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Author: Laurent Dubois
Publisher: Duke University Press Books
ISBN: 9781478006770
Category : Travel
Languages : en
Pages : 0
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Book Description
While Haiti established the second independent nation in the Western Hemisphere and was the first black country to gain independence from European colonizers, its history is not well known in the Anglophone world. The Haiti Reader introduces readers to Haiti's dynamic history and culture from the viewpoint of Haitians from all walks of life. Its dozens of selections—most of which appear here in English for the first time—are representative of Haiti's scholarly, literary, religious, visual, musical, and political cultures, and range from poems, novels, and political tracts to essays, legislation, songs, and folk tales. Spanning the centuries between precontact indigenous Haiti and the aftermath of the 2010 earthquake, the Reader covers widely known episodes in Haiti's history, such as the U.S. military occupation and the Duvalier dictatorship, as well as overlooked periods such as the decades immediately following Haiti's “second independence” in 1934. Whether examining issues of political upheaval, the environment, or modernization, The Haiti Reader provides an unparalleled look at Haiti's history, culture, and politics.
Author: Laurent Dubois
Publisher: Duke University Press Books
ISBN: 9781478006770
Category : Travel
Languages : en
Pages : 0
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Book Description
While Haiti established the second independent nation in the Western Hemisphere and was the first black country to gain independence from European colonizers, its history is not well known in the Anglophone world. The Haiti Reader introduces readers to Haiti's dynamic history and culture from the viewpoint of Haitians from all walks of life. Its dozens of selections—most of which appear here in English for the first time—are representative of Haiti's scholarly, literary, religious, visual, musical, and political cultures, and range from poems, novels, and political tracts to essays, legislation, songs, and folk tales. Spanning the centuries between precontact indigenous Haiti and the aftermath of the 2010 earthquake, the Reader covers widely known episodes in Haiti's history, such as the U.S. military occupation and the Duvalier dictatorship, as well as overlooked periods such as the decades immediately following Haiti's “second independence” in 1934. Whether examining issues of political upheaval, the environment, or modernization, The Haiti Reader provides an unparalleled look at Haiti's history, culture, and politics.
Author: Mary A. Renda
Publisher: Univ of North Carolina Press
ISBN: 0807862185
Category : History
Languages : en
Pages : 435
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Book Description
The U.S. invasion of Haiti in July 1915 marked the start of a military occupation that lasted for nineteen years--and fed an American fascination with Haiti that flourished even longer. Exploring the cultural dimensions of U.S. contact with Haiti during the occupation and its aftermath, Mary Renda shows that what Americans thought and wrote about Haiti during those years contributed in crucial and unexpected ways to an emerging culture of U.S. imperialism. At the heart of this emerging culture, Renda argues, was American paternalism, which saw Haitians as wards of the United States. She explores the ways in which diverse Americans--including activists, intellectuals, artists, missionaries, marines, and politicians--responded to paternalist constructs, shaping new versions of American culture along the way. Her analysis draws on a rich record of U.S. discourses on Haiti, including the writings of policymakers; the diaries, letters, songs, and memoirs of marines stationed in Haiti; and literary works by such writers as Eugene O'Neill, James Weldon Johnson, Langston Hughes, and Zora Neale Hurston. Pathbreaking and provocative, Taking Haiti illuminates the complex interplay between culture and acts of violence in the making of the American empire.
Author: Laurent Dubois
Publisher: Metropolitan Books
ISBN: 0805095624
Category : History
Languages : en
Pages : 448
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Book Description
A passionate and insightful account by a leading historian of Haiti that traces the sources of the country's devastating present back to its turbulent and traumatic history Even before the 2010 earthquake destroyed much of the country, Haiti was known as a benighted place of poverty and corruption. Maligned and misunderstood, the nation has long been blamed by many for its own wretchedness. But as acclaimed historian Laurent Dubois makes clear, Haiti's troubled present can only be understood by examining its complex past. The country's difficulties are inextricably rooted in its founding revolution—the only successful slave revolt in the history of the world; the hostility that this rebellion generated among the colonial powers surrounding the island nation; and the intense struggle within Haiti itself to define its newfound freedom and realize its promise. Dubois vividly depicts the isolation and impoverishment that followed the 1804 uprising. He details how the crushing indemnity imposed by the former French rulers initiated a devastating cycle of debt, while frequent interventions by the United States—including a twenty-year military occupation—further undermined Haiti's independence. At the same time, Dubois shows, the internal debates about what Haiti should do with its hard-won liberty alienated the nation's leaders from the broader population, setting the stage for enduring political conflict. Yet as Dubois demonstrates, the Haitian people have never given up on their struggle for true democracy, creating a powerful culture insistent on autonomy and equality for all. Revealing what lies behind the familiar moniker of "the poorest nation in the Western Hemisphere," this indispensable book illuminates the foundations on which a new Haiti might yet emerge.
Author: Cécile Accilien
Publisher: University of Florida Press
ISBN: 9781683403999
Category : History
Languages : en
Pages : 0
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Book Description
This volume provides guidance on teaching about Haiti's history and culture from a multidisciplinary perspective, offering ways of reshaping old narratives through women's and gender studies, poetry, theater, art, religion, language, politics, history, and popular culture.
Author: Herbert Gold
Publisher: Touchstone Books
ISBN: 9780671755164
Category : True Crime
Languages : en
Pages : 324
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Book Description
A kaleidoscopic memoir of a 35-year love affair with mysterious, exotic Haiti. The dialogue the author conducts with this beleaguered island is rich with surprising revelations and startling juxtapositions. "The best all-encompassing explanation of this . . . tragic island country that I have read".--Digby Diehl, Playboy.
Author: NICOLE JEAN-LOUIS
Publisher: Xlibris Corporation
ISBN: 1477152652
Category : Art
Languages : en
Pages : 344
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Book Description
My name is Nicole Jean-Louis. My maiden name is Nicole Faublas. I was born in Port-au –Prince, Haiti. When I was nine years old, my grandfather, Luc Beauboeuf, inspired me to discover my artistic talent. Every sketch I’ve made was greeted with abundant praises by my grandfather. “Draw me some more”, he would say to me. Every day after school, I would rush to draw more and more for him. Then, he would help me with my math problems. In my early schooling at Sacred Heart, my favorite subjects were Math and Drawing. As an artist, I love to incorporate Geometry and Physics in my drawings as much as I can. For example, when I paint my landscape, I want to align the horizon with the sea level as straight as possible. In Haiti, we were five siblings growing up: Gladys, Nicole (myself), Micheline, Edith, and Serge Faublas, our only brother. One day, my father, Jean Faublas, gathered us all to go hiking in a mountain surrounding Port-au-Prince. The mountain’s name is “Morne de l’Hopital”. My father told us that we would go to the top where there is a hotel at “Boutilier”. This was a memorable experience. We met farmers working on the fields. Some farmers build terraces. We met women descending the mountain with baskets on their heads, loaded of farm products. The women wore blue denim dresses, with a colorful piece of cloth wrapped around their waist. There were naked children playing by their thatch houses. At the age of ten, it was fascinating for me to see the children’s skin and hair of similar color, red-brown like the soil. The air smelled like Haitian soda. In the late 1955’s era, the mountain sides located near Port-au-Prince were not constructed. They were invaded by outsiders as in this modern day era. In 1964, my whole family migrated to Zaire, Africa, to flee from the Duvalier Regime. I spent a year in Zaire, completing my terminal secondary class. Then, my father sent me to Hampton, Virginia. I attended Hampton Institute; presently known as Hampton University, majoring in Biochemistry. I spoke little English. The following year, I stayed in New York with my older sister, Gladys. I did not pursue Art in college. Instead, I choose Science. After many intermissions, (e.g.)( wedding, travel, birth), I finally received a Bachelors in Science degree at Hunter College in 1978. From 1978 to 2007, I worked in Chemistry at different hospitals in the Bronx: North Central Bronx Hospital, Einstein, Jacobi, and Montefiore Hospital. I painted occasionally for dear friends, my sisters and brother, my granddaughter, Guenett (“Three 2 Generations”) painting. I also painted for my niece’s and nephew’s wedding presents, and for decors in my new house. When I retired in 2007, my husband and I went to live in Jacmel, Haiti, his hometown. Jacmel is a picturesque town by the beaches. Its environment inspired me to take my brushes again. Painting became my favorite past time. From 2007 to 2010, I painted over thirty paintings. I embrace all styles: landscape, personalized portrait, every day occurrence, folkloric dance, history. Haiti that I know before the earthquake of January 2010 will be beautiful again. I have to display Haiti’s panoramic scenery, everyday life, and its historic events such as: “Ceremony of Bois Caiman, 1791”, “Mad Dogs chasing fugitive slaves”. I have to exhibit some of Haiti’s heroic figures; for example, Toussaint Louverture and Jean Jacques Dessalines. My book is mostly about visual art. Visual art depicts everything that the eyes can see without embellishment. Reality is represented faithfully, truthfully, and accurately. Visual art is objectively real. My book illustrates Haiti’s history and culture through visual art. Haiti has a unique and glorious history. History is powerful and should be protected. Haiti is a country full of resilience. Documenting Haitian history and culture through art is my passion. It is important to instruct the young so they can make educated judgment by learning from the past. I
Author: Benjamin Hebblethwaite
Publisher: Univ. Press of Mississippi
ISBN: 149683562X
Category : Social Science
Languages : en
Pages : 168
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Book Description
Connecting four centuries of political, social, and religious history with fieldwork and language documentation, A Transatlantic History of Haitian Vodou analyzes Haitian Vodou’s African origins, transmission to Saint-Domingue, and promulgation through song in contemporary Haiti. Split into two sections, the African chapters focus on history, economics, and culture in Dahomey, Allada, and Hueda while scrutinizing the role of Europeans in fomenting tensions. The political, military, and slave trading histories of the kingdoms in the Bight of Benin reveal the circumstances of enslavement, including the geographies, ethnicities, languages, and cultures of enslavers and enslaved. The study of the spirits, rituals, structure, and music of the region’s religions sheds light on important sources for Haitian Vodou. Having royal, public, and private expressions, Vodun spirit-based traditions served as cultural systems that supported or contested power and enslavement. At once suppliers and victims of the European slave trade, the people of Dahomey, Allada, and Hueda deeply shaped the emergence of Haiti’s creolized culture. The Haitian chapters focus on Vodou’s Rada Rite (from Allada) and Gede Rite (from Abomey) through the songs of Rasin Figuier’s Vodou Lakay and Rasin Bwa Kayiman’s Guede, legendary rasin compact discs released on Jean Altidor’s Miami label, Mass Konpa Records. All the Vodou songs on the discs are analyzed with a method dubbed “Vodou hermeneutics” that harnesses history, religious studies, linguistics, literary criticism, and ethnomusicology in order to advance a scholarly approach to Vodou songs.
Author: Joan Dayan
Publisher: Univ of California Press
ISBN: 9780520213685
Category : History
Languages : en
Pages : 372
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Book Description
Reprint. Originally published: Berkeley: University of California Press, 1995.
Author: Martin Munro
Publisher:
ISBN:
Category : History
Languages : en
Pages : 212
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Book Description
The earthquake that struck Haiti on January 12, 2010 thrust the nation into the public consciousness as never before. That terrible event piqued interest in a remarkable country with a rich history as both the first black republic in the world and the first country to break free of European imperialism in Latin America.
Author: Jean Casimir
Publisher: UNC Press Books
ISBN: 1469660490
Category : History
Languages : en
Pages : 453
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Book Description
In this sweeping history, leading Haitian intellectual Jean Casimir argues that the story of Haiti should not begin with the usual image of Saint-Domingue as the richest colony of the eighteenth century. Rather, it begins with a reconstruction of how individuals from Africa, in the midst of the golden age of imperialism, created a sovereign society based on political imagination and a radical rejection of the colonial order, persisting even through the U.S. occupation in 1915. The Haitians also critically retheorizes the very nature of slavery, colonialism, and sovereignty. Here, Casimir centers the perspectives of Haiti's moun andeyo—the largely African-descended rural peasantry. Asking how these systematically marginalized and silenced people survived in the face of almost complete political disenfranchisement, Casimir identifies what he calls a counter-plantation system. Derived from Caribbean political and cultural practices, the counter-plantation encompassed consistent reliance on small-scale landholding. Casimir shows how lakou, small plots of land often inhabited by generations of the same family, were and continue to be sites of resistance even in the face of structural disadvantages originating in colonial times, some of which continue to be maintained by the Haitian government with support from outside powers.
