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Author: Jim Brickman
Publisher: robert gladwin
ISBN:
Category :
Languages : en
Pages : 76
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Book Description
![Hero's Dream [printed Music] PDF](https://books.google.com/books/content/images/frontcover/BD-nOU8y27UC?fife=w80-h100)
Author: Jim Brickman
Publisher: robert gladwin
ISBN:
Category :
Languages : en
Pages : 76
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Book Description
Author: Jim Brickman
Publisher: Alfred Music
ISBN: 145743007X
Category : Music
Languages : en
Pages : 87
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Book Description
The most requested and well-known Jim Brickman songs are now available in one compilation! The well-known musician has released six Gold and Platinum-selling albums, including an overwhelming variety of No. 1 singles. Sixteen songs total complete this primary volume, the ideal book for pianists interested in playing top contemporary hits such as "Angel Eyes," "The Promise," and "Waterfall." Pick up this collection of piano solos and play your favorites now! Titles: * Angel Eyes (By Heart) * Barcelona (Escape) * Dreams Come True (Picture This) * Heartland (No Words) * Heaven (Grace) * Hero’s Dream(Picture This) * If You Believe (By Heart) * Paradise (Escape) * Picture This (Picture This) * The Promise (Simple Things) * Remembrance (Destiny) * Rocket to the Moon (No Words) * Serenade (Simple Things) * Shaker Lakes (No Words) * Waterfall (Escape) * Winter Waltz (Escape)
Author: Veit Erlmann
Publisher: Oxford University Press
ISBN: 0195352491
Category : Music
Languages : en
Pages : 321
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Book Description
How was Africa seen by the West during the colonial period? How do Europeans and Americans conceive of Africa in today's postcolonial era? Such questions have preoccupied anthropologists, historians, and literary scholars for years. But few have asked the reverse: how did--and do--Africans see Europe and the United States? Fewer still have wondered how Western images of Africa and African representations of the West might mirror one another. In a detailed study spanning from the late nineteenth century to the present, renowned anthropologist and ethnomusicologist Veit Erlmann examines the very creation of a global imagination for black South Africans, Europeans, and African Americans. To this end, he explores two striking episodes in the history of black South African music. The first is a pair of tours made by two black South African choirs in England and America in the early 1890s; the second is a series of engagements with the international music industry as experienced by the premier choral group Ladysmith Black Mambazo after the release of Paul Simon's celebrated Graceland album in 1986. Readers will find the cast of characters involved in these intertwined and international dramas at once telling and impressive. Among the many players are African National Congress co-founder Saul Msane, Queen Victoria, African-American musician and impresario Orpheus McAdoo, Xhosa Christian prophet Ntsikana, W. E. B. Du Bois, Michael Jackson, and Spike Lee. Music, Modernity, and the Global Imagination tells the story of how these artists, activists, and agents effectively invented each other in travel diaries, religious hymns, concert performances, music videos, Broadway plays, and autobiographies. Erlmann also argues that the resultant mixture of myths and fictions--as distinctly imagined by these diverse historical actors--entangled South Africa and the West in ways that often obscured the newly emergent global imbalances of power, or else blurred the polarities of the colonial and postcolonial world. Ultimately, this book reports on a transatlantic dialogue that carries direct and profound implications for the world's arts and cultures. It is the black diasporic discussion between South Africa and the West, and it is a conversation--about society, music, and Utopia--that is still in progress.
Author: Vladimir Brajuc
Publisher: Pero Publishers
ISBN: 5002443966
Category : Fiction
Languages : en
Pages : 148
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Book Description
This monograph deals with the figurative and symbolic system in the novel “Oblomov” by I. A. Goncharov: it presents different interpretations of the image of Oblomov, demonstrates its complexity, organic combination of the typical and the individual. The author reveals the most significant artistic techniques of creating characters, typical for the novel and for the writer’s individual style in general. The study gives aesthetic characteristics of the novel characters, defines their artistic role and reveals polysemanticism in the novel structure. The “Supplement” presents a reflective hero in Russian literature and Soviet cinema (from Onegin and Oblomov to Zilov). The characteristic features of the literary type of “superfluous person” are highlighted in N. Mikhalkov’s film “A Few Days from the Life of I. I. Oblomov,” as well as in A. Vampilov’s play “Duck Hunting” and in its film adaptation “Vacation in September,” directed by V. Melnikov. The monograph is addressed to teachers and pupils, professors and students of philological faculties, as well as to everyone who reads and loves literature.
Author: Steven Paul Scher
Publisher: Rodopi
ISBN: 9789042017528
Category : Music
Languages : en
Pages : 552
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Book Description
The present volume meets a frequently expressed demand as it is the first collection of all the relevant essays and articles which Steven Paul Scher has written on Literature and Music over a period of almost forty years in the field of Word and Music Studies. Scher, The Daniel Webster Professor of German and Comparative Literature at Dartmouth College, Hanover, NH, USA, is one of the founding fathers of Word and Music Studies and a leading authority in what is in the meantime a well-established intermedial field. He has published very widely in a variety of journals and collections of essays, which until now have not always been easy to lay one's hands on. His work covers a wide range of subjects and comprises theoretical, methodological and historical studies, which include discussions of Ferruccio Busoni, Thomas Mann, Bertolt Brecht, Judith Weir, the Talking Heads and many others and which pay special attention to E. T. A. Hoffmann and German Romanticism. The range and depth of these studies have made him the 'mastermind' of Word and Music Studies who has defined the basic aims and objectives of the discipline. This volume is of interest to literary scholars and musicologists as well as comparatists and all those concerned about the rapidly expanding field of Intermedia Studies.
Author: William W. Savage
Publisher: University of Oklahoma Press
ISBN: 9780806119205
Category : Social Science
Languages : en
Pages : 196
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Book Description
Analyzes the modern myth of the cowboy as it appears in movies, advertising, the rodeo, and fiction, and gauges its effect on American thought
Author: Erik Tawaststjerna
Publisher: Faber & Faber
ISBN: 0571287174
Category : Biography & Autobiography
Languages : en
Pages : 390
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Book Description
Erik Tawaststjerna embarked on his authoritative study of Sibelius in 1960, and it occupied him for over a quarter of a century. His book differs from other work on the composer in one important respect: he had unrestricted access to the composer's papers, diaries and letters as well as the advantage of numerous conversations with the composer's widow and other members of the family. Thus his researches can justifiably claim to have thrown entirely fresh light on the great Finnish composer. Far from the remote personality of the Sibelius legend, Sibelius emerges as a highly colourful figure. Translated by Robert Layton, himself a Sibelius specialist, this first volume (the first of three) takes us up to the period of the Second Symphony and the Violin Concerto, with perceptive and searching studies of the music including a number of early works, The Burning of the Boat, the Kullervo Symphony and the two versions of En Saga.'A remarkable and deeply impressive book. The English text unquestionably succeeds in giving a subtle and scholarly rendering of a profound study of Sibelius and his music.' Economist
Author:
Publisher:
ISBN:
Category : American periodicals
Languages : en
Pages : 714
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Book Description
Author: David Bordwell
Publisher: McGraw Hill
ISBN: 0077159268
Category : Performing Arts
Languages : en
Pages : 546
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Book Description
Film is an art form with a language and an aesthetic all its own. Since 1979, David Bordwell and Kristin Thompson's Film Art has been the best-selling and most widely respected introduction to the analysis of cinema. Taking a skills-centered approach supported by examples from many periods and countries, the authors help students develop a core set of analytical skills that will enrich their understanding of any film, in any genre. In-depth examples deepen students’ appreciation for how creative choices by filmmakers affect what viewers experience and how they respond. Film Art is generously illustrated with more than 1,000 frame enlargements taken directly from completed films, providing concrete illustrations of key concepts.
Author: Gregory D. Booth
Publisher: Oxford University Press
ISBN: 019971665X
Category : Music
Languages : en
Pages : 332
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Book Description
Beginning in the 1930s, men and a handful of women came from India's many communities-Marathi, Parsi, Goan, North Indian, and many others--to Mumbai to work in an industry that constituted in the words of some, "the original fusion music." They worked as composers, arrangers, assistants, and studio performers in one of the most distinctive popular music and popular film cultures on the planet. Today, the songs played by Mumbai's studio musicians are known throughout India and the Indian diaspora under the popular name "Bollywood," but the musicians themselves remain, in their own words, "behind the curtain"--the anonymous and unseen performers of one of the world's most celebrated popular music genres. Now, Gregory D. Booth offers a compelling account of the Bollywood film music industry from the perspective of the musicians who both experienced and shaped its history. In a rare insider's look at the process of musical production from the late 1940s to the mid 1990s, before the advent of digital recording technologies, Booth explains who these unknown musicians were and how they came to join the film music industry. On the basis of a fascinating set of first-hand accounts from the musicians themselves, he reveals how the day-to-day circumstances of technology and finance shaped both the songs and the careers of their creator and performers. Booth also unfolds the technological, cultural, and industrial developments that led to the enormous studio orchestras of the 1960s-90s as well as the factors which ultimately led to their demise in contemporary India. Featuring an extensive companion website with video interviews with the musicians themselves, Behind the Curtain is a powerful, ground-level view of this globally important music industry.
