Hollstein's German engravings, etchings and woodcuts : 1400 - 1700. 31. Michael Ostendorfer (continued) to Georg Pencz PDF Download
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Author: F. W. H. Hollstein
Publisher:
ISBN: 9789072658135
Category :
Languages : en
Pages :
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Book Description
Author: F. W. H. Hollstein
Publisher:
ISBN: 9789072658135
Category :
Languages : en
Pages :
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Book Description
Author: F. W. H. Hollstein
Publisher:
ISBN:
Category : Engravers
Languages : en
Pages : 276
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Book Description
Author: Tilmann Falk
Publisher:
ISBN: 9789072658135
Category :
Languages : en
Pages : 0
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Book Description
Author: Max Marmor
Publisher: ALA Editions
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 928
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Book Description
"This bibliography supplements the greatest of modern art bibliographies, Etta Arntzen and Robert Rainwater's Guide to the literature of art history (ALA, 1980)"--Preface.
Author: Friedrich W. H. Hollstein
Publisher:
ISBN: 9789072658135
Category :
Languages : en
Pages :
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Author: Friedrich Wilhelm Heinrich Hollstein
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Author:
Publisher:
ISBN:
Category : Catalogs, Publishers'
Languages : de
Pages : 2316
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Book Description
Author: Jane Campbell Hutchison
Publisher: Routledge
ISBN: 1135581711
Category : Art
Languages : en
Pages : 351
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Book Description
Hutchison's book is a complete guide on Durer and the research on his work, his historical import and his aesthetic legacy.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 232
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Book Description
Author: AlisonG. Stewart
Publisher: Routledge
ISBN: 1351574264
Category : Art
Languages : en
Pages : 495
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Book Description
Peasant festival imagery began in sixteenth-century Nuremberg, when the city played host to a series of religious and secular festivals. The peasant festival images were first produced as woodcut prints in the decade between 1524 and 1535 by Sebald Beham. These peasant festival prints show celebrating in a variety of ways including dancing, eating and drinking, and playing games. In Before Bruegel, Alison Stewart takes a fresh look at these images and explores them within their historical and cultural contexts, including the introduction of the Lutheran Reformation into the town's institutions and the accompanying re-evaluation of the town's popular festivals. Stewart goes beyond the black-and-white approaches of previous interpretations, to examine the festival prints in a more complex manner. In the first publication of its kind, Stewart makes the case for a range of meanings these works held for a sixteenth-century audience and for Beham's pictorial inventiveness and his business savvy. Beham is credited with inventing the subject of peasant festivals in Northern Renaissance art and for creating a market for the subject by the middle of the sixteenth century, with his large-scale woodcuts at Nuremberg and with tiny engravings at Frankfurt. Stewart shows that the market Beham created for prints with the theme of peasant festivals paved the way for Pieter Bruegel's Netherlandish paintings of the same theme, dating but a few years later.
