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Author: Nelson Varas-Díaz
Publisher: Rowman & Littlefield
ISBN: 1793607524
Category : Music
Languages : en
Pages : 361
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Book Description
In Heavy Metal Music in Latin America: Perspectives from the Distorted South, the editors bring together scholars engaged in the study of heavy metal music in Latin America to reflect on the heavy metal genre from a regional perspective. The contributors’ southern voices diversify metal scholarship in the global north. An extreme musical genre for an extreme region, the contributors explore how issues like colonialism, dictatorships, violence, ethnic extermination and political persecution have shaped heavy metal music in Latin America, and how music has helped shape Latin American culture and politics.
Author: Nelson Varas-Díaz
Publisher: Rowman & Littlefield
ISBN: 1793607524
Category : Music
Languages : en
Pages : 361
Get Book Here
Book Description
In Heavy Metal Music in Latin America: Perspectives from the Distorted South, the editors bring together scholars engaged in the study of heavy metal music in Latin America to reflect on the heavy metal genre from a regional perspective. The contributors’ southern voices diversify metal scholarship in the global north. An extreme musical genre for an extreme region, the contributors explore how issues like colonialism, dictatorships, violence, ethnic extermination and political persecution have shaped heavy metal music in Latin America, and how music has helped shape Latin American culture and politics.
Author: Nelson Varas-Diaz
Publisher: Advances in Metal Music and Culture
ISBN: 9781789387568
Category :
Languages : en
Pages : 0
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Book Description
A historical and sociological journey through Latin American heavy metal music. The long-lasting effects of colonialism--racism, political persecution, ethnic extermination, and extreme capitalism--are still felt throughout Latin America. This volume explores how heavy metal music in the region has been used to challenge coloniality and its present-day manifestations. Drawing on extensive ethnographic research in Puerto Rico, Cuba, the Dominican Republic, Mexico, Guatemala, Colombia, Peru, Chile, and Argentina, Nelson Varas-Díaz documents how metal musicians and listeners engage in "extreme decolonial dialogues" as a strategy to challenge past and present forms of oppression. Most existing work on metal music in Latin America has relied on theoretical frameworks developed in the global North. By contrast, this volume explores the region through its own history and experiences, providing a roadmap for this emerging mode of musical analysis by demonstrating how decolonial metal scholarship can be achieved.
Author: Eric Zolov
Publisher: Univ of California Press
ISBN: 9780520215146
Category : Education
Languages : en
Pages : 374
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Book Description
"This book traces the history of rock 'n' roll in Mexico and the rise of the native countercultural movement La Onda (the wave). This story frames the most significant crisis of Mexico's postrevolution period: the student-led protests in 1968 and the government-orchestrated massacre that put an end to the movement".--BOOKJACKET.
Author: Roberto Avant-Mier
Publisher: Bloomsbury Publishing USA
ISBN: 1441164480
Category : Social Science
Languages : en
Pages : 241
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Book Description
Rock the Nation analyzes Latino/a identity through rock 'n' roll music and its deep Latin/o history. By linking rock music to Latinos and to music from Latin America, the author argues that Latin/o music, people, and culture have been central to the development of rock music as a major popular music form, in spite of North American racial logic that marginalizes Latino/as as outsiders, foreigners, and always exotic. According to the author, the Latin/o Rock Diaspora illuminates complex identity issues and interesting paradoxes with regard to identity politics, such as nationalism. Latino/as use rock music for assimilation to mainstream North American culture, while in Latin America, rock music in Spanish is used to resist English and the hegemony of U.S. culture. Meanwhile, singing in English and adopting U.S. popular culture allows youth to resist the hegemonic nationalisms of their own countries. Thus, throughout the Americas, Latino/as utilize rock music for assimilation to mainstream national culture(s), for resistance to the hegemony of dominant culture(s), and for mediating the negotiation of Latino/a identities.
Author: Jason Lief
Publisher: Lexington Books
ISBN: 149850633X
Category : Music
Languages : en
Pages : 143
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Book Description
This book explores the symbolic connections between Christianity and Heavy Metal music in the context of the secular West. Heavy Metal uses symbols and imagery taken from Christianity, even if the purpose is to critique religion. This usage creates a positive connection with an interpretation of Christianity as a form of cultural critique. Given that Metal and Christianity are associated with Western culture, this book explores how Christianity and Heavy Metal function within the context of secularity as a form of ideological critique. Using the ideas of Emile Durkheim, Max Weber, and Charles Taylor as a starting point, this book explores the religious nature of secularism in the West interpreted in the immanent processes of politics and economics. In this connect, both Christianity and Heavy Metal provide a cultural critique through images of death, the grotesque, and sacrifice. By bringing this religious interpretation of secularism into conversation with the ideas of Georges Batailles, Slavoj Žižek, and Jürgen Moltmann, this book will demonstrate the positive relationship between Christianity and Heavy Metal.
Author: Nelson Varas-Díaz
Publisher: Lexington Books
ISBN: 1498506399
Category : Music
Languages : en
Pages : 232
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Book Description
It is common to hear heavy metal music fans and musicians talk about the “metal community”. This concept, which is widely used when referencing this musical genre, encompasses multiple complex aspects that are seldom addressed in traditional academic endeavors including shared aesthetics, musical practices, geographies, and narratives. The idea of a “metal community” recognizes that fans and musicians frequently identify as part of a collective group, larger than any particular individual. Still, when examined in detail, the idea raises more questions than answers. What criteria are used to define groups of people as part of the community? How are metal communities formed and maintained through time? How do metal communities interact with local cultures throughout the world? How will metal communities change over the lifespan of their members? Are metal communities even possible in light of the importance placed on individualism in this musical genre? These are just some of the questions that arise when the concept of “community” is used in relation to heavy metal music. And yet in the face of all these complexities, heavy metal fans continue to think of themselves as a unified collective entity. This book addresses this notion of “metal community” via the experiences of authors and fans through theoretical reflections and empirical research. Their contributions focus on how metal communities are conceptualized, created, shaped, maintained, interact with their context, and address internal tensions. The book provides scholars, and other interested in the field of metal music studies, with a state of the art reflection on how metal communities are constituted, while also addressing their limits and future challenges.
Author: Amanda DiGioia
Publisher: Emerald Group Publishing
ISBN: 1839099488
Category : Music
Languages : en
Pages : 310
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Book Description
This multi-disciplinary book explores the textual analysis of heavy metal lyrics written in languages other than English including Japanese, Yiddish, Latin, Russian, Hungarian, Austrian German, and Norwegian. Topics covered include national and minority identity, politics, wordplay, parody, local/global, intertextuality, and adaptation.
Author: Nelson Varas-Díaz
Publisher: Rowman & Littlefield
ISBN: 1666919799
Category : Music
Languages : en
Pages : 263
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Book Description
For many fans, metal was visual before it was aural. This book explores the visual dimensions of metal music from the specific socio-historic, geographic, and political positionality of Latin America and the Caribbean where this visual register allows creators and consumers to engage in four distinct strategies (i.e., seeing, revealing, inverting, and appearing) as part of what the authors have termed “extreme decolonial dialogues.” They support their position through a diverse lens that examines essential aspects of the visual dimensions of metal music: album artwork, clothing, film, sites, and activist practices.
Author: Toni-Matti Karjalainen
Publisher: Cambridge Scholars Publishing
ISBN: 1527520056
Category : Music
Languages : en
Pages : 212
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Book Description
This book originates from the 2017 edition of the multidisciplinary Modern Heavy Metal Conference, organised in Helsinki, Finland. This collection of seven scholarly essays explores local scenes and identities within heavy metal music from multiple angles, covering a variety of different countries and metal sub-genres from Finland to Indonesia, and from black metal to metalcore. The essays here lay various theoretical perspectives and incorporate vivid examples with metal bands and scenes from all over the world. By exploring themes and discourses that are central to both research and practice, this book appeals to a versatile global readership. It serves the wide academic communities of metal music and popular music studies as well as of many other streams within cultural and social studies. This book also provides the large and active global community of heavy metal fans with a highly interesting package of genre information and country perspectives.
Author: Mark LeVine
Publisher: Univ of California Press
ISBN: 0520389395
Category : Family & Relationships
Languages : en
Pages : 227
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Book Description
This updated reissue of Mark LeVine’s acclaimed, revolutionary book on sub- and countercultural music in the Middle East brings this groundbreaking portrait of the region’s youth cultures to a new generation. Featuring a new preface by the author in conversation with the band The Kominas about the problematic connections between extreme music and Islam. An eighteen-year-old Moroccan who loves Black Sabbath. A twenty-two-year-old rapper from the Gaza Strip. A young Lebanese singer who quotes Bob Marley’s “Redemption Song.” Heavy metal, punk, hip-hop, and reggae are each the music of protest, and are considered immoral by many in the Muslim world. As the young people and subcultures featured in Mark LeVine’s Heavy Metal Islam so presciently predicted, this music turned out to be the soundtrack of countercultures, uprisings, and even revolutions from Morocco to Pakistan. In Heavy Metal Islam, originally published in 2008, Mark LeVine explores the influence of Western music on the Middle East and North Africa through interviews with musicians and fans, introducing us to young people struggling to reconcile their religion with a passion for music and a thirst for change. The result is a revealing tour de force of contemporary cultures across the Muslim majority world through the region’s evolving music scenes that only a musician, scholar, and activist with LeVine’s unique breadth of experience could narrate. A New York Times Editor’s Pick when it was first published, Heavy Metal Islam is a surprising, wildly entertaining foray into a historically authoritarian region where music reveals itself to be a true democratizing force—and a groundbreaking work of scholarship that pioneered new forms of research in the region.
