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Author: Edward R. Reilly
Publisher: Cambridge University Press
ISBN: 9780521235921
Category : Biography & Autobiography
Languages : en
Pages : 184
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Book Description
In this book Edward Reilly provides the essential documents connected with the friendship between the eminent Viennese music-historian Guido Adler and the composer Gustav Mahler. The nature and extent of that friendship has been the source of a number of questions for some years. Although Adler was the author of one of the important early studies of Mahler, he was reticent about speaking of his personal connection with the composer, and for many years the single available published letter from Mahler to Adler was one that was sharply critical in tone. A few somewhat disparaging references in Alma Mahler's recollections also raised questions about the degree of friendship between the two men.
Author: Edward R. Reilly
Publisher: Cambridge University Press
ISBN: 9780521235921
Category : Biography & Autobiography
Languages : en
Pages : 184
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Book Description
In this book Edward Reilly provides the essential documents connected with the friendship between the eminent Viennese music-historian Guido Adler and the composer Gustav Mahler. The nature and extent of that friendship has been the source of a number of questions for some years. Although Adler was the author of one of the important early studies of Mahler, he was reticent about speaking of his personal connection with the composer, and for many years the single available published letter from Mahler to Adler was one that was sharply critical in tone. A few somewhat disparaging references in Alma Mahler's recollections also raised questions about the degree of friendship between the two men.
Author: Karen Painter
Publisher: Princeton University Press
ISBN: 0691218358
Category : Music
Languages : en
Pages : 412
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Book Description
From the composer's lifetime to the present day, Gustav Mahler's music has provoked extreme responses from the public and from experts. Poised between the Romantic tradition he radically renewed and the austere modernism whose exponents he inspired, Mahler was a consummate public persona and yet an impassioned artist who withdrew to his lakeside hut where he composed his vast symphonies and intimate song cycles. His advocates have produced countless studies of the composer's life and work. But they have focused on analysis internal to the compositions, along with their programmatic contexts. In this volume, musicologists and historians turn outward to examine the broader political, social, and literary changes reflected in Mahler's music. Peter Franklin takes up questions of gender, Talia Pecker Berio examines the composer's Jewish identity, and Thomas Peattie, Charles S. Maier, and Karen Painter consider, respectively, contemporary theories of memory, the theatricality of Mahler's art and fin-de-siècle politics, and the impinging confrontation with mass society. The private world of Gustav Mahler, in his songs and late works, is explored by leading Austrian musicologist Peter Revers and a German counterpart, Camilla Bork, and by the American Mahler expert Stephen Hefling. Mahler's symphonies challenged Europeans and Americans to experience music in new ways. Before his decision to move to the United States, the composer knew of the enthusiastic response from America's urban musical audiences. Mahler and His World reproduces reviews of these early performances for the first time, edited by Zoë Lang. The Mahler controversy that polarized Austrians and Germans also unfolds through a series of documents heretofore unavailable in English, edited by Painter and Bettina Varwig, and the terms of the debate are examined by Leon Botstein in the context of the late-twentieth-century Mahler revival.
Author: Alfred Rosenzweig
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754653530
Category : Music
Languages : en
Pages : 268
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Book Description
Alfred Mathis-Rosenzweig (1897-1948), a Viennese musicologist and critic, embarked on producing a large-scale study of Mahler in 1933, but left an unfinished manuscript at the time of his death. Here Jeremy Barham prepares the first published edition of this important work, his annotations and commentary adding invaluable material to the translation. Biographical material is used as a loose framework and platform for Mathis-Rosenzweig's profound examination of the environment within which Mahler's earlier music was embedded--an environment in which Wagner, Bruckner and Wolf feature prominently, and in which Mahler's music is viewed from the wider perspective of nineteenth-century German cultural domination and the subsequent rise of political extremism in the form of Hitlerite fascism.
Author: Donald Mitchell
Publisher: Univ of California Press
ISBN: 9780520042209
Category : Biography & Autobiography
Languages : en
Pages : 468
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Book Description
Donald Mitchell's second book on the life and work of Gustav Mahler focuses principally on Mahler's first settings of Wunderhorn texts, volumes I and II of the Lieder und Gesaenge, his first song-cycle, the Lieder eines fahrendedn Gesellen, the later, orchestral settings of Wunderhorn poems. The central section of the book explores the extraordinary and often eccentric chronology of the First, Second and Third Symphonies' composition, an often minute exploration which reveals the interpenetration of song and symphony in this period of Mahler's art, emphasizes the significance for these works of imagery drawn from the Wunderhorn anthology, and calls attention to the ambiguous position ocupied by much of Mahler's music at this time, suspended as it was between the rival claims - and forms - of syphony and symphonic poem. The final section of the book not only looks at the Fourth Symphony as the final, perhaps most perfect, flowering of Mahler's Wunderhorn symphonies, but also investigates such fascinating topics as the relationship between Mahler and Berlioz, Mahler's addiction to the E flat clarinet, and the influence of Bach on Mahler's later masterpieces.
Author: Julian Johnson
Publisher: Oxford University Press
ISBN: 0199707081
Category : Music
Languages : en
Pages : 377
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Book Description
Mahler's Voices brings together a close reading of the renowned composer's music with wide-ranging cultural and historical interpretation, unique in being a study not of Mahler's works as such but of Mahler's musical style.
Author: Jeremy Barham
Publisher: Cambridge University Press
ISBN: 1139827200
Category : Music
Languages : en
Pages : 370
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Book Description
In the years approaching the centenary of Mahler's death, this book provides both summation of, and starting point for, an assessment and reassessment of the composer's output and creative activity. Authored by a collection of leading specialists in Mahler scholarship, its opening chapters place the composer in socio-political and cultural contexts, and discuss his work in light of developments in the aesthetics of musical meaning. Part II examines from a variety of analytical, interpretative and critical standpoints the complete range of his output, from early student works and unfinished fragments to the sketches and performing versions of the Tenth Symphony. Part III evaluates Mahler's role as interpreter of his own and other composers' works during his lifelong career as operatic and orchestral conductor. Part IV addresses Mahler's fluctuating reception history from scholarly, journalistic, creative, public and commercial perspectives, with special attention being paid to his compositional legacy.
Author: Thomas Peattie
Publisher: Cambridge University Press
ISBN: 1316298442
Category : Music
Languages : en
Pages : 233
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Book Description
In this study Thomas Peattie offers a new account of Mahler's symphonies by considering the composer's reinvention of the genre in light of his career as a conductor and more broadly in terms of his sustained engagement with the musical, theatrical, and aesthetic traditions of the Austrian fin de siècle. Drawing on the ideas of landscape, mobility, and theatricality, Peattie creates a richly interdisciplinary framework that reveals the uniqueness of Mahler's symphonic idiom and its radical attitude toward the presentation and ordering of musical events. The book goes on to identify a fundamental tension between the music's episodic nature and its often-noted narrative impulse and suggests that Mahler's symphonic dramaturgy can be understood as a form of abstract theatre.
Author: Jens Malte Fischer
Publisher: Yale University Press
ISBN: 0300172192
Category : Biography & Autobiography
Languages : en
Pages : 721
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Book Description
A best seller when first published in Germany in 2003, Jens Malte Fischer's "Gustav Mahler" has been lauded by scholars as a landmark work. He draws on important primary resources--some unavailable to previous biographers--and sets in narrative context the extensive correspondence between Mahler and his wife, Alma; Alma Mahler's diaries; and the memoirs of Natalie Bauer-Lechner, a viola player and close friend of Mahler, whose private journals provide insight into the composer's personal and professional lives and his creative process.Fischer explores Mahler's early life, his relationship to literature, his achievements as a conductor in Vienna and New York, his unhappy marriage, and his work with the Metropolitan Opera and the New York Philharmonic in his later years. He also illustrates why Mahler is a prime example of artistic idealism worn down by Austrian anti-Semitism and American commercialism. "Gustav Mahler" is the best-sourced and most balanced biography available about the composer, a nuanced and intriguing portrait of his dramatic life set against the backdrop of early 20th century America and fin de siecle Europe.
Author: Stephen Downes
Publisher: Cambridge University Press
ISBN: 1107008719
Category : Biography & Autobiography
Languages : en
Pages : 291
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Book Description
The music of Gustav Mahler repeatedly engages with Romantic notions of redemption. This is expressed in a range of gestures and procedures, shifting between affirmative fulfilment and pessimistic negation. In this groundbreaking study, Stephen Downes explores the relationship of this aspect of Mahler's music to the output of Benjamin Britten, Kurt Weill and Hans Werner Henze. Their initial admiration was notably dissonant with the prevailing Zeitgeist - Britten in 1930s England, Weill in 1920s Germany and Henze in 1950s Germany and Italy. Downes argues that Mahler's music struck a profound chord with them because of the powerful manner in which it raises and intensifies dystopian and utopian complexes and probes the question of fulfilment or redemption, an ambition manifest in ambiguous tonal, temporal and formal processes. Comparisons of the ways in which this topic is evoked facilitate new interpretative insights into the music of these four major composers.
Author: Henry A. Lea
Publisher: Bonn : Bouvier
ISBN:
Category : Composers
Languages : en
Pages : 174
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Book Description
Gives a short introductory biography of the composer, mentioning antisemitic opposition to his appointment in Budapest and attacks on him in Vienna. Describes the political and cultural status of the Jews in the Austo-Hungarian empire and the rise of political antisemitism. Ch. 3 (pp. 43-65), "The Eternal Jew, " describes Mahler's feeling that he was an eternal outsider, and his dislike for traditional Jews. He was ashamed of his decision to be baptized in order to obtain advancement, and was not an ardent Catholic as his wife later claimed. The rest of the book is devoted to analysis of Mahler's music.
