Author: James L. Hirsen
Publisher: Crown Forum
ISBN: 1400081939
Category : Social Science
Languages : en
Pages : 290
Book Description
In an updated study, a conservative spokesperson and author of Tales from the Left Coast offers an insightful look at how the line between news and entertainment has become blurred, as well as how the situation has allowed the liberal media to present their political views within entertainment product. Reprint. 15,000 first printing.
Hollywood Nation
Author: James L. Hirsen
Publisher: Crown Forum
ISBN: 1400081939
Category : Social Science
Languages : en
Pages : 290
Book Description
In an updated study, a conservative spokesperson and author of Tales from the Left Coast offers an insightful look at how the line between news and entertainment has become blurred, as well as how the situation has allowed the liberal media to present their political views within entertainment product. Reprint. 15,000 first printing.
Publisher: Crown Forum
ISBN: 1400081939
Category : Social Science
Languages : en
Pages : 290
Book Description
In an updated study, a conservative spokesperson and author of Tales from the Left Coast offers an insightful look at how the line between news and entertainment has become blurred, as well as how the situation has allowed the liberal media to present their political views within entertainment product. Reprint. 15,000 first printing.
Film Nation
Author: Robert Burgoyne
Publisher: U of Minnesota Press
ISBN: 9780816620715
Category : Performing Arts
Languages : en
Pages : 154
Book Description
Explores contemporary American films that challenge official history. Our movies have started talking back to us, and Film Nation takes a close look at what they have to say. In movies like JFK and Forrest Gump, Robert Burgoyne sees a filmic extension of the debates that exercise us as a nation -- debates about race and culture and national identity, about the nature and makeup of American history. In analyses of five films that challenge the traditional myths of the nation-state -- Glory, Thunderheart, JFK, Born on the Fourth of July, and Forrest Gump -- Burgoyne explores the reshaping of our collective imaginary in relation to our history. These movies, exploring the meaning of "nation" from below, highlight issues of power that underlie the narrative construction of nationhood. Film Nation exposes the fault lines between national myths and the historical experience of people typically excluded from those myths. Throughout, Burgoyne demonstrates that these films, in their formal design, also preserve relics of the imaginary past they contest. Here we see how the "genre memory" of the western, the war film, and the melodrama shapes these films, creating a complex exchange between old concepts of history and the alternative narratives of historical experience that contemporary texts propose. The first book to apply theories of nationalism and national identity to contemporary American films, Film Nation reveals the cinematic rewriting of history now taking place as a powerful attempt to rearticulate the cultural narratives that define America as a nation.
Publisher: U of Minnesota Press
ISBN: 9780816620715
Category : Performing Arts
Languages : en
Pages : 154
Book Description
Explores contemporary American films that challenge official history. Our movies have started talking back to us, and Film Nation takes a close look at what they have to say. In movies like JFK and Forrest Gump, Robert Burgoyne sees a filmic extension of the debates that exercise us as a nation -- debates about race and culture and national identity, about the nature and makeup of American history. In analyses of five films that challenge the traditional myths of the nation-state -- Glory, Thunderheart, JFK, Born on the Fourth of July, and Forrest Gump -- Burgoyne explores the reshaping of our collective imaginary in relation to our history. These movies, exploring the meaning of "nation" from below, highlight issues of power that underlie the narrative construction of nationhood. Film Nation exposes the fault lines between national myths and the historical experience of people typically excluded from those myths. Throughout, Burgoyne demonstrates that these films, in their formal design, also preserve relics of the imaginary past they contest. Here we see how the "genre memory" of the western, the war film, and the melodrama shapes these films, creating a complex exchange between old concepts of history and the alternative narratives of historical experience that contemporary texts propose. The first book to apply theories of nationalism and national identity to contemporary American films, Film Nation reveals the cinematic rewriting of history now taking place as a powerful attempt to rearticulate the cultural narratives that define America as a nation.
Hollywood's Hawaii
Author: Delia Malia Caparoso Konzett
Publisher: Rutgers University Press
ISBN: 081358745X
Category : Performing Arts
Languages : en
Pages : 358
Book Description
Whether presented as exotic fantasy, a strategic location during World War II, or a site combining postwar leisure with military culture, Hawaii and the South Pacific figure prominently in the U.S. national imagination. Hollywood’s Hawaii is the first full-length study of the film industry’s intense engagement with the Pacific region from 1898 to the present. Delia Malia Caparoso Konzett highlights films that mirror the cultural and political climate of the country over more than a century—from the era of U.S. imperialism on through Jim Crow racial segregation, the attack on Pearl Harbor and WWII, the civil rights movement, the contemporary articulation of consumer and leisure culture, as well as the buildup of the modern military industrial complex. Focusing on important cultural questions pertaining to race, nationhood, and war, Konzett offers a unique view of Hollywood film history produced about the national periphery for mainland U.S. audiences. Hollywood’s Hawaii presents a history of cinema that examines Hawaii and the Pacific and its representations in film in the context of colonialism, war, Orientalism, occupation, military buildup, and entertainment.
Publisher: Rutgers University Press
ISBN: 081358745X
Category : Performing Arts
Languages : en
Pages : 358
Book Description
Whether presented as exotic fantasy, a strategic location during World War II, or a site combining postwar leisure with military culture, Hawaii and the South Pacific figure prominently in the U.S. national imagination. Hollywood’s Hawaii is the first full-length study of the film industry’s intense engagement with the Pacific region from 1898 to the present. Delia Malia Caparoso Konzett highlights films that mirror the cultural and political climate of the country over more than a century—from the era of U.S. imperialism on through Jim Crow racial segregation, the attack on Pearl Harbor and WWII, the civil rights movement, the contemporary articulation of consumer and leisure culture, as well as the buildup of the modern military industrial complex. Focusing on important cultural questions pertaining to race, nationhood, and war, Konzett offers a unique view of Hollywood film history produced about the national periphery for mainland U.S. audiences. Hollywood’s Hawaii presents a history of cinema that examines Hawaii and the Pacific and its representations in film in the context of colonialism, war, Orientalism, occupation, military buildup, and entertainment.
Starbucks Nation
Author: Chris Ver Wiel
Publisher: Arcade Publishing
ISBN:
Category : Fiction
Languages : en
Pages : 266
Book Description
After noticing his long dead friend, Luke, staring at a hole in the ground, celebrity Morgan Beale is transported into an alternate universe filled with characters from his life and the novel he is adapting.
Publisher: Arcade Publishing
ISBN:
Category : Fiction
Languages : en
Pages : 266
Book Description
After noticing his long dead friend, Luke, staring at a hole in the ground, celebrity Morgan Beale is transported into an alternate universe filled with characters from his life and the novel he is adapting.
Cold War Femme
Author: Robert J. Corber
Publisher: Duke University Press
ISBN: 0822349477
Category : History
Languages : en
Pages : 237
Book Description
Interpretations of Hollywood films of the 1950s and 1960s demonstrate how Cold War homophobia focused on the femme as the lesbian who posed the greatest threat to the nation.
Publisher: Duke University Press
ISBN: 0822349477
Category : History
Languages : en
Pages : 237
Book Description
Interpretations of Hollywood films of the 1950s and 1960s demonstrate how Cold War homophobia focused on the femme as the lesbian who posed the greatest threat to the nation.
Dillinger in Hollywood
Author: John Sayles
Publisher:
ISBN: 9781560256328
Category : Fiction
Languages : en
Pages : 256
Book Description
A collection of short stories by the American filmmaker that explores life on the edge of poverty and fame.
Publisher:
ISBN: 9781560256328
Category : Fiction
Languages : en
Pages : 256
Book Description
A collection of short stories by the American filmmaker that explores life on the edge of poverty and fame.
Film Nation: Hollywood Looks at U. S. History, Revised Edition
Author: Robert Burgoyne
Publisher:
ISBN: 9781299944794
Category : Historical films
Languages : en
Pages : 254
Book Description
Events of the past decade have dramatically rewritten the American national narrative, bringing to light an alternate history of nation, marked since the country's origins by competing geopolitical interests, by mobility and migration, and by contending ethnic and racial groups. This book analyses films that give shape to the counternarrative that has emerged since 9/11 - one that challenges the traditional myths of the American nation-state.
Publisher:
ISBN: 9781299944794
Category : Historical films
Languages : en
Pages : 254
Book Description
Events of the past decade have dramatically rewritten the American national narrative, bringing to light an alternate history of nation, marked since the country's origins by competing geopolitical interests, by mobility and migration, and by contending ethnic and racial groups. This book analyses films that give shape to the counternarrative that has emerged since 9/11 - one that challenges the traditional myths of the American nation-state.
Hollywood and the Culture Elite
Author: Peter Decherney
Publisher: Columbia University Press
ISBN: 0231133774
Category : Business & Economics
Languages : en
Pages : 289
Book Description
Peter Decherney explores how the concerns of intellectuals and the needs of Hollywood studio heads led to the development of a mutually beneficial relationship during Hollywood's Golden Age (1915-1960). During this period, museums, universities, and government agencies used films to maintain their position as quintessential American institutions, transforming movies into an art form and making moviegoing a vital civic institution. Decherney's history features an intriguing cast of characters, including the poet Vachel Lindsay, film producers Adolph Zukor and Joseph Kennedy, Hollywood flak Will Hays, and philanthropist Nelson Rockefeller. He shows how Columbia and Harvard started film studies programs in the 1910s and 1920s to remake American education and American culture. And he shows how the Museum of Modern Art, the U.S. Office of War Information, and the National Endowment for the Arts worked with Hollywood to fight fascism and communism and to promote American values abroad. Hollywood and the Culture Elite offers a unique glimpse into the collaboration between Hollywood and the stewards of high culture to ensure their own survival and profitability.
Publisher: Columbia University Press
ISBN: 0231133774
Category : Business & Economics
Languages : en
Pages : 289
Book Description
Peter Decherney explores how the concerns of intellectuals and the needs of Hollywood studio heads led to the development of a mutually beneficial relationship during Hollywood's Golden Age (1915-1960). During this period, museums, universities, and government agencies used films to maintain their position as quintessential American institutions, transforming movies into an art form and making moviegoing a vital civic institution. Decherney's history features an intriguing cast of characters, including the poet Vachel Lindsay, film producers Adolph Zukor and Joseph Kennedy, Hollywood flak Will Hays, and philanthropist Nelson Rockefeller. He shows how Columbia and Harvard started film studies programs in the 1910s and 1920s to remake American education and American culture. And he shows how the Museum of Modern Art, the U.S. Office of War Information, and the National Endowment for the Arts worked with Hollywood to fight fascism and communism and to promote American values abroad. Hollywood and the Culture Elite offers a unique glimpse into the collaboration between Hollywood and the stewards of high culture to ensure their own survival and profitability.
The Good, the Bad and the Dolce Vita
Author: Mickey Knox
Publisher: Nation Books
ISBN: 9781560255758
Category : Biography & Autobiography
Languages : en
Pages : 352
Book Description
Born and raised in Brooklyn with a street fighter's instinct and sharp Jewish wit, Mickey Knox leaves the army for the bright lights of Hollywood. But when the rise of McCarthyism puts an abrupt end to his hopes of working in American films, Knox debarks to France and Italy to work in European cinema. It turns out to be the best move of his life. This book—where every major film actor and writer of the last century appears—is a wonderful, gossipy history of European cinema as seen through the observant eye of Knox. From arguing with John Wayne, teaching Anna Magnani to articulate English, to fending off Zsa Zsa Gabor's advances and getting lost in Italy with a hungry Orson Welles, Knox was in the midst of it all, watching with a dry smile and a witty comeback. Of the colorful cast of characters who have passed through his life—Burt Lancaster, Kirk Douglas, Ava Gardner, Anthony Quinn, Henry Fonda, Burt Reynolds, Sam Fuller, Elvis Presley, Gore Vidal—one lasting friendship runs throughout the text. That friend—Norman Mailer—writes a preface to "a rare warrior of that rarely heroic world of stage and screen." Black-and-white photographs are included.
Publisher: Nation Books
ISBN: 9781560255758
Category : Biography & Autobiography
Languages : en
Pages : 352
Book Description
Born and raised in Brooklyn with a street fighter's instinct and sharp Jewish wit, Mickey Knox leaves the army for the bright lights of Hollywood. But when the rise of McCarthyism puts an abrupt end to his hopes of working in American films, Knox debarks to France and Italy to work in European cinema. It turns out to be the best move of his life. This book—where every major film actor and writer of the last century appears—is a wonderful, gossipy history of European cinema as seen through the observant eye of Knox. From arguing with John Wayne, teaching Anna Magnani to articulate English, to fending off Zsa Zsa Gabor's advances and getting lost in Italy with a hungry Orson Welles, Knox was in the midst of it all, watching with a dry smile and a witty comeback. Of the colorful cast of characters who have passed through his life—Burt Lancaster, Kirk Douglas, Ava Gardner, Anthony Quinn, Henry Fonda, Burt Reynolds, Sam Fuller, Elvis Presley, Gore Vidal—one lasting friendship runs throughout the text. That friend—Norman Mailer—writes a preface to "a rare warrior of that rarely heroic world of stage and screen." Black-and-white photographs are included.
China’s Encounter with Global Hollywood
Author: Wendy Su
Publisher: University Press of Kentucky
ISBN: 0813167094
Category : Performing Arts
Languages : en
Pages : 220
Book Description
In recent years, the film industry in the People's Republic of China has found itself among the top three most prolific in the world. When the Chinese government introduced a new revenue-sharing system in 1994, the nation's total movie output skyrocketed with gross box-office receipts totaling billions of yuan. This newfound success, however, has been built on an alternately competitive and collaborative relationship between the ascendant global power of China and the popular culture juggernaut of America. In China's Encounter with Global Hollywood, Wendy Su examines the intertwining relationships among the Chinese state, global Hollywood, and the Chinese film industry while analyzing the causes and consequences of the rapid growth of the nation's domestic film production. She demonstrates how the Chinese state has consolidated power by negotiating foreign interest in the lucrative Chinese market while advancing its cultural industries. Su also reveals how mainland Chinese and Hong Kong filmmakers have navigated the often-incompatible requirements of marketization and state censorship. This timely analysis demonstrates how China has cannily used global capital to modernize its own film industry and now stands poised to step clear of Hollywood's shadow. The country's debates—on- and offscreen—over cultural change, market-based economic reforms, and artistic freedom illuminate China's ongoing efforts to build a modern national identity.
Publisher: University Press of Kentucky
ISBN: 0813167094
Category : Performing Arts
Languages : en
Pages : 220
Book Description
In recent years, the film industry in the People's Republic of China has found itself among the top three most prolific in the world. When the Chinese government introduced a new revenue-sharing system in 1994, the nation's total movie output skyrocketed with gross box-office receipts totaling billions of yuan. This newfound success, however, has been built on an alternately competitive and collaborative relationship between the ascendant global power of China and the popular culture juggernaut of America. In China's Encounter with Global Hollywood, Wendy Su examines the intertwining relationships among the Chinese state, global Hollywood, and the Chinese film industry while analyzing the causes and consequences of the rapid growth of the nation's domestic film production. She demonstrates how the Chinese state has consolidated power by negotiating foreign interest in the lucrative Chinese market while advancing its cultural industries. Su also reveals how mainland Chinese and Hong Kong filmmakers have navigated the often-incompatible requirements of marketization and state censorship. This timely analysis demonstrates how China has cannily used global capital to modernize its own film industry and now stands poised to step clear of Hollywood's shadow. The country's debates—on- and offscreen—over cultural change, market-based economic reforms, and artistic freedom illuminate China's ongoing efforts to build a modern national identity.