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Author: Vrasidas Karalis
Publisher: A&C Black
ISBN: 1441194479
Category : Performing Arts
Languages : en
Pages : 344
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Book Description
The book is a detailed historical survey of Greek cinema from its very beginning (1905) until today (2010).
Author: Vrasidas Karalis
Publisher: A&C Black
ISBN: 1441194479
Category : Performing Arts
Languages : en
Pages : 344
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Book Description
The book is a detailed historical survey of Greek cinema from its very beginning (1905) until today (2010).
Author: Lydia Papadimitriou
Publisher: Intellect (UK)
ISBN: 9781841504339
Category : Motion pictures
Languages : en
Pages : 0
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Book Description
Covering the silent era to the present, this wide-ranging collection of essays examines Greek cinema as an aesthetic, cultural, and political phenomenon with the potential to appeal to a diverse range of audiences. Using a range of methodological tools, the authors investigate the ever-shifting forms and meanings at work within Greece's national cinema and locate it within the booming interdisciplinary study of European cinema at large. Designed for undergraduate courses in film studies, this well-researched volume fills a substantial gap in the market for critical works on Greek cinema in English.
Author: Dimitris Papanikolaou
Publisher:
ISBN: 9781474436328
Category : Performing Arts
Languages : en
Pages : 224
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Book Description
Author: Jon Solomon
Publisher: Yale University Press
ISBN: 9780300083378
Category : Performing Arts
Languages : en
Pages : 390
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Book Description
This entertaining and useful book provides a comprehensive survey of films about the ancient world, from The Last Days of Pompeii to Gladiator. Jon Solomon catalogues, describes, and evaluates films set in ancient Greece and Rome, films about Greek and Roman history and mythology, films of the Old and New Testaments, films set in ancient Egypt, Babylon, and Persia, films of ancient tragedies, comic films set in the ancient world, and more. The book has been updated to include feature films and made-for-television movies produced in the past two decades. More than two hundred photographs illustrate both the films themselves and the ancient sources from which their imagery derives.
Author: Philip E. Phillis
Publisher:
ISBN: 9781474437035
Category : Performing Arts
Languages : en
Pages : 280
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Book Description
The book provides a response to urgent calls to comprehend the cultural impact of immigration in Greece, and to determine the capacity of contemporary Greek cinema to challenge the logic of Fortress Europe.
Author: Achilleas Hadjikyriacou
Publisher: Bloomsbury Publishing USA
ISBN: 1441144277
Category : Performing Arts
Languages : en
Pages : 325
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Book Description
Between the end of the Civil War (1949) and the colonels' military coup (1967) Greece underwent tremendous political, economic, and social transformations which influenced gender identities and relations. During the same period, Greece also witnessed an unparalleled bloom in cinema productions. Based on the recently established paradigm that cinema and popular culture viewed as social institutions can inform a historical study, Masculinity and Gender in Greek Cinema explores the relationship between Greek cinema and the society within which it was created and viewed. The book's double analytical perspective on cinema and masculinity advances both the study of cinema and popular culture as historical sources, and of masculinity and gender relations as valid categories of historical analysis. Cinema as a medium of representation, not only managed to reflect on these issues, it also provided a whole new field for their interpretation. This is the first study to explore the dramatic transformation of masculinity and gender roles, as represented in Greek cinema during the turbulent 1950s and 1960s.
Author: Vrasidas Karalis
Publisher: Berghahn Books
ISBN: 1800731973
Category : Performing Arts
Languages : en
Pages : 217
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Book Description
Beginning with his first film Reconstruction, released in 1970, Theo Angelopoulos’s notoriously complex cinematic language has long explored Greece’s contemporary history and questioned European culture and society. The Cinematic Language of Theo Angelopoulos offers a detailed study and critical discussion of the acclaimed filmmaker’s cinematic aesthetics as they developed over his career, exploring different styles through which Greek and European history, identity, and loss have been visually articulated throughout his oeuvre, as well as his impact on both European and global cinema.
Author: Vrasidas Karalis
Publisher: A&C Black
ISBN: 1441135006
Category : Performing Arts
Languages : en
Pages : 343
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Book Description
The book is a detailed historical survey of Greek cinema from its very beginning (1905) until today (2010).
Author: Angelos Koutsourakis
Publisher: Edinburgh University Press
ISBN: 0748697969
Category : Performing Arts
Languages : en
Pages : 336
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Book Description
Bringing together established and emerging scholars from multiple disciplines, the collection's unique contribution is to show how Angelopoulos created singularly intricate forms whose aesthetic contours invite us to think critically about modern history.
Author: Konstantinos P. Nikoloutsos
Publisher: OUP Oxford
ISBN: 0191669865
Category : History
Languages : en
Pages : 391
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Book Description
This volume examines cinematic representations of ancient Greek women from the realms of myth and history. It discusses how these female figures are resurrected on the big screen by different filmmakers during different historical moments, and are therefore embedded within a narrative which serves various purposes, depending on the director of the film, its screenwriters, the studio, the country of its origin, and the sociopolitical context at the time of its production. Using a diverse array of hermeneutic approaches (such as gender theory, feminist criticism, psychoanalysis, viewer-response theory, and personal voice criticism), the essays aim to cast light on cinema's investments in the classical past and decode the mechanisms whereby the women under examination are extracted from their original context and are brought to life to serve as vehicles for the articulation of modern ideas, concerns, and cultural trends. The volume thus aims to investigate not only how antiquity on the screen depicts, and in this process distorts, compresses, contests, and revises, antiquity on the page but also, more crucially, why the medium follows such eclectic representational strategies vis-à-vis the classical world.
