His Doll: Part One - Tina's Story PDF Download
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Author: Amelia Stark
Publisher: Philip Lattimore
ISBN:
Category : Fiction
Languages : en
Pages : 69
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Book Description
Tina is bored working in Sasaki Industries’ production department. The Japanese company manufacture sex toys and companion dolls, in England, for the high end of the market. Her job in quality control involves inspecting the products, like dildos, for flaws before they are packaged and dispatched to customers. The job pays well and because Tina hadn’t seen another job she fancied, she stayed on at Sasaki. She had been working at S.K.I. for over a year and was getting itchy feet. Then, she spotted an announcement on the Firm’s noticeboard. Fulltime Research Assistant Required. All female members of staff may apply. Interviews start on Friday. Contact Miss Evans in the Personnel Department. Tina wondered if the new job has something to do with trying out the company’s sex toys. At first, such a thought was enough to put her off applying. Then, after giving it some thought, Tina decides to take the plunge and find out for herself, just what goes on in the mysterious research and development department. What Tina doesn’t know is that Sasaki Industries want to make a new Companion Doll for the Asian market in her image. In this first part, Tina discovers that the company are far more interested in her body than her mind. Because this story involves descriptions of sexual and disciplinary situations, it is only suitable for mature adults over 18.
Author: Amelia Stark
Publisher: Philip Lattimore
ISBN:
Category : Fiction
Languages : en
Pages : 69
Get Book Here
Book Description
Tina is bored working in Sasaki Industries’ production department. The Japanese company manufacture sex toys and companion dolls, in England, for the high end of the market. Her job in quality control involves inspecting the products, like dildos, for flaws before they are packaged and dispatched to customers. The job pays well and because Tina hadn’t seen another job she fancied, she stayed on at Sasaki. She had been working at S.K.I. for over a year and was getting itchy feet. Then, she spotted an announcement on the Firm’s noticeboard. Fulltime Research Assistant Required. All female members of staff may apply. Interviews start on Friday. Contact Miss Evans in the Personnel Department. Tina wondered if the new job has something to do with trying out the company’s sex toys. At first, such a thought was enough to put her off applying. Then, after giving it some thought, Tina decides to take the plunge and find out for herself, just what goes on in the mysterious research and development department. What Tina doesn’t know is that Sasaki Industries want to make a new Companion Doll for the Asian market in her image. In this first part, Tina discovers that the company are far more interested in her body than her mind. Because this story involves descriptions of sexual and disciplinary situations, it is only suitable for mature adults over 18.
Author: Elena Ferrante
Publisher: Text Publishing
ISBN: 1922253278
Category : Fiction
Languages : en
Pages : 473
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Book Description
The Story of the Lost Child is the long-awaited fourth volume in the Neapolitan novels (My Brilliant Friend, The Story of a New Name, Those Who Leave and Those Who Stay). The quartet traces the friendship between Elena and Lila, from their childhood in a poor neighbourhood in Naples, to their thirties, when both women are mothers but each has chosen a different path. Their lives are still inextricably linked, for better or worse, especially when it comes to the drama of a lost child. Elena Ferrante was born in Naples. She is the author of seven novels: The Days of Abandonment, Troubling Love, The Lost Daughter, and the quartet of Neapolitan novels: My Brilliant Friend, The Story of a New Name, Those Who Leave and Those Who Stay, and The Story of the Lost Child. Frantugmalia, a selection of interviews, letters and occasional writings by Ferrante, will be published in 2016. She is one of Italy’s most acclaimed authors. Ann Goldstein has translated all of Elena Ferrante’s work. She is an editor at the New Yorker and a recipient of the PEN Renato Poggioli Translation Prize. Praise for Ferrante and the Neapolitan novels ‘[Ferrante’s] charting of the rivalries and sheer inscrutability of female friendship is raw. This is high stakes, subversive literature.’ Sunday Telegraph ‘Ferrante is an expert above all at the rhythm of plotting...Whether it’s work, family, friends or sex–and Ferrante, perhaps thanks to her anonymity as an author, is blisteringly good on bad sex–our greatest mistakes in life aren’t isolated acts; we rehearse them over and over until we get them as badly wrong as we can.’ Independent ‘Great novels are intelligent far beyond the powers of any character or writer or individual reader, as are great friendships, in their way. These wonderful books sit at the heart of that mystery, with the warmth and power of both.’ Harper’s ‘Elena Ferrante is one of the great novelists of our time. Her voice is passionate, her view sweeping and her gaze basilisk...In these bold, gorgeous, relentless novels, Ferrante traces the deep connections between the political and the domestic. This is a new version of the way we live now—one we need, one told brilliantly, by a woman.’ New York Times Sunday Book Review ‘When I read [the Neapolitan novels] I find that I never want to stop. I feel vexed by the obstacles—my job, or acquaintances on the subway—that threaten to keep me apart from the books. I mourn separations (a year until the next one—how?). I am propelled by a ravenous will to keep going.’ New Yorker ‘The best thing I’ve read this year, far and away...She puts most other writing at the moment in the shade. She’s marvellous.’ Richard Flanagan ‘The Neapolitan series stands as a testament to the ability of great literature to challenge, flummox, enrage and excite as it entertains.’ Sydney Morning Herald ‘The depth of perception Ms. Ferrante shows about her character’s conflicts and psychological states is astonishing...Her novels ring so true and are written with such empathy that they sound confessional.’ Wall Street Journal ‘The older you get, the harder it is to recapture the intoxicating sense of discovery that comes when you first read George Eliot, Nabokov, Tolstoy or Colette. But this year it came again when I read Elena Ferrante’s remarkable Neapolitan novels.’ Jane Shilling, New Statesman ‘There is nothing remotely tiring or trying about the experience of reading the Neapolitan novels, which I, and a great many others, now rank among our greatest book-related pleasures...it is writing that holds honesty dear.’ Weekend Australian ‘Dickens gave working people a voice. Ferrante, whoever she might be, presents a new paradigm for being female in the world...Ferrante’s great literary creations, Lenu and Lila, have the same emotional weight as Anne in Persuasion, Jo in Little Women, Maggie in The Mill on the Floss, Jane in Jane Eyre.’ Helen Elliott in the Monthly ‘This stunning conclusion further solidifies the Neapolitan novels as Ferrante’s masterpiece and guarantees that this reclusive author will remain far from obscure for years to come.’ Publishers Weekly ‘The Neapolitan novels are smart, thoughtful, serious literature. At the same time, they are violent, suspenseful soap operas populated with a vivid cast of scheming characters...Ferrante’s novels are deeply personal and intimate, getting to the very heart of what it means to be a woman, a friend, a daughter, a mother.’ Debrief Daily ‘Shattering and enthralling, intimate and vicious...The Neapolitan Novels are the kind of books that swallow me whole. As soon as I pick one up, I don’t want to breathe or move lest I break the spell...The Neapolitan Novels are among the most important in my reading life. I can’t recommend them highly enough.’ Readings ‘Ferrante captures the complexities of women, friendship and motherhood in ways that make your heart soar and ache in equal measures. If you haven’t already, treat yourself to this series.’ ELLE Australia ‘[Ferrante’s] Neapolitan novels contain real life – recognisable anxiety, joy, love and heartbreak. This is an incredibly difficult feat to achieve in the first place, let alone sustain, over four books. We will be talking about Elena and Lila for years to come.’ Sydney Morning Herald ‘There's a bright, sinewy humanness to Ferrante’s writing that is so alive it's alarming...The Story of the Lost Child is a full emotional experience, and a fitting end to a huge, arresting series.’ New Zealand Listener ‘I was one of the many who wept and wondered over Elena Ferrante’s The Story of the Lost Child. I plan to re-read the entire series soon.’ Favourite Feminist Reads from 2016, Feminist Writers Festival
Author: Tina Berry
Publisher: Friedman/Fairfax Publishing
ISBN: 9781402714375
Category :
Languages : en
Pages : 0
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Book Description
Increase the value of your dolls many times over by following the essential strategies presented in a decade-by-decade guide by the host of the popular Home Shopping Network show. More than 100 color photos present examples of the most collectible dolls that have appeared and disappeared from the market during the century, from the first affordable toy dolls in the 1860s to the 1960s appearance of mass-produced vinyl models. Armed with detailed information about doll history, materials, manufacturing methods, and popular styles, you can decide what dolls to buy and how much to resell them for. You’ll also get insider tips about the future—which fads and fashions will produce the most in-demand styles a few years from now.
Author: Rosemary Sullivan
Publisher: Don Mills, Ont. : Oxford University Press
ISBN:
Category : Fiction
Languages : en
Pages : 616
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Book Description
Over the past one hundred and fifty years, and most especially since the late 1960s, Canadian women have made a remarkable contribution to world literature. Carol Shields won the Pulitzer Prize; Margaret Atwood, Janette Turner Hospital, Anne Michaels, and Carol Shields were short listed forthe Booker Award; Atwood and Michaels were nominated for the Orange. This anthology enocmpasses over a century and a half of writing by Canadian women. The stories collected here represent a cross-section of the best writing by women in the genre and demonstrate a wide range of styles from therealistic to the post-modern and experimental. All the stories are about women: in childhood, adolescence, maturity, old age; in relationships such as daughters, sisters, lovers, mothers; in a variety of social and political contexts. Though all authors are Canadian by birth or choice, nationalityand gender have different meanings for each of them. But all write confidently and eloquently of their experience as women. At the end of the last century, no one could have predicted such wealth in women's writing. Now we have only to celebrate it.This collection of highly readable stories is ideal for the trade market while at the same time Rosemary Sullivan establishes a canon of stories for the university/college market. These are writers engaging with many different genres, including historical fiction, domestic drama and more abstractintrospection. No reader will fail to be amused, enthralled, intrigued, or invigorated.
Author: Ron Riekki
Publisher: McFarland
ISBN: 1476680914
Category : Performing Arts
Languages : en
Pages : 183
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Book Description
The frightening yet comic clown is one of the best and most enduring characters in literature, theater, television, and film. Across the centuries, from Shakespeare's Porter in Macbeth to Edgar Allan Poe's "Hop-Frog," or Stephen King's Pennywise, horror and comedy have blended to create the perfect recipe for entertainment. This volume gives an in-depth analysis of the clown horror genre, including essays by revered horror scholars such as Kevin Wetmore, Dale Bailey, Kim Hester Williams, Jennifer K. Cox, and Joanna Parypinski. Their essays cover topics such as nostalgia, race, class, and new portrayals of the scary clown as zombies or phantoms. It also offers interviews with actors and directors working in the clown horror genre: Eoghan McQuinn (Stitches), Kevin Kangas (Fear of Clowns), and Jaysen Buterin (Kill Giggles). Some of fiction's most terrifying creations--like the Killer Klowns, Captain Spaulding, Art the Clown, Krusty, Frowny, the Joker, and Twisty--jig through these pages of analysis and deconstruction, asking what these many iterations of scary clowns have to say about our society and its fears.
Author: Nicholas Parisi
Publisher: Univ. Press of Mississippi
ISBN: 1496819454
Category : Biography & Autobiography
Languages : en
Pages : 559
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Book Description
Long before anyone had heard of alien cookbooks, gremlins on the wings of airplanes, or places where pig-faced people are considered beautiful, Rod Serling was the most prestigious writer in American television. As creator, host, and primary writer for The Twilight Zone, Serling became something more: an American icon. When Serling died in 1975, at the age of fifty, he was the most honored, most outspoken, most recognizable, and likely the most prolific writer in television history. Though best known for The Twilight Zone, Serling wrote over 250 scripts for film and television and won an unmatched six Emmy Awards for dramatic writing for four different series. His filmography includes the acclaimed political thriller Seven Days in May and cowriting the original Planet of the Apes. In great detail and including never-published insights drawn directly from Serling’s personal correspondence, unpublished writings, speeches, and unproduced scripts, Nicholas Parisi explores Serling’s entire, massive body of work. With a foreword by Serling’s daughter, Anne Serling, Rod Serling: His Life, Work, and Imagination is part biography, part videography, and part critical analysis. It is a painstakingly researched look at all of Serling’s work—in and out of The Twilight Zone.
Author: Saul Traiger
Publisher: University of Michigan Press
ISBN: 1643150626
Category : Performing Arts
Languages : en
Pages : 451
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Book Description
An introduction to philosophy through thought experiments in the 1959-1964 television series, The Twilight Zone
Author: Joseph P. Laycock
Publisher: Oxford University Press
ISBN: 0197635393
Category : Fiction
Languages : en
Pages : 313
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Book Description
The Exorcist Effect examines the relationship between horror films and religious culture, focusing on the period from 1968 to the present. Films like Rosemary's Baby (1968), The Exorcist (1973), and The Omen (1976) claimed to be based on actual events, religious traditions, and Biblical texts. These films inspired subsequent beliefs and experiences, which became the basis for yet more horror films. This book draws on archival research to shed new light on such figures as Ed and Lorraine Warren and Malachi Martin, who inserted themselves into this cycle. It also incorporates interviews with horror authors, film writers, and paranormal investigators.
Author: A. e D. Fontana
Publisher: diego fontana
ISBN:
Category : Fiction
Languages : en
Pages : 215
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Book Description
At the end of the last ice age, a scientific expedition from the planet Thuban with the aim of classifying the planet Earth arrived in an area of the Persian Gulf now submerged by the sea. Overseeing the High Commission for the Eden Planets was a young Kabyrian, Aalia Elkal. Not everything went as planned and instead of studying ecosystems, large-scale genetic experiments were carried out. Nothing was as it seemed. The creation of a powerful and immortal race by the Creator Fathers could lead to the extinction of mankind.
Author: Robin Gerber
Publisher: Epic Ink
ISBN: 0760365776
Category : Antiques & Collectibles
Languages : en
Pages : 187
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Book Description
Barbie Forever: Her Inspiration, History, and Legacy presents a detailed, fully authorized portrait of this beloved doll through all-new interviews, original sketches, vintage photos, advertisements, and much more—including a foreword by Olympic fencing medalist Ibtihaj Muhammad. A double-sided foldout timeline showcases important moments in Barbie history. Explore how the doll came to be, what it takes to create one of her many looks, and how her legacy continues to influence the world. Since her debut in 1959, Barbie has been breaking boundaries and highlighting major moments in art, fashion, and culture. She has been an interpreter of taste and style in every historic period she has lived through and has reflected female empowerment through the more than 200 careers she has embodied. Today, an international icon, Barbie continues to spark imaginations and influence conversations around the world. Barbie Forever is a vibrant celebration for the "Barbie Girl" in all of us.
