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Author: Monique Kornell
Publisher: Getty Publications
ISBN: 1606067699
Category : Art
Languages : en
Pages : 252
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Book Description
This illustrated volume examines the different methods artists and anatomists used to reveal the inner workings of the human body and evoke wonder in its form. For centuries, anatomy was a fundamental component of artistic training, as artists such as Leonardo da Vinci and Michelangelo sought to skillfully portray the human form. In Europe, illustrations that captured the complex structure of the body—spectacularly realized by anatomists, artists, and printmakers in early atlases such as Andreas Vesalius’s De humani corporis fabrica libri septem of 1543—found an audience with both medical practitioners and artists. Flesh and Bones examines the inventive ways anatomy has been presented from the sixteenth through the twenty-first century, including an animated corpse displaying its own body for study, anatomized antique sculpture, spectacular life-size prints, delicate paper flaps, and 3-D stereoscopic photographs. Drawn primarily from the vast holdings of the Getty Research Institute, the over 150 striking images, which range in media from woodcut to neon, reveal the uncanny beauty of the human body under the skin
Author: Monique Kornell
Publisher: Getty Publications
ISBN: 1606067699
Category : Art
Languages : en
Pages : 252
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Book Description
This illustrated volume examines the different methods artists and anatomists used to reveal the inner workings of the human body and evoke wonder in its form. For centuries, anatomy was a fundamental component of artistic training, as artists such as Leonardo da Vinci and Michelangelo sought to skillfully portray the human form. In Europe, illustrations that captured the complex structure of the body—spectacularly realized by anatomists, artists, and printmakers in early atlases such as Andreas Vesalius’s De humani corporis fabrica libri septem of 1543—found an audience with both medical practitioners and artists. Flesh and Bones examines the inventive ways anatomy has been presented from the sixteenth through the twenty-first century, including an animated corpse displaying its own body for study, anatomized antique sculpture, spectacular life-size prints, delicate paper flaps, and 3-D stereoscopic photographs. Drawn primarily from the vast holdings of the Getty Research Institute, the over 150 striking images, which range in media from woodcut to neon, reveal the uncanny beauty of the human body under the skin
Author: Ludwig Choulant
Publisher:
ISBN:
Category : Anatomy
Languages : en
Pages : 538
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Book Description
In this classical work Choulant traced the evolution of anatomical illustration from the early schematic plates up to his own time, including a valuable bibliography. This English edition, translated by Frank, is enriched by the chapter on anatomical illustration since Choulant, by Garrison. -- H.W. Orr.
Author: Boris Röhrl
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 524
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Book Description
Author: W. Ellenberger
Publisher: Courier Corporation
ISBN: 0486316718
Category : Art
Languages : en
Pages : 161
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Book Description
Enlarged edition of a classic reference features clear directions for drawing horses, dogs, cats, lions, cattle, deer, and other creatures. Covers muscles, skeleton, and full external views. 288 illustrations.
Author: Ludwig Choulant
Publisher: Forgotten Books
ISBN: 9781330332825
Category : Art
Languages : en
Pages : 521
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Book Description
Excerpt from History and Bibliography of Anatomic Illustration: In Its Relation to Anatomic Science and the Graphic Arts The purpose of this book is a presentation of the history and the bibliography of representations of human anatomy by graphic means. Due consideration has been given both to anatomic illustration and to representations belonging to the graphic or plastic arts. For a satisfactory attainment of his purpose, the author will first present a brief historical introduction (pp. 22 to 41), which will be followed by explanatory sections (pp. 42 to 357), in order to avoid crowding the introduction with confusing details. The historic character of the work necessarily set a certain time-limit to both lines of consideration, to the scientific as well as to the artistic. The earlier period of anatomic illustrations ends with Soemmerring and Mascagni. With increasing needs, a new era sets in, differing from the preceding one in its conception of the graphic arts and in the use of new tools and means of reproduction. The development of histologic and microscopic anatomy, the employment of lithography, steel engraving, the daguerreotype, the modern woodcut, and other graphic means, all brought about manifold changes in the methods of anatomic representation. This epoch has no place within the domain of historic research, but has to do rather with a critical appreciation of the literary demands and resources of the present time and of modern science. For this reason the treatment of the subject concludes with the two anatomists above mentioned, adding only the two most important collective works of a later time, those of Loder and Caldani, which were necessarily characteristic of the former period, since they presented only material belonging to it. As regards illustration for the needs of the graphic and plastic arts, that is, in behalf of artistic anatomy, some of their different historic epochs occur earlier and are duly pointed out. At the time of the above-mentioned conclusion of an epoch in scientific anatomy there is no noticeable falling off in illustrations in aid of artistic anatomy. It became necessary, therefore, to enumerate all anatomic illustrations for the use of artists up to the present time, which has been done. Besides this limitation of the periods of time within which this work was to be confined, a careful selection of appropriate material was no less necessary. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Bill B. Hayes
Publisher: Ballantine Books
ISBN: 0345504690
Category : History
Languages : en
Pages : 274
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Book Description
The classic medical text known as Gray’s Anatomy is one of the most famous books ever written. Now, on the 150th anniversary of its publication, acclaimed science writer and master of narrative nonfiction Bill Hayes has written the fascinating, never-before-told true story of how this seminal volume came to be. A blend of history, science, culture, and Hayes’s own personal experiences, The Anatomist is this author’s most accomplished and affecting work to date. With passion and wit, Hayes explores the significance of Gray’s Anatomy and explains why it came to symbolize a turning point in medical history. But he does much, much more. Uncovering a treasure trove of forgotten letters and diaries, he illuminates the astonishing relationship between the fiercely gifted young anatomist Henry Gray and his younger collaborator H. V. Carter, whose exquisite anatomical illustrations are masterpieces of art and close observation. Tracing the triumphs and tragedies of these two extraordinary men, Hayes brings an equally extraordinary era–the mid-1800s–unforgettably to life. But the journey Hayes takes us on is not only outward but inward–through the blood and tissue and organs of the human body– for The Anatomist chronicles Hayes’s year as a student of classical gross anatomy, performing with his own hands the dissections and examinations detailed by Henry Gray 150 years ago. As Hayes’s acquaintance with death deepens, he finds his understanding and appreciation of life deepening in unexpected and profoundly moving ways. The Anatomist is more than just the story of a book. It is the story of the human body, a story whose beginning and end we all know and share but that, like all great stories, is infinitely rich in between.
Author: Eliot Goldfinger
Publisher: OUP USA
ISBN: 0195142144
Category : Art
Languages : en
Pages : 257
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Book Description
From horses and cats to elephants and giraffes, this is the definitive reference on animal anatomy for painters, sculptors, and illustrators. 104 halftones, 281 line drawings, 100 photos.
Author: Domenico Bertoloni Meli
Publisher: University of Chicago Press
ISBN: 022646363X
Category : Science
Languages : en
Pages : 311
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Book Description
Visual anatomy books have been a staple of medical practice and study since the mid-sixteenth century. But the visual representation of diseased states followed a very different pattern from anatomy, one we are only now beginning to investigate and understand. With Visualizing Disease, Domenico Bertoloni Meli explores key questions in this domain, opening a new field of inquiry based on the analysis of a rich body of arresting and intellectually challenging images reproduced here both in black and white and in color. Starting in the Renaissance, Bertoloni Meli delves into the wide range of figures involved in the early study and representation of disease, including not just men of medicine, like anatomists, physicians, surgeons, and pathologists, but also draftsmen and engravers. Pathological preparations proved difficult to preserve and represent, and as Bertoloni Meli takes us through a number of different cases from the Renaissance to the mid-nineteenth century, we gain a new understanding of how knowledge of disease, interactions among medical men and artists, and changes in the technologies of preservation and representation of specimens interacted to slowly bring illustration into the medical world.
Author: Michel Lauricella
Publisher: Rocky Nook, Inc.
ISBN: 1681983761
Category : Art
Languages : en
Pages : 578
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Book Description
In this book, Michel Lauricella presents both his artistic and systematic methods for drawing the human body—with drawing techniques from the écorché (showing the musculature underneath the skin) to sketches of models in action. In more than 1000 illustrations, the human body is shown from a new perspective—from bone structure to musculature, from anatomical detail to the body in motion.
Morpho is a rich, fascinating, and helpful book that can go with you everywhere on your sketching journey. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 16.0px Times; color: #212121} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 16.0px Times; color: #212121; min-height: 19.0px} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Cambria; color: #212121} span.s1 {color: #232323} In this book, artist and teacher Michel Lauricella presents both his artistic and systematic methods for drawing the human body with drawing techniques from the écorché (showing the musculature and bone structure beneath the skin) to dynamic sketches of models in action. In more than 1000 illustrations, the human body is shown from a new perspective—from bone structure to musculature, from anatomical detail to the body in motion. Lauricella believes that only by learning basic human anatomy can one’s drawing skills be perfected. Morpho is a rich, fascinating, and essential book that can go with you everywhere on your sketching journey.
Author: Sir Charles Bell
Publisher:
ISBN:
Category : Anatomy, Artistic
Languages : en
Pages : 300
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Book Description
