Author: E.M.C. van Houts
Publisher: Taylor & Francis
ISBN: 104023352X
Category : History
Languages : en
Pages : 377
Book Description
The Normans in France and England left a rich legacy in historiography and literature, which is the subject of this volume. Dr van Houts first deals with the Scandinavian inheritance, which together with contacts with Danish England and Byzantium led to an interesting mix of pagan and ecclesiastical themes. Next she analyses the propaganda that followed the Norman conquest of England, in which the panegyrics written by French clerks eager to gain favour contrast markedly with the almost unanimous condemnation of William’s actions on the Continent. Included is the earliest history of the battle of Hastings written in England, here published with a new English translation. The last papers consider the role of women in the transmission of knowledge about the past: in their families they passed on memories, and their importance as commissioners, readers and informants of chroniclers must also not be underestimated.
History and Family Traditions in England and the Continent, 1000-1200
History and Family Traditions in England and the Continent, 1000-1200
Author: Elisabeth M. C. Van Houts
Publisher: Routledge
ISBN:
Category : History
Languages : en
Pages : 392
Book Description
The Normans in France and England left a rich legacy in historiography and literature, which is the subject of this volume. Dr van Houts first deals with the Scandinavian inheritance, which together with contacts with Danish England and Byzantium led to an interesting mix of pagan and ecclesiastical themes. Next she analyses the propaganda that followed the Norman conquest of England, in which the panegyrics written by French clerks eager to gain favour contrast markedly with the almost unanimous condemnation of William's actions on the Continent. Included is the earliest history of the battle of Hastings written in England, here published with a new English translation. The last papers consider the role of women in the transmission of knowledge about the past: in their families they passed on memories, and their importance as commissioners, readers and informants of chroniclers must also not be underestimated.
Publisher: Routledge
ISBN:
Category : History
Languages : en
Pages : 392
Book Description
The Normans in France and England left a rich legacy in historiography and literature, which is the subject of this volume. Dr van Houts first deals with the Scandinavian inheritance, which together with contacts with Danish England and Byzantium led to an interesting mix of pagan and ecclesiastical themes. Next she analyses the propaganda that followed the Norman conquest of England, in which the panegyrics written by French clerks eager to gain favour contrast markedly with the almost unanimous condemnation of William's actions on the Continent. Included is the earliest history of the battle of Hastings written in England, here published with a new English translation. The last papers consider the role of women in the transmission of knowledge about the past: in their families they passed on memories, and their importance as commissioners, readers and informants of chroniclers must also not be underestimated.
Prodesse et delectare
Author: Norbert Kössinger
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110650061
Category : Literary Criticism
Languages : en
Pages : 420
Book Description
The Horatian formula prodesse et delectare was extremely influential in the production of texts across various languages and genres. While indeed didactic elements can be attested to in almost any medieval text, and while medieval literature displays a range of possibilities to teach and instruct, the scope of the present volume is more closely focused on explicitly didactic literature. This volume combines contributions that analyse didactic literature in high medieval Europe from different vantage points. They open new perspectives on education as a working principle or legitimizing strategy in the heterogeneous forms of writing intended to convey knowledge. This broad thematic, linguistic and geographical scope enables us to view didactic literature as the universal phenomenon it was and prompts us to understand its influence on many aspects of society in high medieval Europe and beyond. While the contributions explore case studies predominantly from this period of transition and the expansion of the categories of knowledge, they also trace some of these developments into the later Middle Ages to spotlight the lasting influence of high medieval teaching and learning in literature. The way medieval writers combine ‘the pleasant’ with ‘the useful’ is this book’s main question.
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110650061
Category : Literary Criticism
Languages : en
Pages : 420
Book Description
The Horatian formula prodesse et delectare was extremely influential in the production of texts across various languages and genres. While indeed didactic elements can be attested to in almost any medieval text, and while medieval literature displays a range of possibilities to teach and instruct, the scope of the present volume is more closely focused on explicitly didactic literature. This volume combines contributions that analyse didactic literature in high medieval Europe from different vantage points. They open new perspectives on education as a working principle or legitimizing strategy in the heterogeneous forms of writing intended to convey knowledge. This broad thematic, linguistic and geographical scope enables us to view didactic literature as the universal phenomenon it was and prompts us to understand its influence on many aspects of society in high medieval Europe and beyond. While the contributions explore case studies predominantly from this period of transition and the expansion of the categories of knowledge, they also trace some of these developments into the later Middle Ages to spotlight the lasting influence of high medieval teaching and learning in literature. The way medieval writers combine ‘the pleasant’ with ‘the useful’ is this book’s main question.
Writing History for the King
Author: Charity Urbanski
Publisher: Cornell University Press
ISBN: 0801469724
Category : History
Languages : en
Pages : 272
Book Description
Writing History for the King is at once a reassessment of the reign of Henry II of England (1133–1189) and an original contribution to our understanding of the rise of vernacular historiography in the high Middle Ages. Charity Urbanski focuses on two dynastic histories commissioned by Henry: Wace's Roman de Rou (c. 1160–1174) and Benoît de Sainte-Maure’s Chronique des ducs de Normandie (c. 1174–1189). In both cases, Henry adopted the new genre of vernacular historical writing in Old French verse in an effort to disseminate a royalist version of the past that would help secure a grip on power for himself and his children. Wace was the first to be commissioned, but in 1174 the king abruptly fired him, turning the task over to Benoît de Sainte-Maure. Urbanski examines these histories as part of a single enterprise intended to cement the king’s authority by enhancing the prestige of Henry II’s dynasty. In a close reading of Wace’s Rou, she shows that it presented a less than flattering picture of Henry’s predecessors, in effect challenging his policies and casting a shadow over the legitimacy of his rule. Benoît de Sainte-Maure’s Chronique, in contrast, mounted a staunchly royalist defense of Anglo-Norman kingship. Urbanski reads both works in the context of Henry’s reign, arguing that as part of his drive to curb baronial power he sought a history that would memorialize his dynasty and solidify its claim to England and Normandy.
Publisher: Cornell University Press
ISBN: 0801469724
Category : History
Languages : en
Pages : 272
Book Description
Writing History for the King is at once a reassessment of the reign of Henry II of England (1133–1189) and an original contribution to our understanding of the rise of vernacular historiography in the high Middle Ages. Charity Urbanski focuses on two dynastic histories commissioned by Henry: Wace's Roman de Rou (c. 1160–1174) and Benoît de Sainte-Maure’s Chronique des ducs de Normandie (c. 1174–1189). In both cases, Henry adopted the new genre of vernacular historical writing in Old French verse in an effort to disseminate a royalist version of the past that would help secure a grip on power for himself and his children. Wace was the first to be commissioned, but in 1174 the king abruptly fired him, turning the task over to Benoît de Sainte-Maure. Urbanski examines these histories as part of a single enterprise intended to cement the king’s authority by enhancing the prestige of Henry II’s dynasty. In a close reading of Wace’s Rou, she shows that it presented a less than flattering picture of Henry’s predecessors, in effect challenging his policies and casting a shadow over the legitimacy of his rule. Benoît de Sainte-Maure’s Chronique, in contrast, mounted a staunchly royalist defense of Anglo-Norman kingship. Urbanski reads both works in the context of Henry’s reign, arguing that as part of his drive to curb baronial power he sought a history that would memorialize his dynasty and solidify its claim to England and Normandy.
Medieval Memories
Author: Elisabeth Van-Houts
Publisher: Routledge
ISBN: 1317878833
Category : History
Languages : en
Pages : 210
Book Description
Who, exactly, was responsible for the preservation of knowledge about the past? How did people preserve their recollections and pass them on to the next generation? Did they write them down or did they hand then on orally? The book is concerned with the memories of medieval people. In the Middle Ages, as now, men and women collected stories about the past and handed them down to posterity. Many memories centre in the aristocratic family or lineage while others are focussed on institutions such as monasteries or nunneries. The family and monastic contexts clearly illustrate that remembrance of the past was a task for men and women and that each sex had a specific gendered role. Memory also involves selection of what should and should not be remembered and its corollary, amnesia, therefore, is discussed. Anchored in the present, memory casts a shadow on the future and thus prophecies form an important component of the cult of remembrance. For the first time in Medieval Memories, tombstones, medieval encyclopaedias and legal testimonies figure alongside moral guidebooks, miracle stories and chronicles as material for the gendered perceptions of the medieval past.
Publisher: Routledge
ISBN: 1317878833
Category : History
Languages : en
Pages : 210
Book Description
Who, exactly, was responsible for the preservation of knowledge about the past? How did people preserve their recollections and pass them on to the next generation? Did they write them down or did they hand then on orally? The book is concerned with the memories of medieval people. In the Middle Ages, as now, men and women collected stories about the past and handed them down to posterity. Many memories centre in the aristocratic family or lineage while others are focussed on institutions such as monasteries or nunneries. The family and monastic contexts clearly illustrate that remembrance of the past was a task for men and women and that each sex had a specific gendered role. Memory also involves selection of what should and should not be remembered and its corollary, amnesia, therefore, is discussed. Anchored in the present, memory casts a shadow on the future and thus prophecies form an important component of the cult of remembrance. For the first time in Medieval Memories, tombstones, medieval encyclopaedias and legal testimonies figure alongside moral guidebooks, miracle stories and chronicles as material for the gendered perceptions of the medieval past.
Dante's Enigmas
Author: Richard Kay
Publisher: Taylor & Francis
ISBN: 1040233562
Category : History
Languages : en
Pages : 376
Book Description
Dante's Comedy is a puzzling poem because the author wanted to lead his readers to understanding by engaging their curiosity. While many obscure matters are clarified in the course of the poem itself, others have remained enigmas that have fascinated Dantists for centuries. Over the last thirty-five years, Richard Kay has proposed original solutions to many of these puzzles; these are collected in the present volume. Historical context frames Kay's readings, which relate the poem to such standard sources as the Bible, Aristotle, Aquinas, and the Latin classics, but he also goes beyond these Scholastic sources to exploit Dante's use of less familiar aspects of Latin clerical culture, including physiognomy, Vitruvian proportions, and optics, and most especially astrology. Kay explores new ways to read the Comedy. For instance, he argues that Dante has embedded references to his authorities in a continuous series of acrostics formed by the initial letters of each tercet. Again, he shows how Dante returns to the theme of each infernal canto and develops it in the parallel cantos of Purgatorio and Paradiso. Particularly worthy of note are four essays on the poem's finale in the Empyrean.
Publisher: Taylor & Francis
ISBN: 1040233562
Category : History
Languages : en
Pages : 376
Book Description
Dante's Comedy is a puzzling poem because the author wanted to lead his readers to understanding by engaging their curiosity. While many obscure matters are clarified in the course of the poem itself, others have remained enigmas that have fascinated Dantists for centuries. Over the last thirty-five years, Richard Kay has proposed original solutions to many of these puzzles; these are collected in the present volume. Historical context frames Kay's readings, which relate the poem to such standard sources as the Bible, Aristotle, Aquinas, and the Latin classics, but he also goes beyond these Scholastic sources to exploit Dante's use of less familiar aspects of Latin clerical culture, including physiognomy, Vitruvian proportions, and optics, and most especially astrology. Kay explores new ways to read the Comedy. For instance, he argues that Dante has embedded references to his authorities in a continuous series of acrostics formed by the initial letters of each tercet. Again, he shows how Dante returns to the theme of each infernal canto and develops it in the parallel cantos of Purgatorio and Paradiso. Particularly worthy of note are four essays on the poem's finale in the Empyrean.
The Norman Conquest
Author: Marc Morris
Publisher: Simon and Schuster
ISBN: 1639364005
Category : History
Languages : en
Pages : 562
Book Description
A riveting and authoritative history of the single most important event in English history: The Norman Conquest. An upstart French duke who sets out to conquer the most powerful and unified kingdom in Christendom. An invasion force on a scale not seen since the days of the Romans. One of the bloodiest and most decisive battles ever fought. This new history explains why the Norman Conquest was the most significant cultural and military episode in English history. Assessing the original evidence at every turn, Marc Morris goes beyond the familiar outline to explain why England was at once so powerful and yet so vulnerable to William the Conqueror’s attack. Morris writes with passion, verve, and scrupulous concern for historical accuracy. This is the definitive account for our times of an extraordinary story, indeed the pivotal moment in the shaping of the English nation.
Publisher: Simon and Schuster
ISBN: 1639364005
Category : History
Languages : en
Pages : 562
Book Description
A riveting and authoritative history of the single most important event in English history: The Norman Conquest. An upstart French duke who sets out to conquer the most powerful and unified kingdom in Christendom. An invasion force on a scale not seen since the days of the Romans. One of the bloodiest and most decisive battles ever fought. This new history explains why the Norman Conquest was the most significant cultural and military episode in English history. Assessing the original evidence at every turn, Marc Morris goes beyond the familiar outline to explain why England was at once so powerful and yet so vulnerable to William the Conqueror’s attack. Morris writes with passion, verve, and scrupulous concern for historical accuracy. This is the definitive account for our times of an extraordinary story, indeed the pivotal moment in the shaping of the English nation.
All the King’s Women: Polygyny and Politics in Europe, 900–1250
Author: Jan Rüdiger
Publisher: BRILL
ISBN: 9004434577
Category : History
Languages : en
Pages : 464
Book Description
In All the King’s Women Jan Rüdiger investigates medieval elite polygyny and its ‘uses’ in Northern Europe with a comparative perspective on England and France as well as Iberia.
Publisher: BRILL
ISBN: 9004434577
Category : History
Languages : en
Pages : 464
Book Description
In All the King’s Women Jan Rüdiger investigates medieval elite polygyny and its ‘uses’ in Northern Europe with a comparative perspective on England and France as well as Iberia.
A Companion to the Anglo-Norman World
Author: Christopher Harper-Bill
Publisher: Boydell & Brewer Ltd
ISBN: 9781843833413
Category : History
Languages : en
Pages : 324
Book Description
This is an introduction to the history of England and Normandy in the 11th and 12th centuries. Within the broad field of cultural history, there are discussions of language, literature, the writing of history and ecclesiastical architecture.
Publisher: Boydell & Brewer Ltd
ISBN: 9781843833413
Category : History
Languages : en
Pages : 324
Book Description
This is an introduction to the history of England and Normandy in the 11th and 12th centuries. Within the broad field of cultural history, there are discussions of language, literature, the writing of history and ecclesiastical architecture.
English Poets in the Late Middle Ages
Author: John A. Burrow
Publisher: Routledge
ISBN: 1351219324
Category : Literary Criticism
Languages : en
Pages : 516
Book Description
This volume brings together a selection of lectures and essays in which J.A. Burrow discusses the work of English poets of the late fourteenth and early fifteenth centuries: Chaucer, Gower, Langland, and Hoccleve, as well as the anonymous authors of Pearl, Saint Erkenwald, and a pair of metrical romances. Six of the pieces address general issues, with some reference to French and Italian writings ('Autobiographical Poetry in the Middle Ages', for example, or 'The Poet and the Book'); but most of them concentrate on particular English poems, such as Chaucer's Envoy to Scogan, Gower's Confessio Amantis, Langland's Piers Plowman, and Hoccleve's Series. Although some of the essays take account of the poet's life and times ('Chaucer as Petitioner', 'Hoccleve and the 'Court''), most are mainly concerned with the meaning and structure of the poems. What, for example, does the hero of Ipomadon hope to achieve by fighting, as he always does, incognito? Why do the stories in Piers Plowman all peter out so inconclusively? And how can it be that the narrator in Chaucer's Book of the Duchess so persistently fails to understand what he is told?
Publisher: Routledge
ISBN: 1351219324
Category : Literary Criticism
Languages : en
Pages : 516
Book Description
This volume brings together a selection of lectures and essays in which J.A. Burrow discusses the work of English poets of the late fourteenth and early fifteenth centuries: Chaucer, Gower, Langland, and Hoccleve, as well as the anonymous authors of Pearl, Saint Erkenwald, and a pair of metrical romances. Six of the pieces address general issues, with some reference to French and Italian writings ('Autobiographical Poetry in the Middle Ages', for example, or 'The Poet and the Book'); but most of them concentrate on particular English poems, such as Chaucer's Envoy to Scogan, Gower's Confessio Amantis, Langland's Piers Plowman, and Hoccleve's Series. Although some of the essays take account of the poet's life and times ('Chaucer as Petitioner', 'Hoccleve and the 'Court''), most are mainly concerned with the meaning and structure of the poems. What, for example, does the hero of Ipomadon hope to achieve by fighting, as he always does, incognito? Why do the stories in Piers Plowman all peter out so inconclusively? And how can it be that the narrator in Chaucer's Book of the Duchess so persistently fails to understand what he is told?