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Author: Henri de Toulouse-Lautrec
Publisher: Museum of Modern Art
ISBN: 9780870709135
Category : Art
Languages : en
Pages : 160
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Book Description
Though deeply engaged with painting and drawing, Toulouse-Lautrec's lasting contribution to artistic practice was as a graphic artist. Through his prints and posters, advertisements, and contributions in reviews and magazines, he brought the language of the late-nineteenth-century French avant-garde to a broad public. He ushered in the first print boom of the modern era; taking advantage of lithography's new potential for colour and scale, he made both posters for the streets of Paris and prints for the new bourgeois collector's living room. During his short career, he created more than 350 prints and 30 posters, as well as lithographed theatre programmes and covers for books and sheet music. The Museum of Modern Art's collection of this material is stellar, encompassing over 100 prints and posters, his most important book projects, and many magazines, journals and other examples of printed ephemera. Featuring an overview essay by Sarah Suzuki, Associate Curator in the Department of Drawings and Prints at MoMA, this publication presents thematically organized groupings of Toulouse-Lautrec's prints from the Museum's collection, each accompanied by an illuminating essay on the theme.
Author: Henri de Toulouse-Lautrec
Publisher: Museum of Modern Art
ISBN: 9780870709135
Category : Art
Languages : en
Pages : 160
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Book Description
Though deeply engaged with painting and drawing, Toulouse-Lautrec's lasting contribution to artistic practice was as a graphic artist. Through his prints and posters, advertisements, and contributions in reviews and magazines, he brought the language of the late-nineteenth-century French avant-garde to a broad public. He ushered in the first print boom of the modern era; taking advantage of lithography's new potential for colour and scale, he made both posters for the streets of Paris and prints for the new bourgeois collector's living room. During his short career, he created more than 350 prints and 30 posters, as well as lithographed theatre programmes and covers for books and sheet music. The Museum of Modern Art's collection of this material is stellar, encompassing over 100 prints and posters, his most important book projects, and many magazines, journals and other examples of printed ephemera. Featuring an overview essay by Sarah Suzuki, Associate Curator in the Department of Drawings and Prints at MoMA, this publication presents thematically organized groupings of Toulouse-Lautrec's prints from the Museum's collection, each accompanied by an illuminating essay on the theme.
Author: Matthias Arnold
Publisher:
ISBN:
Category :
Languages : en
Pages : 95
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Book Description
Author: Henri de Toulouse-Lautrec
Publisher: Courier Corporation
ISBN: 9780486433776
Category : Art
Languages : en
Pages : 116
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Book Description
Toulouse-Lautrec possessed the extraordinary ability to convey rapid movement and scenic atmosphere with just a few strokes. A superb draftsman whose work was graphic in nature, he produced art of dazzling originality and power. This little-known volume includes 85 of his most striking early efforts, the majority of them studies of horses.
Author: Riva Castleman
Publisher:
ISBN: 9780870705960
Category :
Languages : en
Pages : 262
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Book Description
Author: Richard Thomson
Publisher: Princeton University Press
ISBN: 9780691123370
Category : Art
Languages : en
Pages : 293
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Book Description
A stunning collection of reproductions of some of the artist's major works sets the paintings of Henri de Toulouse-Lautrec within the context of the art scene of Montmartre, from 1885 to 1901, featuring a selection of paintings, drawings, prints, and posters capturing Montmartre subjects, as well as incisive essays on the artist, his work, the members of his circle, and his influence.
Author: Henry de Toulouse-Lautrec
Publisher: Macmillan + ORM
ISBN: 1466892358
Category : Cooking
Languages : en
Pages : 200
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Book Description
Henri de-Toulouse-Lautrec brought to his art a zest for life as well as an impeccable style. It is an exciting discovery to find that Lautrec applies this same exuberance and meticulous technique to the art of cuisine--that he invented recipes and cooked new dishes as an artistic creation worthy of his serious attention. This volume is a collection of the recipes that Lautrec invented, or were garnered in his company from acquaintances of all classes of society. It has been illustrated with the menus that Lautrec himself designed and decorated, as well as with a rich abundance of other appropriate Lautrec paintings and drawings. The frontispiece is a portrait by Edouard Vuillard of lautrec preparing one of his masterful dishes. The recipes are given here in their original form, retaining their color of thought and language. The only modifications are culinary notes that have been added to facilitate the work of modern cooks. Lautrec took great pride in his culinary ability, and if he felt it would not be appreciated, he would say that some people "are not worth of ring dove with olives, they will never have any and they will never know what it is." Lautrec planned meals carefully, made beautifully decorated menus, and was inspired by the dinners to draw more sketches of the dinners, and of the food. He also brought to cuisine, as to the rest of his life, a marvelous wit. Who could forget the invitation to eat kangaroo, in honor of an animal that he had seen boxing at a circus (it was replaced at the last moment by an enormous sheep with an artificial pouch): or the housewarming of the apartment of his friend Natanson, where in a crazy atmosphere, he managed to intoxicate the artistic elite of Paris and launch the fashion of cocktail food. We owe the record of this cuisine (and also of a great body of the art collection itself) to Maurice Joyant. Joyant and Lautrec had been childhood friends, and their intimacy was renewed and deepened during the Montmartre years, when Lautrec's fame was growing and Joyant was director of the same art gallery in Paris that Theo Van Gogh had run before him. Lautrec was, throughout their relationship, the artist and innovator; Joyant, the steadying influence, the protector, and, after the painter's death, the executor. This book is a tribute to their friendship and to their daily intercourse in art and in cuisine. Thus, art, friendship, and food have come together in The Art of Cuisine as a joyful legacy of Henry de Toulouse-Lautrec and Maurice Joyant.
Author: Colta Feller Ives
Publisher: Metropolitan Museum of Art
ISBN: 0870998048
Category : Art
Languages : en
Pages : 74
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Book Description
Published in conjunction with an exhibition of the Museum's holdings by the artist. An introductory essay is followed by discussion and presentation of the Museum's principal works and a checklist of paintings, drawings, and prints. Annotation copyrighted by Book News, Inc., Portland, OR
Author: Nathalia Brodskaya
Publisher: Parkstone International
ISBN: 1781609640
Category : Art
Languages : en
Pages : 179
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Book Description
Impressionism has always been one of the public’s favourite styles of art and Impressionist works continue to enchant beholders with their amazing play of colours and forms. This book offers a well-chosen selection of the most impressive works of artists such as Degas, Monet, Pissarro, Renoir and Sisley. Mega Square Impressionism pays tribute to the subject’s popularity.
Author: Helen Burnham
Publisher: MFA Publications
ISBN: 9780878468591
Category : Art
Languages : en
Pages : 112
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Book Description
An album of the stars of Paris nightlife, as seen by Henri de Toulouse-Lautrec - who captured their performances in great works of art and helped make them famous This tour of the Parisian scene focuses on six performers who were depicted in and in some senses defined by Henri de Toulouse-Lautrec's renderings - Yvette Guilbert, Jane Avril, Aristide Bruant, Marcelle Lender, May Belfort and Loïe Fuller - and explores how the performers and the artist collaborated in exploiting new mass media to create a new stardom. Lavishly illustrated with reproductions of iconic images along with rarely seen sketches, and illuminated by insightful essays, this volume shines a spotlight on the stars of the Paris stage, the birth of celebrity culture and the brilliance of the artist who gave them enduring life.
Author: Gill Hedley
Publisher: Bloomsbury Visual Arts
ISBN: 183860281X
Category : Biography & Autobiography
Languages : en
Pages : 401
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Book Description
Arthur Jeffress was an art dealer and collector from a Virginian family who bequeathed his “subversive little collection” (Derek Hill) to Tate and Southampton City Art Gallery on his suicide in 1961. That suicide, a result of his expulsion from Venice, has been the subject of speculation in many memoirs. Gill Hedley's biography of Jeffress has benefited from access to many hundreds of unpublished letters written between Jeffress and Robert Melville, who ran Jeffress' own gallery from 1955-1961. The letters were written largely while Jeffress was in Venice and reveal a vivid picture of the London gallery world as well as frank details of artists, collectors and the definitive story of his suicide. Previously unpublished research reveals new information about the lives of Jeffress' lover John Deakin, his business partner Erica Brausen, the French photographer André Ostier and Henry Clifford, and the way in which all of them influenced Jeffress' first steps as a collector from the 1930s onwards.
