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Author: Vishnu Narayan Bhatkhande
Publisher:
ISBN:
Category : Hindustani music
Languages : en
Pages : 102
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Book Description
Author: Vishnu Narayan Bhatkhande
Publisher:
ISBN:
Category : Hindustani music
Languages : en
Pages : 102
Get Book Here
Book Description
Author: Vishnu Narayan Bhatkhande
Publisher:
ISBN:
Category : Hindustani music
Languages : en
Pages : 102
Get Book Here
Book Description
Author: Sobhana Nayar
Publisher: Popular Prakashan
ISBN: 9780861322381
Category : Music
Languages : en
Pages : 390
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Book Description
On the work of Vishnu Narayan Bhatkhande, 1860-1936, exponent of Hindustani music.
Author: Vimalakānta Rôya Caudhurī
Publisher: Motilal Banarsidass Publ.
ISBN: 9788120817081
Category : Music
Languages : en
Pages : 228
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Book Description
In this book the author has dealt with the musical terms as found in the old sastras and are also in common use. He has explained these terms in simple language with reference to their history of origin. Description of seventy-eight different musical instruments and forty-seven different Talas are also there. An essential aid to research-scholars and students of music. The Bengali version of the book Bharatiya Sangeetkosh earned for him Sangeet Natak Academy award as the best book on music published during the period from 1960 to 1968. Bimalakanta Roychaudhuri was born in 1909 in all illustrious family of musical heritage. He had his training in music from Sitalchandra Mukhopadhyay, Sitalkrishna Ghosh, Amir Khan (Sarod) and then from Inayet Khan, the foremost Sitar players of those days. He also had his musical training from his maternal uncle Birendrakishore Roychaudhuri and maternal grandfather Brojendrakishore Roychaudhuri. He took part in the translation of Sangeet Ratnakara from Sanskrit to Bengali under the patronage of Brojendrakishore Roychaudhuri. He was Chairman of the Board of Musical Studies of the University of Calcutta. His work Raga Vyakarana (in Hindi) has been published by the Bharatiya Jnanpith.
Author: James Kippen
Publisher: Taylor & Francis
ISBN: 1351564730
Category : Music
Languages : en
Pages : 361
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Book Description
The 1903 Mrdang aur Tabla Vadanpaddhati is a revelatory text that has never been translated or analysed. It is a manual for playing the two most important drums of North Indian (Hindustani) music, the pakhavaj (mrdang) and the tabla. Owing to its relative obscurity, it is a source that has never been discussed in the literature on Hindustani music. Its author, Gurudev Patwardhan, was Vice Principal of V.D. Paluskar's first music school in Lahore from its inception in 1901 to 1908. Professor James Kippen provides the first translation of this immensely important text and examines its startling implications for rhythmic and metric theory. It is the earliest work on Indian drumming to contain a notation sufficiently precise to allow definitive reconstruction. The compositions are of considerable musical interest, for they can be readily realized on the tabla or pakhavaj. Kippen sets the work and objectives of the original author in the context of a rich historical, social and political background. By also discussing radical differences in the second edition of 1938, published by Gurudev's nephew, the vocalist Vinayakrao Patwardhan, Kippen illuminates the process by which 'tabla theory' was being created in the early 20th century. Both Patwardhans were enthusiastic supporters of Paluskar's nationalist imperatives, and active participants in his drive to institutionalize music, codify and publish notations of it, and promote a modern, Hindu vision of India wherein its identity could once again be linked to a glorious golden age in distant antiquity.
Author: Janaki Bakhle
Publisher: Oxford University Press
ISBN: 0195347315
Category : History
Languages : en
Pages : 355
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Book Description
A provocative account of the development of modern national culture in India using classical music as a case study. Janaki Bakhle demonstrates how the emergence of an "Indian" cultural tradition reflected colonial and exclusionary practices, particularly the exclusion of Muslims by the Brahmanic elite, which occurred despite the fact that Muslims were the major practiti oners of the Indian music that was installed as a "Hindu" national tradition. This book lays bare how a nation's imaginings--from politics to culture--reflect rather than transform societal divisions.
Author: Kapil Pathare
Publisher: Partridge Publishing
ISBN: 1543702252
Category : Sports & Recreation
Languages : en
Pages : 121
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Book Description
There is a lot to learn from this league of extraordinary gentlemen. They make such fine ambassadors of this great country of ours. While picking these 10 cricketers I did not have to think much because each of these gentlemen have made an impact on our lives in the last 25 years. Whether it is the Fabulous Four of Sachin Tendulkar, Rahul Dravid, Sourav Ganguly and VVS Laxman, or the spin duo of Anil Kumble and Harbhajan Singh, fantastic Virender Sehwag, flamboyant Yuvraj or the ever cool Mahendra Singh Dhoni or the magical Zaheer Khan, they have all made an impact in different ways. I have a lot to learn from each of these gentlemen because they have different qualities. Tendulkars humility is a lesson for all of us, Dravids steely resolve is worth emulating, Ganguly and MS Dhoni offer contrasting lessons in leadership skills. Similarly the fighting spirit of the spin pair of Kumble and Harbhajan or the devil-may-care attitude of Sehwag or the sheer natural ability of Yuvraj, coupled with the self-confidence of Zaheer. All this has impacted me and no doubt billions of others. As I compiled this book, I was left wondering how wonderful it was for Indian cricket to have all these gentlemen play almost at the same time. Very rarely have cricket teams been built around individuals who are the best at what they do. It is indeed a privilege and a honour to have seen these extraordinary cricketers in the same era. One can learn so much from simply playing back their exploits. The videos of their efforts still make for compelling viewing. As you would imagine I am a complete cricket nut. For me nothing else mattered. It therefore felt great to compile my thoughts on these 10 extraordinary cricketers.
Author: Ragini Trivedi
Publisher: Lulu.com
ISBN: 0557705967
Category : Art
Languages : en
Pages : 171
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Book Description
For practitioners and enthusiasts of Indian Classical Music, compositions for string instruments - Sitar, Sarod and Vichitra Veena - are hard to find. For the first time, 8 raga-s have been documented and presented in an easy to read and play notation system: Ome Swarlipi. A treasure trove of compositions, tana-s and toda-s for raga-s such as Yaman, Des, Khamaja, Bihaga, and Kafi, this book brings Misrabani style, one especially suited to string instruments, to the English-speaking world in a universal script which address the limitations of traditional Indian music notation systems.
Author: Anjali Mittal
Publisher:
ISBN: 9788124601341
Category : Hindustani music
Languages : en
Pages : 0
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Book Description
It Studies The Concept Of Form In The Context Of Art, Specifically Hindustani Music. It Investigates The Underlying Philosophical Aesthetics And Some Aesthetical Concepts And Analyses The Basic Forms Of Raga And Tala.
Author: Jauhari Shruti
Publisher:
ISBN: 9788124608005
Category : Music
Languages : en
Pages : 0
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Book Description
Hindustani classical music, a jewel in the crown of the Indian musical tradition, has become increasingly popular in South India and abroad over the last few decades. This book attempts to present a detailed and comprehensive discussion of the fundamental concepts and aspects of Hindustani classical music by taking up developments in a chronological order. It explains a number of terms and processes involved in the performance of Hindustani classical vocal music. In an interesting discussion, it mentions the various famous gharanas of the genre and deals with the life-histories of some of their eminent musicologists and singers. The musical instruments which are used in accompaniment to the vocal singing in Hindustani music are described. It also details the rags which are frequently presented in contemporary musical concerts, highlighting the important features of each.
