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Author: Mark Ross Clark
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 630
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Book Description
An invaluable guide to some of the most demanding aria excerpts
Author: Mark Ross Clark
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 630
Get Book Here
Book Description
An invaluable guide to some of the most demanding aria excerpts
Author: Martial Singher
Publisher: Penn State Press
ISBN: 0271065176
Category : Music
Languages : en
Pages : 347
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Book Description
A premier singer and master teacher here tells other singers how to get the most from 151 famous arias selected for their popularity or their greatness from 66 operas, ranging in time and style from Christopher Gluck to Carlisle Floyd, from Mozart to Menotti. “The most memorable thrills in an opera singer's life,” according to the author's Introduction, “may easily derive from the great arias in his or her repertoire.” This book continues the work Martial Singher has done, in performances, in concerts, and in master classes and lessons, by drawing attention “not only to precise features of text, notes, and markings but also to psychological motivations and emotional impulses, to laughter and tears, to technical skills, to strokes of genius, and even here and there to variations from the original works that have proved to be fortunate.” For each aria, the author gives the dramatic and musical context, advice about interpretation, and the lyric—with the original language (if it is not English) and an idiomatic American English translation, in parallel columns. The major operatic traditions—French, German, Italian, Russian, and American—are represented, as are the major voice types—soprano, mezzo-soprano, tenor, baritone, bass-baritone, and bass. The dramatic context is not a mere summary of the plot but is a penetrating and often witty personality sketch of an operatic character in the midst of a situation. The musical context is presented with the dramatic situation in a cleverly integrated way. Suggestions about interpretation, often illustrated with musical notation and phonetic symbols, are interspersed among the author's explication of the music and the action. An overview of Martial Singher’s approach—based on fifty years of experience on stage in a hundred roles and in class at four leading conservatories—is presented in his Introduction. As the reader approaches each opera discussed in this book, he or she experiences the feeling of participation in a rehearsal on stage under an urbane though demanding coach and director. The Interpretive Guide will be of value to professional singers as a source of reference or renewed inspiration and a memory refresher, to coaches for checking and broadening personal impressions, to young singers and students for learning, to teachers who have enjoyed less than a half century of experience, and to opera broadcast listeners and telecast viewers who want to understand what goes into the sounds and sights that delight them.
Author: Richard Boldrey
Publisher: Pst Records
ISBN:
Category : Music
Languages : en
Pages : 572
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Book Description
This text features works from 350 composers in 16 different languages and 30 voice categories - all sorted and cross-referenced. This one-of-a- kind reference allows you to search by: Roles, voice categories, aria titles, singers, composers, operas
Author: Mark Ross Clark
Publisher: Indiana University Press
ISBN: 0253109396
Category : Music
Languages : en
Pages : 172
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Book Description
"... a remarkable collection of observations and reflections on past experiences by many excellent artists and teachers that will doubtless help... those interested in creating 'opera magic.'" -- Tito Capobianco Singing, Acting, and Movement in Opera is designed for use in opera and musical theater workshops and by beginning professional singers. Drawing on years of research, teaching, and performing, Mark Ross Clark provides an overview of dramatic methodology for the singing actor, encouraging the student's active participation through practical exercises and application to well-known works. The Singer-getics method emphasizes integration of the various dimensions of opera performance, creating synergies among vocal performance, character development, facial expression, and movement on the stage. The book presents important information about stagecraft, characterization, posture, historical styles, performance anxiety, aria, and scene analysis. Excerpts from interviews with performers, directors, conductors, coaches, composers, and teachers offer insights and advice, allowing the reader to "meet the artists." An appendix by postural alignment specialist Emily Bogard describes techniques of relaxation and self-awareness for the performer. This lively book will appeal to students, teachers, professionals, and general readers alike.
Author: Neal Goren
Publisher: Rowman & Littlefield
ISBN: 1538137941
Category : Music
Languages : en
Pages : 211
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Book Description
It is no secret that the opera industry is contracting and that there are fewer professional opportunities. But what causes one singer to be in demand over another is not exclusively a special instrument or exceptional vocal technique—rather, the ability to interpret the music and portray character convincingly plays an increasingly vital role in today’s opera industry. Beyond the Aria: Artistic Self-Empowerment for the Classical Singer provides singers with the tools to develop an inquisitive and analytical mindset about the artistic details found in scores. Neal Goren takes singers through a careful reading of clues provided by the librettist and composer, informed by performance practice, and empowers singers to make their own valid artistic choices. Sample analyses of six standard arias and songs are provided as a guide of characterization. Chapters also address artistic collaboration and audition strategies. Also included are exclusive interviews with eight great singing actors of the twentieth and twenty-first centuries, including Jonas Kaufmann, Christa Ludwig, Audra McDonald, and Barbara Hannigan, who share their individual methods for constructing a character.
Author: John Yaffé
Publisher: Scarecrow Press
ISBN: 0810883147
Category : Music
Languages : en
Pages : 550
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Book Description
Conductors John Yaffé and David Daniels have created a one-stop sourcebook for orchestras, opera companies, conductors, and librarians who research and/or prepare programs of vocal excerpts—such as solos, ensembles, and choruses—for concert performance. In this book, readers will find detailed information on a vast repertoire of vocal pieces commonly extracted from operas, operettas, musicals, and oratorios—more than 1,750 excerpts from 450 parent works. Modeled on Daniels’ Orchestral Music, Arias, Ensembles, & Choruses includes basic historical details about each parent work as well as extract titles, subtitles, voice types, keys, durations, locations in the original work (with page numbers in both full scores and piano-vocal scores), and exact instrumentation. It also lists the publishers that make available the orchestral materials for just the excerpt being programmed, independent of the full parent work. Until now, conductors and orchestra librarians commonly had to first leaf through full scores, searching for one elusive three-minute aria after another, only to then consult multiple publishers' catalogues to compile crucial information on all the excerpts proposed for a concert or recording. This book constitutes a single source for finding that information. In many cases, the individual entries include valuable insider information on common performance practice, including start- and stop-points, transpositions, and conventional cuts. Searching for repertoire is made easy with the detailed title index and appendixes devoted to ensemble excerpts, all categorized by personnel (e.g., duets, trios, quartets, quintets, sextets, choruses) and language (Czech, English, French, German, Italian, Latin, Russian). This book is the ideal tool for the working conductor and orchestral librarian, as well as music program directors at colleges and conservatories, opera companies, and symphony orchestras. As of October 2015, a new printing of this book has occurred to correct errors in the index. A PDF version of the new index is available to previous purchasers of the volume. Please contact Rowman & Littlefield's music editor for assistance.
Author: Philip Shepard
Publisher: Philip Shepard
ISBN: 0979885221
Category : Business & Economics
Languages : en
Pages : 246
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Book Description
If you are looking to expand your opera career to Germany, Austria, and Switzerland... If you want to work as a full-time singer (Fest) in one or more opera houses... If you are curious about what life is like as a singer in a German-speaking Fest ensemble... If you want to become fluent in German...What The FACH?! 2nd Edition (http: //www.what-the-fach.com) gives you a detailed, first-hand look into life as an English-speaking opera singer in the German theater system. Written by a full-time opera singer working in Europe, this invaluable resource is a 'must have' for every singer wanting to break into the German-speaking opera world.The bestselling guide is back for its Second Edition with detailed information covering virtually everything you can think of, including everything you never thought to think of but still need to know!There are countless English-speaking singers already working in the German-speaking world, and with What The FACH?! 2nd Edition, you can have the knowledge they already possess in hand.READ WHAT OPERA PROFESSIONALS ARE SAYING.....".a comprehensive resource for decoding the mysteries of professional singing in Europe..."-- HUGH RUSSELL, Canadian baritone..".without a doubt the best reference of its kind. ...What the FACH?! answers the obvious and not-so obvious questions - in a concise and very funny way - that one comes across while working in Central Europe's 'Fest' opera system..."-- KATE ALDRICH, American mezzo-soprano"Any singer planning an audition trip to Germany should READ THIS BOOK FIRST! It will answer multiple questions, help in travel planning, seve them money AND prevent many headaches!"-- KIRSTEN GUNLOGSON, American mezzo-soprano"Not only is this book a MUST HAVE for any singer who has considered going to Europe, it is also a wildly entertaining read!"-- COREY MCKERN, American baritone"What the FACH?! is a witty, common sense approach to one of the most challenging endeavors for a developing artist in today's operatic world. A nearly encyclopedic amount of information presented in a format that will keep you informed, inquisitive and amused."-- PATRICK CARFIZZI, American bass-baritone"What a valuable service for novice and well-traveled artists alike!"-- GARNETT BRUCE, American stage directorWhat you get with What the FACH?! 2nd EDITION...A 252 page survival guide detailing the most specific information to date for opera singers, conductors, stage directors, and pianists/accompanists, wanting to tour the German-speaking worldAn 18-page German/English Phrasebook and Dictionary specifically designed for opera singers, coaches, conductors, and stage directorsOver 350 active hyperlinks to crucial Websites and documents, such as residence and work permit applications; tax documents; and much, much moreIn-depth interviews with working professionals. These interviews include singers, conductors, pianists, directors, opera administration, and a lengthy discussion with NYIOP Founder and CEO David Blackburn.A 7-page comprehensive glossary - prepared by a medical doctor - of any and all prescription and non-prescription medications that you might need. Generic names and specific brand names for individual countries are all includedPersonal, first-hand accounts and experiences to help you prepare for, and understand, what you will encounter
Author: Berton Coffin
Publisher: Scarecrow Press
ISBN: 9780810815339
Category : Language Arts & Disciplines
Languages : en
Pages : 404
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Book Description
Since the publication of the first edition in 1964, Phonetic Readings of Songs and Arias has served singers, teachers of singing, and students of lyric diction as a guide to the correct pronunciation of songs in foreign languages.
Author: Christopher Arneson
Publisher:
ISBN: 9780990507307
Category : Singing
Languages : en
Pages : 238
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Book Description
This first of its kind text explores voice repertoire from a unique perspective: how it can be used to foster the vocal growth of developing singers. Following in the footsteps of seminal works including Kagen's Music for the Voice, Arneson presents insights into a vast range of specific repertoire, both on and off the beaten track, showing how it can be used to support and enhance learning and skills acquisition in singers, from beginners to experienced professionals.
Author: Christopher Arneson
Publisher:
ISBN: 9780991087686
Category :
Languages : en
Pages :
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Book Description
Multi-volume set that includes "Literature for Teaching" and all five volumes of "Solo Vocal Repertoire" (soprano, mezzo, tenor, baritone, bass).
