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Author: Frederick Antal
Publisher: Taylor & Francis
ISBN: 1000738450
Category : Art
Languages : en
Pages : 776
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Book Description
First published in 1962, Hogarth and his Place in European Art attempts to convey the historical relevance, both in its native and European context, of perhaps the most outstanding English painter of the eighteenth century. Dr. Antal applies his method of establishing the close relationship between the political and social history and the arts and letters of the period. Thus, the book goes far beyond the limits of art historical appreciation. It gives a panoramic picture of the first half of the eighteenth century in England with all its social, literary, and artistic connotations. He shows how England, which during those years became both politically and economically the most advanced country in Europe, could provide in Hogarth, in spite of the slender native tradition, the most progressive artistic personality of his time – whose work revealed the views and tastes of a broad cross-section of society. He traces Hogarth’s stylistic origins back to their European sources and analyses his impact on contemporary European and English art as well as the influence he exerted on generations to come. This book will be of interest to students of art, art history, literature, and European history.
Author: Frederick Antal
Publisher: Taylor & Francis
ISBN: 1000738450
Category : Art
Languages : en
Pages : 776
Get Book Here
Book Description
First published in 1962, Hogarth and his Place in European Art attempts to convey the historical relevance, both in its native and European context, of perhaps the most outstanding English painter of the eighteenth century. Dr. Antal applies his method of establishing the close relationship between the political and social history and the arts and letters of the period. Thus, the book goes far beyond the limits of art historical appreciation. It gives a panoramic picture of the first half of the eighteenth century in England with all its social, literary, and artistic connotations. He shows how England, which during those years became both politically and economically the most advanced country in Europe, could provide in Hogarth, in spite of the slender native tradition, the most progressive artistic personality of his time – whose work revealed the views and tastes of a broad cross-section of society. He traces Hogarth’s stylistic origins back to their European sources and analyses his impact on contemporary European and English art as well as the influence he exerted on generations to come. This book will be of interest to students of art, art history, literature, and European history.
Author: Peter Jan de Voogd
Publisher: Rodopi
ISBN: 9789062035434
Category : Art
Languages : en
Pages : 208
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Book Description
Author:
Publisher:
ISBN: 9781849767675
Category :
Languages : en
Pages :
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Book Description
Author: Robin Simon
Publisher: Paul Holberton Publishing
ISBN:
Category : Art
Languages : en
Pages : 408
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Book Description
Hogarth, France and British Art is a radical reappraisal of the art and achievement of William Hogarth (1697-1764). Hogarth has long been viewed as an insular and chauvinistic individual, with a particular aversion to all things French. On the contrary, while Hogarth himself liked to project this image, his effective invention of British art was founded upon a profound knowledge of contemporary French art and theory. This lavishly illustrated book conjures up in great detail the French and wider European context within which Hogarth's art was formed. The author examines the ways in which Hogarth interacted with and influenced his contemporaries not only in painting and print-making, but also in sculpture, poetry, the novel, the theatre, public life, art education, copyright law, music, and opera. In this wide-ranging but richly detailed book, full of analyses of individual works, Robin Simon draws upon a mass of new material, with fresh considerations of Hogarth's most famous and less well-known works alike, opening a window on to one of the most creative and formative periods in British life.
Author: Gerhard Fischer
Publisher: Rodopi
ISBN: 9042022574
Category : Art
Languages : en
Pages : 478
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Book Description
The thirty chapters of this innovative international study are all devoted to the topic of the play within the play. The authors explore the wide range of aesthetic, literary-theoretical and philosophical issues associated with this rhetorical device, not only in terms of its original meta-theatrical setting - from the baroque idea of a theatrum mundi onward to contemporary examples of postmodern self-referential dramaturgy - but also with regard to a variety of different generic applications, e.g. in narrative fiction, musical theatre and film. The authors, internationally recognized specialists in their respective fields, draw on recent debates in such areas as postcolonial studies, game and systems theories, media and performance studies, to analyze the specific qualities and characteristics of the play within the play: as ultimate affirmation of the 'self' (the 'Hamlet paradigm'), as a self-reflective agency of meta-theatrical discourse, and as a vehicle of intermedial and intercultural transformation. The challenging study, with its underlying premise of play as a key feature of cultural anthropology and human creativity, breaks new ground by placing the play within the play at the centre of a number of intersecting scholarly discourses on areas of topical concern to scholars in the humanities.
Author: Caroline Patey
Publisher: Peter Lang Publishing
ISBN: 9781789974751
Category : Arts, European
Languages : en
Pages :
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Book Description
"Long after his death in 1764, the artist William Hogarth is still our contemporary. Far from leading a confined existence in museums and academies, his legacy of vibrant images and provocative ideas remains a powerful source of inventiveness and inspiration for the artists of today, as once for those of yesterday, be it on page, stage, canvas or digital. After approaching the artist by way of his challenging aesthetic philosophy and his resistance to normative categories, this two-book set considers Hogarth's pioneering sense of performativity which made - and makes- him the interlocutor of actors and playwrights, from David Garrick to Bertolt Brecht or Nick Dear. While his conversations with film, television, graphic novel and modern art bear witness to the artist's almost prophetic use of images, the world of the novel, British and else, reveals unexpected areas of cross-pollination, particularly striking in the modernist age or present time narrative. Brimming as it is with energy, disorder, loss and empathy, Hogarth's contradictory universe of chaos and beauty is in tune with ours and resonates vividly with today's passions and struggles. The twenty-eight essays in this collection chart the teeming legacies of William Hogarth and explore the ways in which his works and ideas were - and still are - revisited and appropriated in the UK and across Europe in the nineteenth, twentieth and twenty-first centuries. Hogarth is thus discovered as an unforgotten living presence, whose invigorating and challenging memory energizes multiple expressive forms, from drama to narrative, graphic novel or TV serials"--
Author: William Hogarth
Publisher:
ISBN:
Category : Aesthetics
Languages : en
Pages : 198
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Book Description
Author:
Publisher: BRILL
ISBN: 9004458840
Category : Art
Languages : en
Pages : 358
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Book Description
Exploring the various forms taken by sculpture collections, this volume presents new research on collectors, modes of display, and the aesthetics of viewing sculpture, making a notable addition to the literature on the history of sculpture and art collecting as a cultural phenomenon.
Author: Jane R. Cohen
Publisher: Ohio State University Press
ISBN: 0814202845
Category : Illustration of books
Languages : en
Pages : 330
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Book Description
Author: MarkA. Cheetham
Publisher: Routledge
ISBN: 1351575236
Category : Art
Languages : en
Pages : 201
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Book Description
Arguing in favour of renewed critical attention to the 'nation' as a category in art history, this study examines the intertwining of art theory, national identity and art production in Britain from the early eighteenth century to the present day. The book provides the first sustained account of artwriting in the British context over the full extent of its development and includes new analyses of such central figures as Hogarth, Reynolds, Gilpin, Ruskin, Roger Fry, Herbert Read, Art & Language, Peter Fuller and Rasheed Araeen. Mark A. Cheetham also explores how the 'Englishing' of art theory-which came about despite the longstanding occlusion of the intellectual and theoretical in British culture-did not take place or have effects exclusively in Britain. Theory has always travelled with art and vice versa. Using the frequently resurgent discourse of cosmopolitanism as a frame for his discourse, Cheetham asks whether English traditions of artwriting have been judged inappropriately according to imported criteria of what theory is and does. This book demonstrates that artwriting in the English tradition has not been sufficiently studied, and that 'English Art Theory' is not an oxymoron. Such concerns resonate today beyond academe and the art world in the many heated discussions of resurgent Englishness.
