Author: Israel Adler
Publisher:
ISBN:
Category : Hebrew imprints
Languages : en
Pages : 670
Book Description
Hebrew Notated Manuscript Sources Up to Circa 1840
Author: Israel Adler
Publisher: G. Henle
ISBN:
Category : Reference
Languages : en
Pages : 674
Book Description
Publisher: G. Henle
ISBN:
Category : Reference
Languages : en
Pages : 674
Book Description
Textual Transmission in Contemporary Jewish Cultures
Author: Avriel Bar-Levav
Publisher: Oxford University Press
ISBN: 0197516505
Category : Religion
Languages : en
Pages : 361
Book Description
Jewish culture places a great deal of emphasis on texts and their means of transmission. At various points in Jewish history, the primary mode of transmission has changed in response to political, geographical, technological, and cultural shifts. Contemporary textual transmission in Jewish culture has been influenced by secularization, the return to Hebrew and the emergence of modern Yiddish, and the new centers of Jewish life in the United States and in Israel, as well as by advancements in print technology and the invention of the Internet. Volume XXXI of Studies in Contemporary Jewry deals with various aspects of textual transmission in Jewish culture in the last two centuries. Essays in this volume examine old and new kinds of media and their meanings; new modes of transmission in fields such as Jewish music; and the struggle to continue transmitting texts under difficult political circumstances. Two essays analyze textual transmission in the works of giants of modern Jewish literature: S.Y. Agnon, in Hebrew, and Isaac Bashevis Singer, in Yiddish. Other essays discuss paratexts in the East, print cultures in the West, and the organization of knowledge in libraries and encyclopedias.
Publisher: Oxford University Press
ISBN: 0197516505
Category : Religion
Languages : en
Pages : 361
Book Description
Jewish culture places a great deal of emphasis on texts and their means of transmission. At various points in Jewish history, the primary mode of transmission has changed in response to political, geographical, technological, and cultural shifts. Contemporary textual transmission in Jewish culture has been influenced by secularization, the return to Hebrew and the emergence of modern Yiddish, and the new centers of Jewish life in the United States and in Israel, as well as by advancements in print technology and the invention of the Internet. Volume XXXI of Studies in Contemporary Jewry deals with various aspects of textual transmission in Jewish culture in the last two centuries. Essays in this volume examine old and new kinds of media and their meanings; new modes of transmission in fields such as Jewish music; and the struggle to continue transmitting texts under difficult political circumstances. Two essays analyze textual transmission in the works of giants of modern Jewish literature: S.Y. Agnon, in Hebrew, and Isaac Bashevis Singer, in Yiddish. Other essays discuss paratexts in the East, print cultures in the West, and the organization of knowledge in libraries and encyclopedias.
Hebrew Notated Manuscript Sources Up to Circa 1840: Index
Author: Israel Adler
Publisher:
ISBN:
Category : Hebrew imprints
Languages : iw
Pages : 340
Book Description
Publisher:
ISBN:
Category : Hebrew imprints
Languages : iw
Pages : 340
Book Description
The Making of a Reform Jewish Cantor
Author: Judah M. Cohen
Publisher: Indiana University Press
ISBN: 0253045479
Category : Music
Languages : en
Pages : 321
Book Description
The Making of a Reform Jewish Cantor provides an unprecedented look into the meaning of attaining musical authority among American Reform Jews at the turn of the 21st century. How do aspiring cantors adapt traditional musical forms to the practices of contemporary American congregations? What is the cantor's role in American Jewish religious life today? Cohen follows cantorial students at the School of Sacred Music, Hebrew Union College, over the course of their training, as they prepare to become modern Jewish musical leaders. Opening a window on the practical, social, and cultural aspects of aspiring to musical authority, this book provides unusual insights into issues of musical tradition, identity, gender, community, and high and low musical culture.
Publisher: Indiana University Press
ISBN: 0253045479
Category : Music
Languages : en
Pages : 321
Book Description
The Making of a Reform Jewish Cantor provides an unprecedented look into the meaning of attaining musical authority among American Reform Jews at the turn of the 21st century. How do aspiring cantors adapt traditional musical forms to the practices of contemporary American congregations? What is the cantor's role in American Jewish religious life today? Cohen follows cantorial students at the School of Sacred Music, Hebrew Union College, over the course of their training, as they prepare to become modern Jewish musical leaders. Opening a window on the practical, social, and cultural aspects of aspiring to musical authority, this book provides unusual insights into issues of musical tradition, identity, gender, community, and high and low musical culture.
Music in the Hebrew Bible
Author: Jonathan L. Friedmann
Publisher: McFarland
ISBN: 1476614393
Category : Music
Languages : en
Pages : 215
Book Description
Music in the Hebrew Bible investigates musical citations in the Hebrew Bible and their relevance for our times. Most biblical musical references are addressed, either alone or as a grouping, and each is considered from a modern perspective. The book consists of one hundred brief essays divided into four parts. Part one offers general overviews of musical contexts, recurring musical-biblical themes and discussions of basic attitudes and tendencies of the biblical authors and their society. Part two presents essays uncovering what the Torah (Pentateuch) has to say about music, both literally and allegorically. The third part includes studies on music's place in Nevi'im (Prophets) and the perceived link between musical expression and human-divine contact. Part four is comprised of essays on musical subjects derived from the disparate texts of Ketuvim (Writings).
Publisher: McFarland
ISBN: 1476614393
Category : Music
Languages : en
Pages : 215
Book Description
Music in the Hebrew Bible investigates musical citations in the Hebrew Bible and their relevance for our times. Most biblical musical references are addressed, either alone or as a grouping, and each is considered from a modern perspective. The book consists of one hundred brief essays divided into four parts. Part one offers general overviews of musical contexts, recurring musical-biblical themes and discussions of basic attitudes and tendencies of the biblical authors and their society. Part two presents essays uncovering what the Torah (Pentateuch) has to say about music, both literally and allegorically. The third part includes studies on music's place in Nevi'im (Prophets) and the perceived link between musical expression and human-divine contact. Part four is comprised of essays on musical subjects derived from the disparate texts of Ketuvim (Writings).
Synagogue Song
Author: Jonathan L. Friedmann
Publisher: McFarland
ISBN: 0786491361
Category : Religion
Languages : en
Pages : 204
Book Description
Throughout history, music has been a fixture of Jewish religious life. Musical references appear in biblical accounts of the Red Sea crossing and King Solomon's coronation, and music continues to play a central role in virtually every Jewish occasion. Through 100 brief chapters, this volume considers theoretical approaches to the study of Jewish sacred music. Topics include the diversity of Jewish music, the interaction of music and identity, the emotional and spiritual impact of worship music, the text-tone relationship, the musical component of Jewish holidays, and the varied ways prayer-songs are performed. These distillations of complex topics invite a fuller appreciation of synagogue song and an understanding of the ubiquitous presence of music in Jewish worship.
Publisher: McFarland
ISBN: 0786491361
Category : Religion
Languages : en
Pages : 204
Book Description
Throughout history, music has been a fixture of Jewish religious life. Musical references appear in biblical accounts of the Red Sea crossing and King Solomon's coronation, and music continues to play a central role in virtually every Jewish occasion. Through 100 brief chapters, this volume considers theoretical approaches to the study of Jewish sacred music. Topics include the diversity of Jewish music, the interaction of music and identity, the emotional and spiritual impact of worship music, the text-tone relationship, the musical component of Jewish holidays, and the varied ways prayer-songs are performed. These distillations of complex topics invite a fuller appreciation of synagogue song and an understanding of the ubiquitous presence of music in Jewish worship.
Perspectives on Jewish Music
Author: Jonathan L. Friedmann
Publisher: Rowman & Littlefield
ISBN: 0739141546
Category : Religion
Languages : en
Pages : 171
Book Description
Perspectives on Jewish Music presents five unique and engaging explorations of Jewish music. Areas covered include self-expression in contemporary Jewish secular music, the rise of popular music in the American synagogue, the theological requirements of the cantor, the role of women in Sephardic music and society, and the personal reflections of a leading figure in American synagogue music. Its wide-ranging topics and disciplinary approaches give evidence for the centrality of music in Jewish religious and secular life, and demonstrate that Jewish music is as diverse as the Jews themselves. From these studies, readers will gain an appreciation of both what Jewish music is and what it does. This book will be useful for students, practitioners, and scholars of Jewish secular and religious music and Jewish cultural studies, as well as ethnomusicologists specializing in Jewish or religious music.
Publisher: Rowman & Littlefield
ISBN: 0739141546
Category : Religion
Languages : en
Pages : 171
Book Description
Perspectives on Jewish Music presents five unique and engaging explorations of Jewish music. Areas covered include self-expression in contemporary Jewish secular music, the rise of popular music in the American synagogue, the theological requirements of the cantor, the role of women in Sephardic music and society, and the personal reflections of a leading figure in American synagogue music. Its wide-ranging topics and disciplinary approaches give evidence for the centrality of music in Jewish religious and secular life, and demonstrate that Jewish music is as diverse as the Jews themselves. From these studies, readers will gain an appreciation of both what Jewish music is and what it does. This book will be useful for students, practitioners, and scholars of Jewish secular and religious music and Jewish cultural studies, as well as ethnomusicologists specializing in Jewish or religious music.
The Jewish Body
Author: Maria Diemling
Publisher: BRILL
ISBN: 9047442091
Category : History
Languages : en
Pages : 500
Book Description
The tension between the "book" and the "body" has in recent years attracted the attention of scholars interested in the perception of the body in Judaism and the impact of religious law and performance on the body. The fifteen contributions in this volume deal with perceptions of the "Jewish body" in a broad range of legal, poetic, mystical, philosophical and polemical early modern Jewish sources. The first part of the book examines the construction of the body in specific historical and social contexts. Part two discusses normative texts and the notion of an "ideal Jewish body." Part three explores body, mind and soul in Jewish philosophy and mysticism. The last section of the book discusses body issues in Jewish-Christian discourse. The volume includes contributions by Howard Tzvi Adelman, Ruth Berger, Saverio Campanini, Maria Diemling, Eleazar Gutwirth, Don Harrán, Moshe Idel, Sergius Kodera, Arthur M. Lesley, Gianfranco Miletto, Giuseppe Veltri, Roni Weinstein, Elliot R. Wolfson, Jeffrey R. Woolf and Nimrod Zinger. "Maria Diemling and Giuseppe Veltri have assembled an accomplished group of scholars and collected an important store of articles concerning physicality in early modern Jewish culture. Its contents are broad enough to appeal to a wide readership of scholars and students in gender studies, cultural history, intellectual history, anthropology, religious studies, Kabbalah — even the history of music and art. In spite of this considerable topical and thematic diversity the book avoids losing focus; in one way or another each contribution responds to Diemling and Veltri’s organizing question: how did early modern Jews react to the period’s increased emphasis on and interest in corporeality?" - Andrew Berns, University of Pennsylvania, in: Renaissance Quarterly 63.1 (2010)
Publisher: BRILL
ISBN: 9047442091
Category : History
Languages : en
Pages : 500
Book Description
The tension between the "book" and the "body" has in recent years attracted the attention of scholars interested in the perception of the body in Judaism and the impact of religious law and performance on the body. The fifteen contributions in this volume deal with perceptions of the "Jewish body" in a broad range of legal, poetic, mystical, philosophical and polemical early modern Jewish sources. The first part of the book examines the construction of the body in specific historical and social contexts. Part two discusses normative texts and the notion of an "ideal Jewish body." Part three explores body, mind and soul in Jewish philosophy and mysticism. The last section of the book discusses body issues in Jewish-Christian discourse. The volume includes contributions by Howard Tzvi Adelman, Ruth Berger, Saverio Campanini, Maria Diemling, Eleazar Gutwirth, Don Harrán, Moshe Idel, Sergius Kodera, Arthur M. Lesley, Gianfranco Miletto, Giuseppe Veltri, Roni Weinstein, Elliot R. Wolfson, Jeffrey R. Woolf and Nimrod Zinger. "Maria Diemling and Giuseppe Veltri have assembled an accomplished group of scholars and collected an important store of articles concerning physicality in early modern Jewish culture. Its contents are broad enough to appeal to a wide readership of scholars and students in gender studies, cultural history, intellectual history, anthropology, religious studies, Kabbalah — even the history of music and art. In spite of this considerable topical and thematic diversity the book avoids losing focus; in one way or another each contribution responds to Diemling and Veltri’s organizing question: how did early modern Jews react to the period’s increased emphasis on and interest in corporeality?" - Andrew Berns, University of Pennsylvania, in: Renaissance Quarterly 63.1 (2010)
Music and Jewish Culture in Early Modern Italy
Author: Lynette Bowring
Publisher: Indiana University Press
ISBN: 0253060087
Category : History
Languages : en
Pages : 318
Book Description
Musical culture in Jewish communities in early modern Italy was much more diverse than researchers originally thought. An interdisciplinary reassessment, Music and Jewish Culture in Early Modern Italy evaluates the social, cultural, political, economic, and religious circumstances that shaped this community, especially in light of the need to recognize individual experiences within minority populations. Contributors draw from rich materials, topics, and approaches as they explore the inherently diverse understandings of music in daily life, the many ways that Jewish communities conceived of music, and the reception of and responses to Jewish musical culture. Highlighting the multifaceted experience of music within Jewish communities, Music and Jewish Culture in Early Modern Italy sheds new light on the place of music in complex, previously misunderstood environments.
Publisher: Indiana University Press
ISBN: 0253060087
Category : History
Languages : en
Pages : 318
Book Description
Musical culture in Jewish communities in early modern Italy was much more diverse than researchers originally thought. An interdisciplinary reassessment, Music and Jewish Culture in Early Modern Italy evaluates the social, cultural, political, economic, and religious circumstances that shaped this community, especially in light of the need to recognize individual experiences within minority populations. Contributors draw from rich materials, topics, and approaches as they explore the inherently diverse understandings of music in daily life, the many ways that Jewish communities conceived of music, and the reception of and responses to Jewish musical culture. Highlighting the multifaceted experience of music within Jewish communities, Music and Jewish Culture in Early Modern Italy sheds new light on the place of music in complex, previously misunderstood environments.
Sacred Sound and Social Change
Author: Lawrence A. Hoffman
Publisher: University of Notre Dame Pess
ISBN: 0268160570
Category : Religion
Languages : en
Pages : 301
Book Description
Teachers, students, composers, performers, and other practitioners of sacred sound will appreciate this volume because, unlike any book currently available on sacred music, it treats the history, development, current practices, composition, and critical views of the liturgical music of both the Jewish and Christian traditions. Contributors trace Jewish music from its place in Hebrew Scriptures through the nineteenth-century Reform movement. Similar accounts of Christian music describe its growth up to the Protestant Reformation, as well as post-Reformation development. Other essays explore liturgical music in contemporary North America by analyzing it against the backdrop of the continuous social change that characterizes our era.
Publisher: University of Notre Dame Pess
ISBN: 0268160570
Category : Religion
Languages : en
Pages : 301
Book Description
Teachers, students, composers, performers, and other practitioners of sacred sound will appreciate this volume because, unlike any book currently available on sacred music, it treats the history, development, current practices, composition, and critical views of the liturgical music of both the Jewish and Christian traditions. Contributors trace Jewish music from its place in Hebrew Scriptures through the nineteenth-century Reform movement. Similar accounts of Christian music describe its growth up to the Protestant Reformation, as well as post-Reformation development. Other essays explore liturgical music in contemporary North America by analyzing it against the backdrop of the continuous social change that characterizes our era.