Heinrich Heine and the Lied PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Heinrich Heine and the Lied PDF full book. Access full book title Heinrich Heine and the Lied by Susan Youens. Download full books in PDF and EPUB format.
Author: Susan Youens
Publisher: Cambridge University Press
ISBN: 0521823749
Category : Music
Languages : en
Pages : 317
Get Book Here
Book Description
A study into the poet Heinrich Heine's impact on nineteenth-century song.
Author: Susan Youens
Publisher: Cambridge University Press
ISBN: 0521823749
Category : Music
Languages : en
Pages : 317
Get Book Here
Book Description
A study into the poet Heinrich Heine's impact on nineteenth-century song.
Author: Michael Cherlin
Publisher: Cambridge University Press
ISBN: 110714129X
Category : Literary Criticism
Languages : en
Pages : 285
Get Book Here
Book Description
Sophisticated and engaging, this volume explores and compares musical irony in the works of major composers, from Mozart to Mahler.
Author: Lorraine Gorrell
Publisher: Rowman & Littlefield
ISBN: 1574672258
Category : Music
Languages : en
Pages : 400
Get Book Here
Book Description
The development of the piano, together with changes in culture and society, led to the transformation of song into a major musical genre. This study of the great lieder of 19th-century composers Schubert, Schumann, Brahms, and Hugo Wolf also includes lesser-known composers, such as Louis Spohr and Robert Franz, plus significant contributions from women composers and performers.
Author: Jennifer Ronyak
Publisher: Indiana University Press
ISBN: 0253035791
Category : Music
Languages : en
Pages : 284
Get Book Here
Book Description
The German lied, or art song, is considered one of the most intimate of all musical genres—often focused on the poetic speaker's inner world and best suited for private and semi-private performance in the home or salon. Yet, problematically, any sense of inwardness in lieder depends on outward expression through performance. With this paradox at its heart, Intimacy, Performance, and the Lied in the Early Nineteenth Century explores the relationships between early nineteenth-century theories of the inward self, the performance practices surrounding inward lyric poetry and song, and the larger conventions determining the place of intimate poetry and song in the public concert hall. Jennifer Ronyak studies the cultural practices surrounding lieder performances in northern and central Germany in the first quarter of the nineteenth century, demonstrating how presentations of lieder during the formative years of the genre put pressure on their sense of interiority. She examines how musicians responded to public concern that outward expression would leave the interiority of the poet, the song, or the performer unguarded and susceptible to danger. Through this rich performative paradox Ronyak reveals how a song maintains its powerful intimacy even during its inherently public performance.
Author: Marjorie Wing Hirsch
Publisher: Cambridge University Press
ISBN: 9780521418201
Category : Music
Languages : en
Pages : 200
Get Book Here
Book Description
This book explores the way in which Schubert revolutionised the Lied, transforming folk song into art song through the mixture of dramatic and lyrical vocal genres. By introducing dramatic poetry and musical traits within solo song settings, he turned the Lied into a highly expressive musical medium capable of conveying the complexities and nuances of the new Romantic poetry. In so doing, he created an art form which attracted nearly every subsequent composer of the period. Schubert's numerous dramatic songs have baffled critics from his day to our own. Their unusual stylistic characteristics - through composed form, progressive tonal structures, declamatory vocal lines, illustrative accompaniments - fly in the face of traditional conceptions of the Lied. Dr Hirsch's discussion and analysis of selected dramatic Lieder illuminate Schubert's compositional innovation.
Author: Heinrich 1797-1856 Heine
Publisher: Legare Street Press
ISBN: 9781013679223
Category :
Languages : en
Pages : 342
Get Book Here
Book Description
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Laura Tunbridge
Publisher: Cambridge University Press
ISBN: 0521896444
Category : Music
Languages : en
Pages : 255
Get Book Here
Book Description
Investigates how other types of music have influenced the scope of the song cycle, from operas and symphonies to popular song --
Author: Beate Julia Perrey
Publisher: Cambridge University Press
ISBN: 9780521814799
Category : Music
Languages : en
Pages : 276
Get Book Here
Book Description
This book offers a theory of Romantic song by re-evaluating Schumann's Dichterliebe of 1840, one of the most enigmatic works of the repertoire. It investigates the poetics of Early Romanticism in order to understand the mysterious magnetism and singular imaginative energy that imbues Schumann's musical language. The Romantics rejected the ideal of a coherent and organic whole and cherished the suggestive openness of the Romantic fragment, the disconcerting tone of Romantic irony and the endlessness of Romantic reflection - thereby realizing an aesthetic of fragmentation. Close readings of many songs from Dichterliebe show the singer's intense involvement with the piano's voice, suggesting a 'split Self' and the presence of the 'Other'. Seeing Schumann as the 'second poet of the poem' - here of Heine's famous Lyrisches Intermezzo - this book considers essential issues of musico-poetic intertextuality, introducing into musicology a hermeneutic that seeks to synthesize philosophical, literary-critical, music-analytical and psycho-analytical modes of thought.
Author: James Parsons
Publisher: Cambridge University Press
ISBN: 9780521804714
Category : Music
Languages : en
Pages : 446
Get Book Here
Book Description
Beginning several generations before Schubert, the Lied first appears as domestic entertainment. In the century that follows it becomes one of the primary modes of music-making. By the time German song comes to its presumed conclusion with Richard Strauss's 1948 Vier letzte Lieder, this rich repertoire has moved beyond the home and keyboard accompaniment to the symphony hall. This is a 2004 introductory chronicle of this fascinating genre. In essays by eminent scholars, this Companion places the Lied in its full context - at once musical, literary, and cultural - with chapters devoted to focal composers as well as important issues, such as the way in which the Lied influenced other musical genres, its use as a musical commodity, and issues of performance. The volume is framed by a detailed chronology of German music and poetry from the late 1730s to the present and also contains a comprehensive bibliography.
Author: Joe Davies
Publisher: Cambridge University Press
ISBN: 1108489842
Category : Music
Languages : en
Pages : 329
Get Book Here
Book Description
Develops a holistic and gender-aware understanding of Clara Schumann as pianist, composer and teacher in nineteenth-century Germany.
