Author: Alok Rai
Publisher: Orient Blackswan
ISBN: 9788125019794
Category : Hindi language
Languages : en
Pages : 156
Book Description
This tract looks at the politics of language in India through a study of the history of one language Hindi. It traces the tragic metamorphosis of this language over the last century, from a creative, dynamic, popular language to a dead, Sanskritised, dePersianised language manufactured by a self-serving upper caste North Indian elite, nurturing hegemonic ambitions. From being a symbol of collective imagination it became a signifier of narrow sectarianism and regional chauvinism. The tract shows how this trans- formation of the language was tied up with the politics of communalism and regionalism.
Hindi Nationalism (tracks for the Times)
Author: Alok Rai
Publisher: Orient Blackswan
ISBN: 9788125019794
Category : Hindi language
Languages : en
Pages : 156
Book Description
This tract looks at the politics of language in India through a study of the history of one language Hindi. It traces the tragic metamorphosis of this language over the last century, from a creative, dynamic, popular language to a dead, Sanskritised, dePersianised language manufactured by a self-serving upper caste North Indian elite, nurturing hegemonic ambitions. From being a symbol of collective imagination it became a signifier of narrow sectarianism and regional chauvinism. The tract shows how this trans- formation of the language was tied up with the politics of communalism and regionalism.
Publisher: Orient Blackswan
ISBN: 9788125019794
Category : Hindi language
Languages : en
Pages : 156
Book Description
This tract looks at the politics of language in India through a study of the history of one language Hindi. It traces the tragic metamorphosis of this language over the last century, from a creative, dynamic, popular language to a dead, Sanskritised, dePersianised language manufactured by a self-serving upper caste North Indian elite, nurturing hegemonic ambitions. From being a symbol of collective imagination it became a signifier of narrow sectarianism and regional chauvinism. The tract shows how this trans- formation of the language was tied up with the politics of communalism and regionalism.
Indian English and the Fiction of National Literature
Author: Rosemary Marangoly George
Publisher: Cambridge University Press
ISBN: 1107040000
Category : Literary Criticism
Languages : en
Pages : 299
Book Description
Tracks the establishment of a national literature in English for independent India over the course of the twentieth century
Publisher: Cambridge University Press
ISBN: 1107040000
Category : Literary Criticism
Languages : en
Pages : 299
Book Description
Tracks the establishment of a national literature in English for independent India over the course of the twentieth century
Disrupting Hate in Education
Author: Rita Verma
Publisher: Routledge
ISBN: 1000227588
Category : Education
Languages : en
Pages : 243
Book Description
Disrupting Hate in Education aims to identify and respond to the ideological forms of hate and fear that are present in schools, which echo larger nativist and populist agendas. Contributions to this volume are international in scope, providing powerful examples from US schools and communities, examining anti-extremism work in the UK, the "saffronization" of schools in India, struggles to re-orient the villainization of teachers in Brazil, and more. Written by a dynamic group of activist educators and critical researchers, chapters demonstrate how conservative mobilizations around collective identities gain momentum, and how these mobilizations can be interrupted. Out of these interruptions come new opportunities to practice a critically democratic education that hinges upon risk-taking, deep dialogue, and creating a space for common dignity.
Publisher: Routledge
ISBN: 1000227588
Category : Education
Languages : en
Pages : 243
Book Description
Disrupting Hate in Education aims to identify and respond to the ideological forms of hate and fear that are present in schools, which echo larger nativist and populist agendas. Contributions to this volume are international in scope, providing powerful examples from US schools and communities, examining anti-extremism work in the UK, the "saffronization" of schools in India, struggles to re-orient the villainization of teachers in Brazil, and more. Written by a dynamic group of activist educators and critical researchers, chapters demonstrate how conservative mobilizations around collective identities gain momentum, and how these mobilizations can be interrupted. Out of these interruptions come new opportunities to practice a critically democratic education that hinges upon risk-taking, deep dialogue, and creating a space for common dignity.
Hindi Film Song
Author: Ashok Damodar Ranade
Publisher: Bibliophile South Asia
ISBN: 9788185002644
Category : Music
Languages : en
Pages : 458
Book Description
Publisher: Bibliophile South Asia
ISBN: 9788185002644
Category : Music
Languages : en
Pages : 458
Book Description
Hindi Nationalism
Author: Alok Rai
Publisher:
ISBN: 9780863118555
Category : Hindi language
Languages : en
Pages : 158
Book Description
Publisher:
ISBN: 9780863118555
Category : Hindi language
Languages : en
Pages : 158
Book Description
Hindi Cinema and Pakistan
Author: Meenakshi Bharat
Publisher: Taylor & Francis
ISBN: 1040118119
Category : Social Science
Languages : en
Pages : 175
Book Description
Ever since the 1947 partition of the Indian subcontinent, Mumbai-based Hindi cinema has been returning compulsively to the idea of Pakistan, sometimes as the desirable other, sometimes as the horrifying antagonist. Hindi Cinema and Pakistan traces the genesis and development of this theme in Hindi cinema in the 1950s, showcasing its relevance as a tool that both reflects and shapes how India sees its neighbour, the India–Pakistan relationship, and itself. The book is a serious, multi-platform, multi-pronged exploration of the appearances, invocations, representations and treatment of Pakistan and Pakistanis in Hindi cinema. It follows Hindi cinema’s efforts to come to terms with the ‘idea’ and ‘reality’ of Pakistan. Through in-depth analyses of the enmity and rivalry between the two subcontinental nations in Partition films, thrillers, epic war films and sports films, to screen depictions of the shared cultural past and similarities in films on cross-border love or in films that show a reaching out through humour, this book investigates the visualization of Pakistan and contextualizes these representations within the broader frameworks of India’s political, socio-cultural and popular discourse. The extensive reach of the in-depth textual analyses of Hindi cinema will make this volume interesting and valuable both to the lay reader and to researchers and academics of cultural studies, media and film studies, and the study of socio-psychological violence in media and culture.
Publisher: Taylor & Francis
ISBN: 1040118119
Category : Social Science
Languages : en
Pages : 175
Book Description
Ever since the 1947 partition of the Indian subcontinent, Mumbai-based Hindi cinema has been returning compulsively to the idea of Pakistan, sometimes as the desirable other, sometimes as the horrifying antagonist. Hindi Cinema and Pakistan traces the genesis and development of this theme in Hindi cinema in the 1950s, showcasing its relevance as a tool that both reflects and shapes how India sees its neighbour, the India–Pakistan relationship, and itself. The book is a serious, multi-platform, multi-pronged exploration of the appearances, invocations, representations and treatment of Pakistan and Pakistanis in Hindi cinema. It follows Hindi cinema’s efforts to come to terms with the ‘idea’ and ‘reality’ of Pakistan. Through in-depth analyses of the enmity and rivalry between the two subcontinental nations in Partition films, thrillers, epic war films and sports films, to screen depictions of the shared cultural past and similarities in films on cross-border love or in films that show a reaching out through humour, this book investigates the visualization of Pakistan and contextualizes these representations within the broader frameworks of India’s political, socio-cultural and popular discourse. The extensive reach of the in-depth textual analyses of Hindi cinema will make this volume interesting and valuable both to the lay reader and to researchers and academics of cultural studies, media and film studies, and the study of socio-psychological violence in media and culture.
Popular Hindi Cinema
Author: Ronie Parciack
Publisher: Routledge
ISBN: 1317333268
Category : Performing Arts
Languages : en
Pages : 209
Book Description
The popular Hindi film industry is the largest in India and the most conspicuous film industry in the non-Western world. This book analyses the pivotal visual and narrative conventions employed in popular Hindi films through the combined prism of film studies and classical Indian philosophy and ritualism. The book shows the films outside Western paradigms, as visual manifestations and outcomes of the evolution of classical Hindu notions and esthetic forms. These include notions associated with the Advaita-Vedānta philosophical school and early Buddhist thought, concepts and dynamism stemming from Hindu ritualism, rasa esthetic theories, as well as Brahmanic notions such as dharma (religion, law, order), and mokṣa (liberation). These are all highly abstract notions which the author defines as "the unseen": a cluster of diversified concepts denoting what subsists beyond the phenomenal, what prevails beyond the empirical world of saṁsāra and stands out of this world (alaukika), while simultaneously being embodied and transformed within visual filmic imagery, codes and semiotics that are teased out and analyzed. A culturally sensitive reading of popular Hindi films, the interpretations put forward are also applicable to the Western context. They enable a fuller understanding of religious phenomena outside the primary religious field, within the vernacular arenas of popular culture and mass communication. The book is of interest to scholars in the fields of Indology, modern Indian studies, film, media and cultural studies.
Publisher: Routledge
ISBN: 1317333268
Category : Performing Arts
Languages : en
Pages : 209
Book Description
The popular Hindi film industry is the largest in India and the most conspicuous film industry in the non-Western world. This book analyses the pivotal visual and narrative conventions employed in popular Hindi films through the combined prism of film studies and classical Indian philosophy and ritualism. The book shows the films outside Western paradigms, as visual manifestations and outcomes of the evolution of classical Hindu notions and esthetic forms. These include notions associated with the Advaita-Vedānta philosophical school and early Buddhist thought, concepts and dynamism stemming from Hindu ritualism, rasa esthetic theories, as well as Brahmanic notions such as dharma (religion, law, order), and mokṣa (liberation). These are all highly abstract notions which the author defines as "the unseen": a cluster of diversified concepts denoting what subsists beyond the phenomenal, what prevails beyond the empirical world of saṁsāra and stands out of this world (alaukika), while simultaneously being embodied and transformed within visual filmic imagery, codes and semiotics that are teased out and analyzed. A culturally sensitive reading of popular Hindi films, the interpretations put forward are also applicable to the Western context. They enable a fuller understanding of religious phenomena outside the primary religious field, within the vernacular arenas of popular culture and mass communication. The book is of interest to scholars in the fields of Indology, modern Indian studies, film, media and cultural studies.
Global Bollywood
Author: Sangita Gopal
Publisher: U of Minnesota Press
ISBN: 0816645787
Category : Social Science
Languages : en
Pages : 348
Book Description
Bollywood movies and their signature song-and-dance spectacles are an aesthetic familiar to people around the world, and Bollywood music now provides the rhythm for ads marketing goods such as computers and a beat for remixes and underground bands. These musical numbers have inspired scenes in Western films such as Vanity Fair and Moulin Rouge. Global Bollywood shows how this currency in popular culture and among diasporic communities marks only the latest phase of the genre’s world travels. This interdisciplinary collection describes the many roots and routes of the Bollywood song-and-dance spectacle. Examining the reception of Bollywood music in places as diverse as Indonesia and Israel, the essays offer a stimulating redefinition of globalization, highlighting the cultural influence of Hindi film music from its origins early in the twentieth century to today. Contributors: Walter Armbrust, Oxford U; Anustup Basu, U of Illinois, Urbana-Champaign; Nilanjana Bhattacharjya, Colorado College; Edward K. Chan, Kennesaw State U; Bettina David, Hamburg U; Rajinder Dudrah, U of Manchester; Shanti Kumar, U of Texas, Austin; Monika Mehta, Binghamton U; Anna Morcom, Royal Holloway College; Ronie Parciack, Tel Aviv U; Biswarup Sen, U of Oregon; Sangita Shrestova; Richard Zumkhawala-Cook, Shippensburg U. Sangita Gopal is assistant professor of English at the University of Oregon. Sujata Moorti is professor of women’s and gender studies at Middlebury College.
Publisher: U of Minnesota Press
ISBN: 0816645787
Category : Social Science
Languages : en
Pages : 348
Book Description
Bollywood movies and their signature song-and-dance spectacles are an aesthetic familiar to people around the world, and Bollywood music now provides the rhythm for ads marketing goods such as computers and a beat for remixes and underground bands. These musical numbers have inspired scenes in Western films such as Vanity Fair and Moulin Rouge. Global Bollywood shows how this currency in popular culture and among diasporic communities marks only the latest phase of the genre’s world travels. This interdisciplinary collection describes the many roots and routes of the Bollywood song-and-dance spectacle. Examining the reception of Bollywood music in places as diverse as Indonesia and Israel, the essays offer a stimulating redefinition of globalization, highlighting the cultural influence of Hindi film music from its origins early in the twentieth century to today. Contributors: Walter Armbrust, Oxford U; Anustup Basu, U of Illinois, Urbana-Champaign; Nilanjana Bhattacharjya, Colorado College; Edward K. Chan, Kennesaw State U; Bettina David, Hamburg U; Rajinder Dudrah, U of Manchester; Shanti Kumar, U of Texas, Austin; Monika Mehta, Binghamton U; Anna Morcom, Royal Holloway College; Ronie Parciack, Tel Aviv U; Biswarup Sen, U of Oregon; Sangita Shrestova; Richard Zumkhawala-Cook, Shippensburg U. Sangita Gopal is assistant professor of English at the University of Oregon. Sujata Moorti is professor of women’s and gender studies at Middlebury College.
Bodies of Song
Author: Linda Hess
Publisher: Oxford University Press
ISBN: 0190273178
Category : Religion
Languages : en
Pages : 489
Book Description
Kabir was a great iconoclastic-mystic poet of fifteenth-century North India; his poems were composed orally, written down by others in manuscripts and books, and transmitted through song. Scholars and translators usually attend to written collections, but these present only a partial picture of the Kabir who has remained vibrantly alive through the centuries mostly in oral forms. Entering the worlds of singers and listeners in rural Madhya Pradesh, Bodies of Song combines ethnographic and textual study in exploring how oral transmission and performance shape the content and interpretation of vernacular poetry in North India. The book investigates textual scholars' study of oral-performative traditions in a milieu where texts move simultaneously via oral, written, audio/video-recorded, and electronic pathways. As texts and performances are always socially embedded, Linda Hess brings readers into the lives of those who sing, hear, celebrate, revere, and dispute about Kabir. Bodies of Song is rich in stories of individuals and families, villages and towns, religious and secular organizations, castes and communities. Dialogue between religious/spiritual Kabir and social/political Kabir is a continuous theme throughout the book: ambiguously located between Hindu and Muslim cultures, Kabir rejected religious identities, pretentions, and hypocrisies. But even while satirizing the religious, he composed stunning poetry of religious experience and psychological insight. A weaver by trade, Kabir also criticized caste and other inequalities and today serves as an icon for Dalits and all who strive to remove caste prejudice and oppression.
Publisher: Oxford University Press
ISBN: 0190273178
Category : Religion
Languages : en
Pages : 489
Book Description
Kabir was a great iconoclastic-mystic poet of fifteenth-century North India; his poems were composed orally, written down by others in manuscripts and books, and transmitted through song. Scholars and translators usually attend to written collections, but these present only a partial picture of the Kabir who has remained vibrantly alive through the centuries mostly in oral forms. Entering the worlds of singers and listeners in rural Madhya Pradesh, Bodies of Song combines ethnographic and textual study in exploring how oral transmission and performance shape the content and interpretation of vernacular poetry in North India. The book investigates textual scholars' study of oral-performative traditions in a milieu where texts move simultaneously via oral, written, audio/video-recorded, and electronic pathways. As texts and performances are always socially embedded, Linda Hess brings readers into the lives of those who sing, hear, celebrate, revere, and dispute about Kabir. Bodies of Song is rich in stories of individuals and families, villages and towns, religious and secular organizations, castes and communities. Dialogue between religious/spiritual Kabir and social/political Kabir is a continuous theme throughout the book: ambiguously located between Hindu and Muslim cultures, Kabir rejected religious identities, pretentions, and hypocrisies. But even while satirizing the religious, he composed stunning poetry of religious experience and psychological insight. A weaver by trade, Kabir also criticized caste and other inequalities and today serves as an icon for Dalits and all who strive to remove caste prejudice and oppression.
Encyclopaedia of Hindi Cinema
Author: Gulazāra
Publisher: Popular Prakashan
ISBN: 9788179910665
Category : Biography & Autobiography
Languages : en
Pages : 692
Book Description
The Encyclopaedia Which Brings Together An Array Of Experts, Gives A Perspective On The Fascinating Journey Of Hindi Cinema From The Turn Of The Last Century To Becoming A Leader In The World Of Celluloid.
Publisher: Popular Prakashan
ISBN: 9788179910665
Category : Biography & Autobiography
Languages : en
Pages : 692
Book Description
The Encyclopaedia Which Brings Together An Array Of Experts, Gives A Perspective On The Fascinating Journey Of Hindi Cinema From The Turn Of The Last Century To Becoming A Leader In The World Of Celluloid.