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Author: George Dekker
Publisher: Cambridge University Press
ISBN: 9780521389372
Category : Literary Criticism
Languages : en
Pages : 392
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Book Description
This book traces the tradition of American historical fiction from its origins in the early nineteenth century to the eve of World War II. It examines the historical novel's connections with Enlightenment and Romantic theories of history; with the rise of literary regionalism; with the ambitions of Romantic writers to revive the epic and romance; with changing conceptions of gender roles; and with the authors' troubled responses to the great revolutionary and imperialistic conflicts of the modern era. However, though inevitably much concerned with the theory of genre and with the specific contents of the genre of historical romance, Professor Dekker devotes most of his book to new readings of major texts by James Fenimore Cooper, Nathaniel Hawthorne, Herman Melville, Mark Twain, Allen Tate, Edith Wharton, Willa Cather, and William Faulkner, as well as to the Briton whose name was synonymous with the genre for most of the nineteenth century - Sir Walter Scott. 'The American Historical Romance is the richest, most fully meditated and most rewarding yet written by this author ... It is the most important book on the relations of British and American fiction to come out for many years. No devotee of the American novel will ignore it.' -- The Times Literary Supplement
Author: George Dekker
Publisher: Cambridge University Press
ISBN: 9780521389372
Category : Literary Criticism
Languages : en
Pages : 392
Get Book Here
Book Description
This book traces the tradition of American historical fiction from its origins in the early nineteenth century to the eve of World War II. It examines the historical novel's connections with Enlightenment and Romantic theories of history; with the rise of literary regionalism; with the ambitions of Romantic writers to revive the epic and romance; with changing conceptions of gender roles; and with the authors' troubled responses to the great revolutionary and imperialistic conflicts of the modern era. However, though inevitably much concerned with the theory of genre and with the specific contents of the genre of historical romance, Professor Dekker devotes most of his book to new readings of major texts by James Fenimore Cooper, Nathaniel Hawthorne, Herman Melville, Mark Twain, Allen Tate, Edith Wharton, Willa Cather, and William Faulkner, as well as to the Briton whose name was synonymous with the genre for most of the nineteenth century - Sir Walter Scott. 'The American Historical Romance is the richest, most fully meditated and most rewarding yet written by this author ... It is the most important book on the relations of British and American fiction to come out for many years. No devotee of the American novel will ignore it.' -- The Times Literary Supplement
Author: Michael Davitt Bell
Publisher: Princeton University Press
ISBN: 1400872243
Category : Literary Criticism
Languages : en
Pages : 268
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Book Description
Three major conventional figures dominated Hawthorne's romances: the noble Founding Father, the "narrow Puritan," and the rebellious daughter. Daniel Bell examines the ways in which Hawthorne used these and other conventional characters to formulate his own sense of New England history. Originally published in 1971. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Kristi Ann Hunter
Publisher: Bethany House
ISBN: 1441230890
Category : Fiction
Languages : en
Pages : 363
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Book Description
"Engaging Regency romance to sweep you away."--USA Today Happy Ever After Blog Life for Lady Adelaide Bell was easier if she hid in her older sister's shadow--which worked until her sister got married. Even with thepressure of her socially ambitious mother, the last thing she expected was a marriage of convenience to save her previously spotless reputation. Lord Trent Hawthorne couldn't be happier that he is not the duke in the family. He's free to manage his small estate and take his time discovering the life he wants to lead, which includes grand plans of wooing and falling in love with the woman of his choice. When he finds himself honor bound to marry a woman he doesn't know, his dream of a marriage like his parents' seems lost forever. Already starting their marriage on shaky ground, can Adelaide and Trent's relationship survive the pressures of London society?
Author: Millicent Bell
Publisher: CUP Archive
ISBN: 9780521428682
Category : Literary Criticism
Languages : en
Pages : 180
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Book Description
This book examines in detail some of Hawthorne's most important and most beloved stories.
Author: Nathaniel Hawthorne
Publisher:
ISBN:
Category : Massachusetts
Languages : en
Pages : 148
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Book Description
Author: Robert Milder
Publisher: Oxford University Press
ISBN: 0199917256
Category : Biography & Autobiography
Languages : en
Pages : 326
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Book Description
Hawthorne's Habitations draws on letters, manuscripts, and the author's little studied French and Italian notebooks, to present a portrait of four fascinating locations in the middle of the nineteenth century and offer a convincing portrait of the way place informed Hawthorne's melancholy psychology and dark style.
Author: Robert S. Friedman
Publisher: Routledge
ISBN: 1134417225
Category : Literary Criticism
Languages : en
Pages : 206
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Book Description
First Published in 2000. Throughout the nineteenth century, the study of geometry remained at the core of educational curricula in the United States, strongly affecting how educated Americans construed their world. This book examines how each of Nathaniel Hawthorne's romances presents a different geometric figure that becomes representative of the work's themes and narrative designs. These geometric figures, when approached from the perspective of Victor Turner's symbolic anthropology, server as cultural mediators, combining geometric symbology with a unique narrative perspective to offer metaphors of personal and cultural boundaries, Freidman presents the literary text as the point of intersection among such disciplines as cultural anthropology, history, mathematics and American literature.
Author: Philipp Löffler
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110592231
Category : Literary Criticism
Languages : en
Pages : 609
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Book Description
The Handbook of American Romanticism presents a comprehensive survey of the various schools, authors, and works that constituted antebellum literature in the United States. The volume is designed to feature a selection of representative case studies and to assess them within two complementary frameworks: the most relevant historical, political, and institutional contexts of the antebellum decades and the consequent (re-)appropriations of the Romantic period by academic literary criticism in the twentieth and early twenty-first centuries.
Author: Peter Coviello
Publisher: NYU Press
ISBN: 0814790305
Category : Social Science
Languages : en
Pages : 270
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Book Description
Honorable Mention for the 2014 MLA Alan Bray Memorial Award Finalist for the 2013 LAMBDA LGBT Studies Book Award In nineteenth-century America—before the scandalous trial of Oscar Wilde, before the public emergence of categories like homo- and heterosexuality—what were the parameters of sex? Did people characterize their sexuality as a set of bodily practices, a form of identification, or a mode of relation? Was it even something an individual could be said to possess? What could be counted as sexuality? Tomorrow’s Parties: Sex and the Untimely in Nineteenth-Century America provides a rich new conceptual language to describe the movements of sex in the period before it solidified into the sexuality we know, or think we know. Taking up authors whose places in the American history of sexuality range from the canonical to the improbable—from Whitman, Melville, Thoreau, and James to Dickinson, Sarah Orne Jewett, Harriet Jacobs, Frederick Douglass, and Mormon founder Joseph Smith—Peter Coviello delineates the varied forms sex could take in the lead-up to its captivation by the codings of “modern” sexuality. While telling the story of nineteenth-century American sexuality, he considers what might have been lostin the ascension of these new taxonomies of sex: all the extravagant, untimely ways of imagining the domain of sex that, under the modern regime of sexuality, have sunken into muteness or illegibility. Taking queer theorizations of temporality in challenging new directions, Tomorrow’s Parties assembles an archive of broken-off, uncreated futures—futures that would not come to be. Through them, Coviello fundamentally reorients our readings of erotic being and erotic possibility in the literature of nineteenth-century America.
Author: Gary Richard Thompson
Publisher: Duke University Press
ISBN: 9780822313212
Category : Language Arts & Disciplines
Languages : en
Pages : 340
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Book Description
The critical literary world has spent a wealth of thought and words on the question of Hawthorne himself: Where does he stand in his works? In history? In literary tradition? In this major new study, G. R. Thompson recasts the "Hawthorne question" to show how authorial presence in the writer's works is as much a matter of art as the writing itself. The Hawthorne who emerges from this masterful analysis is not, as has been supposed, identical to the provincial narrator of his early tales; instead he is revealed to be the skillful manipulator of that narrative voice, an author at an ironic distance from the tales he tells. By focusing on the provincial tales as they were originally conceived--as a narrative cycle--Thompson is able to recover intertextual references that reveal Hawthorne's preoccupation with framing strategies and variations on authorial presence. The author shows how Hawthorne deliberately constructs sentimental narratives, only to deconstruct them. Thompson's analysis provides a new aesthetic context for understanding the whole shape of Hawthorne's career as well as the narrative, ethical, and historical issues within individual works. Revisionary in its view of one of America's greatest authors, The Art of Authorial Presence also offers invaluable insight into the problems of narratology and historiography, ethics and psychology, romanticism and idealism, and the cultural myths of America.
