History of the Philadelphia stage between the years 1749 and 1855 [microform] PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download History of the Philadelphia stage between the years 1749 and 1855 [microform] PDF full book. Access full book title History of the Philadelphia stage between the years 1749 and 1855 [microform] by Charles Durang. Download full books in PDF and EPUB format.
![History of the Philadelphia stage between the years 1749 and 1855 [microform] PDF](https://books.google.com/books/content/images/frontcover/0dmAtgEACAAJ?fife=w150-h200)
Author: Charles Durang
Publisher:
ISBN:
Category : Actors
Languages : en
Pages :
Get Book Here
Book Description
![History of the Philadelphia stage between the years 1749 and 1855 [microform] PDF](https://books.google.com/books/content/images/frontcover/0dmAtgEACAAJ?fife=w80-h100)
Author: Charles Durang
Publisher:
ISBN:
Category : Actors
Languages : en
Pages :
Get Book Here
Book Description
Author: Charles Durang
Publisher:
ISBN:
Category : American drama
Languages : en
Pages : 126
Get Book Here
Book Description
Author: Charles Durang
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 244
Get Book Here
Book Description
Author: Arthur Herman Wilson
Publisher: University of Pennsylvania Press
ISBN: 1512819360
Category : Drama
Languages : en
Pages : 736
Get Book Here
Book Description
The first three volumes of a series that is to run to the present day and give complete theatrical records of their periods, with elaborate indexes of plays, players, and playwrights.
Author: Thomas A. Bogar
Publisher: LSU Press
ISBN: 0807180521
Category : History
Languages : en
Pages : 336
Get Book Here
Book Description
For two centuries, nearly all historical accounts of American theatre have focused on New York, Boston, and Philadelphia. As a result, the story of theatre on the frontier consists primarily of regional studies with limited scope. Thomas A. Bogar’s Theatre on the American Frontier provides an overdue, balanced treatment of the accomplishments of the troupes working in the trans-Appalachian West. From its origins in late eighteenth-century Pittsburgh, New Orleans, and Louisville, frontier theatre grew by the close of the nineteenth century to encompass more than a dozen centers of vibrant theatrical activity. Audiences—mainly pioneers struggling with the hardships of establishing a life in the backcountry—enjoyed thrilling melodramas, the comedies of George Colman the Younger and John O’Keeffe, and even the tragedies of William Shakespeare. Theatre companies that ventured into this challenging and unfamiliar territory did so with a combination of daring and determination. Bogar’s comprehensive study brings this neglected history into the spotlight, cementing these figures and their theatrical productions and practices in their rightful place.
Author: Charles Durang
Publisher:
ISBN:
Category :
Languages : en
Pages :
Get Book Here
Book Description
Author: Philip G. Hill
Publisher: University of Alabama Press
ISBN: 9780817309336
Category : History
Languages : en
Pages : 148
Get Book Here
Book Description
Author: Ann Niles
Publisher: Westport, Conn. : Meckler Pub.
ISBN:
Category : Computers
Languages : en
Pages : 928
Get Book Here
Book Description
Author: Reese D. James
Publisher: University of Pennsylvania Press
ISBN: 1512802832
Category : History
Languages : en
Pages : 716
Get Book Here
Book Description
Includes the diary or daily account book of William Burke Wood, comanager with William Warren of the Chestnut Street Theatre, familiarly known as Old Drury.
Author: Maureen Needham
Publisher: University of Illinois Press
ISBN: 9780252069994
Category : Performing Arts
Languages : en
Pages : 268
Get Book Here
Book Description
Representing dancers, scholars, admirers, and critics, I See America Dancing is a diverse collection of primary documents and articles about the place and shape of dance in the United States from colonial times to the present. This volume offers a lively counterpoint between observers of the dance and dancers' views of what they do when they dance. Dance traditions represented include the Native American pow-wow; tribal music and dance activities on Sunday afternoons in New Orlean's Congo Square; the colonial Playford Balls and their modern offspring, country line dancing; and the Buddhist-inspired Japanese Bon dances in Hawaii. Anti-dance perspectives include government injunctions against Native American dancing and essays from a range of speakers who have declared the waltz, the twist, or the senior prom to be a careless quick-step away from hell or the brothel. I See America Dancing examines the styles that have marked theatrical dance in America, from French ballet to minstrel shows, and presents the views of influential dancers, choreographers, and the pioneers of early modern dance in America. Specific pieces examined include George Ballanchine's ballet Stars and Stripes, Yvonne Rainer's protest piece "Flag Dance, 1970," and Sonjé Mayo's "Naked in America." Covering historical social attitudes toward the dance as well as the performers and their works, I See America Dancing is a comprehensive, scholarly sourcebook that captures the energy and passion of this vital artform.
