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Author: Robert Carl Hartman
Publisher:
ISBN: 9780961495602
Category : Guitar
Languages : en
Pages : 167
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Book Description
Author: Robert Carl Hartman
Publisher:
ISBN: 9780961495602
Category : Guitar
Languages : en
Pages : 167
Get Book Here
Book Description
Author: Robert Carl Hartman
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 214
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Book Description
Author: Jeffrey Noonan
Publisher: A-R Editions, Inc.
ISBN: 9780895796448
Category : Music
Languages : en
Pages : 344
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Book Description
In the early years of the twentieth century, O.G. Sonneck, the father of American musicology, decried the state of musical bibliography in this country, encouraging musical scholars to dedicate themselves to preserving, cataloging, and promoting the use of America’s musical ephemera, especially newspapers and magazines. Despite his century-old calls, much work in this area remains undone. This volume responds to Sonneck’s call for action by creating a bibliography of periodicals that document the use and place of the guitar in a little-known segment of America’s musical culture in the final decades of the nineteenth century through the first third of the twentieth century. Between 1880 and the mid-1930s, a unique musical movement grew and flourished in this country. Focused on the promotion of so-called “plectral instruments,” this movement promoted the banjo, the mandolin, and the guitar as cultivated instruments on a par with the classical violin or piano. The Banjo, Mandolin and Guitar (BMG) community consisted of instrument manufacturers, music publishers, professional teachers and composers, and amateur students. While some professional soloists achieved national recognition, the performing focus of the movement was ensemble work, with bands of banjos, mandolins and guitars ranging from quartets and quintets (modeled on the violin-family string ensembles) to festival orchestras of up to 400 players (mimicking the late romantic symphony orchestra). The repertoire of most ensembles included popular dances of the day as well as light classics, but more ambitious ensembles tackled Mozart, Haydn, Beethoven, and even Wagner. Although this movement straddled both popular and cultivated (classical) music-making, its elitist pretensions contributed to its demise in the wake of the explosive growth of modern American popular music linked to Tin Pan Alley or the blues. While the movement’s heyday spanned the early years of audio recording, only a handful of active BMG performers made recordings. As a result few musical scholars are aware of the BMG movement and its contribution to American musical culture, especially its influence on the physical and technical development of America’s instrument, the guitar The movement did, however, leave extensive traces of itself in periodicals produced by manufacturing and publishing concerns. Beginning in 1882, the leadership of the BMG movement fell to the publishers, editors, and contributors from these promotional journals, which were dedicated to the “interests of Banjoists, Mandolinists and Guitarists” While advertising dominated the pages of most of these periodicals, nearly all offered product and publication reviews, historical surveys, biographical sketches, and technical advice. In addition, the BMG magazines not only documented performances with reviews and program lists but also contained musical scores for solo instruments and plucked-string ensembles. These magazines are the primary sources which document this vibrant expression of America’s musical life. While one or two of the BMG magazines have been known by guitar scholars, most have not seen the light of day in decades. Similarly, a few of the leading guitar figures of the BMG movement—principally William Foden, Vahdah Olcott-Bickford, and George C. Krick—have been acknowledged and documented but many more remain completely anonymous. This bibliography offers access to the periodicals which help document the story of the guitar in America’s progressive era—a story of tradition and transformation—as lived and told by the guitar’s players, teachers, manufacturers, composers, and fans in the BMG movement. The bibliography consists of two large sections. The first contains a chronological list of articles, news items, advertisements, illustrations, and photographs as well as a list of musical works for guitar published in the BMG magazines. The second section of the bibliography is a series of indices which link names and subjects to the lists. With nearly 5500 entries and over 100 pages of indices, this bibliography offers researchers access to a musical world that has been locked away on library shelves for the past century.
Author: Walter Carter
Publisher: Rowman & Littlefield
ISBN: 1493079271
Category : Music
Languages : en
Pages : 154
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Book Description
When large numbers of students from Spain arrived in New York in 1880, they introduced the American public to a new instrument – the mandolin. Spanning more than a century, this book chronicles the national mandolin craze that swept across the nation and the evolution of the instrument in America to the present day. Eclipsing the banjo and guitar as the most popular fretted instrument in the late 19th century, the mandolin inspired the formation of the Gibson company. After World War I, the mandolin went into a long period of decline, during which it found sanctuary in rural string bands and bluegrass music. By the 1980s, a revival was underway, with adventurous players using mandolins in all types of musical settings, including symphonic, semi-classical ensembles, jazz, klezmer, Irish, choro, and all the branches emanating from bluegrass. The Mandolin in America profiles all the significant makers, including Bigsby, Epiphone, Fender, Flatiron, Giacomel, Gibson, Gilchrist, Lyon & Healy, Martin, Monteleone, National, Nugget, Vega, Vinaccia, and Washburn. Lavishly illustrated with color photos throughout, this is a must-have volume for collectors and music enthusiasts alike.
Author: George Gruhn
Publisher: Backbeat Books
ISBN: 9780879304935
Category : Music
Languages : en
Pages : 313
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Book Description
Traces the evolution of America's fretted instruments, including the mandolin, the banjo, and the guitar.
Author: Graham McDonald
Publisher:
ISBN: 9780980476279
Category : Mandolin
Languages : en
Pages : 0
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Book Description
The mandolin is a fascinating and diverse musical instrument that spans across centuries and continents. With photographs and in-depth details, this book traces the history of the mandolin and its family that can be found around the world. There are detailed stories that tell who, where, why, and how each beautiful piece was made. Included are chapters such as "The American Mandolin," "Gibson," "The Middle Ages & Renaissance," and "Spain, Portugal & Beyond."
Author: Steven Miller
Publisher:
ISBN: 9780578961750
Category :
Languages : en
Pages :
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Book Description
A survey of the development of stringed instruments in America between 1870 and 2020. Many photographs of instruments, musical groups, period advertising and other related materials. Over 90 instruments are shown and discussed all pages in color. Includes extensive Bibliography, Web resources and numerous U.S. Patents.
Author: George Gruhn
Publisher: Hal Leonard Corporation
ISBN: 9780879304225
Category : Music
Languages : en
Pages : 628
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Book Description
The original version of this guide has sold over 30,000 copies. This new edition has been expanded by 25% and promises to become an invaluable resource. For collectors, dealers and players, this completely updated "field guide" provides specifications, serial numbers, and more for determining the originality of vintage American acoustic and electric fretted instruments. Detailing thousands of models by every major manufacturer, the book now includes expanded coverage of Martin, Guild, Mosrite, Dobro, Gibson banjos, Fender amps, Gibson amps, plus updates on the latest models from Fender, Gibson, Rickenbacker, and others since 1990.
Author: George Gruhn
Publisher: Backbeat Books
ISBN: 9780879302405
Category : Music
Languages : en
Pages : 313
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Book Description
Traces the evolution of America's fretted instruments, including the mandolin, the banjo, and the guitar
Author: Robert Carl Hartman
Publisher: Centerstream Publications
ISBN: 9781574242126
Category : Music
Languages : en
Pages : 0
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Book Description
This book is an account of two brothers who were premier producers of stringed instruments in the early part of this century. Swedish immigrant cabinet makers Carl and August Larson made instruments under the brand names of Maurer, Prairie State, Euphonon, W.J. Dyer and Bro., Wm. C. Stahl, and under their own name, and their highly collectible creations are considered today to be some of the finest ever made. Lovingly researched and written by Robert Hartman, grandson of Carl Larson, The Larsons' Creations contains many beautiful color photos of these artful instruments, classic advertisements and catalogs, and a CD featuring guitarist Muriel Anderson playing 11 songs on 11 Larson instruments. Includes 16 pages of full-color photos!
