Hanns Eisler's Art Songs

Hanns Eisler's Art Songs PDF Author: Heidi Hart
Publisher: Boydell & Brewer
ISBN: 164014000X
Category : Literary Criticism
Languages : en
Pages : 254

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Book Description
Traces Hanns Eisler's art songs through the political crises of the twentieth century, presenting them as a way to intervene in the nationalist appropriation of aesthetic material.

Hanns Eisler's Art Songs

Hanns Eisler's Art Songs PDF Author: Heidi Hart
Publisher: Boydell & Brewer
ISBN: 164014000X
Category : Literary Criticism
Languages : en
Pages : 254

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Book Description
Traces Hanns Eisler's art songs through the political crises of the twentieth century, presenting them as a way to intervene in the nationalist appropriation of aesthetic material.

Composing for the Films

Composing for the Films PDF Author: Theodor W. Adorno
Publisher: A&C Black
ISBN: 9780826480163
Category : Social Science
Languages : en
Pages : 234

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Book Description
This classic account of the nature of film music aesthetics was first published in 1947. Its value comes from a unique combination of talents and experience enjoyed by the book's authors. Eisler's time at Hollywood gave him a particular insight on the technical questions which arise for composers when music is used in the production of films, while Adorno was able to contribute on wide aesthetic and sociological matters as well as specifically musical questions. Above all, the authors envisaged the book as a contribution to the study of modern, industrialized culture; and, in this respect, it has a particular importance to the whole area of cultural studies. With an introduction by Graham McCann.

Forbidden Music

Forbidden Music PDF Author: Michael Haas
Publisher: Yale University Press
ISBN: 0300154313
Category : Music
Languages : en
Pages : 505

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Book Description
DIV With National Socialism's arrival in Germany in 1933, Jews dominated music more than virtually any other sector, making it the most important cultural front in the Nazi fight for German identity. This groundbreaking book looks at the Jewish composers and musicians banned by the Third Reich and the consequences for music throughout the rest of the twentieth century. Because Jewish musicians and composers were, by 1933, the principal conveyors of Germany’s historic traditions and the ideals of German culture, the isolation, exile and persecution of Jewish musicians by the Nazis became an act of musical self-mutilation. Michael Haas looks at the actual contribution of Jewish composers in Germany and Austria before 1933, at their increasingly precarious position in Nazi Europe, their forced emigration before and during the war, their ambivalent relationships with their countries of refuge, such as Britain and the United States and their contributions within the radically changed post-war music environment. /div

Hearings Before the Committee on Un-American Activities, House of Represe Ntatives, Eightieth Congress, First Session

Hearings Before the Committee on Un-American Activities, House of Represe Ntatives, Eightieth Congress, First Session PDF Author: Estados Unidos. Congress. House. Committee on Un-American Activities
Publisher:
ISBN:
Category :
Languages : en
Pages : 2022

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Book Description


Decision of the U.S. Circuit Court of Appeals for the Second Circuit in Re the United States V. Leon Josephson (Majority and Dissenting Opinions)

Decision of the U.S. Circuit Court of Appeals for the Second Circuit in Re the United States V. Leon Josephson (Majority and Dissenting Opinions) PDF Author: United States. Court of Appeals (2nd Circuit)
Publisher:
ISBN:
Category :
Languages : en
Pages : 1132

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Book Description


The Oxford Handbook of Film Music Studies

The Oxford Handbook of Film Music Studies PDF Author: David Neumeyer
Publisher: Oxford University Press
ISBN: 0190250593
Category : Music
Languages : en
Pages : 696

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Book Description
The Oxford Handbook of Film Music Studies gathers two dozen original essays that chart the history and current state of interdisciplinary scholarship on music in audiovisual media, focusing on four areas: history, genre and medium, analysis and criticism, and interpretation.

The Rest Is Noise

The Rest Is Noise PDF Author: Alex Ross
Publisher: Farrar, Straus and Giroux
ISBN: 1429932880
Category : Music
Languages : en
Pages : 706

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Book Description
Winner of the 2007 National Book Critics Circle Award for Criticism A New York Times Book Review Top Ten Book of the Year Time magazine Top Ten Nonfiction Book of 2007 Newsweek Favorite Books of 2007 A Washington Post Book World Best Book of 2007 In this sweeping and dramatic narrative, Alex Ross, music critic for The New Yorker, weaves together the histories of the twentieth century and its music, from Vienna before the First World War to Paris in the twenties; from Hitler's Germany and Stalin's Russia to downtown New York in the sixties and seventies up to the present. Taking readers into the labyrinth of modern style, Ross draws revelatory connections between the century's most influential composers and the wider culture. The Rest Is Noise is an astonishing history of the twentieth century as told through its music.

The Cambridge Companion to Jewish Music

The Cambridge Companion to Jewish Music PDF Author: Joshua S. Walden
Publisher: Cambridge University Press
ISBN: 1107023459
Category : Music
Languages : en
Pages : 311

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Book Description
A global history of Jewish music from the biblical era to the present day, with chapters by leading international scholars.

Film Music: A Very Short Introduction

Film Music: A Very Short Introduction PDF Author: Kathryn Kalinak
Publisher: Oxford University Press
ISBN: 0199707979
Category : Performing Arts
Languages : en
Pages : 162

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Book Description
Film music is as old as cinema itself. Years before synchronized sound became the norm, projected moving images were shown to musical accompaniment, whether performed by a lone piano player or a hundred-piece orchestra. Today film music has become its own industry, indispensable to the marketability of movies around the world. Film Music: A Very Short Introduction is a compact, lucid, and thoroughly engaging overview written by one of the leading authorities on the subject. After opening with a fascinating analysis of the music from a key sequence in Quentin Tarantino's Reservoir Dogs, Kathryn Kalinak introduces readers not only to important composers and musical styles but also to modern theoretical concepts about how and why film music works. Throughout the book she embraces a global perspective, examining film music in Asia and the Middle East as well as in Europe and the United States. Key collaborations between directors and composers--Alfred Hitchcock and Bernard Herrmann, Akira Kurosawa and Fumio Hayasaka, Federico Fellini and Nino Rota, to name only a few--come under scrutiny, as do the oft-neglected practices of the silent film era. She also explores differences between original film scores and compilation soundtracks that cull music from pre-existing sources. As Kalinak points out, film music can do many things, from establishing mood and setting to clarifying plot points and creating emotions that are only dimly realized in the images. This book illuminates the many ways it accomplishes those tasks and will have its readers thinking a bit more deeply and critically the next time they sit in a darkened movie theater and music suddenly swells as the action unfolds onscreen. About the Series: Combining authority with wit, accessibility, and style, Very Short Introductions offer an introduction to some of life's most interesting topics. Written by experts for the newcomer, they demonstrate the finest contemporary thinking about the central problems and issues in hundreds of key topics, from philosophy to Freud, quantum theory to Islam.

Film Music in the Sound Era

Film Music in the Sound Era PDF Author: Jonathan Rhodes Lee
Publisher: Routledge
ISBN: 1000091287
Category : Music
Languages : en
Pages : 1155

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Book Description
Film Music in the Sound Era: A Research and Information Guide offers a comprehensive bibliography of scholarship on music in sound film (1927–2017). Thematically organized sections cover historical studies, studies of musicians and filmmakers, genre studies, theory and aesthetics, and other key aspects of film music studies. Broad coverage of works from around the globe, paired with robust indexes and thorough cross-referencing, make this research guide an invaluable tool for all scholars and students investigating the intersection of music and film. This guide is published in two volumes: Volume 1: Histories, Theories, and Genres covers overviews, historical surveys, theory and criticism, studies of film genres, and case studies of individual films. Volume 2: People, Cultures, and Contexts covers individual people, social and cultural studies, studies of musical genre, pedagogy, and the industry. A complete index is included in each volume.