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Author: Martin Clayton
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 198
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Book Description
The Royal Library at Windsor Castle houses one of the world's greatest collections of drawings. Collected by individual monarchs over the last five centuries, they range from portraits by Hans Holbein, recorded in the collection on the death of King Henry VIII in 1547, to drawings by contemporary artists such as David Hockney, presented to and commissioned by The Queen during the current reign. Charles II acquired an unrivalled group of studies by Leonardo da Vinci, along with many other drawings by the artists of the Italian Renaissance; George III purchased thousands of drawings by the greatest artists of the seventeenth and eighteenth centuries, such as Poussin, Bernini and Canaletto; and Queen Victoria and Prince Albert commissioned many hundreds of watercolours as mementoes of their lives together.
Author: Martin Clayton
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 198
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Book Description
The Royal Library at Windsor Castle houses one of the world's greatest collections of drawings. Collected by individual monarchs over the last five centuries, they range from portraits by Hans Holbein, recorded in the collection on the death of King Henry VIII in 1547, to drawings by contemporary artists such as David Hockney, presented to and commissioned by The Queen during the current reign. Charles II acquired an unrivalled group of studies by Leonardo da Vinci, along with many other drawings by the artists of the Italian Renaissance; George III purchased thousands of drawings by the greatest artists of the seventeenth and eighteenth centuries, such as Poussin, Bernini and Canaletto; and Queen Victoria and Prince Albert commissioned many hundreds of watercolours as mementoes of their lives together.
Author: Simon Wilson
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Simon Wilson
Publisher:
ISBN:
Category :
Languages : en
Pages : 208
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Book Description
Author: Sarah Howgate
Publisher: National Portrait Gallery Publications
ISBN: 9781855147973
Category : Art
Languages : en
Pages : 0
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Book Description
David Hockney is recognised as one of the master draughtsmen of our times and a champion of the medium. This book will feature Hockney's work from the 1950s to now and focus on his depictions of himself and a smaller group of sitters close to him: his muse, Celia Birtwell; his mother, Laura Hockney; and his friends, the curator, Gregory Evans, and master printer, Maurice Payne.0This book will examine not only how drawing is fundamental to Hockney's distinctive way of observing the world around him, but also how it has been a testing ground for ideas and modes of expression later played out in his paintings.0From Old Masters to modern masters, from Holbein to Picasso, Hockney's portrait drawings reveal his admiration for his artistic predecessors and his continuous stylistic experimentation throughout his career.0Alongside an in-depth essay from the curator, this book will feature an exclusive interview between author and curator, Sarah Howgate, and artist, David Hockney. In addition, an 'In Focus' essay by British Museum curator Isabel Seligman, will explore the relationship between Hockney, Ingres and Picasso drawings.00Exhibition: The National Portrait Gallery, London, UK (27.02.-28.06.2020), The Morgan Library & Museum, New York, USA (02.10.20-17.01.21).
Author: Malcolm Warner
Publisher: Yc British Art
ISBN: 9780300092226
Category : Art
Languages : en
Pages : 262
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Book Description
Outside Britain itself, the richest holdings of British art are found in American collections. This extraordinary presentation of some 85 works pays tribute to this strength of American collecting, while offering a fresh and engaging account of the history of painting in Britain from the sixteenth century to the present. The selection is drawn from collections from around the United States, both public and private, and includes spectacular pictures from the Yale Center for British Art and the Huntington Art Collections in California, the two leading collections of British art in America. Among the highlights are such masterpieces as Sir Anthony Van Dyck's portrait of Queen Henrietta Maria with her dwarf, Sir Jeffrey Hudson, William Hogarth's Beggar's Opera, Thomas Gainsborough's Blue Boy, Henry Fuseli's Nightmare, John Constable's Hadleigh Castle, J. M. W. Turner's Staffa, Fingal's Cave, and William Holman Hunt's Lady of Shalott. Following introductory essays by Malcolm Warner on anglophilia and art, and by Robyn Asleson on the history of collecting British art in the States, each painting is reproduced in colour, with a discussion of its artistic importance and the circumstances o
Author: David Hockney
Publisher:
ISBN: 9780500600207
Category : Painting
Languages : en
Pages : 328
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Book Description
Author: Richard Humphreys
Publisher:
ISBN:
Category :
Languages : en
Pages : 333
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Book Description
Author: Erika Michael
Publisher: Routledge
ISBN: 1136781137
Category : Music
Languages : en
Pages : 778
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Book Description
In this quincentennial year of Holbein's birth, this is the first comprehensive annotated bibliography of texts relating to this important Northern European Renaissance artist, with an accompanying historiographic essay on various aspects of Holbein's reception.The first part of the book, "Some Notes on Reception," contains overviews of texts about
Author: Hans Holbein
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 182
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Book Description
Discusses the life and work of Hans Holbein the Younger, the artist most responsible for preserving in his portraits the court of King Henry VIII.
Author: Robert Hughes
Publisher: Knopf
ISBN: 0307809595
Category : Art
Languages : en
Pages : 624
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Book Description
From Holbein to Hockney, from Norman Rockwell to Pablo Picasso, from sixteenth-century Rome to 1980s SoHo, Robert Hughes looks with love, loathing, warmth, wit and authority at a wide range of art and artists, good, bad, past and present. As art critic for Time magazine, internationally acclaimed for his study of modern art, The Shock of the New, he is perhaps America’s most widely read and admired writer on art. In this book: nearly a hundred of his finest essays on the subject. For the realism of Thomas Eakins to the Soviet satirists Komar and Melamid, from Watteau to Willem de Kooning to Susan Rothenberg, here is Hughes—astute, vivid and uninhibited—on dozens of famous and not-so-famous artists. He observes that Caravaggio was “one of the hinges of art history; there was art before him and art after him, and they were not the same”; he remarks that Julian Schnabel’s “work is to painting what Stallone’s is to acting”; he calls John Constable’s Wivenhoe Park “almost the last word on Eden-as-Property”; he notes how “distorted traces of [Jackson] Pollock lie like genes in art-world careers that, one might have thought, had nothing to do with his.” He knows how Norman Rockwell made a chicken stand still long enough to be painted, and what Degas said about success (some kinds are indistinguishable from panic). Phrasemaker par excellence, Hughes is at the same time an incisive and profound critic, not only of particular artists, but also of the social context in which art exists and is traded. His fresh perceptions of such figures as Andy Warhol and the French writer Jean Baudrillard are matched in brilliance by his pungent discussions of the art market—its inflated prices and reputations, its damage to the public domain of culture. There is a superb essay on Bernard Berenson, and another on the strange, tangled case of the Mark Rothko estate. And as a finale, Hughes gives us “The SoHoiad,” the mock-epic satire that so amused and annoyed the art world in the mid-1980s. A meteor of a book that enlightens, startles, stimulates and entertains.
