Author: Gerhart Hauptmann
Publisher: New York : Doubleday
ISBN:
Category : German drama
Languages : en
Pages : 124
Book Description
Hannele; a Dream Poem
Author: Gerhart Hauptmann
Publisher: New York : Doubleday
ISBN:
Category : German drama
Languages : en
Pages : 124
Book Description
Publisher: New York : Doubleday
ISBN:
Category : German drama
Languages : en
Pages : 124
Book Description
Hannele
Author: Gerhart Hauptmann
Publisher:
ISBN:
Category : German poetry
Languages : en
Pages : 138
Book Description
Publisher:
ISBN:
Category : German poetry
Languages : en
Pages : 138
Book Description
The Critic
Author: Jeannette Leonard Gilder
Publisher:
ISBN:
Category :
Languages : en
Pages : 508
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 508
Book Description
The Drama: German drama
Author: Alfred Bates
Publisher:
ISBN:
Category : American drama
Languages : en
Pages : 394
Book Description
Publisher:
ISBN:
Category : American drama
Languages : en
Pages : 394
Book Description
Drama and Opera: German drama
Author: Alfred Bates
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 754
Book Description
Includes selections, epitomes, outlines of dramas, and some entire plays.
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 754
Book Description
Includes selections, epitomes, outlines of dramas, and some entire plays.
Drama and Opera: Spanish and Portuguese drama
Author:
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 720
Book Description
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 720
Book Description
Iconoclasts
Author: James Huneker
Publisher: BoD – Books on Demand
ISBN: 375234315X
Category : Fiction
Languages : en
Pages : 222
Book Description
Reproduction of the original: Iconoclasts by James Huneker
Publisher: BoD – Books on Demand
ISBN: 375234315X
Category : Fiction
Languages : en
Pages : 222
Book Description
Reproduction of the original: Iconoclasts by James Huneker
The New Review
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 782
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 782
Book Description
Modern Culture
Author: William W. Hudson
Publisher:
ISBN:
Category : Open learning
Languages : en
Pages : 556
Book Description
Publisher:
ISBN:
Category : Open learning
Languages : en
Pages : 556
Book Description
Herman Heijermans and His Dramas
Author: Seymour L. Flaxman
Publisher: Springer Science & Business Media
ISBN: 9401191557
Category : History
Languages : en
Pages : 295
Book Description
During the last two decades of the nineteenth century the Dutch drama, which had lapsed into astate of somnolence since the glorious days of VondeI, suddenly awoke to vigorous life. Not only did gifted dramatists appear, but talented directors, actors, and actresses brought new splendor to the theatre. Yet this brilliant flame did not burst forth in a vacuum, and to appre ciate the quality of its light, it must be viewed against the back ground of its origins in the European drama. After the middle of the century the emphasis in literary creation had shifted from a subjective, emotional point of view to a more objective and rationalistic attitude. If this seems only a roundabout way of saying that Romanticism yielded its dominance to Realism and Naturalism, the conc1usion is justified, but we should not yield too readily to the pseudo-scientific mania which urges us to force literature into a genus and species type of c1assification. It is customary to say that in the eighties and nineties, Nat uralism won a decisive victory over Romanticism and drove the partisans of the older movement from the field. At first glance this does, indeed, appear to be true. Hugo yields to Zola, Pushkin to Tolstoi, Tieck to Hauptmann. It is all quite simple.
Publisher: Springer Science & Business Media
ISBN: 9401191557
Category : History
Languages : en
Pages : 295
Book Description
During the last two decades of the nineteenth century the Dutch drama, which had lapsed into astate of somnolence since the glorious days of VondeI, suddenly awoke to vigorous life. Not only did gifted dramatists appear, but talented directors, actors, and actresses brought new splendor to the theatre. Yet this brilliant flame did not burst forth in a vacuum, and to appre ciate the quality of its light, it must be viewed against the back ground of its origins in the European drama. After the middle of the century the emphasis in literary creation had shifted from a subjective, emotional point of view to a more objective and rationalistic attitude. If this seems only a roundabout way of saying that Romanticism yielded its dominance to Realism and Naturalism, the conc1usion is justified, but we should not yield too readily to the pseudo-scientific mania which urges us to force literature into a genus and species type of c1assification. It is customary to say that in the eighties and nineties, Nat uralism won a decisive victory over Romanticism and drove the partisans of the older movement from the field. At first glance this does, indeed, appear to be true. Hugo yields to Zola, Pushkin to Tolstoi, Tieck to Hauptmann. It is all quite simple.