Hanns Eisler's Art Songs PDF Download
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Author: Heidi Hart
Publisher: Boydell & Brewer
ISBN: 164014000X
Category : Literary Criticism
Languages : en
Pages : 254
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Book Description
Traces Hanns Eisler's art songs through the political crises of the twentieth century, presenting them as a way to intervene in the nationalist appropriation of aesthetic material.
Author: Heidi Hart
Publisher: Boydell & Brewer
ISBN: 164014000X
Category : Literary Criticism
Languages : en
Pages : 254
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Book Description
Traces Hanns Eisler's art songs through the political crises of the twentieth century, presenting them as a way to intervene in the nationalist appropriation of aesthetic material.
Author: Theodor W. Adorno
Publisher: A&C Black
ISBN: 9780826480163
Category : Social Science
Languages : en
Pages : 234
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Book Description
This classic account of the nature of film music aesthetics was first published in 1947. Its value comes from a unique combination of talents and experience enjoyed by the book's authors. Eisler's time at Hollywood gave him a particular insight on the technical questions which arise for composers when music is used in the production of films, while Adorno was able to contribute on wide aesthetic and sociological matters as well as specifically musical questions. Above all, the authors envisaged the book as a contribution to the study of modern, industrialized culture; and, in this respect, it has a particular importance to the whole area of cultural studies. With an introduction by Graham McCann.
Author: Michael Haas
Publisher: Yale University Press
ISBN: 0300154313
Category : Music
Languages : en
Pages : 505
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Book Description
DIV With National Socialism's arrival in Germany in 1933, Jews dominated music more than virtually any other sector, making it the most important cultural front in the Nazi fight for German identity. This groundbreaking book looks at the Jewish composers and musicians banned by the Third Reich and the consequences for music throughout the rest of the twentieth century. Because Jewish musicians and composers were, by 1933, the principal conveyors of Germany’s historic traditions and the ideals of German culture, the isolation, exile and persecution of Jewish musicians by the Nazis became an act of musical self-mutilation. Michael Haas looks at the actual contribution of Jewish composers in Germany and Austria before 1933, at their increasingly precarious position in Nazi Europe, their forced emigration before and during the war, their ambivalent relationships with their countries of refuge, such as Britain and the United States and their contributions within the radically changed post-war music environment. /div
Author: Hans Bunge
Publisher: Bloomsbury Publishing
ISBN: 1472531590
Category : Performing Arts
Languages : en
Pages : 313
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Book Description
The Austrian composer Hanns Eisler was Bertolt Brecht's closest friend and most politically committed collaborator. In these conversations with Hans Bunge which took place over a period of four years, from 1958 until his death in 1962, Eisler offers a compelling and absorbing account of his and Brecht's period of exile in Europe and the USA between 1933 and 1947, and of the quality of artistic, social and intellectual life in post-war East Germany. Brecht, Music and Culture includes a discussion of a number of Brecht's principal plays, including Life of Galileo and The Caucasian Chalk Circle, considers the place of music in Brecht's work and discusses the time that Brecht was brought before The House of Un-American Activities Committee. It includes lively accounts of Brecht's meetings with key cultural figures, including Arnold Schönberg, Charlie Chaplin and Thomas Mann, and offers throughout a sustained response to the question of the purpose of art in a time of political turmoil. Throughout the conversations, Eisler provides illuminating and original insights into Brecht's work and ideas and gives a highly entertaining first-hand account of his friend's personality and attitudes. First published in Germany in 1975, and now published in English for the first time, the conversations provide a fascinating account of the lives and work of two of the twentieth century's greatest artists.
Author: United States. Congress. House. Committee on Un-American Activities
Publisher:
ISBN:
Category : Communism
Languages : en
Pages : 226
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Book Description
Author: Stanley E. Workman
Publisher:
ISBN:
Category :
Languages : en
Pages : 95
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Book Description
Author: Estados Unidos. Congress. House. Committee on Un-American Activities
Publisher:
ISBN:
Category :
Languages : en
Pages : 2022
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Book Description
Author: United States. Court of Appeals (2nd Circuit)
Publisher:
ISBN:
Category :
Languages : en
Pages : 1132
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 83
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Book Description
Hanns Eisler, one of Schoenberg's disciples in the 1920s, was successful both in art music and music for films. Because modernist aesthetics violated his political beliefs and philosophy, he later abandoned the twelve-tone method. This eventually led to a rupture in Eisler's relationship with Schoenberg. Eisler used the twelve-tone method in Palmstrom Op. 5, a song cycle composed of five songs with an ensemble of flute, clarinet, violin, cello, and spoken voice (Sprechtimme). In this paper I analyzed the first song, Venus Palmstrom, and explore how Eisler applies different techniques in structuring twelve-tone melody and harmony, and how he uses serialism to musically portray and interpret Morgernstern's text. Two analytical approaches have been applied to Palmstrom : first, the analysis of pitch structure, and second, the analysis of text setting. In the analysis of pitch structure, four different techniques for harmonically integrating the vocal line with the accompaniment are illustrated. In the analysis of text setting, Eisler seems to use seven techniques for constructing a melodic line that expresses the structure and meaning of the text.
Author: David Neumeyer
Publisher: Oxford University Press
ISBN: 0190250593
Category : Music
Languages : en
Pages : 696
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Book Description
The Oxford Handbook of Film Music Studies gathers two dozen original essays that chart the history and current state of interdisciplinary scholarship on music in audiovisual media, focusing on four areas: history, genre and medium, analysis and criticism, and interpretation.
