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Author: Barbara Scott
Publisher:
ISBN: 9780615763781
Category :
Languages : en
Pages : 64
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Book Description
This fascinating literary work explores the influence of Andalusia's ancient culture and civilization on the works of Ernest Hemingway and Federico Garcia Lorca. Although born on two different continents, these artists both were rooted in the blood and sand of the bullring and the culture of death, which made life that much more rich. They were both poets, and both men were musicians as evidenced by the musicality of the rhythms of their work. This study explores the cultural and historical influence of Andalusia on the poetry of Federico García Lorca and the prose of Ernest Hemingway, particularly the effects of the region's culture of life and death in their writing. This aspect of Spanish tradition found its greatest voice in bullfighting (toreo), pure gypsy flamenco song, and the creative concept of duende. Even though Lorca and Hemingway were born worlds apart, their works are steeped in a civilization thousands of years old that was molded and shaped by numerous people groups, including the Phoenicians, Carthaginians, Greeks, Iberians, Romans, Vandals, Visigoths, Moors, Berber Muslims, and European Catholics. By examining the works of these two men immersed in the rich heritage of Andalusia as expressed during the early twentieth century, readers can more fully appreciate Hemingway's novel The Sun Also Rises and Lorca's poem Lament for Ignacio Sánchez Mejías. They are masterpieces-one of prose, the other of poetry-created by two great authors who influenced and changed the writing styles of those who followed them.
Author: Barbara Scott
Publisher:
ISBN: 9780615763781
Category :
Languages : en
Pages : 64
Get Book Here
Book Description
This fascinating literary work explores the influence of Andalusia's ancient culture and civilization on the works of Ernest Hemingway and Federico Garcia Lorca. Although born on two different continents, these artists both were rooted in the blood and sand of the bullring and the culture of death, which made life that much more rich. They were both poets, and both men were musicians as evidenced by the musicality of the rhythms of their work. This study explores the cultural and historical influence of Andalusia on the poetry of Federico García Lorca and the prose of Ernest Hemingway, particularly the effects of the region's culture of life and death in their writing. This aspect of Spanish tradition found its greatest voice in bullfighting (toreo), pure gypsy flamenco song, and the creative concept of duende. Even though Lorca and Hemingway were born worlds apart, their works are steeped in a civilization thousands of years old that was molded and shaped by numerous people groups, including the Phoenicians, Carthaginians, Greeks, Iberians, Romans, Vandals, Visigoths, Moors, Berber Muslims, and European Catholics. By examining the works of these two men immersed in the rich heritage of Andalusia as expressed during the early twentieth century, readers can more fully appreciate Hemingway's novel The Sun Also Rises and Lorca's poem Lament for Ignacio Sánchez Mejías. They are masterpieces-one of prose, the other of poetry-created by two great authors who influenced and changed the writing styles of those who followed them.
Author: Lisa Tyler
Publisher: LSU Press
ISBN: 0807171298
Category : Literary Criticism
Languages : en
Pages : 288
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Book Description
Wharton, Hemingway, and the Advent of Modernism is the first book to examine the connections linking two major American writers of the twentieth century, Edith Wharton and Ernest Hemingway. In twelve critical essays, accompanied by a foreword from Wharton scholar Laura Rattray and a critical introduction by volume editor Lisa Tyler, contributors reveal the writers’ overlapping contexts, interests, and aesthetic techniques. Thematic sections highlight modernist trends found in each author’s works. To begin, Peter Hays and Ellen Andrews Knodt argue for reading Wharton as a modernist writer, noting how her works feature characteristics that critics customarily credit to a younger generation of writers, including Hemingway. Since Wharton and Hemingway each volunteered for humanitarian medical service in World War I, then drew upon their experiences in subsequent literary works, Jennifer Haytock and Milena Radeva-Costello analyze their powerful perspectives on the cataclysmic conflict traditionally viewed as marking the advent of modernism in literature. In turn, Cecilia Macheski and Sirpa Salenius consider the authors’ passionate representations of Italy, informed by personal sojourns there, in which they observed its beautiful landscapes and culture, its liberating contrast with the United States, and its period of fascist politics. Linda Wagner-Martin, Lisa Tyler, and Anna Green focus on the complicated gender politics embedded in the works of Wharton and Hemingway, as evidenced in their ideas about female agency, sexual liberation, architecture, and modes of transportation. In the collection’s final section, Dustin Faulstick, Caroline Chamberlin Hellman, and Parley Ann Boswell address suggestive intertextualities between the two authors with respect to the biblical book of Ecclesiastes, their serialized publications in Scribner’s Magazine, and their affinities with the literary and cinematic tradition of noir. Together, the essays in this engaging collection prove that comparative studies of Wharton and Hemingway open new avenues for understanding the pivotal aesthetic and cultural movements central to the development of American literary modernism.
Author: Stephen Roberts
Publisher: Reaktion Books
ISBN: 1789142466
Category : Biography & Autobiography
Languages : en
Pages : 241
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Book Description
Federico García Lorca (1898–1936) is perhaps Spain’s most famous writer and cultural icon. By the age of thirty, he had become the most successful member of a brilliant generation of poets, winning critical and popular acclaim by fusing traditional and avant-garde themes and techniques. He would go on to reinvent Spanish theater too, writing bold, experimental, and often shocking plays that dared openly to explore both female and homosexual desire. A vibrant and mercurial personality, by the time Lorca visited Argentina in late 1933, he had become the most celebrated writer and cultural figure in the Spanish-speaking world. But Lorca’s fame could not survive politics: his identification with the splendor of the Second Spanish Republic (1931–36) was one of the reasons behind Lorca’s murder in August 1936 at the hands of right-wing insurgents at the start of the Spanish Civil War. In this biography, Stephen Roberts seeks out the roots of the man and his work in the places in which Lorca lived and died: the Granadan countryside where he spent his childhood; the Granada and Madrid of the 1910s, ’20s, and ’30s where he received his education and achieved success as a writer; his influential visits to Catalonia, New York, Cuba, and Argentina; and the mountains outside Granada where his body still lies in an undiscovered grave. What emerges is a fascinating portrait of a complex and brilliant man as well as new insight into the works that helped to make his name.
Author: Linda Wagner-Martin
Publisher: Oxford University Press, USA
ISBN: 9780195145748
Category : Literary Criticism
Languages : en
Pages : 206
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Book Description
Opening up discussions of war, sexuality, personal angst, and national identity, The Sun also Rises symbolises modernism, both in theme and style. This volume contains critical essays on the novel by eminent Hemingway scholars.
Author: Chris Stewart
Publisher: Sort of Books
ISBN: 190874586X
Category : Biography & Autobiography
Languages : en
Pages : 321
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Book Description
Meet Chris Stewart, the eternal optimist. A man who flies to Spain, sees a peasant farm on the wrong side of the river and, with scarcely a second thought, hands over a cash deposit. And then finds he has acquired not just the farm, but the farmer, too, who has no intention of leaving. Not to mention the lack of running water, electricity or even a bridge. It would be enough to send most people straight back home. But Chris and his wife Ana are made of stronger stuff - and besides, they have sunk all their savings into their farm, El Valero, and buying a flock of sheep. So there is no turning back. Life gets tough, but it also gets good. Driving Over Lemons is that rare thing - a funny, insightful book that charms you from the first sun-lit page to the last. And one that makes running an Andalucian mountain farm seem like a half-decent career move. It has been a major bestseller both in Britain and Spain.
Author: Laurie Lee
Publisher: Open Road Media
ISBN: 1497641373
Category : Biography & Autobiography
Languages : en
Pages : 191
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Book Description
The author of Cider with Rosie continues his bestselling autobiographical trilogy with “a wondrous adventure” through Spain on the eve of its civil war (Library Journal). On a bright Sunday morning in June 1934, Laurie Lee left the village home so lovingly portrayed in his bestselling memoir, Cider with Rosie. His plan was to walk the hundred miles from Slad to London, with a detour of an extra hundred miles to see the sea for the first time. He was nineteen years old and brought with him only what he could carry on his back: a tent, a change of clothes, his violin, a tin of biscuits, and some cheese. He spent the first night in a ditch, wide awake and soaking wet. From those unlikely beginnings, Laurie Lee fashioned not just the adventure of a lifetime, but one of the finest travel narratives of the twentieth century. As I Walked Out One Midsummer Morning, written more than thirty years after the events it describes, is an elegant and irresistibly charming portrait of life on the road—first in England, where the familiar landscapes and people somehow made Lee feel far from home, and then in Spain, whose utter foreignness afforded a new kind of comfort. In that brief period of peace, a young man was free to go wherever he wanted to in Europe. Lee picked Spain because he knew enough Spanish to ask for a glass of water. What he did not know, and what would become clear only after a year spent tramping across the beautiful and rugged countryside—from the Galician port city of Vigo, over the Sierra de Guadarrama and into Madrid, and along the Costa del Sol—was that the Spanish Republic would soon need idealistic young men like Lee as badly as he needed it.
Author: Ernest Hemingway
Publisher: Simon and Schuster
ISBN: 1476770077
Category : Biography & Autobiography
Languages : en
Pages : 251
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Book Description
The Dangerous Summer is Hemingway's firsthand chronicle of a brutal season of bullfights. In this vivid account, Hemingway captures the exhausting pace and pressure of the season, the camaraderie and pride of the matadors, and the mortal drama—as in fight after fight—the rival matadors try to outdo each other with ever more daring performances. At the same time Hemingway offers an often complex and deeply personal self-portrait that reveals much about one of the twentieth century's preeminent writers.
Author: Miriam B. Mandel
Publisher: Camden House
ISBN: 9781571134097
Category : Literary Collections
Languages : en
Pages : 364
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Book Description
New, carefully focused essays providing a thorough examination of Hemingway's groundbreaking non-fictional work. Published in 1932, Death in the Afternoon reveals its author at the height of his intellectual and stylistic powers. By that time, Hemingway had already won critical and popular acclaim for his short stories and novels of the late twenties. A mature and self-confident artist, he now risked his career by switching from fiction to nonfiction, from American characters to Spanish bullfighters, from exotic and romantic settings to the tough world of theSpanish bullring, a world that might seem frightening and even repellant to those who do not understand it. Hemingway's nonfiction has been denied the attention that his novels and short stories have enjoyed, a state of affairs this Companion seeks to remedy, breaking new ground by applying theoretical and critical approaches to a work of nonfiction. It does so in original essays that offer a thorough, balanced examination of a complex, boundary-breaking, and hitherto neglected text. The volume is broken into sections dealing with: the composition, reception, and sources of Death in the Afternoon; cultural translation, cultural criticism, semiotics, and paratextual matters; and the issues of art, authorship, audience, and the literary legacy of Death in the Afternoon. The contributors to the volume, four men and seven women, lay to rest the stereotype of Hemingway as a macho writer whom women do not read; and their nationalities (British, Spanish, American, and Israeli) indicate that Death in the Afternoon, even as it focuses on a particular national art, discusses matters of universal concern. Contributors: Miriam B. Mandel, Robert W. Trogdon, Lisa Tyler, Linda Wagner-Martin, Peter Messent, Beatriz Penas Ibáñez, Anthony Brand, Nancy Bredendick, Hilary Justice, Amy Vondrak, and Keneth Kinnamon. MiriamB. Mandel teaches in the English Department of Tel Aviv University.
Author: Jack Spicer
Publisher: New York Review of Books
ISBN: 1681375427
Category : Poetry
Languages : en
Pages : 97
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Book Description
Out of print for decades, this is the legendary American poet's tribute to Federico García Lorca, including translations of the great Spanish poet's work. Jack Spicer was one of the outstanding figures of the mid-twentieth-century San Francisco Renaissance, bent on fashioning a visionary new lyricism. Spicer called his poems “dictations,” and they combine outrageous humor, acid intelligence, brilliant wordplay, and sheer desolation to incandescent effect. “Frankly I was quite surprised when Mr. Spicer asked me to write an introduction to this volume,” writes the dead Federico García Lorca at the start of After Lorca, Spicer’s first book and one that, since it originally appeared in 1957, has exerted a powerful influence on poetry in America and abroad. “It must be made clear at the start that these poems are not translations,” Lorca continues. “In even the most literal of them Mr. Spicer seems to derive pleasure in inserting or substituting one or two words which completely change the mood and often the meaning of the poem as I had written it. More often he takes one of my poems and adjoins to half of it another of his own, giving rather the effect of an unwilling centaur. (Modesty forbids me to speculate which end of the animal is mine.) Finally there are an almost equal number of poems that I did not write at all (one supposes that they must be his).” What so puzzles Lorca continues to delight and inspire readers of poetry today.
Author: Aaron Shulman
Publisher: HarperCollins
ISBN: 0062484214
Category : Biography & Autobiography
Languages : en
Pages : 502
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Book Description
“An intriguing narrative of literary ambition and family dysfunction—betrayal, drug addiction, and madness—that begins during the Spanish Civil War.” —Amanda Vaill, The New York Times Book Review In this absorbing and atmospheric historical narrative, journalist Aaron Shulman takes us deeply into the circumstances surrounding the Spanish Civil War through the lives, loves, and poetry of the Paneros, Spain’s most compelling and eccentric family, whose lives intersected memorably with many of the most storied figures in the art, literature, and politics of the time—from Neruda to Salvador Dalí, from Ava Gardner to Pablo Picasso to Roberto Bolaño. Weaving memoir with cultural history and biography, and brought together with vivid storytelling and striking images, The Age of Disenchantments sheds new light on the romance and intellectual ferment of the era while revealing the profound and enduring devastation of the war, the Franco dictatorship, and the country’s transition to democracy. A searing tale of love and hatred, art and ambition, and freedom and oppression, The Age of Disenchantments is a chronicle of a family who modeled their lives (and deaths) on the works of art that most inspired and obsessed them and who, in turn, profoundly affected the culture and society around them. “A valuable primer on the ways literature intertwined with politics during Franco’s reign.” —Rigoberto González, Los Angeles Times “In this sweeping, ambitious debut, journalist Shulman offers a group biography of a family indelibly marked by the Spanish Civil War . . . Prodigiously researched and beautifully written.” —Publishers Weekly (starred review)
