Author: Terri Ginsberg
Publisher: Rowman & Littlefield
ISBN: 1538139057
Category : Performing Arts
Languages : en
Pages : 705
Book Description
To a substantial degree cinema has served to define the perceived character of the peoples and nations of the Middle East. This book covers the production and exhibition of the cinema of Morocco, Algeria, Tunisia, Egypt, Palestine, Jordan, Lebanon, Syria, Iraq, the United Arab Emirates, Saudi Arabi, Yemen, Kuwait, and Bahrain, as well as the non-Arab states of Turkey and Iran, and the Jewish state of Israel. This second edition of Historical Dictionary of Middle Eastern Cinema contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 500 cross-referenced entries on individual films, filmmakers, actors, significant historical figures, events, and concepts, and the countries themselves. It also covers the range of cinematic modes from documentary to fiction, representational to animation, generic to experimental, mainstream to avant-garde, and entertainment to propaganda. This book is an excellent resource for students, researchers, and anyone wanting to know more about Middle Eastern cinema.
Historical Dictionary of Middle Eastern Cinema
Author: Terri Ginsberg
Publisher: Rowman & Littlefield
ISBN: 1538139057
Category : Performing Arts
Languages : en
Pages : 705
Book Description
To a substantial degree cinema has served to define the perceived character of the peoples and nations of the Middle East. This book covers the production and exhibition of the cinema of Morocco, Algeria, Tunisia, Egypt, Palestine, Jordan, Lebanon, Syria, Iraq, the United Arab Emirates, Saudi Arabi, Yemen, Kuwait, and Bahrain, as well as the non-Arab states of Turkey and Iran, and the Jewish state of Israel. This second edition of Historical Dictionary of Middle Eastern Cinema contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 500 cross-referenced entries on individual films, filmmakers, actors, significant historical figures, events, and concepts, and the countries themselves. It also covers the range of cinematic modes from documentary to fiction, representational to animation, generic to experimental, mainstream to avant-garde, and entertainment to propaganda. This book is an excellent resource for students, researchers, and anyone wanting to know more about Middle Eastern cinema.
Publisher: Rowman & Littlefield
ISBN: 1538139057
Category : Performing Arts
Languages : en
Pages : 705
Book Description
To a substantial degree cinema has served to define the perceived character of the peoples and nations of the Middle East. This book covers the production and exhibition of the cinema of Morocco, Algeria, Tunisia, Egypt, Palestine, Jordan, Lebanon, Syria, Iraq, the United Arab Emirates, Saudi Arabi, Yemen, Kuwait, and Bahrain, as well as the non-Arab states of Turkey and Iran, and the Jewish state of Israel. This second edition of Historical Dictionary of Middle Eastern Cinema contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 500 cross-referenced entries on individual films, filmmakers, actors, significant historical figures, events, and concepts, and the countries themselves. It also covers the range of cinematic modes from documentary to fiction, representational to animation, generic to experimental, mainstream to avant-garde, and entertainment to propaganda. This book is an excellent resource for students, researchers, and anyone wanting to know more about Middle Eastern cinema.
Humor in Middle Eastern Cinema
Author: Gayatri Devi
Publisher: Wayne State University Press
ISBN: 0814339387
Category : Performing Arts
Languages : en
Pages : 322
Book Description
While Middle Eastern culture does not tend to be associated with laughter and levity in the global imagination, humor—often satirical—has long been a staple of mainstream Arabic film. In Humor in Middle Eastern Cinema, editors Gayatri Devi and Najat Rahman shed light on this tradition, as well as humor and laughter motivated by other intent—including parody, irony, the absurd, burlesque, and dark comedy. Contributors trace the proliferation of humor in contemporary Middle Eastern cinema in the works of individual directors and from the perspectives of genre, national cinemas, and diasporic cinema. Humor in Middle Eastern Cinema explores what humor theorists have identified as an “emancipatory,” “liberatory,” even “revolutionary” function to humor. Among the questions contributors ask are: How does Middle Eastern cinema and media highlight the stakes and place of humor in art and in life? What is its relation to the political? Can humor in cinematic art be emancipatory? What are its limits for its intervention or transformation? Contributors examine the region’s masterful auteurs, such as Abbas Kiarostami, Youssef Chahine, and Elia Suleiman and cover a range of cinematic settings, including Egypt, Iran, Israel, Lebanon, Palestine, Syria, Tunisia, and Turkey. They also trace diasporic issues in the distinctive cinema of India and Pakistan. This insightful collection will introduce readers to a variety of contemporary Middle Eastern cinema that has attracted little critical notice. Scholars of cinema and media studies as well as Middle Eastern cultural history will appreciate this introduction to a complex and fascinating cinema.
Publisher: Wayne State University Press
ISBN: 0814339387
Category : Performing Arts
Languages : en
Pages : 322
Book Description
While Middle Eastern culture does not tend to be associated with laughter and levity in the global imagination, humor—often satirical—has long been a staple of mainstream Arabic film. In Humor in Middle Eastern Cinema, editors Gayatri Devi and Najat Rahman shed light on this tradition, as well as humor and laughter motivated by other intent—including parody, irony, the absurd, burlesque, and dark comedy. Contributors trace the proliferation of humor in contemporary Middle Eastern cinema in the works of individual directors and from the perspectives of genre, national cinemas, and diasporic cinema. Humor in Middle Eastern Cinema explores what humor theorists have identified as an “emancipatory,” “liberatory,” even “revolutionary” function to humor. Among the questions contributors ask are: How does Middle Eastern cinema and media highlight the stakes and place of humor in art and in life? What is its relation to the political? Can humor in cinematic art be emancipatory? What are its limits for its intervention or transformation? Contributors examine the region’s masterful auteurs, such as Abbas Kiarostami, Youssef Chahine, and Elia Suleiman and cover a range of cinematic settings, including Egypt, Iran, Israel, Lebanon, Palestine, Syria, Tunisia, and Turkey. They also trace diasporic issues in the distinctive cinema of India and Pakistan. This insightful collection will introduce readers to a variety of contemporary Middle Eastern cinema that has attracted little critical notice. Scholars of cinema and media studies as well as Middle Eastern cultural history will appreciate this introduction to a complex and fascinating cinema.
Documenting Syria
Author: Josepha Ivanka Wessels
Publisher: Bloomsbury Publishing
ISBN: 1788316169
Category : Social Science
Languages : en
Pages : 265
Book Description
Syria is now one of the most important countries in the world for the documentary film industry. Since the 1970s, Syrian cinema masters played a defining role in avant-garde filmmaking and political dissent against authoritarianism. After the outbreak of violence in 2011, an estimated 500,000 video clips were uploaded making it one of the first YouTubed revolutions in history. This book is the first history of documentary filmmaking in Syria. Based on extensive media ethnography and in-depth interviews with Syrian filmmakers in exile, the book offers an archival analysis of the documentary work by masters of Syrian cinema, such as Nabil Maleh, Ossama Mohammed, Mohammed Malas, Hala Al Abdallah, Hanna Ward, Ali Atassi and Omar Amiralay. Joshka Wessels traces how the works of these filmmakers became iconic for a new generation of filmmakers at the beginning of the 21st century and maps the radical change in the documentary landscape after the revolution of 2011. Special attention is paid to the late Syrian filmmaker and pro-democracy activist, Bassel Shehadeh, and the video-resistance from Aleppo and Raqqa against the regime of President Bashar al-Assad and the Islamic State. An essential resource for scholars of Syrian Studies, this book will also be highly relevant to the fields of media & conflict research, anthropology and political science.
Publisher: Bloomsbury Publishing
ISBN: 1788316169
Category : Social Science
Languages : en
Pages : 265
Book Description
Syria is now one of the most important countries in the world for the documentary film industry. Since the 1970s, Syrian cinema masters played a defining role in avant-garde filmmaking and political dissent against authoritarianism. After the outbreak of violence in 2011, an estimated 500,000 video clips were uploaded making it one of the first YouTubed revolutions in history. This book is the first history of documentary filmmaking in Syria. Based on extensive media ethnography and in-depth interviews with Syrian filmmakers in exile, the book offers an archival analysis of the documentary work by masters of Syrian cinema, such as Nabil Maleh, Ossama Mohammed, Mohammed Malas, Hala Al Abdallah, Hanna Ward, Ali Atassi and Omar Amiralay. Joshka Wessels traces how the works of these filmmakers became iconic for a new generation of filmmakers at the beginning of the 21st century and maps the radical change in the documentary landscape after the revolution of 2011. Special attention is paid to the late Syrian filmmaker and pro-democracy activist, Bassel Shehadeh, and the video-resistance from Aleppo and Raqqa against the regime of President Bashar al-Assad and the Islamic State. An essential resource for scholars of Syrian Studies, this book will also be highly relevant to the fields of media & conflict research, anthropology and political science.
Historical Dictionary of Lebanon
Author: Tom Najem
Publisher: Rowman & Littlefield
ISBN: 1538120445
Category : History
Languages : en
Pages : 435
Book Description
Historical Dictionary of Lebanon, Second Edition covers the long history of Lebanon, from before the Ottoman era through the Ottoman Era, the French Mandate, Independence, the long civil war and the recent protests for democratic reform and the aftermath of the explosion in the port area. It features lengthy entries on major historical/political events as well as the major people, sectarian groups and political parties. It contains a chronology, an introduction, and an extensive bibliography. The dictionary section has more than 800 cross-referenced entries on important personalities as well as aspects of the country’s politics, economy, foreign relations, religion, and culture. This book is an excellent resource for students, researchers, and anyone wanting to know more about Lebanon.
Publisher: Rowman & Littlefield
ISBN: 1538120445
Category : History
Languages : en
Pages : 435
Book Description
Historical Dictionary of Lebanon, Second Edition covers the long history of Lebanon, from before the Ottoman era through the Ottoman Era, the French Mandate, Independence, the long civil war and the recent protests for democratic reform and the aftermath of the explosion in the port area. It features lengthy entries on major historical/political events as well as the major people, sectarian groups and political parties. It contains a chronology, an introduction, and an extensive bibliography. The dictionary section has more than 800 cross-referenced entries on important personalities as well as aspects of the country’s politics, economy, foreign relations, religion, and culture. This book is an excellent resource for students, researchers, and anyone wanting to know more about Lebanon.
Routledge Handbook on Arab Cinema
Author: Noha Mellor
Publisher: Taylor & Francis
ISBN: 1040024106
Category : Performing Arts
Languages : en
Pages : 596
Book Description
Building on a growing body of literature, this Handbook provides an up-to-date and authoritative survey of Arab cinema. The collection includes contributions from academics and filmmakers from across the Arab region, Europe, and North America, and fills a gap in media studies by examining the entire Arab region, rather than focusing on one country or theme. The Handbook also sheds light on the heterogeneity of Arab filmmaking not only within the Arab region, but also globally, within diasporic communities. It is split into six parts: Part 1 provides an overview of each sub-region in the Arab world, including a chapter on Arab animation films. Parts 2, 3, and 4 address topical themes, encompassing the representation of gender, religion, and identity politics in Arab cinema. Part 5 discusses the theme of diaspora and Part 6 concludes the volume with reflective essays penned by selected diasporic filmmakers. This book is an essential reference for Arab media and cinema scholars, students, and professional filmmakers. With case studies from across the Arab region, it's also a valuable resource for anyone interested in film and media, global cinema, and the Middle East generally.
Publisher: Taylor & Francis
ISBN: 1040024106
Category : Performing Arts
Languages : en
Pages : 596
Book Description
Building on a growing body of literature, this Handbook provides an up-to-date and authoritative survey of Arab cinema. The collection includes contributions from academics and filmmakers from across the Arab region, Europe, and North America, and fills a gap in media studies by examining the entire Arab region, rather than focusing on one country or theme. The Handbook also sheds light on the heterogeneity of Arab filmmaking not only within the Arab region, but also globally, within diasporic communities. It is split into six parts: Part 1 provides an overview of each sub-region in the Arab world, including a chapter on Arab animation films. Parts 2, 3, and 4 address topical themes, encompassing the representation of gender, religion, and identity politics in Arab cinema. Part 5 discusses the theme of diaspora and Part 6 concludes the volume with reflective essays penned by selected diasporic filmmakers. This book is an essential reference for Arab media and cinema scholars, students, and professional filmmakers. With case studies from across the Arab region, it's also a valuable resource for anyone interested in film and media, global cinema, and the Middle East generally.
Arab World Cinemas
Author: Marle Hammond
Publisher: Edinburgh University Press
ISBN: 1474435807
Category :
Languages : en
Pages : 389
Book Description
From the exaggerated emotions of 1930s Egyptian melodrama to the cryptic allegories of late 20th-century Palestinian cinema, Arab World Cinemas guides you through 28 Arabic-language feature films released between 1933 and 2021, including Muhammad Khan's 'Dreams of Hind and Camilia' (1989), Moufida Tlatli's 'Silences of the Palace' (1994) and Elia Suleiman's 'Divine Intervention' (2002). Written specially for students, the book is split into 3 parts: Egypt, North Africa and the eastern Arab world. Each part begins with an introductory essay that highlights the aesthetic and socio-historical trends and currents in the cinematic traditions particular to that region. Marle Hammond then dedicates individual chapters to a group of films from the highlighted region, interpreting their form and content through the lenses of cinematic technique and concepts drawn from various disciplines in the arts, humanities and social sciences.
Publisher: Edinburgh University Press
ISBN: 1474435807
Category :
Languages : en
Pages : 389
Book Description
From the exaggerated emotions of 1930s Egyptian melodrama to the cryptic allegories of late 20th-century Palestinian cinema, Arab World Cinemas guides you through 28 Arabic-language feature films released between 1933 and 2021, including Muhammad Khan's 'Dreams of Hind and Camilia' (1989), Moufida Tlatli's 'Silences of the Palace' (1994) and Elia Suleiman's 'Divine Intervention' (2002). Written specially for students, the book is split into 3 parts: Egypt, North Africa and the eastern Arab world. Each part begins with an introductory essay that highlights the aesthetic and socio-historical trends and currents in the cinematic traditions particular to that region. Marle Hammond then dedicates individual chapters to a group of films from the highlighted region, interpreting their form and content through the lenses of cinematic technique and concepts drawn from various disciplines in the arts, humanities and social sciences.
Hollywood Films in North Africa and the Middle East
Author: Nolwenn Mingant
Publisher: State University of New York Press
ISBN: 1438488564
Category : Performing Arts
Languages : en
Pages : 203
Book Description
Drawing on a broad range of primary sources, from trade and government publications to interviews, Hollywood Films in North Africa and the Middle East traces the circulation of Hollywood films across the region from the early twentieth century to the present. Originally introduced by French distributors, Hollywood films have been a key component of film culture in North Africa and the Middle East. These films became a favored mode of entertainment during the first half of the century as the major US film studios built a strong distribution structure. After World War II, the changing geopolitical context of decolonization pushed US distributors out of the market. Hollywood films, however, have continued to be favored by audiences. Today, in a landscape that also includes Egyptian and Indian films, Hollywood remains a relevant force in the region’s film culture, experienced by audiences in myriad ways from the pirate markets of North Africa to state-of-the-art theatres in the United Arab Emirates.
Publisher: State University of New York Press
ISBN: 1438488564
Category : Performing Arts
Languages : en
Pages : 203
Book Description
Drawing on a broad range of primary sources, from trade and government publications to interviews, Hollywood Films in North Africa and the Middle East traces the circulation of Hollywood films across the region from the early twentieth century to the present. Originally introduced by French distributors, Hollywood films have been a key component of film culture in North Africa and the Middle East. These films became a favored mode of entertainment during the first half of the century as the major US film studios built a strong distribution structure. After World War II, the changing geopolitical context of decolonization pushed US distributors out of the market. Hollywood films, however, have continued to be favored by audiences. Today, in a landscape that also includes Egyptian and Indian films, Hollywood remains a relevant force in the region’s film culture, experienced by audiences in myriad ways from the pirate markets of North Africa to state-of-the-art theatres in the United Arab Emirates.
New Voices in Arab Cinema
Author: Roy Armes
Publisher: Indiana University Press
ISBN: 0253015286
Category : Performing Arts
Languages : en
Pages : 352
Book Description
New Voices in Arab Cinema focuses on contemporary filmmaking since the 1980s, but also considers the longer history of Arab cinema. Taking into consideration film from the Middle East and North Africa and giving a special nod to films produced since the Arab Spring and the Syrian crisis, Roy Armes explores themes such as modes of production, national cinemas, the role of the state and private industry on film, international developments in film, key filmmakers, and the validity of current notions like globalization, migration and immigration, and exile. This landmark book offers both a coherent, historical overview and an in-depth critical analysis of Arab filmmaking.
Publisher: Indiana University Press
ISBN: 0253015286
Category : Performing Arts
Languages : en
Pages : 352
Book Description
New Voices in Arab Cinema focuses on contemporary filmmaking since the 1980s, but also considers the longer history of Arab cinema. Taking into consideration film from the Middle East and North Africa and giving a special nod to films produced since the Arab Spring and the Syrian crisis, Roy Armes explores themes such as modes of production, national cinemas, the role of the state and private industry on film, international developments in film, key filmmakers, and the validity of current notions like globalization, migration and immigration, and exile. This landmark book offers both a coherent, historical overview and an in-depth critical analysis of Arab filmmaking.
Cinema of the Arab World
Author: Terri Ginsberg
Publisher: Springer Nature
ISBN: 3030300811
Category : Performing Arts
Languages : en
Pages : 445
Book Description
This volume engages new films and modes of scholarly research in Arab cinema, and older, often neglected films and critical topics, while theorizing their structural relationship to contemporary developments in the Arab world. The volume considers the relationship of Arab cinema to transnational film production, distribution, and exhibition, in turn recontextualizing the works of acknowledged as well as new directorial figures, and country-specific phenomena. New documentary and experimental practices are referenced and critiqued, while commercial cinema is covered both as an industrial product and as one of several instances of contestation. The volume thus showcases the breadth and depth of Arab film culture and its multilayered connections to local conditions, regional affiliations, and the tendencies and aesthetics of global cinema.
Publisher: Springer Nature
ISBN: 3030300811
Category : Performing Arts
Languages : en
Pages : 445
Book Description
This volume engages new films and modes of scholarly research in Arab cinema, and older, often neglected films and critical topics, while theorizing their structural relationship to contemporary developments in the Arab world. The volume considers the relationship of Arab cinema to transnational film production, distribution, and exhibition, in turn recontextualizing the works of acknowledged as well as new directorial figures, and country-specific phenomena. New documentary and experimental practices are referenced and critiqued, while commercial cinema is covered both as an industrial product and as one of several instances of contestation. The volume thus showcases the breadth and depth of Arab film culture and its multilayered connections to local conditions, regional affiliations, and the tendencies and aesthetics of global cinema.
Historical Dictionary of Syria
Author: David Commins
Publisher: Scarecrow Press
ISBN: 0810879662
Category : History
Languages : en
Pages : 521
Book Description
In 2011, massive protest movements that appeared to come out of nowhere caught the Arab world’s autocrats by surprise and brought down powerful leaders in Tunisia, Egypt, Libya, and Yemen. Thousands of Syrians took to the streets in March 2011 calling for the “fall of the regime,” the popular slogan of Arab uprisings, but found themselves confronting a determined foe willing to slaughter thousands of citizens and to destroy entire city neighborhoods in order to hold onto power. By the middle of 2013, Syria was in the midst of a nightmarish civil war marked by more than 80,000 deaths, sectarian massacres, the flight of one-fourth the country’s population from their homes, the disintegration of government institutions in much of the country, and a rising humanitarian crisis as food, medicine, and electricity grew short. Nobody in Syria or the outside world appears to be in a position to stop what looked like a fight to the bitter end, at whatever cost to the country. This third edition of the Historical Dictionary of Syria covers the recent events in Syria as well as the history that led up to these events. This is done through a chronology, an introductory essay, and an extensive bibliography. The cross-referenced dictionary section has over 500 entries on significant persons, places and events, political parties and institutions, literature, music and the arts. This book is an excellent resource for students, researchers, and anyone wanting to know more about Syria.
Publisher: Scarecrow Press
ISBN: 0810879662
Category : History
Languages : en
Pages : 521
Book Description
In 2011, massive protest movements that appeared to come out of nowhere caught the Arab world’s autocrats by surprise and brought down powerful leaders in Tunisia, Egypt, Libya, and Yemen. Thousands of Syrians took to the streets in March 2011 calling for the “fall of the regime,” the popular slogan of Arab uprisings, but found themselves confronting a determined foe willing to slaughter thousands of citizens and to destroy entire city neighborhoods in order to hold onto power. By the middle of 2013, Syria was in the midst of a nightmarish civil war marked by more than 80,000 deaths, sectarian massacres, the flight of one-fourth the country’s population from their homes, the disintegration of government institutions in much of the country, and a rising humanitarian crisis as food, medicine, and electricity grew short. Nobody in Syria or the outside world appears to be in a position to stop what looked like a fight to the bitter end, at whatever cost to the country. This third edition of the Historical Dictionary of Syria covers the recent events in Syria as well as the history that led up to these events. This is done through a chronology, an introductory essay, and an extensive bibliography. The cross-referenced dictionary section has over 500 entries on significant persons, places and events, political parties and institutions, literature, music and the arts. This book is an excellent resource for students, researchers, and anyone wanting to know more about Syria.