Hogarth. Vol.3. Art and Politics 1750-1764 PDF Download
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Languages : en
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Author: Ronald Paulson
Publisher:
ISBN:
Category : Artists
Languages : en
Pages : 696
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Author: Ronald Paulson
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 690
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This final volume takes Hogarth from his fifty-third year to his death at sixty-seven. The period opens with Hogarth at the height of his powers; a figure of influence with the literary generation of Richardson and Fielding known to an unprecedented spectrum of English men and women. At this point, Hogarth chose to philosophize about art, extending his successful practice into aesthetic theory, in The Analysis of Beauty (1753)--partly in reaction to the agitation for an art academy based on the French model, partly out of the conviction that his art required verbal validation, and partly (some contemporaries felt) out of hubris. At the same moment, the hard-won fabric of his reputation began to unravel. A new generation had arisen--some friendly and interested in building on Hogarth's achievement, but some determined to supercede what seemed to be a figure too insular to represent English art and culture to the world. The consequences--given his own doggedness and the shifting allegiances of former friends--were tumultuous, and darkened the last years of Hogarth's life. For the first time in his career he found himself apparently out of step with his times--isolated and obsolescent. Although these cannot be called happy years, they elicited from Hogarth some of his most brilliant and audacious works, in writing as well as painting and engraving. In many ways he had already anticipated the Reynolds generation, pointing the way into the Promised Land, but disagreeing over the nature of that promise. More than the earlier two volumes, Art and Politics focuses on the reception of Hogarth and his works. The paranoid strain in Hogarth responded to the notion of being attacked, reflecting his increasing fear of the general audience he had himself helped to create as no longer a public but a crowd.
Author: Reva Wolf
Publisher: Bloomsbury Publishing USA
ISBN: 1501337971
Category : Art
Languages : en
Pages : 333
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Choice Outstanding Academic Title for 2020 With the dramatic rise of Freemasonry in the eighteenth century, art played a fundamental role in its practice, rhetoric, and global dissemination, while Freemasonry, in turn, directly influenced developments in art. This mutually enhancing relationship has only recently begun to receive its due. The vilification of Masons, and their own secretive practices, have hampered critical study and interpretation. As perceptions change, and as masonic archives and institutions begin opening to the public, the time is ripe for a fresh consideration of the interconnections between Freemasonry and the visual arts. This volume offers diverse approaches, and explores the challenges inherent to the subject, through a series of eye-opening case studies that reveal new dimensions of well-known artists such as Francisco de Goya and John Singleton Copley, and important collectors and entrepreneurs, including Arturo Alfonso Schomburg and Baron Taylor. Individual essays take readers to various countries within Europe and to America, Iran, India, and Haiti. The kinds of art analyzed are remarkably wide-ranging-porcelain, architecture, posters, prints, photography, painting, sculpture, metalwork, and more-and offer a clear picture of the international scope of the relationships between Freemasonry and art and their significance for the history of modern social life, politics, and spiritual practices. In examining this topic broadly yet deeply, Freemasonry and the Visual Arts sets a standard for serious study of the subject and suggests new avenues of investigation in this fascinating emerging field.
Author: Frédéric Ogée
Publisher: Manchester University Press
ISBN: 9780719059193
Category : Architecture
Languages : en
Pages : 308
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By focusing on the artist's most famous works, this collection of essays applies studies of science and philosophy from the period to give a more accurate sense of the meanings in Hogarth's art.
Author: Todd Porterfield
Publisher: Routledge
ISBN: 1351544934
Category : Art
Languages : en
Pages : 241
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Book Description
Searing disputes over caricature have recently sparked flames across the world?the culmination, not the beginning, of the story of one of modernity's definitive artistic practices. Modern visual satire erupts during a period marked by reform and revolution, by cohering nationalisms and expanding empires, and by the emerging discipline of art history. This has long been recognized as its Golden Age. It is time to look anew. In The Efflorescence of Caricature, 1759-1838, an international, interdisciplinary, and intergenerational team of scholars reconfigures the geography of modern visual satire, as the expansive narrative reaches from North America to Europe, to China and the Ottoman Empire. Caricature's specific visual cultures are also laid bare, its iconographic means and material support, as well as the diverse milieu of its making?the military, the art academy, diplomacy, politics, art criticism, and popular entertainment. Some of its greatest practitioners?James Gillray and Honor?aumier?are seen in a new light, alongside some of their far flung and opportunistic pastichers. Most trenchantly, assumptions about the consequences of caricature's rise come under intense scrutiny, interrogated for its cherished and long-vaunted civilizational claims on individual character, artistic supremacy, political liberty, and global domination.
Author: Thomas Alan King
Publisher: Univ of Wisconsin Press
ISBN: 9780299226206
Category : History
Languages : en
Pages : 596
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"Taking on nothing less than the formation of modern genders and sexualities, Thomas A. King develops a history of the political and performative struggles that produced both normative and queer masculinities in the seventeenth and eighteenth centuries. The result is a major contribution to gender studies, gay studies, and theater and performance history. The Gendering of Men, 1600-1750 traces the transition from a society based on alliance, which had subordinated all men, women, and boys to higher ranked males, to one founded in sexuality, through which men have embodied their claims to personal and political privacy. King proposes that the male body is a performative production marking men's resistance to their subjection within patriarchy and sovereignty. Emphasizing that categories of gender must come under historical analysis, The Gendering of Men explores men's particpation in an ongoing struggle for access to a universal manliness transcending other biological and social differentials."--Pub. desc. v.1.
Author: Andrew Stevens
Publisher: Chazen Museum of Art
ISBN: 0932900429
Category : London (England)
Languages : en
Pages : 68
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Author: Kassandra Nakas
Publisher: VDG Weimar - Verlag und Datenbank für Geisteswissenschaften
ISBN: 3958994539
Category : Art
Languages : en
Pages : 189
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Book Description
Artists and the public alike have always been fascinated by obscene imagery. The Obscene, however, is difficult to define. One of the earliest interpretations is of Greek origin and argues that the word derives from "ob skene", indicating the space behind the stage or scene. "Off-scene" remains what should be hidden from public view, be it morally questionable, offensive, disgusting or unbearable to look at. This book presents a collection of essays that cast light on some "Scene of the Obscene" in art and visual culture from the Middle Ages to today, taking into consideration the malleable nature of socio-cultural assumptions and theoretical reflections on the topic.The contributions focus on historically distinct artistic acts and social sites where established cultural categories and legal norms are violated, with artists and publishers deliberately breaking moral taboos and offending the public taste. They discuss how society reacted to these transregressions and how obscenity and its conceptions shape the face of their respective time.
Author: Tom Huhn
Publisher: Penn State Press
ISBN: 9780271046013
Category : Philosophy
Languages : en
Pages : 234
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This book reconsiders the fate of the doctrine of mimesis in the eighteenth century. Standard accounts of the aesthetic theories of this era hold that the idea of mimesis was supplanted by the far more robust and compelling doctrines of taste and aesthetic judgment. Since the idea of mimesis was taken to apply only in the relation of art to nature, it was judged to be too limited when the focus of aesthetics changed to questions about the constitution of individual subjects in regard to taste. Tom Huhn argues that mimesis, rather than disappearing, instead became a far more pervasive idea in the eighteenth century by becoming submerged within the dynamics of the emerging accounts of judgment and taste. Mimesis also thereby became enmeshed in the ideas of sociality contained, often only implicitly, within the new accounts of aesthetic judgment. The book proceeds by reading three of the foundational treatises in aesthetics—Burke’s Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful, Hogarth’s Analysis of Beauty, and Kant’s Critique of Judgment—with an eye for discerning where arguments and analyses betray mimetic structures. Huhn attempts to explicate these books anew by arguing that they are pervaded by a mimetic dynamic. Overall, he seeks to provoke a reconsideration of eighteenth-century aesthetics that centers on its continuity with traditional notions of mimesis.
