Author: Brunilde Sismondo Ridgway
Publisher:
ISBN:
Category : Sculpture, Hellenistic
Languages : en
Pages : 0
Book Description
Hellenistic Sculpture III: The Styles of Ca.100-31 B.C.
Author: Brunilde Sismondo Ridgway
Publisher:
ISBN:
Category : Sculpture, Hellenistic
Languages : en
Pages : 0
Book Description
Publisher:
ISBN:
Category : Sculpture, Hellenistic
Languages : en
Pages : 0
Book Description
Hellenistic Sculpture
Author: Brunilde Sismondo Ridgway
Publisher:
ISBN:
Category : Sculpture, Hellenistic
Languages : en
Pages : 312
Book Description
Publisher:
ISBN:
Category : Sculpture, Hellenistic
Languages : en
Pages : 312
Book Description
Hellenistic Sculpture: The Styles of ca. 200-100 B.C
Author: Brunilde Sismondo Ridgway
Publisher:
ISBN:
Category : Sculpture, Classical
Languages : en
Pages : 464
Book Description
Publisher:
ISBN:
Category : Sculpture, Classical
Languages : en
Pages : 464
Book Description
Hellenistic Sculpture: The styles of ca. 100-31 B.C
Author: Brunilde Sismondo Ridgway
Publisher:
ISBN: 9780299118204
Category : Sculpture, Hellenistic
Languages : en
Pages :
Book Description
Publisher:
ISBN: 9780299118204
Category : Sculpture, Hellenistic
Languages : en
Pages :
Book Description
Hellenistic Sculpture
Author: Brunilde Sismondo Ridgway
Publisher: Univ of Wisconsin Press
ISBN: 9780299177102
Category : Art
Languages : en
Pages : 468
Book Description
This is the final volume in Brunilde Sismondo Ridgway's series of books covering the entire range of Greek sculpture, from its inception to its virtual end as it merged into the production of the Roman Imperial world. Volume III discusses sculptural works, both architectural and free-standing, from approximately 100 B.C. to the Battle of Actium (31 B.C.), which removed from power the last Hellenistic ruler. Although some monuments may belong to the years just before or just after this timespan, Ridgway's aim is to concentrate on works plausibly dated to the first century B.C., even those with highly controversial chronologies. Famous sculptures--the Laokoon, the epic groups from the Sperlonga cave, the Belvedere Torso, the bronze Boxer in the Terme Museum, and many others--are discussed together with less well known pieces. Ridgway gives special emphasis to the finds from two shipwrecks--the Mahdia and the Antikythera wrecks--that provide a reasonable terminus ante quem, and argues that many of the stylistic trends and decorative objects usually considered typically Roman instead have their roots in the Greek world. This last Hellenistic phase is perhaps the most interesting of the three because it documents, to a great extent, the transformation of the products of one culture into those of another with different interests and priorities. Far from being an unimaginative, inferior output driven by commercial considerations, the statuary of the first century B.C. is vibrant and inventive, drawing from many sources in a stylistic eclecticism.
Publisher: Univ of Wisconsin Press
ISBN: 9780299177102
Category : Art
Languages : en
Pages : 468
Book Description
This is the final volume in Brunilde Sismondo Ridgway's series of books covering the entire range of Greek sculpture, from its inception to its virtual end as it merged into the production of the Roman Imperial world. Volume III discusses sculptural works, both architectural and free-standing, from approximately 100 B.C. to the Battle of Actium (31 B.C.), which removed from power the last Hellenistic ruler. Although some monuments may belong to the years just before or just after this timespan, Ridgway's aim is to concentrate on works plausibly dated to the first century B.C., even those with highly controversial chronologies. Famous sculptures--the Laokoon, the epic groups from the Sperlonga cave, the Belvedere Torso, the bronze Boxer in the Terme Museum, and many others--are discussed together with less well known pieces. Ridgway gives special emphasis to the finds from two shipwrecks--the Mahdia and the Antikythera wrecks--that provide a reasonable terminus ante quem, and argues that many of the stylistic trends and decorative objects usually considered typically Roman instead have their roots in the Greek world. This last Hellenistic phase is perhaps the most interesting of the three because it documents, to a great extent, the transformation of the products of one culture into those of another with different interests and priorities. Far from being an unimaginative, inferior output driven by commercial considerations, the statuary of the first century B.C. is vibrant and inventive, drawing from many sources in a stylistic eclecticism.
Hellenistic Sculpture III
Author: Brunilde Sismondo Ridgway
Publisher:
ISBN:
Category : Sculpture, Hellenistic
Languages : en
Pages : 400
Book Description
Publisher:
ISBN:
Category : Sculpture, Hellenistic
Languages : en
Pages : 400
Book Description
Hellenistic Sculpture
Author: Brunilde Sismondo Ridgway
Publisher:
ISBN:
Category : Sculpture, Hellenistic
Languages : en
Pages : 374
Book Description
Publisher:
ISBN:
Category : Sculpture, Hellenistic
Languages : en
Pages : 374
Book Description
The Styles of Ca. 331-200 B.C
Author: Brunilde Sismondo Ridgway
Publisher:
ISBN: 9780299118242
Category :
Languages : en
Pages : 616
Book Description
Publisher:
ISBN: 9780299118242
Category :
Languages : en
Pages : 616
Book Description
Hellenistic Sculpture
Author: Brunilde Sismondo Ridgway
Publisher:
ISBN: 9781853991110
Category : Sculpture, Classical
Languages : en
Pages : 405
Book Description
Publisher:
ISBN: 9781853991110
Category : Sculpture, Classical
Languages : en
Pages : 405
Book Description
The Iconography of Sculptured Statue Bases in the Archaic and Classical Periods
Author: Angeliki Kosmopoulou
Publisher: Univ of Wisconsin Press
ISBN: 9780299176402
Category : Art
Languages : en
Pages : 386
Book Description
Angeliki Kosmopoulou demonstrates that relief bases present distinct, consistent iconographic and technical characteristics that differentiate them from related monuments."--BOOK JACKET.
Publisher: Univ of Wisconsin Press
ISBN: 9780299176402
Category : Art
Languages : en
Pages : 386
Book Description
Angeliki Kosmopoulou demonstrates that relief bases present distinct, consistent iconographic and technical characteristics that differentiate them from related monuments."--BOOK JACKET.