Author: Sidney Gottlieb
Publisher: Hitchcock Annual
ISBN: 9780231176194
Category :
Languages : en
Pages : 0
Book Description
Hitchcock Annual: Volume 20 contains essays on Hitchcock and C. A. Lejeune; Easy Virtue in context; the West coast setting of and cultural anxiety in The Birds; Hitchcockian aspects of Balachander's The Doll; and Kent Jones's Hitchcock/Truffaut. It also contains an index of the Hitchcock Annual, volumes 1-20.
Hitchcock Annual
Hitchcock Annual
Author: Sidney Gottlieb
Publisher: Hitchcock Annual
ISBN: 9780231190459
Category :
Languages : en
Pages : 0
Book Description
Hitchcock Annual, volume 22, is scheduled to be published in December 2018. The planned contents include critical studies of several individual films by Hitchcock, a reprint of an early interview with Hitchcock, and an omnibus review essay covering selected recent critical studies of Hitchcock.
Publisher: Hitchcock Annual
ISBN: 9780231190459
Category :
Languages : en
Pages : 0
Book Description
Hitchcock Annual, volume 22, is scheduled to be published in December 2018. The planned contents include critical studies of several individual films by Hitchcock, a reprint of an early interview with Hitchcock, and an omnibus review essay covering selected recent critical studies of Hitchcock.
Hitchcock Annual
Author: Sidney Gottlieb
Publisher:
ISBN: 9780231163675
Category :
Languages : en
Pages : 0
Book Description
Hitchcock Annual: Volume 18 features essays on Hitchcock and Italian art cinema; the cinematic and cultural context of Hitchcock's silent film, Champagne (1928); Marnie (1964) and queer theory; the use of newspapers in Hitchcock's films; and Hitchcock's wartime documentary work.
Publisher:
ISBN: 9780231163675
Category :
Languages : en
Pages : 0
Book Description
Hitchcock Annual: Volume 18 features essays on Hitchcock and Italian art cinema; the cinematic and cultural context of Hitchcock's silent film, Champagne (1928); Marnie (1964) and queer theory; the use of newspapers in Hitchcock's films; and Hitchcock's wartime documentary work.
Framing Hitchcock
Author: Sidney Gottlieb
Publisher: Wayne State University Press
ISBN: 9780814330616
Category : Art
Languages : en
Pages : 432
Book Description
An engaging look at Alfred Hitchcock's work from all angles, culled from an authoritative source of Hitchcock film commentary. In its ten-year history, the Hitchcock Annual has established itself as a key source of historical information and critical commentary on one of the central figures in film history and arguably one of the most important artists of the twentieth century. Fans of Alfred Hitchcock--both scholars and general readers alike--will be entertained and informed by this selection of writings, which offers an overview of the current thinking on the filmmaker and his work. The articles span his career and cover a wide range of topics from archeological investigations uncovering new details about his working methods and conditions to incisive analyses of the films themselves. The collection begins with rare insights into Hitchcock's early years, including his work in Germany and his silent film Easy Virtue, which, with its metaphoric play on the concept of "being framed," dramatizes aspects of the human condition to which Hitchcock returned repeatedly. Commentators explore a variety of themes, including the centrality of kissing shots and sequences in nearly all the films, and images of women's handbags as elements of suspense and sexual tension in such films as Dial M for Murder and Psycho. Other essays examine the influence of Vertigo, The Birds, and Frenzy on François Truffaut, the remaking of Psycho, and feminist interpretations of Shadow of a Doubt. Interviews with Jay Presson Allen and Evan Hunter illuminate Hitchcock's working relationship with screenwriters, actors, and actresses. Written by established as well as emerging critics of Hitchcock, this fascinating collection will help shape future appreciation and interpretation of an enormously important and influential filmmaker.
Publisher: Wayne State University Press
ISBN: 9780814330616
Category : Art
Languages : en
Pages : 432
Book Description
An engaging look at Alfred Hitchcock's work from all angles, culled from an authoritative source of Hitchcock film commentary. In its ten-year history, the Hitchcock Annual has established itself as a key source of historical information and critical commentary on one of the central figures in film history and arguably one of the most important artists of the twentieth century. Fans of Alfred Hitchcock--both scholars and general readers alike--will be entertained and informed by this selection of writings, which offers an overview of the current thinking on the filmmaker and his work. The articles span his career and cover a wide range of topics from archeological investigations uncovering new details about his working methods and conditions to incisive analyses of the films themselves. The collection begins with rare insights into Hitchcock's early years, including his work in Germany and his silent film Easy Virtue, which, with its metaphoric play on the concept of "being framed," dramatizes aspects of the human condition to which Hitchcock returned repeatedly. Commentators explore a variety of themes, including the centrality of kissing shots and sequences in nearly all the films, and images of women's handbags as elements of suspense and sexual tension in such films as Dial M for Murder and Psycho. Other essays examine the influence of Vertigo, The Birds, and Frenzy on François Truffaut, the remaking of Psycho, and feminist interpretations of Shadow of a Doubt. Interviews with Jay Presson Allen and Evan Hunter illuminate Hitchcock's working relationship with screenwriters, actors, and actresses. Written by established as well as emerging critics of Hitchcock, this fascinating collection will help shape future appreciation and interpretation of an enormously important and influential filmmaker.
The Hitchcock Annual Anthology
Author: Sidney Gottlieb
Publisher: Hitchcock Annual
ISBN:
Category : Performing Arts
Languages : en
Pages : 280
Book Description
This anthology features contributions from such leading critics as Charles Barr, Thomas Elsaesser, Bill Krohn, and Mark Rappaport, and includes essays on the full range of Hitchcock's work, from the lesser-known silents to his late American masterpieces.
Publisher: Hitchcock Annual
ISBN:
Category : Performing Arts
Languages : en
Pages : 280
Book Description
This anthology features contributions from such leading critics as Charles Barr, Thomas Elsaesser, Bill Krohn, and Mark Rappaport, and includes essays on the full range of Hitchcock's work, from the lesser-known silents to his late American masterpieces.
Hitchcock Annual
Author: Sidney Gottlieb
Publisher: Hitchcock Annual
ISBN: 9780231195652
Category :
Languages : en
Pages : 0
Book Description
Hitchcock Annual, volume 23, includes essays on Hitchcock's use of silence in his films, civilians at war in his World War II trilogy, melodrama and the Christian imagination in Under Capricorn, filming thought and feeling in Strangers on a Train, and remaking the romance in The Man Who Knew Too Much.
Publisher: Hitchcock Annual
ISBN: 9780231195652
Category :
Languages : en
Pages : 0
Book Description
Hitchcock Annual, volume 23, includes essays on Hitchcock's use of silence in his films, civilians at war in his World War II trilogy, melodrama and the Christian imagination in Under Capricorn, filming thought and feeling in Strangers on a Train, and remaking the romance in The Man Who Knew Too Much.
Hitchcock and Poe
Author: Dennis R. Perry
Publisher: Scarecrow Press
ISBN: 9780810848221
Category : Literary Criticism
Languages : en
Pages : 256
Book Description
This study explores the aesthetic of Poe and Hitchcock in terms of a set of common obsessions, techniques, and genres. The structure of the study revolves around Eureka, Poe's explicit and allegorical treatise on the development of the universe. Each chapter explores the similarities and differences between Poe's and Hitchcock's treatment of such issues as doubles, the perverse, voyeurism, and romantic obsession. While Hitchcock's films consistently mirror plots, imagery, and relationships within Poe's tales, Perry also shows how Hitchcock's resistance to the traditional trappings of gothic tales sets his films apart from the works of Poe and gives them a unique touch.
Publisher: Scarecrow Press
ISBN: 9780810848221
Category : Literary Criticism
Languages : en
Pages : 256
Book Description
This study explores the aesthetic of Poe and Hitchcock in terms of a set of common obsessions, techniques, and genres. The structure of the study revolves around Eureka, Poe's explicit and allegorical treatise on the development of the universe. Each chapter explores the similarities and differences between Poe's and Hitchcock's treatment of such issues as doubles, the perverse, voyeurism, and romantic obsession. While Hitchcock's films consistently mirror plots, imagery, and relationships within Poe's tales, Perry also shows how Hitchcock's resistance to the traditional trappings of gothic tales sets his films apart from the works of Poe and gives them a unique touch.
Hitchcock and the Censors
Author: John Billheimer
Publisher: University Press of Kentucky
ISBN: 0813177413
Category : Performing Arts
Languages : en
Pages : 385
Book Description
Throughout his career, Alfred Hitchcock had to contend with a wide variety of censors attuned to the slightest suggestion of sexual innuendo, undue violence, toilet humor, religious disrespect, and all forms of indecency, real or imagined. From 1934 to 1968, the Motion Picture Production Code Office controlled the content and final cut on all films made and distributed in the United States. During their review of Hitchcock's films, the censors demanded an average of 22.5 changes, ranging from the mundane to the mind-boggling, on each of his American films. In his award-winning Hitchcock and the Censors, author John Billheimer traces the forces that led to the Production Code and describes Hitchcock's interactions with code officials on a film-by-film basis as he fought to protect his creations, bargaining with code reviewers and sidestepping censorship to produce a lifetime of memorable films. Despite the often-arbitrary decisions of the code board, Hitchcock still managed to push the boundaries of sex and violence permitted in films by charming—and occasionally tricking—the censors, and by swapping off bits of dialogue, plot points, and individual shots (some of which had been deliberately inserted as trading chips) to protect cherished scenes and images. By examining Hitchcock's priorities in dealing with the censors, this work highlights the director's theories of suspense as well as his magician-like touch when negotiating with code officials.
Publisher: University Press of Kentucky
ISBN: 0813177413
Category : Performing Arts
Languages : en
Pages : 385
Book Description
Throughout his career, Alfred Hitchcock had to contend with a wide variety of censors attuned to the slightest suggestion of sexual innuendo, undue violence, toilet humor, religious disrespect, and all forms of indecency, real or imagined. From 1934 to 1968, the Motion Picture Production Code Office controlled the content and final cut on all films made and distributed in the United States. During their review of Hitchcock's films, the censors demanded an average of 22.5 changes, ranging from the mundane to the mind-boggling, on each of his American films. In his award-winning Hitchcock and the Censors, author John Billheimer traces the forces that led to the Production Code and describes Hitchcock's interactions with code officials on a film-by-film basis as he fought to protect his creations, bargaining with code reviewers and sidestepping censorship to produce a lifetime of memorable films. Despite the often-arbitrary decisions of the code board, Hitchcock still managed to push the boundaries of sex and violence permitted in films by charming—and occasionally tricking—the censors, and by swapping off bits of dialogue, plot points, and individual shots (some of which had been deliberately inserted as trading chips) to protect cherished scenes and images. By examining Hitchcock's priorities in dealing with the censors, this work highlights the director's theories of suspense as well as his magician-like touch when negotiating with code officials.
Hitchcock Annual
Author: Sidney Gottlieb
Publisher: Hitchcock Annual
ISBN: 9781906660116
Category :
Languages : en
Pages : 0
Book Description
"Hitchcock Annual Vol. 16" is the first issue edition to be published as a book. Featuring cutting edge scholarship on Hitchcock from a range of critical perspectives, these essays examine individual films, Hitchcock's broader idioms, and the nature of his influence upon filmmaker's worldwide. They also reflect broadly on the variety, vivacity, and far-ranging relevance and importance of Hitchcock studies. Contributors include Malcolm Turvey, Michael Walker, David Sterritt, and Richard Allen.
Publisher: Hitchcock Annual
ISBN: 9781906660116
Category :
Languages : en
Pages : 0
Book Description
"Hitchcock Annual Vol. 16" is the first issue edition to be published as a book. Featuring cutting edge scholarship on Hitchcock from a range of critical perspectives, these essays examine individual films, Hitchcock's broader idioms, and the nature of his influence upon filmmaker's worldwide. They also reflect broadly on the variety, vivacity, and far-ranging relevance and importance of Hitchcock studies. Contributors include Malcolm Turvey, Michael Walker, David Sterritt, and Richard Allen.
Hitchcock and Art
Author: Montreal Museum of Fine Arts
Publisher: Mazzotta
ISBN:
Category : Art
Languages : en
Pages : 494
Book Description
Movies are unquestionably one of the cutting-edge media in 20th-century artistic production, a discipline that has contributed more than any other to fashioning the visual culture of our contemporaries and of the artists of our day and age. The Center Pompidou continues its policy of publicizing trail-blazing references to cinematographic culture by presenting the exhibition Hitchcock and Art which first went on show in the Montreal Museum of Fine Arts and whose Paris debut is marked by an adaptation and some significant additions, primarily by the arrival of works from the collections held in the Musee' National d'Art Moderne. Keeping faith with the Centre's multidisciplinary vocation of exploring and valorizing relationships between the different fields of modern and contemporary artistic creation, the exhibition aims at establishing a dialogue and revealing correlations between a leading, complex and universally known opus of cinematography work on the one hand and artistic movements on the other, from Romanticism to Surrealism, as well as architecture or graphic design, which left such a profound mark as they nourished Alfred Hitchcock's imagery and aesthetic. Hitchcock and Art provides the Centre with a chance to offer the public not only the exhibition, but also Hitchcock's complete repertoire of films.
Publisher: Mazzotta
ISBN:
Category : Art
Languages : en
Pages : 494
Book Description
Movies are unquestionably one of the cutting-edge media in 20th-century artistic production, a discipline that has contributed more than any other to fashioning the visual culture of our contemporaries and of the artists of our day and age. The Center Pompidou continues its policy of publicizing trail-blazing references to cinematographic culture by presenting the exhibition Hitchcock and Art which first went on show in the Montreal Museum of Fine Arts and whose Paris debut is marked by an adaptation and some significant additions, primarily by the arrival of works from the collections held in the Musee' National d'Art Moderne. Keeping faith with the Centre's multidisciplinary vocation of exploring and valorizing relationships between the different fields of modern and contemporary artistic creation, the exhibition aims at establishing a dialogue and revealing correlations between a leading, complex and universally known opus of cinematography work on the one hand and artistic movements on the other, from Romanticism to Surrealism, as well as architecture or graphic design, which left such a profound mark as they nourished Alfred Hitchcock's imagery and aesthetic. Hitchcock and Art provides the Centre with a chance to offer the public not only the exhibition, but also Hitchcock's complete repertoire of films.