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Author: Elizabeth Eva Leach
Publisher: Cornell University Press
ISBN: 1501704869
Category : Biography & Autobiography
Languages : en
Pages : 384
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Book Description
At once a royal secretary, a poet, and a composer, Guillaume de Machaut was one of the most protean and creative figures of the late Middle Ages. Rather than focus on a single strand of his remarkable career, Elizabeth Eva Leach gives us a book that encompasses all aspects of his work, illuminating it in a distinctively interdisciplinary light. The author provides a comprehensive picture of Machaut's artistry, reviews the documentary evidence about his life, charts the different agendas pursued by modern scholarly disciplines in their rediscovery and use of specific parts of his output, and delineates Machaut's own poetic and material presentation of his authorial persona. Leach treats Machaut's central poetic themes of hope, fortune, and death, integrating the aspect of Machaut's multimedia art that differentiates him from his contemporaries' treatment of similar thematic issues: music. In restoring the centrality of music in Machaut's poetics, arguing that his words cannot be truly understood or appreciated without the additional layers of meaning created in their musicalization, Leach makes a compelling argument that musico-literary performance occupied a special place in the courts of fourteenth-century France.
Author: Elizabeth Eva Leach
Publisher: Cornell University Press
ISBN: 1501704869
Category : Biography & Autobiography
Languages : en
Pages : 384
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Book Description
At once a royal secretary, a poet, and a composer, Guillaume de Machaut was one of the most protean and creative figures of the late Middle Ages. Rather than focus on a single strand of his remarkable career, Elizabeth Eva Leach gives us a book that encompasses all aspects of his work, illuminating it in a distinctively interdisciplinary light. The author provides a comprehensive picture of Machaut's artistry, reviews the documentary evidence about his life, charts the different agendas pursued by modern scholarly disciplines in their rediscovery and use of specific parts of his output, and delineates Machaut's own poetic and material presentation of his authorial persona. Leach treats Machaut's central poetic themes of hope, fortune, and death, integrating the aspect of Machaut's multimedia art that differentiates him from his contemporaries' treatment of similar thematic issues: music. In restoring the centrality of music in Machaut's poetics, arguing that his words cannot be truly understood or appreciated without the additional layers of meaning created in their musicalization, Leach makes a compelling argument that musico-literary performance occupied a special place in the courts of fourteenth-century France.
Author: Lawrence Earp
Publisher: Routledge
ISBN: 1136781773
Category : Music
Languages : en
Pages : 680
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Book Description
First published in 1996. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Deborah McGrady
Publisher: BRILL
ISBN: 9004225811
Category : Biography & Autobiography
Languages : en
Pages : 435
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Book Description
This collection provides a comprehensive reading of Machaut’s literary and musical corpus that privileges his engagement with contemporary political, ethical, and aesthetic concerns of late medieval culture as well as his reception by artists and thinkers, medieval and modern.
Author: Janet Shirley
Publisher: Routledge
ISBN: 1351931938
Category : History
Languages : en
Pages : 176
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Book Description
Guillaume de Machaut, a man famous for both his poetry and his musical compositions, wrote his Prise d’Alexandrie (or Capture of Alexandria) just a few years after the death of his hero, King Peter I of Cyprus (1359-69). It is a verse history of Peter’s reign, and was Machaut’s last major literary work. Peter’s ancestors had ruled the island of Cyprus since the 1190s, and in 1365 Peter gained notoriety throughout western Europe as leader of a crusading expedition which captured the Egyptian port of Alexandria. His forces, however, were unable to retain control, and Peter was left with a war against the Egyptian sultan. It was his increasingly desperate measures to continue the struggle and carry opinion with him that resulted in his murder in 1369. Machaut relied on information relayed by French participants in Peter’s wars, but although he was not an eyewitness of these events, his account is independent of other narratives of the reign which were written in Cyprus apparently under the auspices of the king’s heirs.
Author: Guillaume (de Machaut)
Publisher: Routledge
ISBN: 9780815313274
Category : Poetry
Languages : en
Pages : 765
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Book Description
This is the first complete edition and the first English translation of one of the most fascinating poems of the late Middle Ages. Machaut's narrative tells "the true story" of the aged poet's romance with a young admirer, constructed around the letters and lyric poems they exchanged, and offers unique insights into the making of poetry, music and manuscripts. Introductory essays survey Machaut's biography, reevaluate the autobiographical content of the poem, explore the literary context, and discuss the miniatures, which are reproduced within the text. Also included is a full listing of variant readings, a commentary on references to contemporary events and the writing of the poem, an outline chronology, indices of lyrics, and a table to convert line numbers between this edition and the incomplete 1875 edition of P. Paris.
Author: Deborah L. McGrady
Publisher: University of Toronto Press
ISBN: 1442615540
Category : Literary Criticism
Languages : en
Pages : 349
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Book Description
Guillaume de Machaut (1300-1377) was the master poet of fourteenth-century France. He established models for much of the vernacular poetry written by subsequent generations, and he was instrumental in institutionalizing the lay reader. In particular, his longest and most important work, the Voir dit, calls attention to the coexistence of public and private reading practices through its intensely hybrid form: sixty-three poems and ten songs invite an oral performance, while forty-six private prose letters as well as elaborate illustration and references to it's own materiality promote a physical encounter with the book. In Controlling Readers, Deborah McGrady uses Machaut's corpus as a case study to explore the impact of lay literacy on the culture of late-medieval Europe. Arguing that Machaut and his bookmakers were responding to contemporary debates surrounding literacy, McGrady first accounts for the formal invention of the lay reader in medieval art and literature, then analyses Machaut and his bookmakers' innovative use of both narrative and bibliographical devices to try to control the responses of his readers and promote intimate and sensual reading practices in place of the more common public performances of court culture. McGrady's erudite and exhaustive study is key to understanding Machaut, his works, and his influence on the history of reading in the fourteenth-century and beyond.
Author: Helen Deeming
Publisher: Cambridge University Press
ISBN: 1107062632
Category : Language Arts & Disciplines
Languages : en
Pages : 347
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Book Description
This in-depth exploration of key manuscript sources reveals new information about medieval songs and sets them in their original contexts.
Author: James I. Wimsatt
Publisher: Unc Department of Romance Studies
ISBN: 9780807890875
Category : Flowers in literature
Languages : en
Pages : 0
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Book Description
Cover -- TABLE OF CONTENTS -- INTRODUCTION -- I. THE "DIT DE LA FLEUR DE LIS ET DE LA MARGUERITE"--II. THE INFLUENCE OF "LIS ET MARGUERITE"--III. PIERRE OF CYPRUS AND THE IDENTITY OF MARGUERITE -- IV. THE TRANSCENDENT MARGUERITE -- INDEX -- A -- B -- C -- D -- E -- F -- G -- H -- J -- L -- M -- P -- R -- T -- U -- W -- Y
Author: Anne Walters Robertson
Publisher: Cambridge University Press
ISBN: 9780521418768
Category : History
Languages : en
Pages : 482
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Book Description
Table of contents
Author: Judith A. Peraino
Publisher: OUP USA
ISBN: 0199757240
Category : History
Languages : en
Pages : 371
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Book Description
The lyrics of medieval "courtly love" songs are characteristically self-conscious. Giving Voice to Love investigates similar self-consciousness in the musical settings. Moments and examples where voice, melody, rhythm, form, and genre seem to comment on music itself tell us about musical responses to the courtly chanson tradition, and musical reflections on the complexity of self-expression.
