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Author: Shanté Paradigm Smalls
Publisher: NYU Press
ISBN: 1479808180
Category : Music
Languages : en
Pages : 121
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Book Description
Winner of the 2022-2023 New York City Book Awards! SPECIAL MENTION, 2023 IASPM Book Prize, given by the International Association for the Study of Popular Music SHORTLISTED, 2023 Ralph J. Gleason Book Award, given by the Rock N Roll Hall of Fame/Clive Davis Institute Unearths the queer aesthetic origins of NYC hip hop Hip Hop Heresies centers New York City as a space where vibrant queer, Black, and hip hop worlds collide and bond in dance clubs, schools, roller rinks, basketball courts, subways, and movie houses. Using this cultural nexus as the stage, Shanté Paradigm Smalls attends to the ways that hip hop cultural production in New York City from the 1970s through the early twenty-first century produced film, visual art, and music that offer queer articulations of race, gender, and sexuality. To illustrate New York City as a place of experimental aesthetic collaboration, Smalls brings four cultural moments to the forefront: the life and work of the gay Chinese American visual and graffiti artist Martin Wong, who brokered the relationship between New York City graffiti artists and gallery and museum spaces; the Brooklyn-based rapper-singer-writer-producer Jean Grae, one of the most prolific and underrated emcees of the last two decades; the iconic 1980s film The Last Dragon, which exemplifies the experimental and queer Black masculinity possible in early formal hip hop culture; and finally queer- and trans-identified hip hop artists and groups like BQE, Deepdickollective, and Hanifah Walidah, and the documentary Pick Up the Mic. Hip Hop Heresies transforms the landscape of hip hop scholarship, Black studies, and queer studies by bringing together these fields through the hermeneutic of aesthetics. Providing a guidepost for future scholarship on queer, trans, and feminist hip hop studies, Hip Hop Heresies takes seriously the work that New York City hip hop cultural production has done and will do, and advocates a form of hip hop that eschews authenticity in favor of performativity, bricolage, and pastiche.
Author: Shanté Paradigm Smalls
Publisher: NYU Press
ISBN: 1479808180
Category : Music
Languages : en
Pages : 121
Get Book Here
Book Description
Winner of the 2022-2023 New York City Book Awards! SPECIAL MENTION, 2023 IASPM Book Prize, given by the International Association for the Study of Popular Music SHORTLISTED, 2023 Ralph J. Gleason Book Award, given by the Rock N Roll Hall of Fame/Clive Davis Institute Unearths the queer aesthetic origins of NYC hip hop Hip Hop Heresies centers New York City as a space where vibrant queer, Black, and hip hop worlds collide and bond in dance clubs, schools, roller rinks, basketball courts, subways, and movie houses. Using this cultural nexus as the stage, Shanté Paradigm Smalls attends to the ways that hip hop cultural production in New York City from the 1970s through the early twenty-first century produced film, visual art, and music that offer queer articulations of race, gender, and sexuality. To illustrate New York City as a place of experimental aesthetic collaboration, Smalls brings four cultural moments to the forefront: the life and work of the gay Chinese American visual and graffiti artist Martin Wong, who brokered the relationship between New York City graffiti artists and gallery and museum spaces; the Brooklyn-based rapper-singer-writer-producer Jean Grae, one of the most prolific and underrated emcees of the last two decades; the iconic 1980s film The Last Dragon, which exemplifies the experimental and queer Black masculinity possible in early formal hip hop culture; and finally queer- and trans-identified hip hop artists and groups like BQE, Deepdickollective, and Hanifah Walidah, and the documentary Pick Up the Mic. Hip Hop Heresies transforms the landscape of hip hop scholarship, Black studies, and queer studies by bringing together these fields through the hermeneutic of aesthetics. Providing a guidepost for future scholarship on queer, trans, and feminist hip hop studies, Hip Hop Heresies takes seriously the work that New York City hip hop cultural production has done and will do, and advocates a form of hip hop that eschews authenticity in favor of performativity, bricolage, and pastiche.
Author: Shanté Paradigm Smalls
Publisher: NYU Press
ISBN: 1479808202
Category : Music
Languages : en
Pages : 216
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Book Description
"This is the first book-length project to examine the relationship between blackness, queerness, and hip hop. Using aesthetics as its organizing lens, Hip Hop Heresies attends to the ways that hip hop cultural production in New York City from the 1970s through the first fifteen years of the 21st century produced hip hop cultural products (film, visual art, and music) that offer "queer articulations" of race, gender, and sexuality that are contrary to hegemonic ideas and representations of those categories in hip hop production, as well as in writing about hip hop culture"--
Author: Tricia Rose
Publisher: Civitas Books
ISBN: 0465008976
Category : Art
Languages : en
Pages : 322
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Book Description
A pioneering expert in the study of hip-hop explains why the music matters--and why the battles surrounding it are so very fierce.
Author: Lissa Skitolsky
Publisher: Rowman & Littlefield
ISBN: 1498566715
Category : Philosophy
Languages : en
Pages : 205
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Book Description
Hip-hop as survivor testimony? Rhymes as critical text? Drawing on her own experiences as a lifelong hip-hop head and philosophy professor, Lissa Skitolsky reveals the existential power of hip-hop to affect our sensibility and understanding of race and anti-black racism. Hip-Hop as Philosophical Text and Testimony: Can I Get a Witness? examines how the exclusion of hip-hop from academic discourse around knowledge, racism, white supremacy, genocide, white nationalism, and trauma reflects the very neoliberal sensibility that hip-hop exposes and opposes. At this critical moment in history, in the midst of a long overdue global reckoning with systemic anti-black racism, Skitolsky shows how it is more important than ever for white people to realize that our failure to see this system—and take hip-hop seriously—has been essential to its reproduction. In this book, she illustrates the unique power of underground hip-hop to interrupt our neoliberal and post-racial sensibility of current events.
Author: Sarah Schulman
Publisher: The New Press
ISBN: 1595585346
Category : Social Science
Languages : en
Pages : 195
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Book Description
Although acceptance of difference is on the rise in America, it's the rare gay or lesbian person who has not been demeaned because of his or her sexual orientation, and this experience usually starts at home, among family members. Whether they are excluded from family love and approval, expected to accept second-class status for life, ignored by mainstream arts and entertainment, or abandoned when intervention would make all the difference, gay people are routinely subjected to forms of psychological and physical abuse unknown to many straight Americans. “Familial homophobia,” as prizewinning writer and professor Sarah Schulman calls it, is a phenomenon that until now has not had a name but that is very much a part of life for the LGBT community. In the same way that Susan Brownmiller's Against Our Will transformed our understanding of rape by moving the stigma from the victim to the perpetrator, Schulman's Ties That Bind calls on us to recognize familial homophobia. She invites us to understand it not as a personal problem but a widespread cultural crisis. She challenges us to take up our responsibilities to intervene without violating families, community, and the state. With devastating examples, Schulman clarifies how abusive treatment of homosexuals at home enables abusive treatment of homosexuals in other relationships as well as in society at large. Ambitious, original, and deeply important, Schulman's book draws on her own experiences, her research, and her activism to probe this complex issue—still very much with us at the start of the twenty-first century—and to articulate a vision for a more accepting world.
Author: Eric A. Stanley
Publisher:
ISBN: 9781478014218
Category : SOCIAL SCIENCE
Languages : en
Pages : 208
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Book Description
Eric A. Stanley examines the forms of violence levied against trans/queer and gender nonconforming people in the United States and shows how, despite the advances in LGBTQ rights in the recent past, forms of anti-trans/queer violence is central to liberal democracy and state power.
Author: Leverhulme Early Career Fellow Steven Gamble
Publisher: Oxford University Press
ISBN: 0197656390
Category : Music
Languages : en
Pages : 241
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Book Description
Hip hop has become a major cultural force in the internet age, with people constantly creating, sharing, and discussing hip hop online, from Drake memes through viral TikTok dances to AI-generated rap. Author Steven Gamble explores this latest chapter in the life of hip hop, combining a range of research methods and existing literature with diverse case studies that will appeal to die-hard fans and digital enthusiasts alike.
Author: Domingo Martinez
Publisher: Rowman & Littlefield
ISBN: 0762786825
Category : Biography & Autobiography
Languages : en
Pages : 459
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Book Description
NEW YORK TIMES BESTSELLER AND NATIONAL BOOK AWARD FINALIST A lyrical and authentic book that recounts the story of a border-town family in Brownsville, Texas in the 1980's, as each member of the family desperately tries to assimilate and escape life on the border to become "real" Americans, even at the expense of their shared family history. This is really un-mined territory in the memoir genre that gives in-depth insight into a previously unexplored corner of America.
Author: Sheryl Petty
Publisher:
ISBN: 9781537741840
Category :
Languages : en
Pages : 230
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Book Description
Many Buddhist practitioners and others are unaware of African-based traditions, or have negative mythology about these systems. Many practitioners of African-based traditions have limited exposure to various forms of Buddhism. Lucumi is an indigenous tradition evolved from the Yoruba people of West Africa. The community and its sister traditions have tens of millions of practitioners worldwide, are on five continents and include people of African, Latin American, Asian and European descent.OCHA DHARMA is offered to support expanded awareness of Lucumi and more forms of Buddhism. It hopes to deepen understanding, dispel mythology, and provide exposure for those interested in these beautiful systems of practice. By placing Lucumi and Buddhism in dialogue as wisdom traditions, the book supports greater positive visibility of African-based traditions, and provides broader access to Buddhism for communities practicing other traditions. This book can strengthen our collective learning including helping heal structural inequity, and increase the positive benefit that people and beings everywhere may experience.Petty, Sheryl. (2016). Ocha Dharma: The Relationship Between Lucumi, an African-based Tradition & Buddhist Practice. Movement Tapestries: NY.
Author: David P. Gushee
Publisher: Westminster John Knox Press
ISBN: 1646980042
Category : Religion
Languages : en
Pages : 245
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Book Description
Named one of the Top 10 Books of the Year in 2020 by the Academy of Parish Clergy "Drawing on his own spiritual journey, David Gushee provides an incisive critique of American evangelicalism [and] offers a succinct yet deeply informed guide for post-evangelicals seeking to pursue Christ-honoring lives." —Kristin Kobes Du Mez, Calvin University Millions are getting lost in the evangelical maze: inerrancy, indifference to the environment, deterministic Calvinism, purity culture, racism, LGBTQ discrimination, male dominance, and Christian nationalism. They are now conscientious objectors, deconstructionists, perhaps even "none and done." As one of America's leading academics speaking to the issues of religion today, David Gushee offers a clear assessment and a new way forward for disillusioned post-evangelicals. Gushee starts by analyzing what went wrong with U.S. white evangelicalism in areas such as evangelical history and identity, biblicism, uncredible theologies, and the fundamentalist understandings of race, politics, and sexuality. Along the way, he proposes new ways of Christian believing and of listening to God and Jesus today. He helps post-evangelicals know how to belong and behave, going from where they are to a living relationship with Christ and an intellectually cogent and morally robust post-evangelical faith. He shows that they can have a principled way of understanding Scripture, a community of Christ's people, a healthy politics, and can repent and learn to listen to people on the margins. With a foreword from Brian McLaren, who says, “David Gushee is right: there is indeed life after evangelicalism,” this book offers an essential handbook for those looking for answers and affirmation of their journey into a future that is post-evangelical but still centered on Jesus. If you, too, are struggling, After Evangelicalism shows that it is possible to cut loose from evangelical Christianity and, more than that, it is necessary.
