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Author: Gregory W. Mank
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 440
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Book Description
Thirteen of Hollywood's horror classics in detail: Dr. Jekyll and Mr. Hyde (1931), The Old Dark House(1932), The Mask of Fu Manchu (1932), Mark of the Vampire (1935), Mad Love (1935), The Black Room (1935), The Walking Dead (1936), Cat People (1942), Bluebeard (1944), The Lodger (1944), The Picture of Dorian Gray (1945), Hangover Square (1945) and Bedlam (1946). From original interviews and research, the styles of the various studios (from giant M-G-M to Poverty Row's PRC), along with the performers, directors, and backstage events, are examined.
Author: Gregory W. Mank
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 440
Get Book Here
Book Description
Thirteen of Hollywood's horror classics in detail: Dr. Jekyll and Mr. Hyde (1931), The Old Dark House(1932), The Mask of Fu Manchu (1932), Mark of the Vampire (1935), Mad Love (1935), The Black Room (1935), The Walking Dead (1936), Cat People (1942), Bluebeard (1944), The Lodger (1944), The Picture of Dorian Gray (1945), Hangover Square (1945) and Bedlam (1946). From original interviews and research, the styles of the various studios (from giant M-G-M to Poverty Row's PRC), along with the performers, directors, and backstage events, are examined.
Author: Jon Towlson
Publisher: McFarland
ISBN: 1476626391
Category : Performing Arts
Languages : en
Pages : 241
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Book Description
Critics have traditionally characterized classic horror by its use of shadow and suggestion. Yet the graphic nature of early 1930s films only came to light in the home video/DVD era. Along with gangster movies and "sex pictures," horror films drew audiences during the Great Depression with sensational content. Exploiting a loophole in the Hays Code, which made no provision for on-screen "gruesomeness," studios produced remarkably explicit films that were recut when the Code was more rigidly enforced from 1934. This led to a modern misperception that classic horror was intended to be safe and reassuring to audiences. The author examines the 1931 to 1936 "happy ending" horror in relation to industry practices and censorship. Early works like Murders in the Rue Morgue (1932) and The Raven (1935) may be more akin to The Texas Chain Saw Massacre (1974) and Hostel (2005) than many critics believe.
Author: Gregory William Mank
Publisher: McFarland
ISBN: 0786462558
Category : Performing Arts
Languages : en
Pages : 429
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Book Description
Thirteen of Hollywood's horror classics in detail: Dr. Jekyll and Mr. Hyde (1931), The Old Dark House(1932), The Mask of Fu Manchu (1932), Mark of the Vampire (1935), Mad Love (1935), The Black Room (1935), The Walking Dead (1936), Cat People (1942), Bluebeard (1944), The Lodger (1944), The Picture of Dorian Gray (1945), Hangover Square (1945) and Bedlam (1946). From original interviews and research, the styles of the various studios (from giant M-G-M to Poverty Row's PRC), along with the performers, directors, and backstage events, are examined.
Author: Kenneth Von Gunden
Publisher: McFarland
ISBN: 9780786412143
Category : Performing Arts
Languages : en
Pages : 308
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Book Description
In-depth analyses are presented of 15 superior films, each one representing a subgenre of fantasy cinema--Beauty and the Beast, Conan the Barbarian, The Dark Crystal, Dragonslayer, 5,000 Fingers of Dr. T, It's a Wonderful Life, Jason and the Argonauts, King Kong, Lost Horizon, Popeye, Superman, The Thief of Baghdad, Time Bandits, Topper, and The Wizard of Oz. A chapter is devoted to each film, providing a plot summary and detailed information about cast and crew, special effects (stop-motion animation, miniatures, hanging miniatures, optical effects, tricks of perspective, blue screens, matte paintings, glass shots, reverse projection, slow motion, rear and front projection, etc.), and strengths and weaknesses, as well as explorations of the film's relationship to written fantasy, other films, and cultural myths.
Author: Karin Adir
Publisher: McFarland
ISBN: 9780786413034
Category : Performing Arts
Languages : en
Pages : 274
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Book Description
There are generations that have never seen Sid Caesar become an automobile tire or Red Skelton stick his thumbs in his armpits and intone, "Two theagulls...," never journeyed with Ernie Kovacs to a surrealistic world of his warped imagination. Here seventeen comic talents are profiled (with photographs): their early years, marriages and personal challenges, anecdotes about them, the characters they created, their styles, and often representative dialogue or sketch descriptions. There is a listing of all television shows in which each comic starred (giving length, network, air dates). The comics include Lucille Ball, Milton Berle, Carol Burnett, Sid Caesar, Imogene Coca, Tim Conway, Jackie Gleason, Danny Kaye, Ernie Kovacs, Olsen and Johnson, Martha Raye, Soupy Sales, Red Skelton, Dick Van Dyke, Flip Wilson, Jonathan Winters, and Ed Wynn.
Author: Harry M. Benshoff
Publisher: Manchester University Press
ISBN: 9780719044731
Category : Performing Arts
Languages : en
Pages : 340
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Book Description
Monster in the Closet is a history of the horrors film that explores the genre's relationship to the social and cultural history of homosexuality in America. Drawing on a wide variety of films and primary source materials including censorship files, critical reviews, promotional materials, fanzines, men's magazines, and popular news weeklies, the book examines the historical figure of the movie monster in relation to various medical, psychological, religious and social models of homosexuality. While recent work within gay and lesbian studies has explored how the genetic tropes of the horror film intersect with popular culture's understanding of queerness, this is the first book to examine how the concept of the monster queer has evolved from era to era. From the gay and lesbian sensibilities encoded into the form and content of the classical Hollywood horror film, to recent films which play upon AIDS-related fears. Monster in the Closet examines how the horror film started and continues, to demonize (or quite literally "monsterize") queer sexuality, and what the pleasures and "costs" of such representations might be both for individual spectators and culture at large.
Author: Charles Derry
Publisher: McFarland
ISBN: 9780786462407
Category : Performing Arts
Languages : en
Pages : 364
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Book Description
This book is a comprehensive study of one of the most popular genres in the cinema. From a perspective sympathetic to popular culture, this study analyzes a large number of primarily American and European films by a variety of distinguished directors, including Alfred Hitchcock, Claude Chabrol, John Frankenheimer, Michelangelo Antonioni, and Costa-Gavras. Indispensable to anyone interested in understanding how suspense thrillers work and what they mean, this book provides insightful analysis of hundreds of memorable films, while at the same time working as a virtual how-to manual for anyone trying to write a Hitchcock-like thriller. The first section of the book is primarily theoretical. It offers a bibliographical survey and then explains why we so profoundly enjoy these suspenseful films of murder and intrigue. A chapter on "Thrills: or, How Objects and Empty Spaces Compete to Threaten Us" explores the psychological concept of the thrill and relates it to the psyche of the spectator. To what extent does the suspense thriller represent a symbolic and vicarious experience of danger? A chapter on "Suspense That Makes the Spectator Take a Breath" explores the crucial narrative concept of suspense and relates it to the psychological mechanisms of anxiety incited in the spectator. Why do we like to be scared? A final theoretical chapter offers a dynamic definition of the suspense thriller derived in part from Edgar Allan Poe and based primarily on content analysis. The second section of the book is more of an historical survey and devotes one chapter to each of the suspense thriller's primary sub-genres. These chapters provide close readings of more than 150 major films and detailed analysis of the suspense thriller's conventions, themes, and recurrent iconography. Sub-genres include The Postman Always Rings Twice, Body Heat, The Manchurian Candidate, The China Syndrome, Missing, The Passenger, Spellbound, Obsession, Marathon Man and Blue Velvet. A final chapter explores areas for further research and offers concluding insights.
Author: Harry M. Benshoff
Publisher: John Wiley & Sons
ISBN: 1119335019
Category : Performing Arts
Languages : en
Pages : 613
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Book Description
This cutting-edge collection features original essays by eminent scholars on one of cinema's most dynamic and enduringly popular genres, covering everything from the history of horror movies to the latest critical approaches. Contributors include many of the finest academics working in the field, as well as exciting younger scholars Varied and comprehensive coverage, from the history of horror to broader issues of censorship, gender, and sexuality Covers both English-language and non-English horror film traditions Key topics include horror film aesthetics, theoretical approaches, distribution, art house cinema, ethnographic surrealism, and horror's relation to documentary film practice A thorough treatment of this dynamic film genre suited to scholars and enthusiasts alike
Author: Irv Broughton
Publisher: McFarland
ISBN: 9780786412075
Category : Performing Arts
Languages : en
Pages : 324
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Book Description
Imre Horvath, producer of 60 Minutes, was asked how to get to talk to inaccessible people: "People that are busy...are scheduled tight...it's at 5:00 and 6:00 that they're back in their office to unwind...there's a kind of resonance or sympathy that springs up. "Oh, you're still in your office too?" Twenty-two interviews feature the producers or creators of Mister Rogers, Highway Patrol, Sea Hunt, The Cisco Kid, The Tonight Show, Rockford Files, Falcon Crest, Gunsmoke, Family Feud, and Roots, among others. These people offer opinions on the producer's role, the creation and packaging of different program genres, getting the best from the production team, tips for success, and of course personalities and personal moments. Honest and intelligent, these interviews give the reader a fascinating view of the industry.
Author: Mike Quarles
Publisher: McFarland
ISBN: 9780786462575
Category : Performing Arts
Languages : en
Pages : 212
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Book Description
Taboo breakers and trendsetters, shameless hucksters and famous directors. Exploitation filmmaking has seen it all. Fred Olen Ray made his first movie for $298. In 1936 Marijuana-Weed with Roots in Hell showed drug use and nudity on screen in an effort to "educate the public." Kroger Babb, the man behind Mom and Dad, spliced color medical footage of a baby's birth into his black and white "classic." Russ Meyer, John Waters, Andy Milligan, Doris Wishman, and many others are covered. "Classic" films such as The Immoral Mr. Teas, The Texas Chainsaw Massacre, and Nude on the Moon are examined. Production techniques and innovations are also discussed.
