Category : Performing Arts
Languages : en
Pages : 236

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Book Description
Álex de la Iglesia, initially championed by Pedro Almodóvar, and at one time the enfant terrible of Spanish film, still makes film critics nervous. The director of some of the most important films of the Post-Franco era – Acción mutante, El día de la bestia, Muertos de risa – receives here the first full length study of his work. Breaking away from the pious tradition of acclaiming art-house auteurs, The cinema of Álex de la Iglesia tackles a new sort of beast: the popular auteur, who brings the provocation of the avant-garde to popular genres such as horror and comedy. This book brings together Anglo-American film theory, an exploration of the legal and economic history of Spanish audio-visual culture, a comprehensive knowledge of Spanish cultural forms and traditions (esperpento, sainete costumbrista) with a detailed textual analysis of all of Álex de la Iglesia’s seven feature films.