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Author: Gilya Gerda Schmidt
Publisher: Univ. of Tennessee Press
ISBN: 1621908720
Category : Biography & Autobiography
Languages : en
Pages : 351
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Book Description
"When Gilya Gerda Schmidt met him in 1986, Cantor Heiser had spent forty-six of his eighty-one years as a US citizen. He had assumed the cantorate at Congregation B'nai Israel in the East End of Pittsburgh, Pennsylvania, in 1942. A master of the cantor's art, he was renowned for his style, arrangements, and deeply affecting voice. In this book, Schmidt melds decades of archival research, conservation efforts, family interviews, and trips to Jerusalem and Berlin into a critical reconstruction of the life and vision of Hazzan Mordecai Gustav Heiser in the multiple contexts that shaped him. Coming of age in Berlin in the afterglow of the Second German Empire, young Gustav had tasted European Jewish culture in a rare state of refinement and modernity. But by January 30, 1940, when he reached New York with his wife and two-and-a-half-year-old daughter, Cantor Heiser had lost nearly all of his living family relations to the extermination programs of the German Reich, and narrowly survived incarceration at Sachsenhausen himself. While Cantor Heiser's art was steeped in nineteenth-century tradition, Schmidt contends that Heiser's music was a powerful affirmation of Jewish life in the twentieth century. In a final chapter, Schmidt describes his influence on the American cantorate and American culture and society"--
Author: Gilya Gerda Schmidt
Publisher: Univ. of Tennessee Press
ISBN: 1621908720
Category : Biography & Autobiography
Languages : en
Pages : 351
Get Book Here
Book Description
"When Gilya Gerda Schmidt met him in 1986, Cantor Heiser had spent forty-six of his eighty-one years as a US citizen. He had assumed the cantorate at Congregation B'nai Israel in the East End of Pittsburgh, Pennsylvania, in 1942. A master of the cantor's art, he was renowned for his style, arrangements, and deeply affecting voice. In this book, Schmidt melds decades of archival research, conservation efforts, family interviews, and trips to Jerusalem and Berlin into a critical reconstruction of the life and vision of Hazzan Mordecai Gustav Heiser in the multiple contexts that shaped him. Coming of age in Berlin in the afterglow of the Second German Empire, young Gustav had tasted European Jewish culture in a rare state of refinement and modernity. But by January 30, 1940, when he reached New York with his wife and two-and-a-half-year-old daughter, Cantor Heiser had lost nearly all of his living family relations to the extermination programs of the German Reich, and narrowly survived incarceration at Sachsenhausen himself. While Cantor Heiser's art was steeped in nineteenth-century tradition, Schmidt contends that Heiser's music was a powerful affirmation of Jewish life in the twentieth century. In a final chapter, Schmidt describes his influence on the American cantorate and American culture and society"--
Author: Gilya Gerda Schmidt
Publisher: Univ. of Tennessee Press
ISBN: 1621908739
Category : Music
Languages : en
Pages : 351
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Book Description
When Gilya Gerda Schmidt met him in 1986, Cantor Heiser had spent forty-six of his eighty-one years as a US citizen and was well-acquainted with mourning. Heiser had assumed the cantorate at Congregation B’nai Israel in the East End of Pittsburgh, Pennsylvania, in 1942. A master of the cantor’s art, he was renowned for his style, elegant choir and service arrangements, and rich, dolesome voice, which seemed to pass effortlessly into hearers’ hearts. But this book is more than a memorial to Heiser. Schmidt melds decades of archival research, conservation efforts, family interviews, and trips to Jerusalem and Berlin into a critical reconstruction of the life and vision of Hazzan Mordecai Gustav Heiser in the multiple contexts that shaped him. Coming of age in Berlin in the afterglow of the Second German Empire meant that young Gustav had tasted European Jewish culture in a rare state of refinement and modernity. But by January 30, 1940, when he reached New York with his wife, Elly, and two-and-a-half-year-old daughter, Judith, Cantor Heiser had lost nearly all of his living family relations to the extermination programs of the German Reich, after narrowly surviving a brief incarceration at Sachsenhausen. While Cantor Heiser’s art was steeped in nineteenth-century tradition, Schmidt contends that Heiser’s music was a powerful affirmation of Jewish life in the twentieth century. In a final chapter, Schmidt describes his influence on the American cantorate and American culture and society.
Author:
Publisher: Holocaust Library
ISBN:
Category : History
Languages : en
Pages : 760
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Book Description
Author:
Publisher:
ISBN:
Category : Jews
Languages : en
Pages : 228
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Book Description
Author: Philip M. and Ethel Klutznick Chair in Jewish Civilization. Symposium
Publisher: Creighton University Press
ISBN:
Category : History
Languages : en
Pages : 352
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Book Description
The major concerns in Jewish history throughout the ages have been assimilation, acculturation, and accommodation. The difficulties which Jews have faced in the past, the problems which they confront in the present, and the issues which will have a major implication for their future are the heart of this collection. Particular attention is paid to the subject of interfaith marriage, which stirs more intense debate than any other issue. The collection contains 16 articles reviewing different aspects of assimilation, acculturation and accommodation from the Masmonean period in the second century B.C.E. and the relationship between Judaism and Hellenism, continuing with some historical examples of Jewish asssimilation in different time periods, and finally exploring some problems of current American Jewry. The collection ends with a panel discussion about the future of world Jewry approaching the 21st century. Contributors include Uriel Rappaport, Shaye J.D. Cohen, Louis Feldman, Steven Bowman, Kenneth Stow, Gordon Bronitzky, Deborah Hertz, Suzannah Herschel, Gerda Schmidt, Sylvia Abrams, Gershon Greenberg, Michael Lawler, Paul A. Spickard, Gerald L. Showstack, Gary P. Williams, Mervin Verbit, Samuel A. Klausner, and David Gerdis. Co-published with the Center for the Study of Religion and Society.
Author: Gayle Dean Wardlow
Publisher: Univ. of Tennessee Press
ISBN: 1621906620
Category : Music
Languages : en
Pages : 497
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Book Description
Born 130 years ago in the heart of Mississippi, Charlie Patton (c. 1891–1934) is considered by many to be a father of the Delta blues. With his bullish baritone voice and his fluid slide guitar touch, Patton established songs like “Pony Blues,” “A Spoonful Blues,” and “High Water Everywhere” in the blues lexicon and, through his imitators, in American music. But over the decades, his contributions to blues music have been overshadowed in popularity by those of Robert Johnson, Muddy Waters, and other mid-century bluesmen and women who’ve experienced a resurgence in their music. King of the Delta Blues Singers, originally published in 1988, began a small renaissance in Patton and blues research. And now, with the wide availability of Patton’s complete discography on CD and as digital downloads, this completely revised second edition continues the story of Charlie Patton’s legacy. Gayle Dean Wardlow and the late Stephen Calt (1946–2010) originally probed Patton’s career in the Mississippi Delta, his early performances and recordings, and his musical legacy that continues to influence today’s guitarists and performers, including such musicians as Jack White and Larkin Poe. For this second edition, Wardlow and Edward Komara refined the text and rewrote major sections, updating them with new scholarship on Patton and Delta blues. And finally, Komara has added a new afterword bringing Patton into the contemporary blues conversation and introducing numerous musical examples for the modern researcher and musician. The second edition of King of the Delta Blues Singers will further cement Patton’s legacy among important blues musicians, and it will be of interest to anyone absorbed in the beginnings of the Delta blues and music biographies.
Author: Library of Congress
Publisher:
ISBN:
Category :
Languages : en
Pages : 32
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Book Description
Author: Eleni Palis
Publisher: Oxford University Press
ISBN: 0197558178
Category : Performing Arts
Languages : en
Pages : 185
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Book Description
Quotations are a standard way that the humanities make meaning; the pull-quote, epigraph, and quotation are standard for citing evidence and invoking and interrogating authority in both literary and scholarly writing. However, film studies has yet to seriously examine how moving images can quote one another, convening interaction and creating new knowledge across time. Classical Projections offers film quotation as a new concept for understanding how preexisting moving image fragments are reframed and re-viewed within subsequent films. As a visual corollary to literary quotation, film quotations embed film fragments in on-screen movie screens. Though film quotations have appeared since silent cinema, Classical Projections focuses on quotations of classical Hollywood film--mainstream American studio production, 1915-1950--as quoted in post-classical Hollywood, roughly 1960 to present. This strategic historical frame asks: how does post-classical cinema visualize its awareness of coming after a classical or golden age? How do post-classical filmmakers claim or disavow classical history? How do historically disenfranchised post-classical filmmakers, whether by gender, sexuality, or race, grapple with exclusionary and stereotype-ridden canons? As a constitutive element of post-classical authorship, film quotations amass and manufacture classical Hollywood in retrospective, highly strategic ways. By revealing how quotational tellings of film history build and embolden exclusionary, myopic canons, Classical Projections uncovers opportunities to construct more capacious cultural memory.
Author: Library of Congress. Copyright Office
Publisher: Copyright Office, Library of Congress
ISBN:
Category : Copyright
Languages : en
Pages : 1760
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Author: Ken Perlman
Publisher: Univ. of Tennessee Press
ISBN: 1621900975
Category : History
Languages : en
Pages : 494
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Book Description
13. The Role of Radio and Recordings -- 14. The Repertoire -- 15. "It's Amazing How Quick It Did Go Down"--16. "If Everybody Does a Little Bit, Great Things Can Happen"--17. "There's Been a Big Revival of Music on the Island" -- Appendix A. Musical Examples -- Appendix B. Lists of Interview Sessions -- Appendix C. Lists of Collected Tunes -- Appendix D. Pronunciation Guide -- Appendix E. Discography and Suggested Listening -- Glossary -- Bibliography -- Index
