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Author: Brantly Martin
Publisher: Archway Editions
ISBN: 9781648230103
Category : Fiction
Languages : en
Pages : 96
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Book Description
Highway B: Horrorfest is a collection of (short) short stories, and is the first in a 16-book cycle exploring Highway B dimension. The stories are transportive and sui generis; a blend of Sci-Fi, speculative fiction and futurism, they provide the same jolt one gets upon first reading Borges, Calvino and Kawabata. Highway B: Horrorfest is a collection of 32 (short) short stories and one longer story–the operatic title track, "Horrorfest," that functions as both a coda and a prelude. These stories explore the author's philosophy that we exist within an infinite number of diagonal dimensions that, to varying degrees, are aware of and influenced by one another. The stories take place on a plant–or within the notion of a planet asa communcal hallucinatory canvas–referred to as B. Readers are guided through simulation gulags and simulation resorts, introduced to a bestiary, brought into sex parties and brothels that might be myths and might be extinction events, and given a curated history of the tribes, artificial intelligence, religions, iconoclasts, scientific and spiritual illusions that shape this dimension. All of this is experienced under the influence of various "lunar dusts" that remove filter onto reality–while being overseen by the "satellite villas" that orbit B. Highway B: Horrorfest is the first in a 16-book cycle exploring the Highway B dimension.
Author: Brantly Martin
Publisher: Archway Editions
ISBN: 9781648230103
Category : Fiction
Languages : en
Pages : 96
Get Book Here
Book Description
Highway B: Horrorfest is a collection of (short) short stories, and is the first in a 16-book cycle exploring Highway B dimension. The stories are transportive and sui generis; a blend of Sci-Fi, speculative fiction and futurism, they provide the same jolt one gets upon first reading Borges, Calvino and Kawabata. Highway B: Horrorfest is a collection of 32 (short) short stories and one longer story–the operatic title track, "Horrorfest," that functions as both a coda and a prelude. These stories explore the author's philosophy that we exist within an infinite number of diagonal dimensions that, to varying degrees, are aware of and influenced by one another. The stories take place on a plant–or within the notion of a planet asa communcal hallucinatory canvas–referred to as B. Readers are guided through simulation gulags and simulation resorts, introduced to a bestiary, brought into sex parties and brothels that might be myths and might be extinction events, and given a curated history of the tribes, artificial intelligence, religions, iconoclasts, scientific and spiritual illusions that shape this dimension. All of this is experienced under the influence of various "lunar dusts" that remove filter onto reality–while being overseen by the "satellite villas" that orbit B. Highway B: Horrorfest is the first in a 16-book cycle exploring the Highway B dimension.
Author: Blake Butler
Publisher: Simon and Schuster
ISBN: 1648230385
Category : Biography & Autobiography
Languages : en
Pages : 358
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Book Description
A gripping, unforgettable memoir from one of the best, most original writers of the 21st century. Blake Butler has changed the world of language with his mind-melting literary thrillers, and now he brings his abilities to bear on the emotional world. "Terrifyingly intense and eerily spiritual ...The best book I’ve read this year." —LOS ANGELES TIMES "A powerfully sad book ... Writers are often praised as 'fearless,' but Butler is not. In Molly, he makes fear his companion. That is the only way to write, and to live." —THE NEW YORKER "Shattering ... The result is a brutal yet beautiful look at the ravages of mental illness and the complexities of grief." —PUBLISHER'S WEEKLY “I’m not sure I’ve ever been so totally consumed by any book—the way I was by Molly.” —INTERVIEW "The most immediate feeling of life I've ever had reading a book—a life lived at the desk and out in the world, a life of openness and secrets. "Make art for me," Molly wrote to Blake. "I will read it all." I breathed along with every word." —PATRICIA LOCKWOOD "How to praise a book of such wounded beauty as Blake Butler's phenomenal Molly? The same way one would a life lost early: with love and sincerity and anger and wonder and lithely elegant and observant insights that remind us and inspire us, as Butler precisely does, to live and to love ourselves." —JOHN D'AGATA "Molly is a brilliant and brutal book. Blake Butler fearlessly takes on love and grief and the mysteries of this world and the next." —EMMA CLINE "A dark miracle—actual evidence that what we can never know, what we could never imagine about the one we love, is what binds us to them, beyond death." —MICHAEL W. CLUNE "I was gripped from the start by this memoir's urgent honesty. Blake Butler turned a story that was almost unspeakable into a narrative at once brutal and loving, broken and solid." —CATHERINE LACEY Blake Butler and Molly Brodak instantly connected, fell in love, married and built a life together. Both writers with deep roots in contemporary American literature, their union was an iconic joining of forces between two major and beloved talents. Nearly three years into their marriage, grappling with mental illness and a lifetime of trauma, Molly took her own life. In the days and weeks after Molly’s death, Blake discovered shocking secrets she had held back from the world, fundamentally altering his view of their relationship and who she was. A masterpiece of autobiography, Molly is a riveting journey into the darkest and most unthinkable parts of the human heart, emerging with a hard-won, unsurpassedly beautiful understanding that expands the possibilities of language to comprehend and express true love. Unrelentingly clear, honest and concise, Molly approaches the impossible directly, with a total empathy that has no parallel or precedent. A supremely important work that will be taught, loved, relied on and passed around for years to come, Blake Butler affirms now beyond question his position at the very top rank of writers.
Author: Claire Donato
Publisher: Simon and Schuster
ISBN: 1648230407
Category : Fiction
Languages : en
Pages : 214
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Book Description
The first major book from a longtime legend in underground literature; known by citation and word of mouth, but only now emerging with a work that will earn a broad audience. “Kind Mirrors, Ugly Ghosts is why I want to read. There are few books at all that expand the exploration of family, outsider sex, animal love, therapy and surreal vision and even fewer writers who do it as well as Claire Donato. My mind and heart are thankfully changed forever.” —JAMIE STEWART of Xiu Xiu and author of Anything That Moves “Kind Mirrors, Ugly Ghosts moves and feels like a novel of ideas, yes, but also a lookbook of Rorshachs; a concept cookbook for famished phantoms; a fragmentary tour de force a la Duras. On every page, it lines the mind with vibrant space, as extraordinary in its candor about desire, artifice, and intimacy as it is with wordplay, wit, and social theory. “Death is a mirror of time, and life is not as heavy as it seems,” Donato writes, beckoning us forward through the void of realism as might an imaginary friend we thought we’d lost—or should I say ‘guardian angel’?” —BLAKE BUTLER, author "In Claire Donato's fiction, I am both looking in and being looked at. The depths of desire are on display, laying bare the complexity and the ugliness that often comes with it." —MOLLY SODA, artist "Claire Donato's prose is at once playful and masterful, charming and haunting—I loved these short stories with huge imaginations." —CHELSEA HODSON, author of Tonight I'm Someone Else "Love is a source of radical questioning whose only enemy is indifference. Claire Donato’s fever dream of a novel goes toe to toe with today’s anomie, stretching our only resource left, language, so we can navigate a 21st century landscape of violently changing relationships, with one another, with the natural world, and with our bodies." —JAMIESON WEBSTER, psychoanalyst and author In the disquieting stories of Kind Mirrors, Ugly Ghosts, a fractaled Claire Donato contemplates grief and disgust in heterosexuality, deconstructing the romance myth and the illicit fantasies which reflect our haunted selves. These fictions are populated with Lynchian characters, draped in memory and the subconscious mind, who imagine their way out of the painful limits of their world: a turtle retreats into its shell and becomes a real girl. A porn addict turns into a baby boy in the arms of his barren cyber-girlfriend. And a digitally-marred depressive joins forces with the ghost of Simone Weil to kill a chicken. Donato’s fictions are precise and cutting, seamlessly integrating a vast knowledge of art through sharp criticism and a history of cult traditions: Donnie Darko, Wings of Desire, Daisies, and Twin Peaks and artists including Clarice Lispector, M.F.K. Fisher, Sibylle Baier, and The Velvet Underground. Kind Mirrors, Ugly Ghosts concludes with "Gravity and Grace, the Chicken and the Egg, or: How to Cook Everything Vegetarian", a novella-in-vignettes that frames cooking as an entrypoint to light, awareness, and connection. With associative lyricism and a preternatural ability to gaze into the void with tenderness, Donato relays an indescribably strange perception of our world, in which maniacal grief turns to a gleeful protest before becoming, against all odds, a love letter to what remains. Cover photo: Jimmy DeSana Contact Paper, 1980 Vintage C-print © the Jimmy DeSana Trust Courtesy of the Jimmy DeSana Trust and P·P·O·W, New York
Author: Brantly Martin
Publisher: Simon and Schuster
ISBN: 1576875318
Category : Fiction
Languages : en
Pages : 214
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Book Description
"In the United States of Amoeba, Amoebans have always been ready to judge who is an Amoeban and who isn't. First generation have always been looked at as outsiders, immigrants, scum. Islanders, being the brains of Amoeba, take this even further. To them I will always be an immigrant. Not just an immigrant, a Mexican. Spic. Wetback. If the Natives had their way the GW, Williamsburg, and Brooklyn would be drawbridges. The Lincoln and Midtown blown up. They are forced to accept the notion of coexistence, but are always quick on the trigger of subtle reminding. I grew up here son or back in the day. Yeah, and forever shall you stay here. Son. Your island, your prison. Without your tired-ass references, what the hell have you got? Alcatraz east. And when a Native dares leave the Island don't think they go five goddamn minutes without letting all comers know their derivation. If it isn't back in the day it's some uptown Native dropping private school names. To them I am forever a Mexican. Fucking bring it." -Brantly Martin, Pillage The love child of Charles Bukowski and Bret Easton Ellis, Brantly Martin provides a brutal yet hilarious look at the lives of Manhattan's downtown elite at the dawn of the new millennium in Pillage, his first novel. Detailing the decadent descent of Cracula and his crew, Martin lures us into the shadowy ambiguities of addiction-a world where desire meets destruction and the perversity of this pathos is often laughable. Be it urban wildebeest Aeronymous, the wigga with a taste for BAPE sweaters and iced coffees; the Fireman, the overgrown adolescent who knows the quickest way to your ex-girlfriend's bed; or the Reverend, who rejected the sins of his brothers to save the Africans from themselves, the entitled creatures of this novel plunder what remains of a once-vibrant culture and reap the spoils of our languorous generation. Between eight balls of cocaine and pints of Patrón, Cracula fluctuates between reality and fantasy, hyper-aware of the façades, formulas, and falsehoods that encircle his existence, but unable to gain an advantage. Pillage reveals the inherent hypocrisy of America's social and economic achievements, as they are made manifest in the city that never sleeps, slyly implying that triumph is a trap in itself-and the only way out? Just ask Kurt Cobain... "Brantly brings new meaning to clubland's term, 'happy house.' Pillage is a wonderfully written, hilarious tragedy set in the playgrounds of the avant garde, sure to break if not bend some well known noses. I laughed and cried from cover to cover. " -Mark Baker, the Godfather of New York nightlife
Author:
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 674
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Book Description
Author: Bill Landis
Publisher: Fireside
ISBN:
Category : Performing Arts
Languages : en
Pages : 340
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Book Description
A complete collection of the British comedy show following Rowan Atkinson's hapless, rubber-faced clown. The set includes all episodes from the original series and the animated spin-off, as well as the two 'Mr Bean' movies. In 'Bean - The Ultimate Disaster Movie' (1997), Mr Bean (Atkinson) has obtained a job as an attendant at the National Gallery in London. He enjoys the protection of the chairman, but the gallery's governors are keen to be rid of him. When the Grierson Gallery in Los Angeles asks for an expert to give a speech on the recently-purchased painting of Whistler's mother, Bean is quickly despatched. On his arrival in America he begins wreaking havoc in the art world. In 'Mr Bean's Holiday' (2007), Bean has won a church fete raffle's top prize, consisting of a trip to France, where the language barrier predictably causes our hero no end of grief until he meets Emil (Karel Roden), a Russian director on his way to judge at Cannes.
Author: Richard Mogg
Publisher: Rickmoe Publishing
ISBN: 9781999481704
Category :
Languages : en
Pages : 508
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Book Description
The most comprehensive, all-inclusive look at the history and evolution of shot on video horror films. In 1982, "Boardinghouse" became the first shot on video feature-length horror film ever made. Totally lensed on videotape, the film was later transferred to 16mm and blown-up to 35mm for theatrical exhibition. In 1983, David A. Prior shot "Sledgehammer" on video and eventually released the film on videotape. For the first time, analog video became the format used in motion picture productions. It was smeary, messy and it wasn't film... but it was cheap. In 1985, United Home Video boldly released "Blood Cult" with the claim it was "the first movie made for the home video market." The booming popularity of video stores coupled with a never-satisfied demand for content ensured these films longevity. Soon hundreds of titles followed, all video-created features by independent unknowns. They weren't from Hollywood. They weren't trained. But they had a lot of heart and a love for horror. And they made their own movies against the odds. For the first time EVER - "ANALOG NIGHTMARES" has brought these films together. Everything from "Boardinghouse" to "Zombie Holocaust" individually reviewed, categorized and presented chronologically by production year. Over 260 films! Featuring in-depth interviews with the filmmakers themselves - some speaking for the very first time! TIM BOGGS! MARK POLONIA! DONALD FARMER! TIM RITTER! JOEL D. WYNKOOP! DOUG STONE! ANDREA ADAMS! GARY WHITSON! DAVE CASTIGLIONE! PHIL HERMAN! ERIC STANZE! JAMES L. EDWARDS! WALTER RUETHER! TODD JASON COOK! NICK MILLARD! DAVID "THE ROCK" NELSON! RON BONK!
Author: Marijke de Valck
Publisher: Routledge
ISBN: 1317267214
Category : Social Science
Languages : en
Pages : 257
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Book Description
The last decade has witnessed an explosion of interest in film festivals, with the field growing to a position of prominence within the space of a few short years. Film Festivals: History, Theory, Method, Practice represents a major addition to the literature on this topic, offering an authoritative and comprehensive introduction to the area. With a combination of chapters specifically examining history, theory, method and practice, it offers a clear structure and systematic approach for the study of film festivals. Offering a collection of essays written by an international range of established scholars, it discusses well-known film festivals in Europe, North America and Asia, but equally devotes attention to the diverse range of smaller and/or specialized events that take place around the globe. It provides essential knowledge on the origin and development of film festivals, discusses the use of theory to study festivals, explores the methods of ethnographic and archival research, and looks closely at the professional practice of programming and film funding. Each section, moreover, is introduced by the editors, and all chapters include useful suggestions for further reading. This will be an essential textbook for students studying film festivals as part of their film, media and cultural studies courses, as well as a strong research tool for scholars that wish to familiarize themselves with this burgeoning field.
Author: Claudia H. Johnson
Publisher: CRC Press
ISBN: 1136051309
Category : Performing Arts
Languages : en
Pages : 303
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Book Description
The only screenwriting book that includes a DVD that contains performances of the short films and screenplays that are featured in the book! The beauty and power of any story lies in its ability to connect to the reader, listener, or observer. Crafting Short Screenplays That Connect is the first screenwriting guide to introduce connection as an essential, although essentially overlooked, aspect of creating stories for the screen and of the screenwriting process itself. Written with clarity and humor, this book teaches the craft of writing short screenplays by guiding the student through carefully focused writing exercises of increasing length and complexity. Eight award-winning student screenplays are included for illustration and inspiration. The text is divided into three parts. Part one focuses on preparing to write by means of exercises designed to help students think more deeply about the screenwriter's purposes; their own unique vision, material and process; and finally about what screenplays are at their simplest and most profound level--a pattern of human change, created from specific moments of change--discoveries and decisions. Part two teaches students how to craft an effective pattern of human change. It guides them through the writing and re-writing of "Five (Not So Easy) Pieces"--five short screenplays of increasing length and complexity--focusing on a specific principle of dramatic technique: The Discovery, The Decision, The Boxing Match, The Improbable Connection, and The Long Short Screenplay. Part Three presents the five screenplays used throughout the book to illustrate the dramatic principles that have been discussed, and includes interviews with the screenwriters, a look at where they are now and what they are doing, and brief discussion of how each film evolved.
Author: Tom Weaver
Publisher: McFarland
ISBN: 9780786495740
Category : Performing Arts
Languages : en
Pages : 0
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Book Description
Twenty horror and science fiction moviemakers--both in front of and behind the camera--reminisce about some of their great (and not so great!) films. Merry Anders, Charles Bennett, Ben Chapman, Herman Cohen, Robert Day, Val Guest, Susan Hart, Candace Hilligoss, Rose Hobart, Betsy Jones-Moreland, Jacques Marquette, Cameron Mitchell, Ed Nelson, William Phipps, Vincent Price, Ann Robinson, Herbert Rudley, Harry Spalding, Kenneth Tobey, and Lupita Tovar reflect on their work in such movies as Berserk, I Was a Teenage Werewolf, Cat-Women of the Moon and many others.
