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Author: William Salt Brassington
Publisher: London : Elliot Stock
ISBN:
Category : Bookbinding
Languages : en
Pages : 326
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Book Description
Author: William Salt Brassington
Publisher: London : Elliot Stock
ISBN:
Category : Bookbinding
Languages : en
Pages : 326
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Book Description
Author: Joseph William Zaehnsdorf
Publisher:
ISBN:
Category : Bookbinding
Languages : en
Pages : 296
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Book Description
Author: Colin H. Roberts
Publisher: OUP Oxford
ISBN: 9780197260616
Category : Antiques & Collectibles
Languages : en
Pages : 88
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Book Description
In The Codex, published in 1954, C.H. Roberts studied the process by which in the early centuries of our era the roll as the vehicle for literature was replaced by the codex, which has remained the format of the book ever since. New evidence that has accumulated in the last thirty years has set some of the problems in a new light and in this book, published here for the first time in paperback, the authors re-examine these and offer a different explanation for the remarkable part in the transformation played by the early Church.
Author: W. Salt Brassington
Publisher:
ISBN: 9780243726899
Category :
Languages : en
Pages :
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Book Description
Author: Mirjam Foot
Publisher: London : British Library
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 166
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Book Description
In this illustrated survey, the author explores the use and purpose of bookbindings - over and above protecting the text inside them - and the purpose of the study of the book as a physical object. Examples from the British Library's collection are included.
Author: Joseph W. Zaehnsdorf
Publisher:
ISBN: 9780359743087
Category : Crafts & Hobbies
Languages : en
Pages : 0
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Book Description
Professional bookbinder Joseph W. Zaehnsdorf offers his step-by-step guide on how to properly bind books, the materials required, and the period styles to choose from - with more than 70 illustrations. Designed for beginners who hold no more than a sparing knowledge of tool work, this guide offers a complete demonstration on how to properly bind a book. Readers are taken through the preparatory stages, through the acquisition of the right equipment, to the practical elements of trimming, beating, pasting and gluing binding to a book. A variety of period patterning styles are shown, their origins ranging from the Medieval/Renaissance period, to the Enlightenment and the modern eras. Although written for amateurs, early editions of Zaehnsdorf's guidebook met high demand among professional bookbinders and hobbyists alike. The uniform high quality of his guidance, enhanced by numerous practical pointers imbued by the decades the author spent binding books, resulted in wide appreciation.
Author: William Salt Brassington
Publisher:
ISBN:
Category : Book ornamentation
Languages : en
Pages : 277
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Book Description
Author: Simon Eliot
Publisher: John Wiley & Sons
ISBN: 1444356585
Category : Literary Criticism
Languages : en
Pages : 617
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Book Description
A COMPANION TO THE HISTORY OF THE BOOK A COMPANION TO THE HISTORY OF THE BOOK Edited by Simon Eliot and Jonathan Rose “As a stimulating overview of the multidimensional present state of the field, the Companion has no peer.” Choice “If you want to understand how cultures come into being, endure, and change, then you need to come to terms with the rich and often surprising history Of the book ... Eliot and Rose have done a fine job. Their volume can be heartily recommended. “ Adrian Johns, Technology and Culture From the early Sumerian clay tablet through to the emergence of the electronic text, this Companion provides a continuous and coherent account of the history of the book. A team of expert contributors draws on the latest research in order to offer a cogent, transcontinental narrative. Many of them use illustrative examples and case studies of well-known texts, conveying the excitement surrounding this rapidly developing field. The Companion is organized around four distinct approaches to the history of the book. First, it introduces the variety of methods used by book historians and allied specialists, from the long-established discipline of bibliography to newer IT-based approaches. Next, it provides a broad chronological survey of the forms and content of texts. The third section situates the book in the context of text culture as a whole, while the final section addresses broader issues, such as literacy, copyright, and the future of the book. Contributors to this volume: Michael Albin, Martin Andrews, Rob Banham, Megan L Benton, Michelle P. Brown, Marie-Frangoise Cachin, Hortensia Calvo, Charles Chadwyck-Healey, M. T. Clanchy, Stephen Colclough, Patricia Crain, J. S. Edgren, Simon Eliot, John Feather, David Finkelstein, David Greetham, Robert A. Gross, Deana Heath, Lotte Hellinga, T. H. Howard-Hill, Peter Kornicki, Beth Luey, Paul Luna, Russell L. Martin Ill, Jean-Yves Mollier, Angus Phillips, Eleanor Robson, Cornelia Roemer, Jonathan Rose, Emile G. L Schrijver, David J. Shaw, Graham Shaw, Claire Squires, Rietje van Vliet, James Wald, Rowan Watson, Alexis Weedon, Adriaan van der Weel, Wayne A. Wiegand, Eva Hemmungs Wirtén.
Author: Henry Noel Humphreys
Publisher:
ISBN:
Category : Alphabets
Languages : en
Pages : 244
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Book Description
Author: William Salt 1859-1939 Brassington
Publisher: Legare Street Press
ISBN: 9781019434666
Category :
Languages : en
Pages : 0
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Book Description
Explore the rich history of bookbinding from ancient times to the present day through a comprehensive survey of the art and craft of binding. Written by expert binders and scholars John Hannett and William Salt Brassington, this work offers fascinating insights into the techniques, materials, and history of bookbinding, from the papyrus rolls of ancient Egypt to the finely wrought leather bindings of the Renaissance. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
