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Author: R. R. R. Smith
Publisher: Oxford University Press on Demand
ISBN: 9780198132240
Category : Social Science
Languages : en
Pages : 196
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Book Description
The visual image of the ruler, particularly in sculpture, played an important role in expressing the character of the new, distinctive style of monarchy brought to Greece and the East by Alexander and the Hellenistic kings. Royal portraits survive on coins and in sculpture, and we read about them in inscriptions and literature - evidence that is here combined to give an historical interpretation of the royal image from Alexander to Kleopatra. Part I looks at the historical setting of royal portrait statues, which functioned as an important medium of exchange between the king and the Greek cities. They gave a visual presentation of royal ideology and expressed the basis of the king's power in a personal godlike charisma. Part II collects together and analyses the major surviving portraits, grouped broadly by time and place, and Part III sets them in the wider political context of the period. The dated coin portraits are used to show broad changes in the royal image and howit responded to the major political challenges from Parthia to the East and Rome to the West.
Author: R. R. R. Smith
Publisher: Oxford University Press on Demand
ISBN: 9780198132240
Category : Social Science
Languages : en
Pages : 196
Get Book Here
Book Description
The visual image of the ruler, particularly in sculpture, played an important role in expressing the character of the new, distinctive style of monarchy brought to Greece and the East by Alexander and the Hellenistic kings. Royal portraits survive on coins and in sculpture, and we read about them in inscriptions and literature - evidence that is here combined to give an historical interpretation of the royal image from Alexander to Kleopatra. Part I looks at the historical setting of royal portrait statues, which functioned as an important medium of exchange between the king and the Greek cities. They gave a visual presentation of royal ideology and expressed the basis of the king's power in a personal godlike charisma. Part II collects together and analyses the major surviving portraits, grouped broadly by time and place, and Part III sets them in the wider political context of the period. The dated coin portraits are used to show broad changes in the royal image and howit responded to the major political challenges from Parthia to the East and Rome to the West.
Author: Paul Edmund Stanwick
Publisher: University of Texas Press
ISBN: 0292787472
Category : Art
Languages : en
Pages : 276
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Book Description
As archaeologists recover the lost treasures of Alexandria, the modern world is marveling at the latter-day glory of ancient Egypt and the Greeks who ruled it from the ascension of Ptolemy I in 306 B.C. to the death of Cleopatra the Great in 30 B.C. The abundance and magnificence of royal sculptures from this period testify to the power of the Ptolemaic dynasty and its influence on Egyptian artistic traditions that even then were more than two thousand years old. In this book, Paul Edmund Stanwick undertakes the first complete study of Egyptian-style portraits of the Ptolemies. Examining one hundred and fifty sculptures from the vantage points of literary evidence, archaeology, history, religion, and stylistic development, he fully explores how they meld Egyptian and Greek cultural traditions and evoke surrounding social developments and political events. To do this, he develops a "visual vocabulary" for reading royal portraiture and discusses how the portraits helped legitimate the Ptolemies and advance their ideology. Stanwick also sheds new light on the chronology of the sculptures, giving dates to many previously undated ones and showing that others belong outside the Ptolemaic period.
Author: Peter Schultz
Publisher:
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 318
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Book Description
Examines the styles and contexts of portrait statues produced during the early Hellenistic age.
Author: Catherine M. Keesling
Publisher: Cambridge University Press
ISBN: 1108211275
Category : Art
Languages : en
Pages : 329
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Book Description
In this book, Catherine M. Keesling lends new insight into the origins of civic honorific portraits that emerged at the end of the fifth century BC in ancient Greece. Surveying the subjects, motives and display contexts of Archaic and Classical portrait sculpture, she demonstrates that the phenomenon of portrait representation in Greek culture is complex and without a single, unifying history. Bringing a multi-disciplinary approach to the topic, Keesling grounds her study in contemporary texts such as Herodotus' Histories and situates portrait representation within the context of contemporary debates about the nature of arete (excellence), the value of historical commemoration and the relationship between the human individual and the gods and heroes. She argues that often the goal of Classical portraiture was to link the individual to divine or heroic models. Offering an overview of the role of portraits in Archaic and Classical Greece, her study includes local histories of the development of Greek portraiture in sanctuaries such as Olympia, Delphi and the Athenian Acropolis.
Author: Kostas Buraselis
Publisher: Cambridge University Press
ISBN: 1107355516
Category : History
Languages : en
Pages : 297
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Book Description
With its emphasis on the dynasty's concern for control of the sea – both the Mediterranean and the Red Sea – and the Nile, this book offers a new and original perspective on Ptolemaic power in a key period of Hellenistic history. Within the developing Aegean empire of the Ptolemies, the role of the navy is examined together with that of its admirals. Egypt's close relationship to Rhodes is subjected to scrutiny, as is the constant threat of piracy to the transport of goods on the Nile and by sea. Along with the trade in grain came the exchange of other products. Ptolemaic kings used their wealth for luxury ships and the dissemination of royal portraiture was accompanied by royal cult. Alexandria, the new capital of Egypt, attracted poets, scholars and even philosophers; geographical exploration by sea was a feature of the period and observations of the time enjoyed a long afterlife.
Author: Lucilla Burn
Publisher: Getty Publications
ISBN: 9780892367764
Category : Art
Languages : en
Pages : 192
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Book Description
In this beautifully illustrated volume, Burn (Keeper of Antiquities, Fitzwilliam Museum, Cambridge) introduces the Hellenistic world to students and readers interested in ancient Greek society. After a brief political and cultural overview, Burn identifies several distinctly Hellenistic artistic developments emerging in fourth-century Macedon. She then examines representations of royal and private individuals; the design, furnishing and appearances of cities, sanctuaries, houses and tombs; and the characteristic themes of Hellenistic iconography.
Author: Sheila Dillon
Publisher: Cambridge University Press
ISBN: 0521764505
Category : Art
Languages : en
Pages : 271
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Book Description
The first detailed analysis of the female portrait statue in the Greek world from the fourth century BCE to the third century CE.
Author: Jerome Jordan Pollitt
Publisher: Cambridge University Press
ISBN: 9780521276726
Category : Art
Languages : en
Pages : 348
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Book Description
This 1986 book is an interpretative history of Greek art during the Hellenistic period.
Author: Seán Hemingway
Publisher: Metropolitan Museum of Art
ISBN: 1588396584
Category : Art
Languages : en
Pages : 228
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Book Description
This handsome newly designed addition to The Metropolitan Museum of Art’s symposia series furthers the study of one of the most influential but less known periods of Greek art and culture. It is based on papers given at a two-day scholarly symposium held in conjunction with the award-winning exhibition “Pergamon and the Hellenistic Kingdoms of the Ancient World,” on view at the Metropolitan in 2016. The twenty diverse essays exemplify the international scope of the Hellenistic arts, which cover the three centuries between the death of Alexander the Great in 323 B.C. and the suicide of Cleopatra in 30 B.C. Subjects range from twenty-first century approaches to museum displays of archaeological material to the circulation of artists and works of art throughout the Mediterranean and the influence of Hellenistic art and its legacy in the ancient Roman world. Among the topics discussed are aspects of royal self-presentation and important elements of iconography and style in coins, gems, mosaics, sculpture, vessels, and wall paintings, in mediums including bronze, faience, glass, marble, silver, and terracotta. Authored by a number of internationally renowned scholars, the essays in this volume highlight the holdings of the Metropolitan and markedly demonstrate the artistic innovations and technical mastery of Hellenistic artists, offering new insights into the vitality and complexity of Hellenistic art. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana}
Author: Sheila Dillon
Publisher: Cambridge University Press
ISBN: 0521854989
Category : Art
Languages : en
Pages : 238
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Book Description
This book offers a new approach to the history of Greek portraiture by focusing on portraits without names. Comprehensively illustrated, it brings together a wide range of evidence that has never before been studied as a group. Sheila Dillon considers the few original bronze and marble portrait statues preserved from the Classical and Hellenistic periods together with the large number of Greek portraits known only through Roman 'copies'. In focusing on a series of images that have previously been ignored, Dillon investigates the range of strategies and modes utilized in these portraits to construct their subject's identity. Her methods undermine two basic tenets of Greek portraiture: first, that is was only in the late Hellenistic period, under Roman influence, that Greek portraits exhibited a wide range of styles, including descriptive realism; and second, that in most cases, one can easily tell a subject's public role - that is, whether he is a philosopher of an orator - from the visual traits used in this portrait. The sculptures studied here instead show that the proliferation of portrait styles takes place much earlier, in the late Classical period; and that the identity encoded in these portraits is much more complex and layered than has previously been realized. Despite the fact that these portraits lack the one feature most prized by scholars of ancient portraiture - a name - they are evidence of utmost importance for the history of Greek portraiture.
