Hannele; a Dream Poem

Hannele; a Dream Poem PDF Author: Gerhart Hauptmann
Publisher: New York : Doubleday
ISBN:
Category : German drama
Languages : en
Pages : 124

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Hannele; a Dream Poem

Hannele; a Dream Poem PDF Author: Gerhart Hauptmann
Publisher: New York : Doubleday
ISBN:
Category : German drama
Languages : en
Pages : 124

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Hannele

Hannele PDF Author: Gerhart Hauptmann
Publisher:
ISBN:
Category : German poetry
Languages : en
Pages : 138

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The Critic

The Critic PDF Author: Jeannette Leonard Gilder
Publisher:
ISBN:
Category :
Languages : en
Pages : 508

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The Drama: German drama

The Drama: German drama PDF Author: Alfred Bates
Publisher:
ISBN:
Category : American drama
Languages : en
Pages : 394

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Drama and Opera: German drama

Drama and Opera: German drama PDF Author: Alfred Bates
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 754

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Book Description
Includes selections, epitomes, outlines of dramas, and some entire plays.

Drama and Opera: Spanish and Portuguese drama

Drama and Opera: Spanish and Portuguese drama PDF Author:
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 720

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Iconoclasts

Iconoclasts PDF Author: James Huneker
Publisher: BoD – Books on Demand
ISBN: 375234315X
Category : Fiction
Languages : en
Pages : 222

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Book Description
Reproduction of the original: Iconoclasts by James Huneker

The New Review

The New Review PDF Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 782

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Modern Culture

Modern Culture PDF Author: William W. Hudson
Publisher:
ISBN:
Category : Open learning
Languages : en
Pages : 556

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Herman Heijermans and His Dramas

Herman Heijermans and His Dramas PDF Author: Seymour L. Flaxman
Publisher: Springer Science & Business Media
ISBN: 9401191557
Category : History
Languages : en
Pages : 295

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Book Description
During the last two decades of the nineteenth century the Dutch drama, which had lapsed into astate of somnolence since the glorious days of VondeI, suddenly awoke to vigorous life. Not only did gifted dramatists appear, but talented directors, actors, and actresses brought new splendor to the theatre. Yet this brilliant flame did not burst forth in a vacuum, and to appre ciate the quality of its light, it must be viewed against the back ground of its origins in the European drama. After the middle of the century the emphasis in literary creation had shifted from a subjective, emotional point of view to a more objective and rationalistic attitude. If this seems only a roundabout way of saying that Romanticism yielded its dominance to Realism and Naturalism, the conc1usion is justified, but we should not yield too readily to the pseudo-scientific mania which urges us to force literature into a genus and species type of c1assification. It is customary to say that in the eighties and nineties, Nat uralism won a decisive victory over Romanticism and drove the partisans of the older movement from the field. At first glance this does, indeed, appear to be true. Hugo yields to Zola, Pushkin to Tolstoi, Tieck to Hauptmann. It is all quite simple.