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Author: Betty Bryant
Publisher: University Press of Kentucky
ISBN: 0813149967
Category : Biography & Autobiography
Languages : en
Pages : 219
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Book Description
"I was born at the tail end of a unique and delightful era and raised on one of the last showboats to struggle for survival against the devastating crunch of progress.... Our showboat's express purpose was carrying entertainment to hundreds of thousands of river-bottom farmers along our water-bordered frontier." —from the book Betty Bryant was a river rat. The Floating Theater was her home, and the river was her back yard. While other children were learning to walk, she was learning to swim. She knew how to set a trotline, gig a frog, catch a crawdad, and strip the mud vein out of a carp by the time she was four. In this colorful memoir, Betty shares her own piece of Americana, the small, family-owned showboat of the early twentieth century. Billy Bryant's Showboat plied the inland waterways of the Ohio River watershed from before the First World War until 1942, bringing a blend of melodrama and vaudeville, laughter and therapeutic tears, into the lives of isolated people in rural communities along the way. Betty made her first professional appearance at the age of six weeks when she played a baby in "Uncle Tom's Cabin." In her twenty years of touring, she acted, danced, and grew up in the tradition of "family entertainment, by families, for families." Here Comes the Showboat! is told with the ageless wonder of a child who loved the showboat and the eager audiences its uniquely American entertainment touched. It is a treasure trove of humorous anecdotes, touching remembrances, and delightful photographs of Betty, the three generations who ran the family showboat, miners, musselers, shantyboaters, farmers, merchants, and actors whose lives intersected along the Ohio River.
Author: Betty Bryant
Publisher: University Press of Kentucky
ISBN: 0813149967
Category : Biography & Autobiography
Languages : en
Pages : 219
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Book Description
"I was born at the tail end of a unique and delightful era and raised on one of the last showboats to struggle for survival against the devastating crunch of progress.... Our showboat's express purpose was carrying entertainment to hundreds of thousands of river-bottom farmers along our water-bordered frontier." —from the book Betty Bryant was a river rat. The Floating Theater was her home, and the river was her back yard. While other children were learning to walk, she was learning to swim. She knew how to set a trotline, gig a frog, catch a crawdad, and strip the mud vein out of a carp by the time she was four. In this colorful memoir, Betty shares her own piece of Americana, the small, family-owned showboat of the early twentieth century. Billy Bryant's Showboat plied the inland waterways of the Ohio River watershed from before the First World War until 1942, bringing a blend of melodrama and vaudeville, laughter and therapeutic tears, into the lives of isolated people in rural communities along the way. Betty made her first professional appearance at the age of six weeks when she played a baby in "Uncle Tom's Cabin." In her twenty years of touring, she acted, danced, and grew up in the tradition of "family entertainment, by families, for families." Here Comes the Showboat! is told with the ageless wonder of a child who loved the showboat and the eager audiences its uniquely American entertainment touched. It is a treasure trove of humorous anecdotes, touching remembrances, and delightful photographs of Betty, the three generations who ran the family showboat, miners, musselers, shantyboaters, farmers, merchants, and actors whose lives intersected along the Ohio River.
Author: Philip Graham
Publisher: University of Texas Press
ISBN: 0292775555
Category : History
Languages : en
Pages : 265
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Book Description
This book is a delightful and authoritative record of America's showboats from the first one, launched in 1831, to the last, ultimately tied up at a St. Louis dock. It is also a record of the men and women who built and loved these floating theaters, of those who performed on their stages, and of the thousands who sat in their auditoriums. And, lastly, it is a record of a genuine folk institution, as American as catfish, which for more than a century did much to relieve the social and cultural starvation of our vast river frontier. For these showboats brought their rich cargoes of entertainment—genuine laughter, a glimpse of other worlds, a respite from the grinding hardship of the present, emotional relaxation—to valley farmers, isolated factory workers and miners, and backwoodsmen who otherwise would have lacked all such opportunities. To the more privileged , the showboats brought pleasant reminder of a half-forgotten culture. They penetrated regions where churches and school had not gone, and where land theaters were for generations to be impossible. Like circuit preachers, they carried their message to the outer fringes of American civilization. In spite of many faults, it was a good message. The frontier had created this institution to fill a genuine need, and it lasted only until other and better means of civilizing these regions could reach them—good roads, automobiles, motion pictures, schools, churches, newspapers, and theaters. But although the showboats have passed into history, they have left a rich legacy. As long as the Mississippi flows into the Gulf, their story will fire the imagination of Americans. Showboating has become so legendary that few Americans know what this unique institution was really like. In Showboats, at long last, the true story emerges. It differs in many important respects from the motion picture and fictional versions to which Americans are accustomed, but it is not a whit the less glamorous. Philip Graham has told his story with imagination, genuine insight, and complete devotion to facts. No one who is interested in America's past should fail to read it.
Author: Roy Liebman
Publisher: McFarland
ISBN: 1476609365
Category : Performing Arts
Languages : en
Pages : 464
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Book Description
The headline of the Variety extra on October 27, 1926, proclaimed "Vitaphone1 Thrills L.A.!" Vitaphone, a subsidiary of Warner Bros. formed in association with Western Electric, was one of the major producers of talkies, even though its sound-on-disc technology barely lasted four years. The Vitaphone features and shorts that have survived intact, or that have been so carefully restored, preserve much of the show business history that might otherwise have been lost with the industry's fast-paced advances in movie making. This book is a catalogue of Vitaphone features and shorts. The first section lists the features and shorts by release number. The New York productions (1926-1940) are listed first, followed by the West Coast productions (1927-1970). For shorts, the following particulars, if known and if applicable, are given: title, alternate title(s), instrumental and vocal selections performed on screen, composer(s) and performers of instrumental and vocal selections, release date and synopsis of the film, names of major cast members and directors, set information if two or fewer sets were used, and the amount paid to early performers. For features, entries list release dates, genre, and major cast members. The section on performers includes only those who appeared in shorts, listing dates and places of birth when known.
Author: David Bakish
Publisher: McFarland
ISBN: 0786430222
Category : Performing Arts
Languages : en
Pages : 304
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Book Description
From his humble beginnings as a Coney Island piano player, Jimmy Durante was one of America's best-loved entertainers for nearly seven decades. Known for his distinctive "schnozzle" and raspy voice, the multitalented performer became a stage, screen and recording star. Every aspect of Jimmy Durante's career is covered here: his early vaudeville and Broadway days; the 38 movies he made; his radio appearances; the mixture of new and old material he brought to television in the late 1950s; and his work as a singer and composer.
Author: William Faricy Condee
Publisher: Ohio University Press
ISBN: 0821415883
Category : Performing arts
Languages : en
Pages : 225
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Book Description
A critical appreciation of the opera house in the coal-mining region of Appalachia from the mid 1860s to the early 1930s, Coal and Culture demonstrates that these were multipurpose facilities that were used for traveling theater, concerts, religious events, lectures, commencements, boxing matches, benefits, union meetings, and - if the auditorium had a flat floor - skating and basketball.
Author: Jennifer Fleeger
Publisher: Oxford University Press
ISBN: 0199366500
Category : Music
Languages : en
Pages : 241
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Book Description
Sounding American: Hollywood, Opera, and Jazz tells the story of the interaction between musical form, film technology, and ideas about race, ethnicity, and the nation during the American cinema's conversion to sound. Contrary to most accepted narratives about the conversion, which tend to explain the competition between the Hollywood studios' film sound technologies in qualitative and economic terms, this book argues that the battle between disc and film sound was waged primarily in an aesthetic realm. Opera and jazz in particular, though long neglected in studies of the film score, were extremely important in defining the scope of the American soundtrack, not only during the conversion, but also once sound had been standardized. Examining studio advertisements, screenplays, scores, and the films themselves, author Jennifer Fleeger concentrates on the interactions between musical form and film technology, arguing that each of the major studios appropriated opera and jazz in a unique way in order to construct its own version of an ideal American voice. Traditional histories of Hollywood film music have tended to concentrate on the unity of the score, a model that assumes a passive spectator. Sounding American claims that the classical Hollywood film is essentially an illustrated jazz-opera with a musical structure that encourages an active form of listening and viewing in order to make sense of what is ultimately a fragmentary text.
Author: David A. Jasen
Publisher: Routledge
ISBN: 113594900X
Category : Reference
Languages : en
Pages : 664
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Book Description
For nearly a century, New York's famous "Tin Pan Alley" was the center of popular music publishing in this country. It was where songwriting became a profession, and songs were made-to-order for the biggest stars. Selling popular music to a mass audience from coast-to-coast involved the greatest entertainment media of the day, from minstrelsy to Broadway, to vaudeville, dance palaces, radio, and motion pictures. Successful songwriting became an art, with a host of men and women becoming famous by writing famous songs.
Author: Thomas S. Hischak
Publisher: Scarecrow Press
ISBN: 0810891689
Category : Music
Languages : en
Pages : 353
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Book Description
Jerome Kern (1885-1945) is considered one of the most versatile and influential of all American theatre and film composers. His pioneer work in developing a truly American musical sound inspired many of the great songwriters of the 1920s, 1930s, and 1940s, and his songs include dozens of beloved standards still heard today, such as “Smoke Gets in Your Eyes” and “The Way You Look Tonight.” The Jerome Kern Encyclopedia consists of entries on people, theatre and film musicals, songs, subjects, and themes related to the composer. Not only are all of Kern’s stage and screen projects from 1904 to 1946 covered, but there are also entries on all the major librettists and lyricists with whom he worked, as well as producers, directors, actors, and other individuals who figured prominently in his career. Approximately 100 of Kern’s most important songs are discussed, and other entries address awards, collaborations, working methods, song styles, and other related subjects. The encyclopedia also includes a brief biography of Kern, a chronology of his life and work, and appendices on recordings, interpolations, revivals, and remakes. The most complete work on one of America’s greatest composers, this fascinating, readable, and extensive look at Kern will appeal totheatregoers, movie musical fans, students, teachers, and professionals in musical theatre.
Author: Philip R. Simon
Publisher: Dark Horse Comics
ISBN: 1595829202
Category : Comic books, strips, etc
Languages : en
Pages : 266
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Book Description
Crime Does Not Pay is an American comic book series published between 1942 and 1955 by Lev Gleason Publications. Edited and chiefly written by Charles Biro, the title launched the crime comics genre and was the first "true crime" comic book series.
Author: Dick Wood
Publisher: Dark Horse Comics
ISBN: 1621155447
Category : Comics & Graphic Novels
Languages : en
Pages : 266
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Book Description
The celebrated pre-Code Crime Does Not Pay comics are finally collected into a series of unflinching and uncensored deluxe hardcovers! The infamous Crime Does Not Pay stories, focusing on criminal scum, nefarious mobsters, and urban legends, madeCrime Does Not Pay one of the most popular comics of the 1940s. This series was a favorite target of censors and is partially responsible for the creation of the stifling Comics Code Authority! Revered, influential, and very hard to find, Crime Does Not Pay issues #26 to #29 are collected for your enjoyment and education!
