Dance in Handel's London Operas PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Dance in Handel's London Operas PDF full book. Access full book title Dance in Handel's London Operas by Sarah Yuill McCleave. Download full books in PDF and EPUB format.
Author: Sarah Yuill McCleave
Publisher: University Rochester Press
ISBN: 1580464203
Category : Music
Languages : en
Pages : 282
Get Book Here
Book Description
Examines the pivotal role of dance in the Italian operas of Handel, perhaps the greatest opera composer between Monteverdi and Mozart. George Frideric Handel set himself apart from his contemporaries by employing choreographed instrumental music to complement and reinforce the emotional impact of his operas. Of his fifty-three operas, no fewer than fourteen -- including ten written for the London stage -- feature dances. Dance in Handel's London Operas explores the relationship between music, drama, and dance in these London works, dispelling the notion that dance was a largely peripheral element in Italian-language operas prior to those of Gluck. Taking a chronological approach, Sarah McCleave examines operas written throughout various periods in Handel's life, beginning with his early London operas, including his time at the Royal Music Academy and the "Sallé" operas of the 1730s, and concluding with his unstaged dramatic opera Alceste (1750). In considering the various influences on Handel (particularly the London stage), McCleave blends analysis of information from eighteenth-century treatises with that found in more modern studies, offering an informed and imaginative understanding of the role dance played in the work of this major figure --one who remained responsive throughout his career to the vital and innovative theatrical environment in which he worked. Sarah McCleave is a lecturer at The School of Creative Arts at Queen's University Belfast.
Author: David R. B. Kimbell
Publisher:
ISBN: 9781316532362
Category : Opera
Languages : en
Pages : 226
Get Book Here
Book Description
David Kimbell sets Handel's operas in their biographical and cultural contexts, exploring drama, music and styles of performance.
Author: Sarah Yuill McCleave
Publisher: University Rochester Press
ISBN: 1580464203
Category : Music
Languages : en
Pages : 282
Get Book Here
Book Description
Examines the pivotal role of dance in the Italian operas of Handel, perhaps the greatest opera composer between Monteverdi and Mozart. George Frideric Handel set himself apart from his contemporaries by employing choreographed instrumental music to complement and reinforce the emotional impact of his operas. Of his fifty-three operas, no fewer than fourteen -- including ten written for the London stage -- feature dances. Dance in Handel's London Operas explores the relationship between music, drama, and dance in these London works, dispelling the notion that dance was a largely peripheral element in Italian-language operas prior to those of Gluck. Taking a chronological approach, Sarah McCleave examines operas written throughout various periods in Handel's life, beginning with his early London operas, including his time at the Royal Music Academy and the "Sallé" operas of the 1730s, and concluding with his unstaged dramatic opera Alceste (1750). In considering the various influences on Handel (particularly the London stage), McCleave blends analysis of information from eighteenth-century treatises with that found in more modern studies, offering an informed and imaginative understanding of the role dance played in the work of this major figure --one who remained responsive throughout his career to the vital and innovative theatrical environment in which he worked. Sarah McCleave is a lecturer at The School of Creative Arts at Queen's University Belfast.
Author: Charles Beecher Hogan
Publisher: SIU Press
ISBN: 9780809304370
Category :
Languages : en
Pages : 976
Get Book Here
Book Description
Author: Berta Joncus
Publisher: University of Delaware
ISBN: 1611490332
Category : Biography & Autobiography
Languages : en
Pages : 293
Get Book Here
Book Description
John Rich (1692-1761) was a profoundly influential figure of the eighteenth-century London stage. As producer, manager and performer, he transformed the urban entertainment market, creating genres and promotional methods still with us today. This volume gives the first comprehensive overview of Rich's multifaceted career. Contributions by leading scholars from a range of disciplines-Dtheatre, dance, music, art, and cultural historyDprovide detailed analyses of Rich's productions and representations.
Author:
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 896
Get Book Here
Book Description
Author: George Winchester Stone Jr.
Publisher: Univ of California Press
ISBN: 0520334930
Category : Literary Criticism
Languages : en
Pages : 262
Get Book Here
Book Description
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1981.
Author: Jane Glover
Publisher: Simon and Schuster
ISBN: 1681779471
Category : Biography & Autobiography
Languages : en
Pages : 391
Get Book Here
Book Description
In 1712, a young German composer followed his princely master to London and would remain there for the rest of his life. That master would become King George II and the composer was George Freidrich Handel. Handel, then still only twenty-seven and largely self-taught, would be at the heart of music activity in London for the next four decades, composing masterpiece after masterpiece, whether the glorious coronation anthem, Zadok the Priest, operas such as Rinaldo and Alcina or the great oratorios, culminating, of course, in Messiah. Here, Jane Glover, who has conducted Handel’s work in opera houses and concert halls throughout the world, draws on her profound understanding of music and musicians to tell Handel’s story. It is a story of music-making and musicianship, but also of courts and cabals of theatrical rivalries and of eighteenth-century society. It is also, of course the story of some of the most remarkable music ever written, music that has been played and sung, and loved, in this country—and throughout the world—for three hundred years.
Author: Charles Dill
Publisher: Routledge
ISBN: 1351555731
Category : History
Languages : en
Pages : 530
Get Book Here
Book Description
Opera in the first half of the eighteenth century saw the rise of the memorable composer and the memorable work. Recent research on this period has been especially fruitful, showing renewed interest in how opera operated within its local cultures, what audience members felt was at stake in opera performances, who the people-composers and performers-were who made opera possible. The essays for this volume capture the principal themes of current research: the "idea" of opera, opera criticism, the people of opera, and the emerging technologies of opera.
Author: R. O. Bucholz
Publisher: Stanford University Press
ISBN: 9780804720809
Category : History
Languages : en
Pages : 452
Get Book Here
Book Description
Staid respectability and ineffectualness. A special feature of the book is a collective biography of all 1,525 men, women, and children at the court of Queen Anne, the first such study of the personnel of any large institution of later Stuart government.
Author: Charles Dill
Publisher: Routledge
ISBN: 1351555723
Category : Music
Languages : en
Pages : 617
Get Book Here
Book Description
Opera in the first half of the eighteenth century saw the rise of the memorable composer and the memorable work. Recent research on this period has been especially fruitful, showing renewed interest in how opera operated within its local cultures, what audience members felt was at stake in opera performances, who the people-composers and performers-were who made opera possible. The essays for this volume capture the principal themes of current research: the "idea" of opera, opera criticism, the people of opera, and the emerging technologies of opera.
