Author: Terence
Publisher:
ISBN: 9781787806542
Category :
Languages : en
Pages : 84
Book Description
Publius Terentius Afer is better known to us as the Roman playwright, Terence. Much of his life, especially the early part, is either unknown or has conflicting sources and accounts. His birth date is said to be either 185 BC or a decade earlier: 195 BC. His place of birth is variously listed as in, or, near Carthage, or, in Greek Italy to a woman taken to Carthage as a slave. It is suggested that he lived in the territory of the Libyan tribe that the Romans called Afri, near Carthage, before being brought to Rome as a slave. Probability suggests that it was there, in North Africa, several decades after the destruction of Carthage by the Romans in 146 BC, at the end of the Punic Wars, that Terence spent his early years. One reliable fact is that he was sold to P. Terentius Lucanus, a Roman senator, who had him educated and, impressed by his literary talents, freed him. These writing talents were to ensure his legacy as a playwright down through the millennia. His comedies, partially adapted from Greek plays of the late phases of Attic Comedy, were performed for the first time around 170-160 BC. All six of the plays he has known to have written have survived. Indeed, thanks to his simple conversational Latin, which was both entertaining and direct, Terence's works were heavily used by monasteries and convents during the Middle Ages and The Renaissance. Scribes often learned Latin through the copious copying of Terence's texts. Priests and nuns often learned to speak Latin through re-enactment of Terence's plays. Although his plays often dealt with pagan material, the quality and distinction of his language promoted the copying and preserving of his text by the church. This preservation enabled his work to influence a wide spectrum of later Western drama. When he was 25 (or 35 depending on which year of birth you ascribe too), Terence travelled to Greece but never returned. It has long been assumed that he died at some point during the journey. Of his own family nothing is known, except that he fathered a daughter and left a small but valuable estate just outside Rome. His most famous quotation reads: "Homo sum, humani nihil a me alienum puto", or "I am human, and I think nothing human is alien to me."
Terence - Heauton Timorumenos (The Self-Tormentor)
Author: Terence
Publisher:
ISBN: 9781787806542
Category :
Languages : en
Pages : 84
Book Description
Publius Terentius Afer is better known to us as the Roman playwright, Terence. Much of his life, especially the early part, is either unknown or has conflicting sources and accounts. His birth date is said to be either 185 BC or a decade earlier: 195 BC. His place of birth is variously listed as in, or, near Carthage, or, in Greek Italy to a woman taken to Carthage as a slave. It is suggested that he lived in the territory of the Libyan tribe that the Romans called Afri, near Carthage, before being brought to Rome as a slave. Probability suggests that it was there, in North Africa, several decades after the destruction of Carthage by the Romans in 146 BC, at the end of the Punic Wars, that Terence spent his early years. One reliable fact is that he was sold to P. Terentius Lucanus, a Roman senator, who had him educated and, impressed by his literary talents, freed him. These writing talents were to ensure his legacy as a playwright down through the millennia. His comedies, partially adapted from Greek plays of the late phases of Attic Comedy, were performed for the first time around 170-160 BC. All six of the plays he has known to have written have survived. Indeed, thanks to his simple conversational Latin, which was both entertaining and direct, Terence's works were heavily used by monasteries and convents during the Middle Ages and The Renaissance. Scribes often learned Latin through the copious copying of Terence's texts. Priests and nuns often learned to speak Latin through re-enactment of Terence's plays. Although his plays often dealt with pagan material, the quality and distinction of his language promoted the copying and preserving of his text by the church. This preservation enabled his work to influence a wide spectrum of later Western drama. When he was 25 (or 35 depending on which year of birth you ascribe too), Terence travelled to Greece but never returned. It has long been assumed that he died at some point during the journey. Of his own family nothing is known, except that he fathered a daughter and left a small but valuable estate just outside Rome. His most famous quotation reads: "Homo sum, humani nihil a me alienum puto", or "I am human, and I think nothing human is alien to me."
Publisher:
ISBN: 9781787806542
Category :
Languages : en
Pages : 84
Book Description
Publius Terentius Afer is better known to us as the Roman playwright, Terence. Much of his life, especially the early part, is either unknown or has conflicting sources and accounts. His birth date is said to be either 185 BC or a decade earlier: 195 BC. His place of birth is variously listed as in, or, near Carthage, or, in Greek Italy to a woman taken to Carthage as a slave. It is suggested that he lived in the territory of the Libyan tribe that the Romans called Afri, near Carthage, before being brought to Rome as a slave. Probability suggests that it was there, in North Africa, several decades after the destruction of Carthage by the Romans in 146 BC, at the end of the Punic Wars, that Terence spent his early years. One reliable fact is that he was sold to P. Terentius Lucanus, a Roman senator, who had him educated and, impressed by his literary talents, freed him. These writing talents were to ensure his legacy as a playwright down through the millennia. His comedies, partially adapted from Greek plays of the late phases of Attic Comedy, were performed for the first time around 170-160 BC. All six of the plays he has known to have written have survived. Indeed, thanks to his simple conversational Latin, which was both entertaining and direct, Terence's works were heavily used by monasteries and convents during the Middle Ages and The Renaissance. Scribes often learned Latin through the copious copying of Terence's texts. Priests and nuns often learned to speak Latin through re-enactment of Terence's plays. Although his plays often dealt with pagan material, the quality and distinction of his language promoted the copying and preserving of his text by the church. This preservation enabled his work to influence a wide spectrum of later Western drama. When he was 25 (or 35 depending on which year of birth you ascribe too), Terence travelled to Greece but never returned. It has long been assumed that he died at some point during the journey. Of his own family nothing is known, except that he fathered a daughter and left a small but valuable estate just outside Rome. His most famous quotation reads: "Homo sum, humani nihil a me alienum puto", or "I am human, and I think nothing human is alien to me."
Terence - Heauton Timorumenos (The Self-Tormentor)
Author: Terence
Publisher: Stage Door
ISBN: 9781787806252
Category :
Languages : en
Pages : 80
Book Description
Publius Terentius Afer is better known to us as the Roman playwright, Terence. Much of his life, especially the early part, is either unknown or has conflicting sources and accounts. His birth date is said to be either 185 BC or a decade earlier: 195 BC. His place of birth is variously listed as in, or, near Carthage, or, in Greek Italy to a woman taken to Carthage as a slave. It is suggested that he lived in the territory of the Libyan tribe that the Romans called Afri, near Carthage, before being brought to Rome as a slave. Probability suggests that it was there, in North Africa, several decades after the destruction of Carthage by the Romans in 146 BC, at the end of the Punic Wars, that Terence spent his early years. One reliable fact is that he was sold to P. Terentius Lucanus, a Roman senator, who had him educated and, impressed by his literary talents, freed him. These writing talents were to ensure his legacy as a playwright down through the millennia. His comedies, partially adapted from Greek plays of the late phases of Attic Comedy, were performed for the first time around 170-160 BC. All six of the plays he has known to have written have survived. Indeed, thanks to his simple conversational Latin, which was both entertaining and direct, Terence's works were heavily used by monasteries and convents during the Middle Ages and The Renaissance. Scribes often learned Latin through the copious copying of Terence's texts. Priests and nuns often learned to speak Latin through re-enactment of Terence's plays. Although his plays often dealt with pagan material, the quality and distinction of his language promoted the copying and preserving of his text by the church. This preservation enabled his work to influence a wide spectrum of later Western drama. When he was 25 (or 35 depending on which year of birth you ascribe too), Terence travelled to Greece but never returned. It has long been assumed that he died at some point during the journey. Of his own family nothing is known, except that he fathered a daughter and left a small but valuable estate just outside Rome. His most famous quotation reads: "Homo sum, humani nihil a me alienum puto", or "I am human, and I think nothing human is alien to me."
Publisher: Stage Door
ISBN: 9781787806252
Category :
Languages : en
Pages : 80
Book Description
Publius Terentius Afer is better known to us as the Roman playwright, Terence. Much of his life, especially the early part, is either unknown or has conflicting sources and accounts. His birth date is said to be either 185 BC or a decade earlier: 195 BC. His place of birth is variously listed as in, or, near Carthage, or, in Greek Italy to a woman taken to Carthage as a slave. It is suggested that he lived in the territory of the Libyan tribe that the Romans called Afri, near Carthage, before being brought to Rome as a slave. Probability suggests that it was there, in North Africa, several decades after the destruction of Carthage by the Romans in 146 BC, at the end of the Punic Wars, that Terence spent his early years. One reliable fact is that he was sold to P. Terentius Lucanus, a Roman senator, who had him educated and, impressed by his literary talents, freed him. These writing talents were to ensure his legacy as a playwright down through the millennia. His comedies, partially adapted from Greek plays of the late phases of Attic Comedy, were performed for the first time around 170-160 BC. All six of the plays he has known to have written have survived. Indeed, thanks to his simple conversational Latin, which was both entertaining and direct, Terence's works were heavily used by monasteries and convents during the Middle Ages and The Renaissance. Scribes often learned Latin through the copious copying of Terence's texts. Priests and nuns often learned to speak Latin through re-enactment of Terence's plays. Although his plays often dealt with pagan material, the quality and distinction of his language promoted the copying and preserving of his text by the church. This preservation enabled his work to influence a wide spectrum of later Western drama. When he was 25 (or 35 depending on which year of birth you ascribe too), Terence travelled to Greece but never returned. It has long been assumed that he died at some point during the journey. Of his own family nothing is known, except that he fathered a daughter and left a small but valuable estate just outside Rome. His most famous quotation reads: "Homo sum, humani nihil a me alienum puto", or "I am human, and I think nothing human is alien to me."
The Self-Tormentor
Author: Terence
Publisher:
ISBN:
Category : Electronic books
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category : Electronic books
Languages : en
Pages :
Book Description
The Lyon Terence
Author: Giulia Torello-Hill
Publisher: BRILL
ISBN: 900443240X
Category : Literary Collections
Languages : en
Pages : 312
Book Description
In The Lyon Terence Giulia Torello-Hill and Andrew J. Turner take an unprecedented interdisciplinary approach to map out the influence of late-antique and medieval commentary and iconographic traditions over this seminal edition of the plays of Terence, published in Lyon in 1493, and examine its legacy. The work had a profound impact on the way Terence’s plays were read and understood throughout the sixteenth century, but its influence has been poorly recognised in modern scholarship. The authors establish the pivotal role that this book, and its editor Badius, played in the revitalisation of the theoretical understanding of classical comedy and in the revival of the plays of Terence that foreshadowed the establishment of early modern theatre in Italy and France.
Publisher: BRILL
ISBN: 900443240X
Category : Literary Collections
Languages : en
Pages : 312
Book Description
In The Lyon Terence Giulia Torello-Hill and Andrew J. Turner take an unprecedented interdisciplinary approach to map out the influence of late-antique and medieval commentary and iconographic traditions over this seminal edition of the plays of Terence, published in Lyon in 1493, and examine its legacy. The work had a profound impact on the way Terence’s plays were read and understood throughout the sixteenth century, but its influence has been poorly recognised in modern scholarship. The authors establish the pivotal role that this book, and its editor Badius, played in the revitalisation of the theoretical understanding of classical comedy and in the revival of the plays of Terence that foreshadowed the establishment of early modern theatre in Italy and France.
A Companion to Terence
Author: Antony Augoustakis
Publisher: John Wiley & Sons
ISBN: 1118301994
Category : Literary Criticism
Languages : en
Pages : 663
Book Description
A comprehensive collection of essays by leading scholars in the field that address, in a single volume, several key issues in interpreting Terence offering a detailed study of Terence’s plays and situating them in their socio-historical context, as well as documenting their reception through to present day • The first comprehensive collection of essays on Terence in English, by leading scholars in the field • Covers a range of topics, including both traditional and modern concerns of gender, race, and reception • Features a wide-ranging but interconnected series of essays that offer new perspectives in interpreting Terence • Includes an introduction discussing the life of Terence, its impact on subsequent studies of the poet, and the question of his ethnicity
Publisher: John Wiley & Sons
ISBN: 1118301994
Category : Literary Criticism
Languages : en
Pages : 663
Book Description
A comprehensive collection of essays by leading scholars in the field that address, in a single volume, several key issues in interpreting Terence offering a detailed study of Terence’s plays and situating them in their socio-historical context, as well as documenting their reception through to present day • The first comprehensive collection of essays on Terence in English, by leading scholars in the field • Covers a range of topics, including both traditional and modern concerns of gender, race, and reception • Features a wide-ranging but interconnected series of essays that offer new perspectives in interpreting Terence • Includes an introduction discussing the life of Terence, its impact on subsequent studies of the poet, and the question of his ethnicity
P. Terenti Afri Comoediae
Author: Terence
Publisher:
ISBN:
Category : Latin drama (Comedy)
Languages : la
Pages : 288
Book Description
Publisher:
ISBN:
Category : Latin drama (Comedy)
Languages : la
Pages : 288
Book Description
The Oxford Handbook of Greek and Roman Comedy
Author: Michael Fontaine
Publisher: Oxford University Press
ISBN: 0199743541
Category : Drama
Languages : en
Pages : 913
Book Description
The Oxford Handbook of Greek and Roman Comedy marks the first comprehensive introduction to and reference work for the unified study of ancient comedy. From its birth in Greece to its end in Rome, from its Hellenistic to its Imperial receptions, no topic is neglected. The 41 essays offer cutting-edge guides through comedy's immense terrain.
Publisher: Oxford University Press
ISBN: 0199743541
Category : Drama
Languages : en
Pages : 913
Book Description
The Oxford Handbook of Greek and Roman Comedy marks the first comprehensive introduction to and reference work for the unified study of ancient comedy. From its birth in Greece to its end in Rome, from its Hellenistic to its Imperial receptions, no topic is neglected. The 41 essays offer cutting-edge guides through comedy's immense terrain.
The Cambridge Companion to Roman Comedy
Author: Martin T. Dinter
Publisher: Cambridge University Press
ISBN: 1107002109
Category : Drama
Languages : en
Pages : 449
Book Description
Provides a comprehensive critical engagement with Roman comedy and its reception presented by leading international scholars in accessible and up-to-date chapters.
Publisher: Cambridge University Press
ISBN: 1107002109
Category : Drama
Languages : en
Pages : 449
Book Description
Provides a comprehensive critical engagement with Roman comedy and its reception presented by leading international scholars in accessible and up-to-date chapters.
Reading Roman Comedy
Author: Alison Sharrock
Publisher: Cambridge University Press
ISBN: 1139482645
Category : History
Languages : en
Pages : 334
Book Description
For many years the domain of specialists in early Latin, in complex metres, and in the reconstruction of texts, Roman comedy is now established in the mainstream of Classical literary criticism. Where most books stress the original performance as the primary location for the encountering of the plays, this book finds the locus of meaning and appreciation in the activity of a reader, albeit one whose manner of reading necessarily involves the imaginative reconstruction of performance. The texts are treated, and celebrated, as literary devices, with programmatic beginnings, middles, ends, and intertexts. All the extant plays of Plautus and Terence have at least a bit part in this book, which seeks to expose the authors' fabulous artificiality and artifice, while playing along with their differing but interrelated poses of generic humility.
Publisher: Cambridge University Press
ISBN: 1139482645
Category : History
Languages : en
Pages : 334
Book Description
For many years the domain of specialists in early Latin, in complex metres, and in the reconstruction of texts, Roman comedy is now established in the mainstream of Classical literary criticism. Where most books stress the original performance as the primary location for the encountering of the plays, this book finds the locus of meaning and appreciation in the activity of a reader, albeit one whose manner of reading necessarily involves the imaginative reconstruction of performance. The texts are treated, and celebrated, as literary devices, with programmatic beginnings, middles, ends, and intertexts. All the extant plays of Plautus and Terence have at least a bit part in this book, which seeks to expose the authors' fabulous artificiality and artifice, while playing along with their differing but interrelated poses of generic humility.
The Self-tormentor (Heautontimorumenos)
Author: Terence
Publisher:
ISBN:
Category : Attikē (Greece)
Languages : en
Pages : 80
Book Description
A severe father compels his son Clinia, in love with Antiphila, to go abroad to the wars; and repenting of what has been done, torments himself in mind.
Publisher:
ISBN:
Category : Attikē (Greece)
Languages : en
Pages : 80
Book Description
A severe father compels his son Clinia, in love with Antiphila, to go abroad to the wars; and repenting of what has been done, torments himself in mind.